“Beautiful, striking and petite,” Noor Inayat Khan was “the unlikeliest of spies”.
An accomplished musician and children’s writer, described as “a daydreamer” by her friends, few would have foreseen that she would go on to earn the George Cross for her service to her country.
Image: Liberte. Pic: Sky History
Now, 80 years after her first mission, the little-known Second World War heroine will have her story told in the short film Liberte, documenting her time as a British secret agent.
Actress and journalist Sam Naz, who wrote and co-produced the film, as well as playing the lead role, told Sky News: “I just couldn’t quite believe that here was a woman that looked like me, who had played such an important role during World War Two, and yet I had been taught nothing about her. And it kind of sparked something in me… I couldn’t shake her off.”
Naz, who has worked for the BBC, Radio 5 Live and currently presents for Sky News, searched out newly declassified files on Khan in the National Archives, visited the Imperial War Museum and retraced Khan’s steps around the safe house in Paris where she was held, as well as reading interviews from people who had known her.
She also visited the historic Nazis headquarters in Paris, 84 Avenue Foch, during the German occupation. This was where Khan was first held, and from where she twice tried to escape.
Naz says: “I looked at that building in awe, but it was impossible not to think of some of the horrors that happened in those makeshift cells in that building.”
More on World War Two
Related Topics:
At the time Khan was recruited as a spy, the allies were struggling to win the war, and Churchill was under pressure to come up with a solution.
A new spy agency – the Special Operations Executive (SOE) – was set up, and as the number of suitable men to send into key countries dwindled, women saw themselves recruited into dangerous roles for the first time.
Advertisement
As a fluent French speaker, and previous native of Paris (her family fled France when it fell to the Nazis), Khan was an invaluable asset to the resistance.
After first joining the Women’s Auxiliary Air Force, she moved on to the SOE where she was given special training as a wireless radio operator in occupied territory and in June 1943 was sent out into the field.
She was the first woman to ever do so – all the female agents before her had been sent as couriers.
Khan’s new persona was children’s nurse, Jeanne-Marie Renier, but to her SOE colleagues, she was known simply as Madeleine.
Naz explains: “When you think of a spy and when you visualize how TV, drama and film have portrayed spies, she’s the opposite. She’s a woman of colour. She’s of Indian descent. She’s a Muslim.
“I really wanted to put her front and centre. I wanted to showcase her and highlight this remarkable woman who had played such a key role.”
At the time, the life expectancy of someone in that role was just six weeks. This was because the Nazis were able to pick up the radio signals and work out where they were being transmitted from. But that didn’t put Khan off, far from it.
She arrived on her mission, only to find that the entire network she had been sent to join – codenamed “Prosper” – had all been captured by the Nazis.
She insisted on remaining in Paris to undertake what has since been called “the most dangerous post in France” – becoming the sole British radio operator operating in the city and doing her best to help rebuild the network and bring in new agents.
But it was after being betrayed by the Gestapo and captured by the Nazis that her true grit and courage became clear.
Naz explains: “She remained as that key link to London at great risk to herself. Eventually, they caught up with her, but that kind of courage is remarkable.”
Khan was held for around 10 months, and eventually sent to Germany, but never once cracked under Nazi brutality.
Considered “a particularly dangerous and uncooperative prisoner” according to records, she was kept separate from other inmates.
Describing testimony given by her German captors after the war, Naz says: “They talk about how others came and went and some were very quick to crack… But with her, there was this inner strength that just was unbreakable.”
Her “conspicuous courage, both moral and physical” would later be praised in reports of her capture.
It was that strength that Naz says was the most important element of the film: “Her resilience and her refusal to break under that immense pressure and turmoil that she would have gone through and being tested to the limit by the Nazis.”
‘Heart-wrenching and awe-inspiring’
Executed in the Dachau concentration camp in September 1944 along with three other female prisoners, Khan’s final word is believed to have been Liberte – the title of the film.
Five years after her death she was posthumously awarded the George Cross by the King.
With this year marking the 80th anniversary of her mission, Naz says it became more important to her than ever to keep Khan’s memory alive.
