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“Investigators searching for cocaine dropped by an airborne smuggler have found a ripped-up shipment of the sweet-smelling powder and the remains of a bear that apparently died of a multimillion-dollar high.”

So began the Associated Press news agency’s 23 December 1985 report on one of the most bizarre drug-trafficking stories in history.

The 175lb black bear’s body was discovered in the mountains of the Chattahoochee National Forest, about 80 miles north of Atlanta, Georgia, and just south of the Tennessee border, near to a duffel bag and 40 packages of the drug that had been ripped open and scattered over a hillside.

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Redemption for real cocaine bear

The cocaine had fallen from the skies three months earlier courtesy of former narcotics investigator and army paratrooper turned drug smuggler Andrew Thornton; he had intended to parachute down from a small plane over Knoxville, Tennessee, but ended up falling to his death.

Wearing night vision goggles and a bulletproof vest, and carrying guns and knives, according to reports from the time, his body was found in a neighbourhood driveway. His unmanned Cessna airplane crashed into a mountain in North Carolina about an hour later.

The true story of “Pablo Escobear” now forms the basis for the start of new gore-comedy Cocaine Bear, directed by actress and filmmaker Elizabeth Banks. It is not for the faint-hearted: there’s blood and guts and very grisly ends (pun intended), and a bear snorting cocaine wherever it can get it, including severed limbs.

Banks, star of films including the Pitch Perfect and Hunger Games series, tells Sky News she went “fully down the internet rabbit hole” when she first heard the story.

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“We also were able to get the police reports from when Andrew’s body was found and we use a lot of information from various sources and put it into the movie,” she says. “Everything that Andrew Thornton is wearing when his body is found on the ground, from his Gucci loafers to his bullet-proof vest, that was all written down in the police report.”

Banks received the script in April 2020, just as the world had gone into lockdown. “We were getting into this global pandemic and I felt chaos all around me and trauma everywhere. I read this script and thought, well, there’s no greater metaphor for chaos than a bear that’s high on cocaine.”

What really happened to Cocaine Bear?

Cocaine Bear is directed by Elizabeth Banks. Pic: Universal Studios
Image:
Pic: Universal Studios

An official from the Georgia Bureau of Investigation told the Associated Press at the time that Thornton fell and died as he was carrying too heavy a load while parachuting.

Before they found the bear’s body, investigators had located packages of cocaine in identical duffel bags at two other locations.

Officials said the animal, which had been dead for about four weeks by the time it was discovered, ended up eating several million dollars’ worth of the drug and that its stomach was “packed to the brim”. Each of the 40 packages was believed to have contained one kilogram, and was valued at as much as $20m (£16.7m) at the time.

In Cocaine Bear, the bear’s drug-taking leads to a gory killing spree, rather than its own death; the film takes in Thornton’s jump in the first few minutes, but the vast majority of the screentime is dedicated to what might have happened had the animal survived.

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Despite the film’s comedy, the true story is tragic. Banks says her first reaction when she heard the real story was “a lot of sympathy” for the bear. “And I thought, wow, this script is actually an incredible redemption story for that bear, who was collateral damage in this crazy war on drugs.”

In real life, “Pablo Escobear” has now gained something of a cult status in certain areas in the US – and inevitably wider now following the release of the film. The animal’s body was preserved and is now on display at the Kentucky For Kentucky memorabilia and tourist store. (Thornton was from Kentucky).

“A bear dying of a drug overdose is really sad,” says writer Jimmy Warden. “This [film] was about redressing or rewriting the story for the bear, who was really the victim in this entire thing. But my objective was always just to create something that was fun. And I think that the movie definitely does it very well.”

Ray Liotta’s final performance

L-R: Daveed (O'Shea Jackson, Jr), Eddie (Alden Ehrenreich), Officer Reba (Ayoola Smart) and Syd (Ray Liotta) in Cocaine Bear, directed by Elizabeth Banks. Pic: Universal Studios
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L-R: O’Shea Jackson Jr, Alden Ehrenreich, Ayoola Smart and Ray Liotta. Pic: Universal Studios

Cocaine Bear stars Keri Russell, O’Shea Jackson Jr, Isiah Whitlock Jr, Alden Ehrenreich, Margo Martindale and Ray Liotta, in his final film performance before his death in 2022. He plays drug kingpin Syd, who is trying to retrieve Thornton’s stash with the help of his son Eddie (Ehrenreich) and fixer Daveed (Jackson Jr).

