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In the AI of the beholder — Instagram photographer has a confession: His photos are AI-generated Artist wants to “come clean” and highlight a new media process.

Benj Edwards – Feb 21, 2023 12:30 pm UTC Enlarge / Jos Avery uses Midjourney, an AI image synthesis model, to create images that he then retouches and posts on Instagram as “photos.”Avery Season Art reader comments 42 with Share this story Share on Facebook Share on Twitter Share on Reddit

With over 26,000 followers and growing, Jos Avery’s Instagram account has a trick up its sleeve. While it may appear to showcase stunning photo portraits of people, they are not actually people at all. Avery has been posting AI-generated portraits for the past few months, and as more fans praise his apparently masterful photography skills, he has grown nervous about telling the truth. Further ReadingToo easyMidjourney tests dramatic new version of its AI image generator

“[My Instagram account] has blown up to nearly 12K followers since October, more than I expected,” wrote Avery when he first reached out to Ars Technica in January. “Because it is where I post AI-generated, human-finished portraits. Probably 95%+ of the followers don’t realize. I’d like to come clean.”

Avery emphasizes that while his images are not actual photographs (except two, he says), they still require a great deal of artistry and retouching on his part to pass as photorealistic. To create them, Avery initially uses Midjourney, an AI-powered image synthesis tool. He then combines and retouches the best images using Photoshop.

With Midjourney, anyone can pay a subscription fee for the privilege of generating art from text-based descriptions, called “prompts.” Midjourney’s creators taught the AI model how to synthesize images by showing it millions of examples of art from other artists. It can generate stunning photorealistic images that can fool some people into thinking they’re real photos, especially if retouched later. Advertisement “Classy Cameron” by Jos Avery. Avery says two of these photos were taken by a camera and the rest were AI-generated, then retouched. Can you figure out which ones are the real photos? Avery Season Art “Savanna Snow” by Jos Avery. Avery says two of these photos were taken by a camera and the rest were AI-generated, then retouched. Can you figure out which ones are the real photos? Avery Season Art “Jocose Jared” by Jos Avery. Avery says two of these photos were taken by a camera and the rest were AI-generated, then retouched. Can you figure out which ones are the real photos? Avery Season Art “Adept Albert” by Jos Avery. Avery says two of these photos were taken by a camera and the rest were AI-generated, then retouched. Can you figure out which ones are the real photos? Avery Season Art “Generous Gwendolyn” by Jos Avery. Avery says two of these photos were taken by a camera and the rest were AI-generated, then retouched. Can you figure out which ones are the real photos? Avery Season Art “Cold Oleksiy” by Jos Avery. Avery says two of these photos were taken by a camera and the rest were AI-generated, then retouched. Can you figure out which ones are the real photos? Avery Season Art

Originally an AI skeptic, Avery has become a convert to the new art form. Such work attracts great controversy in the art world, partly due to ethical issues around scraping human-made artwork without consent. But thanks to that artistic knowledge built into the model, some of the most skilled AI-augmented practitioners can render imagery far more vividly than if a human were working alone.

“I am honestly conflicted,” Avery said when he approached Ars to tell his story. “My original aim was to fool people to showcase AI and then write an article about it. But now it has become an artistic outlet. My views have changed.” Painted into a digital corner

Soon after Avery’s Instagram feed launched in October, positive comments about his fake photos began pouring in. “All I can say is: Your art is somehow unique, very unique, also very precious; you are actually telling paramount stories to the viewer using your cams,” wrote one commenter four weeks ago. “Setting novel highlights in contemporary photography IMHO! Your work is a great delight to mind and soul.”

Up until very recently, when asked, Avery was either vague about how he created the images or told people his works were actual photographs, even going so far as to describe which kind of camera he used to create them (“a Nikon D810 with 24-70mm lens”). But guilt began to build as his popularity grew. Page: 1 2 Next → reader comments 42 with Share this story Share on Facebook Share on Twitter Share on Reddit Benj Edwards Benj Edwards is an AI and Machine Learning Reporter for Ars Technica. For over 16 years, he has written about technology and tech history for sites such as The Atlantic, Fast Company, PCMag, PCWorld, Macworld, How-To Geek, and Wired. In 2005, he created Vintage Computing and Gaming. He also hosted The Culture of Tech podcast and contributes to Retronauts. Mastodon: benjedwards@mastodon.social Twitter @benjedwards Advertisement Channel Ars Technica ← Previous story Related Stories Today on Ars

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Climate Satellite MethaneSAT Fails After Just One Year in Orbit

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Climate Satellite MethaneSAT Fails After Just One Year in Orbit

One of the world’s most advanced satellites for detecting methane and other gases that contribute to the warming of the planet has gone dark and stopped communicating with ground-based controllers just over a year after being launched into orbit. Created by the nonprofit Environmental Defense Fund (EDF), the satellite — estimated to cost as much as $88 million — hitched a ride into space on a SpaceX rocket in March 2024. It was charged with monitoring methane leaks from oil and gas operations, and then making the data available to policymakers and scientists through open access. But on June 20, contact with the satellite was lost, and attempts to recover it have failed. EDF officially reported on July 1 that MethaneSAT has lost power and appears unlikely to recover.

