Killing off Greta Thunberg and Dolly Parton? The artist creating fake obituaries of cultural stars
The blown-up newspaper pages displayed through the windows of an otherwise sparse, all-white gallery space in London’s busy Mayfair district stop you in your tracks.
“Greta Thunberg, who has died aged 19, enjoyed a meteoric career as a climate activist,” begins one, the text surrounding a photograph of the young campaigner speaking into a mic; on the wall facing her is Formula 1 star Lewis Hamilton, one hand on heart, the other held aloft in a triumphant fist. “Sir Lewis Hamilton, who has died aged 38, was the greatest British racing driver…”
Dolly Parton, Grace Jones, Sadhguru, Marc Almond and David Hammons are also immortalised. The text is there in black and white, past tense, matter-of-fact, next to images of their instantly recognisable faces.
Pic: Lucy Dawkins courtesy Gagosian
Like the horrible moment you see your favourite celebrity trending on Twitter for no apparent reason, the incredibly real-seeming works evoke a panicked double-take. But don’t worry – these obituaries are in fact hypothetical, the latest works by artist Adam McEwen, featured in his first solo exhibition in London.
The great equaliser, death is one of art’s most prolific subjects – “the biggest subject”, McEwen says – but forecasting the inevitable so intricately and so specifically for very real, very much alive human beings, makes these faux newspaper articles rather uncanny.
While some might consider the works morbid or even distasteful, McEwen sees them as celebratory, though not uncritical. Similar to the introduction these subjects might get should they appear on Desert Island Discs or This Is Your Life, they are warts-and-all markers of a life well lived; a lifetime of experiences and personal qualities distilled into roughly 1,400 words.
The works are homages to “people I love”, McEwen tells Sky News. What links Parton, Thunberg, Lewis and the other figures featured is a thread of “tension”, he says, or triumph over adversity; they have played by their own rules and won.
“These people are demonstrations that despite it appearing life is very difficult – if not impossible – to negotiate, you in fact have more choices and freedom than you realise.” McEwen points to Parton, a performer who has written thousands of songs and who has revelled, according to his artwork, in “subverting expectations about large-breasted, big-haired women” from the American South.
“You look at the story of Dolly Parton and she demonstrates it. And Lewis Hamilton, let’s say; [it was] almost impossible to be a young black man who wants to be a Formula One driver, if not impossible. But he shows it is possible.”
Thunberg’s rapid rise from unknown schoolgirl to the world’s most famous environmental activist is one that fascinates McEwen. “Apart from her youth and her conviction,” he writes in her fake obit, “her ability to strike a chord lay in the power and simplicity of her message: older generations had left the young to suffer the consequences of their consumption. Everyone knew it; now the young weren’t going to let them ignore it anymore.”
From Malcolm McLaren to Kate Moss, Rod Stewart and Bill Clinton
Adam McEwen’s previous works were part of The George Michael Collection sale at Christie’s in 2019. Pic: Nils Jorgensen/Shutterstock
As a young artist in the 1990s, McEwen subsidised his passion working part-time as an obituary writer for the Daily Telegraph. The idea to turn the form into art was born from a group show he was taking part in in 2000. “Everyone was given a Vivienne Westwood muslin shirt, a straitjacket, and we were told to do whatever we wanted. I decided to write Malcolm McLaren’s obituary… it was a homage to Malcolm and it had a kind of dark, slightly punk sensibility that made sense.”
Further fake obituaries to stars and notable figures followed, featuring everyone from Nicole Kidman, Kate Moss and Macaulay Culkin to Rod Stewart, Jeff Koons and Bill Clinton. Some would read differently now should he be starting afresh in 2023.
“They won’t be updated,” says McEwen. “Also, they function differently later. Let’s say, Macaulay Culkin, the actor. In 2004 he had a certain stature and a certain story; he was in Home Alone… 20 years later, we see it from a different position… You see this artwork now and it’s like, that’s not how I think about Macaulay Culkin anymore.”
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McLaren, the former Sex Pistols manager and partner of Westwood, later came to hear about his own obit. “I met him once and told him,” McEwen says. “He was sort of initially nonplussed and then he laughed.”