“There’s always so much vulnerability and sweetness and heart in all of his performances, even when he’s playing these extremely menacing characters,” says Ehrenreich, known for films including Hail, Caesar! and Solo: A Star Wars Story. “That really bore itself out with him personally, he was just this very sweet man and having a lot of fun.”

“Ray is a legend in the industry,” says Jackson Jr (Just Mercy, Straight Outta Compton). “As a performer, it’s a bucket-list thing to work with greats, and to be able to work with him on one of his final projects is an honour and a blessing that I think we all will cherish.”

‘Their sphincter sucks up in their seat…’

Director Elizabeth Banks on the set of Cocaine Bear. Pic: Universal Studios
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Banks pictured on set. Pic: Universal Studios

Liotta’s drug lord is one of a motley crew of unfortunate people who find themselves roaming the national park, from tourists and a mother looking for her daughter, to police officers and park wardens.

Banks says there is a relatability to all the characters. “You know, the characters aren’t high on cocaine. They’re just trying to get through their day. And I loved that idea of telling this underdog story, with the big hook of the rampaging bear.”

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Ah, but this isn’t entirely true. We see two curious children trying it out. Did Banks think this was controversial? “The movie’s called Cocaine Bear,” she says. “It’s a big, bold, audacious idea. And so we didn’t shy away from big, bold choices.

“I think they’re actually appropriately aged to be curious about those sorts of things. I remember I was a 12 year old girl in 1985 and I skipped school. I actually don’t think… I think they spit it all out, I don’t think they’re very high on cocaine. And if they are, it’s the only way that…” We’ll leave it there; no spoilers here.

Ultimately, Banks says she wanted to make a fun film. “I really enjoyed the power that directing this kind of visceral, tense, exciting, funny movie allowed me to have with the audience. I know because I’ve seen it with people that they have to look away, you know, their sphincter sucks up in their seat. They’re a little ill. It’s an incredible sense of power that I get to take the audience on this journey, on this ride. I’m very much enjoying it.”

Cocaine Bear is out in cinemas now

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Creatives having to be even more creative as National Theatre overhauls how it stages productions

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Creatives having to be even more creative as National Theatre overhauls how it stages productions

The National Theatre is overhauling how it stages productions – as its ambitious climate targets mean creatives are having to be even more creative.

After setting itself the goal of achieving net zero as an organisation by 2030, off-stage quietly radical changes are under way.

Pic: Reed Watts
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Pic: Reed Watts

Sky News was invited to see how the theatre, based in Southbank, central London, has gone about overhauling its approach to staging productions, meeting with some of those who’ve worked on its adaptation of the much-loved children’s classic Ballet Shoes.

While critics have been full of praise for the visual spectacle on-stage, how the whole look was created required a fundamental shift in approach.

“All of the team have had to be on board with reinventing, recutting and reimagining items rather than just making them from scratch,” costume designer Samuel Wyer said.

A new resource they had to work with was the National Theatre Green Store in Bermondsey, southeast London.

The warehouse has more than 131,000 items of costume and almost 22,000 props now housed under one roof so that designers can repurpose items from previous productions to try to cut their carbon footprint.

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It’s a surprisingly satisfying challenge.

Mr Wyer said they were able to “dip and cut clothes… which meant I was finding things even outside my imagination that were more perfect than I could have drawn on a piece of paper”.

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Trying to lead by example, the theatre hopes to demonstrate how the industry needn’t take a fast fashion approach to making sets, props and costumes from scratch.

“I think if it’s demonstrated that we can do things in this way that helps all of us imagine a world where we can use what we’ve got rather than new, new, new, because we need that balance,” Mr Wyer said.

“Theatre is where we come to imagine who we could be.”

Pic: Reed Watts
Image:
Pic: Reed Watts

‘Every piece has its own little quirks’

Last year, the National set itself targets of 50% of the materials used in its productions having had a previous life, and 65% being repurposed at the end of each production.

For set designer Frankie Bradshaw, hitting those targets has meant working with a lot more repurposed furniture.

“Lots of second-hand cabinets, bookshelves,” she said. “Ordinarily [carpenters] would have been used to building from scratch following a drawing and this has been quite different.

“Every piece has its own little quirks, and they’ve had to adapt their processes to fit that way of working.”

While it’s by no means straightforward, the process is proving rewarding.

“It requires everyone to be a little bit more flexible, a little more patient, but it does mean you can end up with a product you’re a lot more proud of,” Ms Bradshaw added.

