Hugh Jackman has told Sky News he’d love King Charles to join him for a cameo in the new Deadpool movie.
The Wolverine star – who is reprising his X-Men role for the third film in the franchise about a foul-mouthed anti-hero – has a jokey rivalry with Ryan Reynolds who plays the title character.
He joked it’s that friendly feud which has given him mixed feelings about returning to the role – and invited the monarch to give him a hand.
Image: Hugh Jackman. Pic: Black Bear Pictures/See-Saw Films
“It’s mainly joy and excitement and fun [but] I have trepidation in that I have many, many hours every day with Ryan Reynolds.” Jackman laughed.
“That’s going to be a real mental health stretch for me, but I don’t know, maybe we’ll get King Charles in there to do a cameo.
“What do you think, Your Majesty – little cameo? You’re welcome to punch Ryan Reynolds as many times as you like, Your Majesty.”
Promoting his latest film, The Son, the Australian actor said that as he’s also a British citizen the Royal Family is very much part of his own family’s history.
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“I remember even when Lady Di and Prince Charles got married, I remember my father making us all come down,” he said.
“We had to watch television that night and he popped champagne, and it was very important to him.
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“I wish the new monarch all the best – it’s an insurmountable role to take on and I admire him for taking it on, and I wish him all the best.”
Image: Zen McGrath. Pic: Black Bear Pictures/See-Saw Films
Jackman also talked about the way his life has been impacted by his latest film role.
While it’s not uncommon for film stars to see work forcing them to have time away, master a new skill or change their physical appearance, it’s not so usual for them to admit to their relationship with their own children being changed because of a character they’ve played.
The 54-year-old said making The Son – in which he plays the father of a depressed teenager – has given him a new perspective on being a dad to his own children, Oscar, 22 and Ava, 17.
“Any parent knows it’s the most humbling thing you can ever do.
“It pushes your buttons more than anything else, and it somehow brings out a fear and a worry that is so hard to handle, and I’ve become a different parent because of this film.”
The star went on to explain how being in the movie has changed the way he speaks to his children.
“I find I’m more often saying, ‘I don’t know’ or ‘give me a second’, ‘I don’t know what to do’, ‘I’m thinking this, but I’m also thinking that’ and it really disarms them, actually, particularly when we’re getting into a fight.
“And also, to tell them things that I’m feeling that has nothing to do with them, because I don’t want them to think I’m mad with them, and if I’m worried about something else, I explain to them what I’m going through.
“So, it’s changed things for me, for sure.”
Image: Sir Anthony Hopkins. Pic: Black Bear Pictures/See-Saw Films
The Son is the second directorial feature from filmmaker Florian Zeller, whose debut The Father was critically acclaimed, winning Oscars for best adapted screenplay and best actor for star Sir Anthony Hopkins.
Jackman says it was him that approached Zeller about starring in his next project, despite having some “doubts” about the role.
“I actually reached out to the director, like I chased this one down because I just really, really wanted to play the part.
“I loved the story, I love Florian as a filmmaker, as a writer – The Father was incredible and so I was passionate about doing it and also daunted.
“I remember going to have my first talk with him, which he ended up casting me from, thinking I’m equally terrified to get the part and not to get the part because it’s a kind of character I don’t get offered a lot.”
It’s surprising to think of Jackman doing something he’s not done before – in a varied career spanning almost thirty years he’s become the longest running Marvel star as Wolverine/Logan, stolen hearts in Baz Luhrmann’s Australia and showcased his musical talents in Les Miserables and The Greatest Showman.
However, he says he certainly doesn’t feel as though he’s mastered his craft.
“I never feel, to be honest, that I’ve done it all or ‘ah this is a breeze’,” Jackman admitted.
“It never feels easy for me.
“[The Son] was just, it felt like something I rarely get a chance to do, and I relished every minute of it.”
In the film, Jackman’s character struggles to understand his son’s mental health issues.
Image: (R-L): Jackman and Vanessa Kirby. Pic: Black Bear Pictures/See-Saw Films
The teen, played by Zen McGrath, is skipping school and finding it increasingly hard to function.
Jackman says he’s extremely sympathetic to young people who are finding it hard to cope.
“It’s so hard to be a teenager, and I think particularly with the pandemic, I think it’s incredibly difficult,” he said.
“There’s social media, all these things that are so different than what we grew up with, it was hard for me growing up as a teenager – it’s a really difficult time for any kid, I think – but I would say right now it’s the hardest it’s ever been – that’s my sense of it.
“And yet, having said that, I think there’s real hope, I feel that the younger generation, those teenagers are much more open about talking about things, they’re much more fluid and less judgemental about what group you’re in or what sexuality you have – they don’t care about any of that stuff and so I see a lot of hope, but I think it’s really difficult for them.”
Despite recognising how tough things are now, the star also admits there are certain aspects of life now that he would have appreciated when he was younger, and toxic masculinity prevented some honest exchanges.
“Thankfully, we are getting better at having open conversations about being more vulnerable, about accepting that we don’t have all the answers, about relying on other people for help,” Jackman said.