He says Koons was also aware of his. “It’s a funny relationship, but it’s not… people have said to me, why don’t you do Trump? Kill him! They’re not really getting the point.”
‘This isn’t a morbid wish – death is a fact’
Adam McEwen. Pic: Andisheh Avini
McEwen says he doesn’t worry about how his subjects might react to seeing the stories of their lives told through their made-up deaths. “The only thing I know about Greta Thunberg, for real… the only thing I know for sure about Nicole Kidman or Bill Clinton, is that they are going to die. I’m not using it as a morbid wish. It’s a fact. For me also, I’m going to die.
“I don’t think [it’s] upsetting. Apart from anything else, these things exist in filing cabinets, or in digital filing cabinets, already for famous people. For Dolly Parton, there are already obituaries written for her, because they have to be. All I’m doing is appropriating something that’s already there.”
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When he worked for the Telegraph, McEwen wrote obituaries in reaction to sudden deaths – including for John F Kennedy Jr in 1999, when he died alongside his wife and sister-in-law in a private plane crash – as well as planned pieces.
Just like a real newspaper article, there may be errors to look out for in his artwork, he says. “Typos, sure. Maybe factual errors. I mean, exactly like a newspaper. It’s 6pm. It’s got to go to press. We do the best [we can] and then the next morning, ‘Oh f***, we’ve missed that typo’. It’s the same. I’ve done them when they go, ‘in 19XX…’ and I was going to find the date [but forgot], and then it’s done and it’s in the exhibition. ‘Damn, I didn’t see that.’ But it doesn’t matter, because it’s the same. It’s all part of it.”
Adam McEwen’s exhibition of fake obituaries dedicated to living celebrities is showing at Gagosian’s Davies Street gallery in London until 11 March
The Who’s Zak Starkey is back in the band after reports earlier this week he’d been sacked.
A statement on the band’s official social media pages written by guitarist Pete Townshend said “communication issues” had been “aired happily” and Starkey was “not being asked to step down”.
Townshend also acknowledged the situation “blew up very quickly and got too much oxygen”, concluding “it’s over” and acknowledged his part in “the confusion”.
Titled, “News Flash! Who Backs Zak,” the long statement said Starkey was “not being asked to step down from The Who”.
It said: “There have been some communication issues, personal and private on all sides, that needed to be dealt with, and these have been aired happily.
“Roger and I would like Zak to tighten up his latest evolved drumming style to accommodate our non-orchestral line-up and he has readily agreed.”
Roger Daltrey and Starkey on stage at the Royal Albert Hall in March. Pic: PA
The rock and roll row followed the band’s Teenage Cancer Trust shows in March.
Townsend’s statement went on: “I take responsibility for some of the confusion. Our TCT shows at the Royal Albert Hall were a little tricky for me.
“I thought that four and a half weeks would be enough time to recover completely from having a complete knee replacement. (Why did I ever think I could land on my knees?) Wrong!
“Maybe we didn’t put enough time into sound checks, giving us problems on stage. The sound in the centre of the stage is always the most difficult to work with.”
So what went wrong?
Going on to highlight the specifics of what went wrong, Townshend added: “Roger did nothing wrong but fiddle with his in-ear monitors. Zak made a few mistakes and he has apologised. Albeit with a rubber duck drummer.
“We are a family, this blew up very quickly and got too much oxygen. It’s over. We move forward now with optimism and fire in our bellies.”
A review of one gig, published in the Metro, suggested frontman Roger Daltrey – who launched the annual gig series for the charity in 2000 – had been “frustrated” with the drumming during some tracks.
Townsend also said he owed drummer Scott Devours “an apology” for not “crushing the rumour” that he would be replacing Starkey in the Who line-up.
Devours is supporting Roger Daltrey on his solo tour, which kicked off this weekend.
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Starkey – who is the son of The Beatles drummer Ringo Starr – reposted Townshend’s statement, with the message: “V grateful to be a part of the Who family Thanks Roger and Pete xx”.
