Liberte: Short film shines light on unsung British WWII secret agent Noor Inayat Khan
“Beautiful, striking and petite,” Noor Inayat Khan was “the unlikeliest of spies”.
An accomplished musician and children’s writer, described as “a daydreamer” by her friends, few would have foreseen that she would go on to earn the George Cross for her service to her country.
Liberte. Pic: Sky History
Now, 80 years after her first mission, the little-known Second World War heroine will have her story told in the short film Liberte, documenting her time as a British secret agent.
Actress and journalist Sam Naz, who wrote and co-produced the film, as well as playing the lead role, told Sky News: “I just couldn’t quite believe that here was a woman that looked like me, who had played such an important role during World War Two, and yet I had been taught nothing about her. And it kind of sparked something in me… I couldn’t shake her off.”
Naz, who has worked for the BBC, Radio 5 Live and currently presents for Sky News, searched out newly declassified files on Khan in the National Archives, visited the Imperial War Museum and retraced Khan’s steps around the safe house in Paris where she was held, as well as reading interviews from people who had known her.
She also visited the historic Nazis headquarters in Paris, 84 Avenue Foch, during the German occupation. This was where Khan was first held, and from where she twice tried to escape.
Naz says: “I looked at that building in awe, but it was impossible not to think of some of the horrors that happened in those makeshift cells in that building.”
At the time Khan was recruited as a spy, the allies were struggling to win the war, and Churchill was under pressure to come up with a solution.
A new spy agency – the Special Operations Executive (SOE) – was set up, and as the number of suitable men to send into key countries dwindled, women saw themselves recruited into dangerous roles for the first time.
As a fluent French speaker, and previous native of Paris (her family fled France when it fell to the Nazis), Khan was an invaluable asset to the resistance.
After first joining the Women’s Auxiliary Air Force, she moved on to the SOE where she was given special training as a wireless radio operator in occupied territory and in June 1943 was sent out into the field.
She was the first woman to ever do so – all the female agents before her had been sent as couriers.
Khan’s new persona was children’s nurse, Jeanne-Marie Renier, but to her SOE colleagues, she was known simply as Madeleine.
Naz explains: “When you think of a spy and when you visualize how TV, drama and film have portrayed spies, she’s the opposite. She’s a woman of colour. She’s of Indian descent. She’s a Muslim.
“I really wanted to put her front and centre. I wanted to showcase her and highlight this remarkable woman who had played such a key role.”
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Liberte. Pic: Sky History
‘Unbreakable’ inner strength
At the time, the life expectancy of someone in that role was just six weeks. This was because the Nazis were able to pick up the radio signals and work out where they were being transmitted from. But that didn’t put Khan off, far from it.
She arrived on her mission, only to find that the entire network she had been sent to join – codenamed “Prosper” – had all been captured by the Nazis.
She insisted on remaining in Paris to undertake what has since been called “the most dangerous post in France” – becoming the sole British radio operator operating in the city and doing her best to help rebuild the network and bring in new agents.
But it was after being betrayed by the Gestapo and captured by the Nazis that her true grit and courage became clear.
Naz explains: “She remained as that key link to London at great risk to herself. Eventually, they caught up with her, but that kind of courage is remarkable.”
Khan was held for around 10 months, and eventually sent to Germany, but never once cracked under Nazi brutality.
Considered “a particularly dangerous and uncooperative prisoner” according to records, she was kept separate from other inmates.
Describing testimony given by her German captors after the war, Naz says: “They talk about how others came and went and some were very quick to crack… But with her, there was this inner strength that just was unbreakable.”
Her “conspicuous courage, both moral and physical” would later be praised in reports of her capture.
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It was that strength that Naz says was the most important element of the film: “Her resilience and her refusal to break under that immense pressure and turmoil that she would have gone through and being tested to the limit by the Nazis.”
‘Heart-wrenching and awe-inspiring’
Executed in the Dachau concentration camp in September 1944 along with three other female prisoners, Khan’s final word is believed to have been Liberte – the title of the film.
Five years after her death she was posthumously awarded the George Cross by the King.
With this year marking the 80th anniversary of her mission, Naz says it became more important to her than ever to keep Khan’s memory alive.
“I think drama really is powerful in doing that and bringing those people back to life for a moment on screen. And I think it just felt like the perfect medium to tell her story… I just hope I did it justice.”
Directed and co-produced by Christopher Hanvey, the film also features music composed in Khan’s memory by her late brother Hidayat Inayat. Her family has called the film “heart-wrenching and awe-inspiring”.
In 2020, Khan became the first woman of South Asian descent to have a blue plaque honouring her. It’s displayed on the wall of her wartime London home, 4 Taviton Street in Bloomsbury, London.
While Liberte may be complete, Naz isn’t quite ready to let Khan go. Her production company, Laconic Raven, is now developing the drama mini-series SOE about the Special Operations Executive which Khan was part of. The show will tell the story of five women, including Khan.
