“Investigators searching for cocaine dropped by an airborne smuggler have found a ripped-up shipment of the sweet-smelling powder and the remains of a bear that apparently died of a multimillion-dollar high.”
So began the Associated Press news agency’s 23 December 1985 report on one of the most bizarre drug-trafficking stories in history.
The 175lb black bear’s body was discovered in the mountains of the Chattahoochee National Forest, about 80 miles north of Atlanta, Georgia, and just south of the Tennessee border, near to a duffel bag and 40 packages of the drug that had been ripped open and scattered over a hillside.
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Redemption for real cocaine bear
The cocaine had fallen from the skies three months earlier courtesy of former narcotics investigator and army paratrooper turned drug smuggler Andrew Thornton; he had intended to parachute down from a small plane over Knoxville, Tennessee, but ended up falling to his death.
Wearing night vision goggles and a bulletproof vest, and carrying guns and knives, according to reports from the time, his body was found in a neighbourhood driveway. His unmanned Cessna airplane crashed into a mountain in North Carolina about an hour later.
The true story of “Pablo Escobear” now forms the basis for the start of new gore-comedy Cocaine Bear, directed by actress and filmmaker Elizabeth Banks. It is not for the faint-hearted: there’s blood and guts and very grisly ends (pun intended), and a bear snorting cocaine wherever it can get it, including severed limbs.
Banks, star of films including the Pitch Perfect and Hunger Games series, tells Sky News she went “fully down the internet rabbit hole” when she first heard the story.
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“We also were able to get the police reports from when Andrew’s body was found and we use a lot of information from various sources and put it into the movie,” she says. “Everything that Andrew Thornton is wearing when his body is found on the ground, from his Gucci loafers to his bullet-proof vest, that was all written down in the police report.”
Banks received the script in April 2020, just as the world had gone into lockdown. “We were getting into this global pandemic and I felt chaos all around me and trauma everywhere. I read this script and thought, well, there’s no greater metaphor for chaos than a bear that’s high on cocaine.”
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What really happened to Cocaine Bear?
Image: Pic: Universal Studios
An official from the Georgia Bureau of Investigation told the Associated Press at the time that Thornton fell and died as he was carrying too heavy a load while parachuting.
Before they found the bear’s body, investigators had located packages of cocaine in identical duffel bags at two other locations.
Officials said the animal, which had been dead for about four weeks by the time it was discovered, ended up eating several million dollars’ worth of the drug and that its stomach was “packed to the brim”. Each of the 40 packages was believed to have contained one kilogram, and was valued at as much as $20m (£16.7m) at the time.
In Cocaine Bear, the bear’s drug-taking leads to a gory killing spree, rather than its own death; the film takes in Thornton’s jump in the first few minutes, but the vast majority of the screentime is dedicated to what might have happened had the animal survived.
Despite the film’s comedy, the true story is tragic. Banks says her first reaction when she heard the real story was “a lot of sympathy” for the bear. “And I thought, wow, this script is actually an incredible redemption story for that bear, who was collateral damage in this crazy war on drugs.”
In real life, “Pablo Escobear” has now gained something of a cult status in certain areas in the US – and inevitably wider now following the release of the film. The animal’s body was preserved and is now on display at the Kentucky For Kentucky memorabilia and tourist store. (Thornton was from Kentucky).
“A bear dying of a drug overdose is really sad,” says writer Jimmy Warden. “This [film] was about redressing or rewriting the story for the bear, who was really the victim in this entire thing. But my objective was always just to create something that was fun. And I think that the movie definitely does it very well.”
Ray Liotta’s final performance
Image: L-R: O’Shea Jackson Jr, Alden Ehrenreich, Ayoola Smart and Ray Liotta. Pic: Universal Studios
Cocaine Bear stars Keri Russell, O’Shea Jackson Jr, Isiah Whitlock Jr, Alden Ehrenreich, Margo Martindale and Ray Liotta, in his final film performance before his death in 2022. He plays drug kingpin Syd, who is trying to retrieve Thornton’s stash with the help of his son Eddie (Ehrenreich) and fixer Daveed (Jackson Jr).
