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Hugh Jackman has told Sky News he’d love King Charles to join him for a cameo in the new Deadpool movie.

The Wolverine star – who is reprising his X-Men role for the third film in the franchise about a foul-mouthed anti-hero – has a jokey rivalry with Ryan Reynolds who plays the title character.

He joked it’s that friendly feud which has given him mixed feelings about returning to the role – and invited the monarch to give him a hand.

Hugh Jackman. Pic: Black Bear Pictures/See-Saw Films
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Hugh Jackman. Pic: Black Bear Pictures/See-Saw Films

“It’s mainly joy and excitement and fun [but] I have trepidation in that I have many, many hours every day with Ryan Reynolds.” Jackman laughed.

“That’s going to be a real mental health stretch for me, but I don’t know, maybe we’ll get King Charles in there to do a cameo.

“What do you think, Your Majesty – little cameo? You’re welcome to punch Ryan Reynolds as many times as you like, Your Majesty.”

Promoting his latest film, The Son, the Australian actor said that as he’s also a British citizen the Royal Family is very much part of his own family’s history.

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“I remember even when Lady Di and Prince Charles got married, I remember my father making us all come down,” he said.

“We had to watch television that night and he popped champagne, and it was very important to him.

“I wish the new monarch all the best – it’s an insurmountable role to take on and I admire him for taking it on, and I wish him all the best.”

Zen McGrath. Pic: Black Bear Pictures/See-Saw Films
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Zen McGrath. Pic: Black Bear Pictures/See-Saw Films

Jackman also talked about the way his life has been impacted by his latest film role.

While it’s not uncommon for film stars to see work forcing them to have time away, master a new skill or change their physical appearance, it’s not so usual for them to admit to their relationship with their own children being changed because of a character they’ve played.

The 54-year-old said making The Son – in which he plays the father of a depressed teenager – has given him a new perspective on being a dad to his own children, Oscar, 22 and Ava, 17.

“Any parent knows it’s the most humbling thing you can ever do.

“It pushes your buttons more than anything else, and it somehow brings out a fear and a worry that is so hard to handle, and I’ve become a different parent because of this film.”

The star went on to explain how being in the movie has changed the way he speaks to his children.

“I find I’m more often saying, ‘I don’t know’ or ‘give me a second’, ‘I don’t know what to do’, ‘I’m thinking this, but I’m also thinking that’ and it really disarms them, actually, particularly when we’re getting into a fight.

“And also, to tell them things that I’m feeling that has nothing to do with them, because I don’t want them to think I’m mad with them, and if I’m worried about something else, I explain to them what I’m going through.

“So, it’s changed things for me, for sure.”

Anthony Hopkins. Pic: Black Bear Pictures/See-Saw Films
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Sir Anthony Hopkins. Pic: Black Bear Pictures/See-Saw Films

The Son is the second directorial feature from filmmaker Florian Zeller, whose debut The Father was critically acclaimed, winning Oscars for best adapted screenplay and best actor for star Sir Anthony Hopkins.

Jackman says it was him that approached Zeller about starring in his next project, despite having some “doubts” about the role.

“I actually reached out to the director, like I chased this one down because I just really, really wanted to play the part.

“I loved the story, I love Florian as a filmmaker, as a writer – The Father was incredible and so I was passionate about doing it and also daunted.

“I remember going to have my first talk with him, which he ended up casting me from, thinking I’m equally terrified to get the part and not to get the part because it’s a kind of character I don’t get offered a lot.”

It’s surprising to think of Jackman doing something he’s not done before – in a varied career spanning almost thirty years he’s become the longest running Marvel star as Wolverine/Logan, stolen hearts in Baz Luhrmann’s Australia and showcased his musical talents in Les Miserables and The Greatest Showman.

However, he says he certainly doesn’t feel as though he’s mastered his craft.

“I never feel, to be honest, that I’ve done it all or ‘ah this is a breeze’,” Jackman admitted.

“It never feels easy for me.

“[The Son] was just, it felt like something I rarely get a chance to do, and I relished every minute of it.”

In the film, Jackman’s character struggles to understand his son’s mental health issues.

(R-L): Jackman and Vanessa Kirby. Pic: Black Bear Pictures/See-Saw Films
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(R-L): Jackman and Vanessa Kirby. Pic: Black Bear Pictures/See-Saw Films

The teen, played by Zen McGrath, is skipping school and finding it increasingly hard to function.