Ballet Shoes runs at the National Theatre until Saturday 22 February.

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Neil Young confirmed as Glastonbury headliner – days after saying he was pulling out

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Neil Young confirmed as Glastonbury headliner - days after saying he was pulling out

Neil Young has been confirmed as a headliner at this year’s Glastonbury – despite saying he was dropping out due to the BBC’s involvement in the festival.

The 79-year-old Canadian musician wrote on his website earlier this week that both he and his band, The Chrome Hearts, were pulling out because the BBC’s involvement was a “corporate turn-off”.

He has now said in a statement that this decision was down to “an error in the information I received”.

Emily Eavis, the organiser of the Glastonbury Festival, posted on Instagram on Friday: “Neil Young is an artist who’s very close to our hearts at Glastonbury.

“He does things his own way and that’s why we love him.

“We can’t wait to welcome him back here to headline the Pyramid in June.”

Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.

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Posting on Neil Young Archives, the Rock and Roll Hall of Famer wrote in his initial statement: “The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs.

“We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.

“It seems Glastonbury is now under corporate control and is not the way I remember it being.”

Young performing at Glastonbury in 2009. Pic: AP
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Young performing at Glastonbury in 2009. Pic: AP

Young, who headlined the festival’s Pyramid stage in 2009, added: “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.

“Hope to see you at one of the other venues on the tour.”

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In an updated statement, he wrote: “Due to an error in the information received, I had decided to not play the Glastonbury festival, which I always have loved.

“Happily, the festival is now back on our itinerary and we look forward to playing! Hope to see you there!”

Young, who is married to US actress Daryl Hannah, was booked to play Glastonbury in 1997 but pulled out after cutting his left index finger while making a ham sandwich.

Glastonbury, one of the UK’s largest music festivals, is set to take place between 25 and 29 June, with Sir Rod Stewart booked for the Sunday teatime legend slot.

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Wayne Osmond, one of the original members of The Osmonds, dies at 73

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Wayne Osmond, one of the original members of The Osmonds, dies at 73

Wayne Osmond, one of the original members of The Osmonds, has died aged 73.

The singer, who rose to fame alongside his siblings including Donny, Jimmy and Marie Osmond, died on New Year’s Day with his wife and five children by his side after suffering a stroke, family members said in posts on social media.

“His legacy of faith, music, love, and laughter have influenced the lives of many people around the world,” a family statement said.

“He would want everyone to know that the gospel of Jesus Christ is true, that families are forever, and that banana splits are the best dessert. We love him and will miss him dearly.”

Donny Osmond, 67, paid tribute to his “dear brother” and said he was grateful to have seen him in hospital before his death.

“Wayne brought so much light, laughter, and love to everyone who knew him, especially me,” he said. “He was the ultimate optimist and was loved by everyone.”

American band 'The Osmonds' from left Merrill, Jimmy, Donny, Alan, Marie, Jay and Wayne pose for photographers at a media event in London, Thursday, May 29, 2008. The Osmonds are currently on a tour of the UK. (AP Photo/Kirsty Wigglesworth)
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The Osmonds in 2008 (L-R): Merrill, Jimmy, Donny, Alan, Marie, Jay and Wayne. Pic: AP/Kirsty Wigglesworth


Born in Ogden, Utah, Wayne Osmond was the fourth of nine siblings. The two oldest Osmond brothers, Virl and Tom, were both born with hearing problems.

The family were members of The Church of Jesus Christ of Latter-day Saints.

Wayne’s musical career started when he was just a boy, when he formed a barbershop quartet with three of his brothers, Alan, Merrill and Jay. They were later joined by younger siblings Donny and Jimmy and became household names in the 1970s, with hits including One Bad Apple, Crazy Horses, and Love Me For A Reason.

Sister Marie also rose to fame as a singer.

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Merrill and Jay Osmond were among the family members sharing tributes, with Merrill, 71, also saying he visited Wayne before his death.

“I’ve never known a man that had more humility,” Merrill said. “A man with absolute no guile. An individual that was quick to forgive and had the ability to show unconditional love to everyone he ever met…

“My brother Wayne endured much. He gave it his all. His legacy will go down as someone who was not only a genius in his ability to write music, but was able to capture the hearts of millions of people and bring them closer to God.”

Jay, 69, said he had always “felt most connected to Wayne out of all of my siblings” and that a “true legend” had left the world.

Wayne Osmond is survived by all of his siblings, as well as his wife Kathlyn and their children.

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