“There’s always so much vulnerability and sweetness and heart in all of his performances, even when he’s playing these extremely menacing characters,” says Ehrenreich, known for films including Hail, Caesar! and Solo: A Star Wars Story. “That really bore itself out with him personally, he was just this very sweet man and having a lot of fun.”
“Ray is a legend in the industry,” says Jackson Jr (Just Mercy, Straight Outta Compton). “As a performer, it’s a bucket-list thing to work with greats, and to be able to work with him on one of his final projects is an honour and a blessing that I think we all will cherish.”
‘Their sphincter sucks up in their seat…’
Image: Banks pictured on set. Pic: Universal Studios
Liotta’s drug lord is one of a motley crew of unfortunate people who find themselves roaming the national park, from tourists and a mother looking for her daughter, to police officers and park wardens.
Banks says there is a relatability to all the characters. “You know, the characters aren’t high on cocaine. They’re just trying to get through their day. And I loved that idea of telling this underdog story, with the big hook of the rampaging bear.”
Ah, but this isn’t entirely true. We see two curious children trying it out. Did Banks think this was controversial? “The movie’s called Cocaine Bear,” she says. “It’s a big, bold, audacious idea. And so we didn’t shy away from big, bold choices.
“I think they’re actually appropriately aged to be curious about those sorts of things. I remember I was a 12 year old girl in 1985 and I skipped school. I actually don’t think… I think they spit it all out, I don’t think they’re very high on cocaine. And if they are, it’s the only way that…” We’ll leave it there; no spoilers here.
Ultimately, Banks says she wanted to make a fun film. “I really enjoyed the power that directing this kind of visceral, tense, exciting, funny movie allowed me to have with the audience. I know because I’ve seen it with people that they have to look away, you know, their sphincter sucks up in their seat. They’re a little ill. It’s an incredible sense of power that I get to take the audience on this journey, on this ride. I’m very much enjoying it.”
Actor Michael Madsen, who starred in Reservoir Dogs and Thelma & Louise, died from heart failure, his cardiologist has said.
The 67-year-old was found unresponsive in his home in Malibu, California, last Thursday and pronounced dead.
His doctor said heart disease and alcoholism will be listed as factors which contributed to the star’s death, reported NBC Los Angeles.
With no suspicious circumstances and the death listed as being from natural causes, the Los Angeles Sheriff’s Department considers the case closed.
In a career spanning more than 40 years, Madsen’s film credits include Free Willy, Donnie Brasco and Sin City.
He was also known for his collaborations with director Quentin Tarantino, including in Kill Bill: Vol. 2, The Hateful Eight and Once Upon A Time In Hollywood.
The Chicago-born actor also linked up with Tarantino when he played Mr Blonde in 1992’s Reservoir Dogs.
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Image: Madsen played numerous roles, including Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock
His sister, Oscar-nominated actress Virginia Madsen, paid tribute to her brother in a statement to Variety.
She wrote: “My brother Michael has left the stage.
“He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother – etched in contradiction, tempered by love that left its mark.”
Madsen was preparing to release a new book called Tears For My Father: Outlaw Thoughts And Poems.
A statement by managers Susan Ferris and Smith, and publicist Liz Rodriguez, said the book by “one of Hollywood’s most iconic actors” was currently being edited.
Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.
Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.
“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.
“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”
The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.
Instead, her attention was taken by another, and possibly equally influential group of artists.
“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.
“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.
“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”
Image: Pic: Netflix
It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.
Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.
She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.
“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.
“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”
Too Much, her new Netflixseries, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.
The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.
Image: Pic: Netflix
Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.
“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”
In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.
Image: Pic: Netflix
The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.
To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.
“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.
“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”
Image: A whole host of high-profile cameos feature in Lena Dunham’s Too Much
She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.
“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.
“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.