The 59-year-old drummer previously said he was “surprised and saddened” by news of his sacking.
He’s been with The Who for nearly three decades, after joining in 1996 for their Quadrophenia tour.
Starkey also drums for supergroup Mantra Of The Cosmos – along with fellow musicians Shaun Ryder and Bez from Happy Mondays, and Andy Bell of Ride and Oasis – and has previously played with Oasis, Lightning Seeds and Johnny Marr.
Entertainment
The Last Of Us: The science behind the real ‘zombie’ fungus – and is it an actual threat?
Could the next public health crisis be caused by a fungus?
Such an emergency is the basis of the post-apocalypse TV drama series The Last Of Us, which has returned for its second season on Sky Atlantic.
Starring Pedro Pascal and Bella Ramsey, the show takes place in a world ravaged by a pandemic caused by a mass cordyceps outbreak, which transforms people into bloodthirsty abominations.
The prospect was outlined in its debut episode in 2023, when a prescient epidemiologist played by John Hannah warned how a warming climate could force some fungus to evolve into something more dangerous.
“Candida, ergot, cordyceps, aspergillus: any one of them could be capable of burrowing into our brains and taking control of not millions of us, but billions,” he said.
An extreme outcome with plenty of artistic licence taken – but is it entirely without scientific basis?
A mass cordyceps outbreak transforms people into blood-thirsty abominations in the show. Pic: HBO/Warner Media/Liane Hentscher
Do fungi really threaten humans?
“There are numerous fungi infecting the brains of human beings all over the planet, often with devastating outcomes,” says Professor Elaine Bignell, a world leader in the field of human fungal pathogen research.
“A number of fungal species are quite prominent pathogens and kill hundreds of thousands of people every year – it’s just the public is not well aware of this.”
A few of the dangers identified by The Last Of Us’s fictional epidemiologist previously featured on a list of health-threatening fungi by the World Health Organisation (WHO).
Among the fungi deemed most high-risk was Aspergillus fumigatus, a common mould widespread in the environment in homes and outdoors, which can cause “chronic and acute lung disease” and can be deadly.
Aspergillus is a type of mould, common in homes
Candida species, which are behind complaints like thrush and skin rashes, are also one of the leading causes of bloodstream infection in intensive care patients.
Cryptococcosis neoformans – which infects the lungs and brain, causing pneumonia and meningitis in immunosuppressed patients – also made the list. It kills more than 100,000 people a year in sub-Saharan Africa.
“One thing killer fungi do have in common is they are able to grow at human body temperature, and that’s unusual for a fungus,” Prof Bignell tells Sky News.
“Most fungi in the environment are suited to growing in more temperate conditions, and it places quite a strain on any microorganism to counteract an immune response in a human body and cope with the high temperature.”
The main symptom of ringworm is a rash, which can spread. Pic: NHS
What about cordyceps?
Cordyceps was not on the threat list – but it is absolutely real.
The parasitic fungus infects and takes over the mind of insects, as it does to humans in The Last Of Us.
“There are about 600 species,” says Dr Mark Ramsdale, a professor in molecular microbiology at the MRC Centre for Medical Mycology.
“They are predominantly insect pathogens. It’s their insect host that they manipulate and change their behaviour. And so from that perspective, there is some basis there.”
A fly infected by a cordyceps fungus. Pic: Alejandro Santillana/University of Texas
Found in tropical forests, the fungus penetrates an insect’s body via spores, which are released to allow a fungus to reproduce and defend itself.
The fungus then guides its host into more humid locations to help it grow, before feeding on the remains and launching new spores from its corpse.
When it comes to humans, cordyceps is used in treatments and therapeutics – notably Chinese herbal medicines.
“There’s a long history of relationships between humans and this particular group,” Dr Ramsdale tells Sky News.
“There’s no evidence they’re causing disease in humans. However, in terms of their insect relationships, they do manipulate their hosts – and several fungi have evolved this capacity over time.”
Cordyceps growing from a caterpillar. Pic: L Shyamal/Wikimedia Commons
Ophiocordyceps caloceroides infecting a tarantula. Pic: Ian Suzuki/Wikimedia Commons
Could climate change the picture?