Naz says: “We’ve had SAS Rogue Heroes, which focuses on the brilliant work done by the men. But I think it’s time for the women to have their showcase too…
“It’ll blow your mind. And they’re from all backgrounds. There’s working-class women. There are young mothers who went out there. They’re incredible. And they all deserve their own time in the spotlight.”
Liberte premieres tonight on Sky History at 10.15pm and will then be available on NOW.
Entertainment
Gary Lineker says ‘right time’ to leave Match Of The Day as he hints of changes to show’s format
Gary Lineker has said it is “the right time” to leave Match Of The Day and hinted the BBC could change the format of the Premier League highlights show.
The 63-year-old will step down as host at the end of the season and described his time on the show as an “absolute joy and privilege”.
Speaking on his podcast, The Rest Is Football, he said: “It has been an absolute joy and privilege to present such an iconic show for the BBC.
“But all things have to come to an end.”
Lineker went on to say the broadcaster enters a new three-year deal to host top-flight highlights, and that to stay on for another 12 months “would be a bit weird”.
“I think the next contract they’re looking to do Match Of The Day slightly differently, so I think it makes sense for someone else to take the helm.
“I bowed out in my football career when I felt it was the right time. I feel this is now the right time.”
Lineker refused to speculate who would be taking his place, as rumours grew around Mark Chapman, the regular Match Of The Day 2 presenter, Football Focus host Alex Scott, and BBC sports coverage presenter Gabby Logan.
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“Obviously I don’t know who it’ll be, and I would never tell publicly my preference, I don’t think that’d be the right thing to do – but whoever it is, I would say be yourself,” he said.
“I had to fill the ginormous shoes of certain Des Lynam.
“…I would say just be yourself and enjoy it, it’s a wonderful programme to be a part of. It was brilliant before I took over, and it will be brilliant after I leave.”
Lineker pictured with former MOTD host Des Lynam in 2009. Pic: PA
Lineker has hosted Match Of The Day since 1999 and will have presented the show for more than a quarter of a century when he leaves in May 2025.
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He will continue with the MOTD Top Ten podcast alongside his podcast, which also features BBC pundits Alan Shearer and Micah Richards.
The former England striker has been the BBC’s highest-paid on-air talent for seven consecutive years and was estimated to have earned £1.35m in the year 2023/24.
The BBC said future plans for Match Of The Day would be “announced in due course”.
Coach tickets to Glastonbury 2025 were sold out in half an hour, organisers have said, as they roll out a new booking system for festivalgoers.
They were the first group of tickets to be sold for the world-famous festival in Somerset, which is set to take place between 25 and 29 June.
This year, fans navigated a new system to buy the tickets as they were “randomly assigned a place in a queue” instead of having to refresh the holding page once they went live.
The organisers said in a post on X: “The Glastonbury 2025 tickets + coach travel which were on sale this evening have now all been sold.
“Our thanks to everyone who bought one.”
They added that National Express services would be available to bring festivalgoers from across the country to Glastonbury.
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Standard tickets will go on sale on Sunday at 9am. Last year they were sold out within an hour.
See Tickets said in a post on X that “confirmation emails are going out now to everyone who got @Glastonbury coach tickets this evening”.
Tickets for the annual event at Worthy Farm in Somerset cost £373.50 plus a £5 booking fee, and are sold exclusively through the See Tickets website, with no third-party sellers involved.
The new ticket system has changed the way people join the booking system.
Organisers previously warned hopefuls to log in “at least a few minutes” before the sale opened today and to avoid refreshing the page.
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Festivalgoers were also told not to attempt to game the system by using multiple devices.
The sale follows chaos earlier this year when tickets for the Oasis reunion went on sale, seeing a multitude of disappointed fans as well as those who felt cheated after being charged hundreds of pounds more for their tickets than was originally advertised.
Anyone wishing to buy tickets for Glastonbury must have registered by 11 November, a rule in place to avoid touting.
Entertainment
Christmas adverts – the 10 most-anticipated ads as the festive battle for customers commences
With just under six weeks to go to Christmas Day, the countdown has officially begun, with all the big brands rolling out their seasonal adverts.
Becoming something of an institution over recent years, many see the festive ads as the starting pistol for their Christmas preparation/panic, despite us only being halfway through November.
And with an estimated £10.5bn spent on this year’s Xmas ads, it’s not just about inducing a fuzzy warm feeling in viewers, but also about encouraging them to put their hand in their pocket.
As we brace ourselves for festive fun, we take a swift look at this year’s bevvy of commercial offerings, as the annual battle of the Christmas adverts begins.
John Lewis
A girl called Sally falls into a clothes rack reminiscent of CS Lewis’s The Lion, The Witch And The Wardrobe, but instead of finding Narnia, she ends up in John Lewis.