“I think drama really is powerful in doing that and bringing those people back to life for a moment on screen. And I think it just felt like the perfect medium to tell her story… I just hope I did it justice.”
Directed and co-produced by Christopher Hanvey, the film also features music composed in Khan’s memory by her late brother Hidayat Inayat. Her family has called the film “heart-wrenching and awe-inspiring”.
In 2020, Khan became the first woman of South Asian descent to have a blue plaque honouring her. It’s displayed on the wall of her wartime London home, 4 Taviton Street in Bloomsbury, London.
While Liberte may be complete, Naz isn’t quite ready to let Khan go. Her production company, Laconic Raven, is now developing the drama mini-series SOE about the Special Operations Executive which Khan was part of. The show will tell the story of five women, including Khan.
Naz says: “We’ve had SAS Rogue Heroes, which focuses on the brilliant work done by the men. But I think it’s time for the women to have their showcase too…
“It’ll blow your mind. And they’re from all backgrounds. There’s working-class women. There are young mothers who went out there. They’re incredible. And they all deserve their own time in the spotlight.”
Liberte premieres tonight on Sky History at 10.15pm and will then be available on NOW.
Thousands of people are expected to attend Port Talbot this weekend as the town gears up to welcome an annual Welsh festival.
The Urdd Eisteddfod is a celebration of Welsh culture when children and young people up to the age of 25 take part in a variety of competitions.
There are 400 of them in total, including singing, reciting poetry and dancing.
The Urdd organisation itself was established more than a century ago in 1922, with the aim of giving children and young people in Wales the opportunity to learn and socialise in the Welsh language.
Its six-day Eisteddfod is held during May half-term and in a different part of Wales each year.
The Urdd Eisteddfod broke its own records last year, with more than 100,000 registrations to compete.
Image: A choir competes at the 2024 Eisteddfod yr Urdd. Pic: Urdd Gobaith Cymru
Margam Park is home to this year’s event – the first time since 2003 that it’s played host.
Among the main prizes up for grabs this year are the chair (awarded to the main poetry competition winner) and the crown (awarded to the main prose competition winner).
This year’s crown and chair have been made using some of the final pieces of steel produced at Port Talbot steelworks before the closure of the blast furnaces last year.
Image: The chair at the 2025 Eisteddfod yr Urdd was created using some of the last pieces of steel produced at the Port Talbot steelworks. Pic: Urdd Gobaith Cymru
Image: Pic: Urdd Gobaith Cymru
There are some new additions to this year’s Eisteddfod, including awards for singing, musical theatre and acting, named in honour of Sir Bryn Terfel, Callum Scott Howells and Matthew Rhys.
Another new award – the Amy Dowden award for dance – will also be awarded for the first time this week.
Speaking to Sky News, Strictly Come Dancing star Dowden said it was a “real honour” to be supporting the next generation of dancers.
“The arts and the industry is tough, and I just hope that [the young people] can see that I’ve managed to push myself through it,” she said.
“I’ve worked hard, I’ve had a few challenges along the way. Hopefully I can help inspire them as well.”
Image: Amy Dowden. File pic: PA
‘It’s like Britain’s Got Talent’
As a former competitor herself in what is one of Europe’s largest touring youth festivals, Dowden says she “couldn’t imagine [her] childhood without it”.
“I’ve loved Eisteddfods since I can remember. Every year at school I took part in everything, from the baking to the reciting poems, to the folk dancing, to the creative dancing,” she said.
“The Urdd Eisteddfod is literally like one big talent competition, it’s like Britain’s Got Talent.”
The winner of the Amy Dowden award will get one-to-one sessions with her as part of the prize, as well as masterclasses at the Royal Welsh College of Music and Drama.
They will have the opportunity to perform on an international stage and also win a cash prize.
“I know from my dance training and everything, each of those is so beneficial to getting yourself to that professional level,” Dowden added.
Alan Yentob, the former BBC presenter and executive, has died aged 78.
A statement from his family, shared by the BBC, said Yentob died on Saturday.
His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.
“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”
Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.
He was also the director of BBC drama, entertainment, and children’s TV.
Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.
Image: Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.
The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.
In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.
“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”
BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.