All Quiet On The Western Front has made history, scoring the highest number of BAFTAs for a foreign language film with seven awards – including the night’s big prize for best film.
The Netflix anti-war epic movie had led the BAFTA nominations with 14, equalling the record set in 2001 by Crouching Tiger as a non-English language film with the most nods.
Image: Ian Stokell, Lesley Paterson and Edward Berger accept the adapted screenplay Award for All Quiet on the Western Front
Edward Berger’s reworking of Erich Maria Remarque’s 1928 novel of the same name took the prizes for best director, film not in the English language, adapted screenplay, cinematography and original score and sound, as well as best film.
Its seven wins break the record for the highest number of BAFTAs won by a foreign language film – previously held by Italian coming-of-age drama Cinema Paradiso, which claimed five in 1988.
Director Berger told Sky News: “Best director is the one I never thought would work. It’s a German movie, for Christ’s sake!”
Speaking on stage while accepting the award for best picture, cinematographer James Friend said the film showed how a generation of young German men were “poisoned by right-wing nationalistic propaganda” and he stressed that the film’s message remains relevant nearly a century on.
Berger also paid tribute to those currently fighting in Ukraine, his comments adding to a political flavour on the night, with many stars including Cate Blanchett, Colin Farrell and Michelle Yeoh all wearing a blue ribbon to show their solidarity and support for refugees and displaced people around the world.
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Martin McDonagh’s Irish tragi-comedy The Banshees Of Inisherin – which tells a tale of male friendship gone sour – took four gongs, as did Baz Luhrmann’s whirlwind biopic Elvis, about the king of rock and roll.
Austin Butler, 31, was named best actor for his portrayal of Elvis, who died prematurely aged 42 in 1977. The emotional star paid tribute to the Presley family as he accepted his award, saying: “I cannot thank you enough for your love… this means the world to me.”
Many had expected Banshees star Farrell to take the best actor prize, so this win was one of the surprises of the night.
Blanchett picked up the best actress award, calling the role of monstrous maestro Lydia Tar, “dangerous and potentially career-ending”.
Becoming emotional towards the end of her speech, she paid tribute to her family – listing her mother and four children – who she said had to put up with her absence for long periods of time while she was working on the movie.
The Banshees of Inisherin saw a double win in the supporting actor and actress categories, with Kerry Condon and Barry Keoghan taking the prizes.
Condon’s win followed a brief mix-up, when a miscommunication between a sign language translator and deaf Oscar-winning actor Troy Kotsur, who was presenting the award, saw Carey Mulligan initially announced as the winner.
Image: Troy Kotsur presented the best supporting actress award to ,The Banshees Of Inisherin star Kerry Condon
With the translator quickly correcting himself, the ceremony soon got back on track, with Condon thanking the cast – as well as her horses and dogs – for the win.
Multiverse sci-fi Everything Everywhere All At Once, indie hit Aftersun, James Cameron blockbuster Avatar: The Way of Water and 1920s Hollywood love-letter Babylon all took once gong each.
For the first time, this year’s awards were held at the Queen Elizabeth Hall on the Southbank in London.
The night was hosted by actor Richard E Grant, who led the show from the auditorium, and This Morning presenter Alison Hammond who spoke to the stars in a new BAFTA studio, giving viewers at home an access-all-areas experience of one of the biggest nights in film.
For the first time in BAFTA history, four of the night’s 25 categories were broadcast live – meaning those in the auditorium got to hear the biggest winners at the same time as the viewing public, most likely prompted by the show’s bosses striving to stay relevant in a landscape of ever-declining award show audiences.
Image: Ariana DeBose was among the night’s musical performers
There were also live music performances from US actress Ariana DeBose, London-born rapper Little Simz and musician Dylan.
The Prince and Princess of Wales were among those in attendance, and Oscar-winning actress Helen Mirren led a tribute to the late Queen.
While four-time BAFTA winner Blanchett called 2022 an “extraordinary year for women” in her best actress acceptance speech, just one woman – Gina Prince-Bythewood, who directed The Woman King – made the best director category, and she missed out on the prize – which went to Berger for All Quiet On The Western Front.
While men dominated the BAFTA film shortlist, and no female-directed films made it into the best film category, the outstanding debut by a British writer, director or producer category was an all-female shortlist of talent; the writer and director of Aftersun, Charlotte Wells, took that award.
Ahead of the ceremony, when asked about the possibility of gender-neutral performance categories – as the Brits has adopted – BAFTA chief executive Jane Millichip said there was “no timeline” for making a decision as they want to get it right, and they are currently consulting with organisations such as GLAAD (Gay and Lesbian Alliance Against Defamation).
Hip hop mogul Sean “Diddy” Combs has lost a bid to delay his upcoming sex-trafficking trial by two months.
US district judge Arun Subramanian said the 55-year-old rapper made his request too close to his trial, which is due to start next month.
Jury selection is currently scheduled for 5 May with opening statements set to be heard seven days later.
Combs has pleaded not guilty to five criminal counts including racketeering and sex trafficking.
Prosecutors with the Manhattan US attorney’s office accuse Combs of using his business empire to sexually abuse women between 2004 and 2024.
Combs’s lawyers say the sexual activity described by prosecutors was consensual.
In a court filing on Wednesday, Combs’s lawyer Marc Agnifilo asked Mr Subramanian to delay the trial because he needed more time to prepare his defence to two new charges which were brought on 4 April.
The charges were of sex trafficking and transportation to engage in prostitution.
Mr Agnifilo also said his team needs extra time to review emails it wants an alleged victim to turn over.
The new allegations brought the total number of criminal charges against the rap mogul to five – following the three original counts, which also included racketeering conspiracy, filed in September.
Federal prosecutors were opposed to any delay, writing in a Thursday court filing that the additional charges brought earlier this month did not amount to substantially new conduct.
They also said Combs was not entitled to the alleged victim’s communications.
Image: A sketch of Combs during one of his court appearances. Pic: Reuters
Meanwhile, Mr Subramanian is weighing other evidentiary issues, such as whether to allow alleged victims to testify under pseudonyms.
Also known during his career as Puff Daddy and P Diddy, Combs founded Bad Boy Records and is credited with helping turn rappers and R&B singers such as Notorious B.I.G, Mary J. Blige, Faith Evans and Usher into stars in the 1990s and 2000s.
But prosecutors have said his success concealed a dark side.
They say his alleged abuse included having women take part in recorded sexual performances called “freak-offs” with male sex workers, who were sometimes transported across state lines.
Combs has been in jail in Brooklyn since September, having been denied bail.
He also faces dozens of civil lawsuits by women and men who have accused him of sexual abuse.
Combs has strenuously denied all allegations of wrongdoing.
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
Image: (L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
Image: The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
Image: D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”
“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.
“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.
“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”
Image: Members of the Unite union in Birmingham earlier this month. Pic: PA
Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.
“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.
“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”
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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”
About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.
Image: Rubbish has blighted the city’s streets for weeks . Pic: PA
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Bin situation ‘pains me’ – council boss
On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.
He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.
“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.
Sky News understands talks are not set to resume until next week.