Jackman says he’s extremely sympathetic to young people who are finding it hard to cope.

“It’s so hard to be a teenager, and I think particularly with the pandemic, I think it’s incredibly difficult,” he said.

“There’s social media, all these things that are so different than what we grew up with, it was hard for me growing up as a teenager – it’s a really difficult time for any kid, I think – but I would say right now it’s the hardest it’s ever been – that’s my sense of it.

“And yet, having said that, I think there’s real hope, I feel that the younger generation, those teenagers are much more open about talking about things, they’re much more fluid and less judgemental about what group you’re in or what sexuality you have – they don’t care about any of that stuff and so I see a lot of hope, but I think it’s really difficult for them.”

Despite recognising how tough things are now, the star also admits there are certain aspects of life now that he would have appreciated when he was younger, and toxic masculinity prevented some honest exchanges.

“Thankfully, we are getting better at having open conversations about being more vulnerable, about accepting that we don’t have all the answers, about relying on other people for help,” Jackman said.

“All of these things, I think, are long overdue.

“And, you know, I wish I could have had those conversations when I was a teenager.”

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After his award-winning role in Zeller’s previous film, Sir Anthony Hopkins returns in a cameo part in The Son – playing a different character and the father of Jackman’s character Peter.

They have one, long scene together, with Jackman describing the veteran as an “acting hero” of his.

“I think the thing I learned most, that I admired about him most was that he was the first one to turn up on set before any crew member turned up he was there,” he explained.

“He woke up at 3:30 in the morning so excited that he just went to work and he arrived at like 4am or something – the security guard was there, no one else and he just waited and then he was so good that we finished at like 11:30 in the morning.

“The scene was done and he asked the director if he could go again and I said to [Zeller] ‘Why do you think he’s going again?’ He said, ‘I think he just misses acting’ – because of the pandemic he hadn’t acted, so he just wanted to get out there and do it and he loves it.”

The Son is out in UK cinemas now.

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Former BBC executive and presenter Alan Yentob dies

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Former BBC executive and presenter Alan Yentob dies

Alan Yentob, the former BBC presenter and executive, has died aged 78.

A statement from his family, shared by the BBC, said Yentob died on Saturday.

His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.

“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”

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Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.

He was also the director of BBC drama, entertainment, and children’s TV.

Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.

Alan Yentob with former BBC director general Tony Hall in 2012. Pic: Reuters.
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Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.

The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.

In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.

“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”

BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.

“I commend his spirit to the living.”

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Gillian Anderson warns UK homelessness ‘will only get worse’

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Gillian Anderson warns UK homelessness 'will only get worse'

Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.

The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”

Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”

Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”

“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.

“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”

Pic: Steve Tanner/Black Bear
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Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear

The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.

Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.

Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.

With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.

Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.

Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.

They set off with just a tent and two backpacks to walk the coastal path.

Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.

Read more:
Is this every actor’s bucket list job?

Pic: Steve Tanner/Black Bear
Image:
Pic: Steve Tanner/Black Bear

Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.

Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”

Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.

Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.

Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.

“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”

The Salt Path comes to UK cinemas on Friday 30 May.

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Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail

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Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail

A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.

Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.

Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.

RUST armourer Hannah Gutierrez Reed jailed for involuntary manslaughter of Halyna Hutchins, Santa Fe, New Mexico, USA - 15 Apr 2024
Hannah Gutierrez-Reed in court today as she is jailed 18 months for the involuntary manslaughter on the set of the Rust movie on October 21, 2021 over the fatal shooting of the movie's cinematographer, Halyna Hutchins.

15 Apr 2024
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Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock

Halyna Hutchins pictured in 2017 at an Artists for Peace and Justice party, 70th Cannes Film Festival, France
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Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock

She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.

Cinematographer Hutchins died following the incident, while director Joel Souza was injured.

Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.

Actor Alec Baldwin reacts after the judge threw out the involuntary manslaughter case for the 2021 fatal shooting of cinematographer Halyna Hutchins during filming of the Western movie "Rust," Friday, July 12, 2024, at Santa Fe County District Court in Santa Fe, N.M. (Pool Video via AP)
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Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP

Involuntary manslaughter means causing someone’s death due to negligence, without intending to.

At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.

The 18-month sentence she was given was the maximum available for the offence.

Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.

The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.

Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.

Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.

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