Pic: PA
Through family flashbacks we lean how much she loves her older sister, whose gift she has carelessly left it to the last minute to buy. Spoiler alert – as one would expect in an advert for a retailer, she finds a pressie.
With the retailer famous for its use of cover versions in their Christmas ads, this one is the origin story for a new cover, with a concurrent competition on TikTok to find an aspiring artist to rerecord a version, which will be featured on the Christmas Day airing and released by record label BMG too.
Waitrose
Marketed as a whodunnit – this big-budget production has a host of celebrity cameos, an intricate storyline and not one but two parts.
Pic: Waitrose
Comedian Joe Wilkinson, Fleabag star Sian Clifford and Succession’s Matthew Macfadyen all have a role in the ensemble, revolving around hunting down the thief of a “chilled desert”.
Being Christmas, when tensions are traditionally high, everyone has reason to have scoffed it. The culprit won’t be revealed until the second part of the ad is released, but in the meantime, activity at Kings Cross Station, in stores and on social media is set to keep the investigation very much alive.
Sainsbury’s
Sainsbury’s goes big for its advert, calling on a beloved Roald Dahl character – the BFG, or Big Friendly Giant – to travel the country with a supermarket worker called Sophie (who pleasingly is a real store employee) in the search for the perfect festive treats.
Pic: Sainsbury’s
A CGI BFG procures salmon, sprouts and cheese before a bit of magic helps him whip it all up into a feast, which he then gifts to an unsuspecting family through the window.
The first ones to release their ad earlier this month, the dulcet tones of national treasure Stephen Fry wrap the action, with a call to arms to stock up in readiness for Christmas.
M&S
Another national treasure – Dawn French – is back for this one, playing both herself and a festive fairy, who gives both French and her home a make-over ready for a Christmas soiree.
Pic: PA
French, whose multi-Christmas-dinner eating antics on The Vicar Of Dibley put her into the Xmas annals, is transformed into “the quintessential hostess” with a bit of help from her little friend.
Banking on the idea that you can never have enough of a good thing, there are six instalments of the advert running between now and the New Year. Who doesn’t like a second – or sixth – helping.
Lidl
This one pulls on the heartstrings, with a little girl inspired to give a gift to a boy who appears not to have any, after an old lady gives her some magic bells.
Pic: Lidl
Directed by Oscar-winning filmmaker Tom Hooper (he directed The King’s Speech), a CGI racoon and giant gingerbread man add a little action to events around the dinner table.
But the take home message is to think about giving as well as receiving, with the return of the retailer’s toy banks scheme set up at supermarkets with the aim of donating over 100,000 toys, to ensure no child experiences a giftless Christmas.
Aldi
Kevin the Carrot is back for a ninth year running, this time trying to save the Christmas spirit from a bunch of hard-boiled humbug villains.
Pic: Aldi
With the ad narrated by actor Jim Broadbent, our plucky hero braves an oven, a Mission Impossible-inspired ventilation system and Bond-esque snow jet-ski dash across the mountains, all to save Christmas.
Helped by his wife Katie, he of course pulls it off. A fan favourite, soft toys of the root vegetable are sold in stores, and this year cuddly humbugs are on sale too.
Morrisons
It’s a song and dance number from Morrisons, courtesy of their singing oven gloves performing Bugsy Malone’s You Give A Little Love.
Pic: Morrisons
A choir of 26 Morrisons employees gave voice to the gloves, recording their rendition of the song at the iconic Abbey Road Studios in London.
Like Lidl, the retailer pulled out the directing big guns, hiring The Greatest Showman director Michael Gracey to oversee proceedings.
Asda
Bagging the prize for the most gnome puns in one advert, Asda sees a flash mob of gnomes preparing the store for Christmas.
Pic: Asda
The resulting advert isn’t as irritating as it sounds on paper, thanks to nice performances by the two human characters in the ad – Maggie and Bill.
And as we know, Christmas is all about the merchandise, so the supermarkets are of course selling special Xmas versions of their garden gnomes to accompany their already 50-strong gnome range. Who knew?
Tesco
Tesco reminds us of those members of the family who are no longer here to join us on the big day, with a man carrying on his late grandmother’s festive tradition of baking gingerbread.
Pic: Tesco
He becomes obsessed with the spicy treat, as it infiltrates every part of his day from his haircut to a trip to see the Christmas lights.
He eventually gets together with his grandad to bake a gingerbread house, revealing it to the family at lunch, thus keeping the tradition alive.
Greggs
And in the most unlikely festive cameo of the year, Greggs has enlisted Nigella Lawson to star in its first Christmas ad.
Pic: PA
Rapturously endorsing their festive bakes, Lawson has her hands full of pasties, and her table full of take-away coffees, as she promotes the bakery’s festive-themed fare.
Whether or not you believe the 64-year-old TV chef really tucks into their sausage rolls in real life – the attention-grabbing collaboration looks like a wise move for the chain, whose sales have jumped in recent weeks as it continues its UK expansion.
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