“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”
Former MasterChef host Gregg Wallace has vowed he will “not go quietly”, amid reports that he has been sacked by the BBC.
It comes after the TV hostfaced an investigation, commissioned by MasterChef’s production company Banijay UK, into alleged inappropriate behaviour while working for the BBC.
In November, the 60-year-old stepped back from presenting the cooking show after accusations that he made sexual comments towards staff and celebrity guests on a range of programmes over 17 years.
Image: Gregg Wallace received an MBE for services to food and charity in 2023. Pic: PA
Broadcaster Kirsty Wark, author and actor Emma Kennedy, and presenter Kirstie Allsopp, were among the high-profile figures who made claims of inappropriate behaviour against Wallace.
In a statement, released ahead of the publication of the summary of a report into the claims, the 60-year-old said he had been “cleared of the most serious and sensational accusations” made against him.
However, he said the report, carried out by independent law firm Lewis Silkin, had found him “primarily guilty of inappropriate language between 2005 and 2018”.
Wallace’s statement, published on Instagram, came hours before the BBC News reported that 50 more people had made claims to the corporation against the presenter, including allegations he groped one MasterChef worker and pulled his trousers down in front of another.
In his statement, Wallace labelled BBC News’s claims as “uncorroborated tittle-tattle”.
Wallace wrote: “I have taken the decision to speak out ahead of the publication of the Silkin’s report – a decision I do not take lightly.
“But after 21 years of loyal service to the BBC, I cannot sit in silence while my reputation is further damaged to protect others.
“I have now been cleared by the Silkin’s report of the most serious and sensational accusations made against me.
“The most damaging claims (including from public figures which have not been upheld) were found to be baseless after a full and forensic six-month investigation.
“To be clear, the Silkin’s report exonerates me of all the serious allegations which made headlines last year and finds me primarily guilty of inappropriate language between 2005 and 2018.”
Image: Gregg Wallace on MasterChef. Pic: BBC/ Shine TV 2024
‘I was hired as the cheeky greengrocer – now that’s a problem’
Wallace said he recognised that “some of my humour and language” was at times “inappropriate” and, for that, he apologised “without reservation”.
“But I was never the caricature now being sold for clicks,” Wallace, who also referred to his recent diagnosis of autism, added.
“I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges, and all.
“For over two decades, that authenticity was part of the brand. Now, in a sanitised world, that same personality is seen as a problem.”
Image: Wallace and his partner Anna Wallace, pictured in 2014
Wallace: Complaints from ‘middle-class women of a certain age’
Shortly after the allegations first emerged, Wallace recorded a video where he dismissed his accusers as “middle-class women of a certain age”.
His remarks were met with huge criticism – including from Downing Street, where a spokesperson for the prime minister described them as “completely inappropriate and misogynistic”.
Wallace responded by posting a follow-up clip where he apologised and said he “wasn’t in a good space” when he posted the comments.
In April, Wallace spoke to the Daily Mail, denying all accusations against him and saying he had contemplated suicide following the allegations.
Wallace’s lawyers have previously called allegations that he engages in behaviour of a sexually harassing nature “entirely false”.
A spokesperson for the BBC said: “Banijay UK instructed the law firm Lewis Silkin to run an investigation into allegations against Gregg Wallace. We are not going to comment until the investigation is complete and the findings are published.”
A Banijay spokesperson told Sky News: “We won’t be commenting until our report is published.” They have signalled the report will be published later this week or next.
Banijay previously said Wallace is “committed to fully co-operating” with the external review.
Alongside MasterChef, Wallace presented Inside The Factory for BBC Two from 2015 to 2023.
He also featured on various BBC shows over the years, including Saturday Kitchen, Eat Well For Less, Supermarket Secrets, Celebrity MasterChef and MasterChef: The Professionals, as well as being a Strictly Come Dancing contestant in 2014.
More recently, Wallace has been promoting his health and lifestyle website, offering one-to-one coaching from both himself and a team of experts, which includes nutritionists and doctors, and his wife Anna in the role of recipe curator.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.