Another facet of The Last Of Us shared by the WHO’s landmark report was the potential influence of climate change on the nature of fungi and our relationship with it.
Prof Bignell says the impact of global heating will be “profound” for all microbes on our planet.
There are some 150,000 identified species of fungi in the world, well short of the millions estimated to exist, and few have what it takes to cope with the 37C temperature and other stresses imposed by the human body.
But some do, and more could – either those yet to be discovered or which adapt to survive on a warming planet.
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“It changes the selection pressures that are put on those huge, diverse life forms,” says Dr Ramsdale.
“Perhaps some could potentially make that transition from one lifestyle to another and become pathogenic in a context we haven’t thought of before.”
So the show’s pandemic may be far from factual, but it’s not completely without merit.
“What really is the most removed from the current status quo is the scale and the rate of the infections occurring in The Last Of Us,” says Prof Bignell.
“Some fungi can get passed from one person to the next – and in the environment we are exposed to them all the time – but it would take a very significant variant to be able to cause the sorts of species extinction event they’re dramatising.”
Humans are transformed into zombie-like monsters in the show. Pic: HBO/Warner Media/Liane Hentscher
So … no reason for alarm?
You can sleep easy knowing there won’t be a fungus that turns you into a zombie in your cereal tomorrow morning.
But COVID, researchers say, is proof we can’t rest on our laurels when it comes to public health threats and the potentially sudden nature of their arrival.
With fungal infection in humans being a relatively modern phenomenon, with few examples until the 1980s, and the absence of any antifungal vaccine research programmes, there’s certainly work to do.
“We have to be in a state of preparedness,” says Prof Bignell.
“We have to have a very good understanding of how different fungi can cause human diseases, how our immune systems cope with those microbes, and a good medicine cabinet with antifungal agents we know are effective.”
In the meantime, if you do happen to see anyone that looks like they’re covered in mushrooms and feasting on a member of their family – best steer clear.
The Last Of Us airs every Monday at 2am on Sky Atlantic.
Clodagh Rodgers, a singer best known for representing the UK at the 16th Eurovision Song Contest, has died aged 78.
The Northern Irish singer was described as “the rock of this family” by her son Sam, who said she died on Friday 18 April.
Sam Sorbie wrote: “With a heavy heart, my dear beautiful mum Clodagh has sadly passed away after battling an illness for the last three years. She passed away peacefully yesterday, surrounded by her family in Cobham.
“Mum has lived an incredible life, full of love and happiness. Her fantastic career performing, travelling the world, devoting her life to her two sons and being the rock of this family.
“Life will not be the same without Mum, but she will finally be at peace now with dad, nanny and pappa. We all love and miss her terribly.”
A regular face on the TV in the 1970s and 1980s, Rodgers performed Jack In The Box at the 1971 Eurovision Song Contest in Dublin, finishing in fourth place behind Germany, Spain and the winners, Monaco.
Jack In The Box went on to reach number four in the UK singles chart, and although she entered the charts later that year with Lady Love Bug, the Eurovision track remained her biggest hit.
Rodgers began singing as a youngster and got her first record deal aged just 15.
Rodgers performing at the 16th Eurovision. Pic: BBC
She went on to appear on primetime shows including The Morecombe And Wise Show, The Two Ronnies, Top Of The Pops, Bruce Forsyth & The Generation Game and The Val Doonican Show.
She was chosen as the face of Bisto gravy in the 70s, following her Eurovision hit.
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(L-R) Rodgers with Ronnie Corbett in 1971, when they starred in Cinderella. Pic: AP
A talented live performer, she also starred in her own West End show Talk Of The Town, and West End musical hit Blood Brothers, as well as numerous variety shows and the pantomime Cinderella, co-starring comedian Ronnie Corbett.
Rodgers released six albums, five compilation records and numerous singles across her six-decade career. She insured her voice for £1m.
In 2001 she appeared as a recurring character in police drama The Bill.
Married twice, Rodgers leaves behind her two sons, Sam and Matt.
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