“All of these things, I think, are long overdue.
“And, you know, I wish I could have had those conversations when I was a teenager.”
After his award-winning role in Zeller’s previous film, Sir Anthony Hopkins returns in a cameo part in The Son – playing a different character and the father of Jackman’s character Peter.
They have one, long scene together, with Jackman describing the veteran as an “acting hero” of his.
“I think the thing I learned most, that I admired about him most was that he was the first one to turn up on set before any crew member turned up he was there,” he explained.
“He woke up at 3:30 in the morning so excited that he just went to work and he arrived at like 4am or something – the security guard was there, no one else and he just waited and then he was so good that we finished at like 11:30 in the morning.
“The scene was done and he asked the director if he could go again and I said to [Zeller] ‘Why do you think he’s going again?’ He said, ‘I think he just misses acting’ – because of the pandemic he hadn’t acted, so he just wanted to get out there and do it and he loves it.”
Snoop Dogg has become a co-owner and investor of Swansea, with the US rapper hailing the Welsh football club as “an underdog that bites back, just like me”.
The former Premier League club, which plays in the English second tier, confirmed theUS rapper and producer plans to use his own money to invest in it, Sky Sports reports, although it didn’t disclose financial details.
“My love of football is well known, but it feels special to me that I make my move into club ownership with Swansea City,” the music icon said in the announcement.
“The story of the club and the area really struck a chord with me,” he added. “This is a proud, working class city and club.
“An underdog that bites back, just like me.
“I’m proud to be part of Swansea City. I am going to do all I can to help the club.”
Swansea’s American owners, led by Brett Cravatt and Jason Cohen, are trying to grow the Championship club’s global brand and increase commercial revenue.
Snoop Dogg, 53, who has 89m followers on Instagram and more than 20m on X, helped launch the team’s 2025-26 home shirt last weekend.
The club ownership group said: “To borrow a phrase from Snoop’s back catalogue, this announcement is the next episode for Swansea City as we seek to create new opportunities to boost the club’s reach and profile.”
Luka Modric, who recently signed with AC Milan from Real Madrid, joined Swansea’s ownership group in April.
Police are taking no further action over Kneecap’s performance at Glastonbury.
Officers said they had investigated “comments about a forthcoming court case made during Kneecap’s performance” at the festival on 28 June.
However, after Crown Prosecution Service advice, they decided there is not enough evidence “to provide a realistic prospect of conviction for any offence”.
It said they were looking at a possible public order incident.
Police said on Friday that the investigation into Bob Vylan’s performance was ongoing.
The London duo were widely criticised – and caused a BBC crisis – after leading on-stage chants of “death to the IDF” (Israel Defence Forces).
Image: Kneecap’s Liam Og O Hannaidh appeared at Westminster Magistrates’ Court in June. Pic: PA
Kneecap posted a photograph on Instagram, which the group said was an email from police announcing the case was being dropped.
They said their packed Glastonbury gig was a “celebration of love and solidarity” and reporting used “wildly misleading headlines”.
Fears over what Kneecap might do or say during the performance had prompted the BBC not to show it live.
The group said: “Every single person who saw our set knew no law was broken, not even close… yet the police saw fit to publicly announce they were opening an investigation.”
“There is no public apology, they don’t send this to media or post it on police accounts,” they added.
The police statement on Friday said they had informed Kneecap of their decision to drop the case.
A huge fire has destroyed the main stage of a major festival in Belgium – two days before it was due to begin.
Tomorrowland is a dance music event as big as Glastonbury – and David Guetta was due to perform.
Footage showed flames and thick plumes of black smoke engulfing the stage and spreading to nearby woodland on Wednesday.
Image: The fire gutted the main stage
Image: Fire crews attempt to bring the blaze under control
The annual festival in the town of Boom, north of Brussels, is one of the biggest in Europe and attracts about 400,000 people over two consecutive weekends.
It is famous for its immersive and elaborate designs and attracts big names within dance music – including Guetta, best known for tracks When Love Takes Over and Titanium.
Dutch DJs Martin Garrix and Charlotte de Witte were also due to perform, along with the likes of Swedish House Mafia, Eric Prydz and Alok.
Image: Black smoke could be seen rising into the sky
The festival’s website described the creative elements which went into the elaborate main stage.
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The theme, described as Orbyz, was “set in a magical universe made entirely out of ice” and “full of mythical creatures”.
Organisers said no one was injured in the blaze but confirmed “our beloved main stage has been severely damaged”, adding they were “devastated”.
Spokesperson Debby Wilmsen added: “We received some truly terrible news today. A fire broke out on the Tomorrowland site … and our main stage was essentially destroyed there, which is truly awful.
“That’s a stage that took years to build, with so much love and passion. So I think a lot of people are devastated.”
Image: Spokesperson Debby Wilmsen told reporters ‘a lot of people are devastated’
Despite the fire, Tomorrowland organisers said they were still expecting 38,000 festivalgoers at DreamVille, the event’s campsite.