MethaneSAT Failure Marks Setback for Climate Transparency Despite Data Gains and Global Support

As per a statement released by EDF, MethaneSAT’s failure came despite multiple recovery attempts. The satellite was constructed to lift the veil off methane’s invisible, weighty impact on global warming. It is nowhere near as common as carbon dioxide, but over a timescale of, say, a century, it is 20 to 30 times more efficient at trapping heat in the atmosphere than carbon dioxide. That makes its emissions a prime target in the effort to minimize the risks of global warming. MethaneSAT was developed to independently corroborate industrial methane reports, especially those from fossil fuel extraction. The loss of the satellite is a remarkable setback for transparency in climate science and monitoring of emissions worldwide.

Yet mission operators are hopeful that data already collected will have far-reaching effects. EDF emphasized that insights from MethaneSAT’s year in orbit will continue to be processed and made public in the coming months. The mission included backing from 10 partners such as Harvard University, the New Zealand Space Agency, BAE Systems, Google, and the Bezos Earth Fund.

Officials called MethaneSAT a bold and needed move to hold our climate accountable. Although the mission was cut short, it signaled one of the largest joint efforts between science, advocacy, and technology to battle climate change. “To succeed in meeting the climate challenge, we need bold action and fearless innovation,” EDF mentioned, describing the satellite as “at the vanguard of science.”
MethaneSAT’s brief history highlights the difficulty — and importance — of deploying space-based instruments to try and combat climate change. As other missions get ready to blaze the same trail, the data and experience this little spacecraft provided will influence the future of Earth observation.

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Microsoft Says Xbox Chief Phil Spencer Not Retiring ‘Anytime Soon’ After Rumour Surfaces Amid Layoffs

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New Interstellar Comet 3I/ATLAS Speeds Through Solar System

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New Interstellar Comet 3I/ATLAS Speeds Through Solar System

A newly confirmed interstellar comet is making a rare passage through our solar system — and skywatchers can catch it live online tonight. The object, now called 3I/ATLAS, is just the third interstellar visitor ever detected after the well-known ‘Oumuamua (2017) and 2I/Borisov (2019). The comet was so fresh when first detected on July 1 by the ATLAS telescope in Chile that it hadn’t even been given a name yet; the Minor Planet Center has it listed as “3I,” the “I” standing for interstellar. Tonight’s webcast will kick off at 6 p.m. EDT (2200 GMT) from the Virtual Telescope Project’s virtual observing facilities in Italy.

Interstellar Comet 3I/ATLAS Speeds Toward Sun at 68 km/s, Offers Rare Study Opportunity

As per a report by Space.com, 3I/ATLAS was detected as a faint object displaying subtle cometary features, including a marginal coma and a short tail. Currently located 4.5 astronomical units (AU) from the sun — about 670 million kilometers (416 million miles) — the comet is faint at magnitude 18.8, making it invisible to amateur telescopes. The interstellar object is traveling at an astonishing pace of 68 kilometers per second (152,000 mph) relative to the sun, but NASA officials say it poses no danger to Earth.

It was imaged by the Virtual Telescope Project on July 2, showing the comet as a point of light within the trailing background stars — a sure indication that it is indeed moving through space. 3I/ATLAS should brighten a little as it approaches the sun, particularly when it gets closest, or its perihelion, on Oct. 30, when it swings within 1.4 astronomical units of the sun or Mars’ orbit.

The close pass by this interstellar visitor is a rare chance for astronomers to study the materials and dynamics outside our solar system. 3I/ATLAS, which is racing along at a frenetic pace on an elliptical orbit, may also support research into how these objects change as they sit in different stellar environments.

After disappearing behind the sun in late fall, 3I/ATLAS is projected to return to observational reach in early December. Researchers anticipate further analysis then, expanding our understanding of these rare visitors that traverse the galaxy — and occasionally, pass through our celestial neighborhood.

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The Hunt: Rajiv Gandhi Assassination Now Available For Streaming on SonyLIV

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OKX CEO apologizes after ‘false positives’ lock users out of accounts

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OKX CEO apologizes after ‘false positives’ lock users out of accounts

OKX CEO apologizes after ‘false positives’ lock users out of accounts

The CEO of OKX says that “false positives” are among the biggest challenges the crypto exchange faces in ensuring global compliance.

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