Killing off Greta Thunberg and Dolly Parton? The artist creating fake obituaries of cultural stars
The blown-up newspaper pages displayed through the windows of an otherwise sparse, all-white gallery space in London’s busy Mayfair district stop you in your tracks.
“Greta Thunberg, who has died aged 19, enjoyed a meteoric career as a climate activist,” begins one, the text surrounding a photograph of the young campaigner speaking into a mic; on the wall facing her is Formula 1 star Lewis Hamilton, one hand on heart, the other held aloft in a triumphant fist. “Sir Lewis Hamilton, who has died aged 38, was the greatest British racing driver…”
Dolly Parton, Grace Jones, Sadhguru, Marc Almond and David Hammons are also immortalised. The text is there in black and white, past tense, matter-of-fact, next to images of their instantly recognisable faces.
Pic: Lucy Dawkins courtesy Gagosian
Like the horrible moment you see your favourite celebrity trending on Twitter for no apparent reason, the incredibly real-seeming works evoke a panicked double-take. But don’t worry – these obituaries are in fact hypothetical, the latest works by artist Adam McEwen, featured in his first solo exhibition in London.
The great equaliser, death is one of art’s most prolific subjects – “the biggest subject”, McEwen says – but forecasting the inevitable so intricately and so specifically for very real, very much alive human beings, makes these faux newspaper articles rather uncanny.
While some might consider the works morbid or even distasteful, McEwen sees them as celebratory, though not uncritical. Similar to the introduction these subjects might get should they appear on Desert Island Discs or This Is Your Life, they are warts-and-all markers of a life well lived; a lifetime of experiences and personal qualities distilled into roughly 1,400 words.
The works are homages to “people I love”, McEwen tells Sky News. What links Parton, Thunberg, Lewis and the other figures featured is a thread of “tension”, he says, or triumph over adversity; they have played by their own rules and won.
“These people are demonstrations that despite it appearing life is very difficult – if not impossible – to negotiate, you in fact have more choices and freedom than you realise.” McEwen points to Parton, a performer who has written thousands of songs and who has revelled, according to his artwork, in “subverting expectations about large-breasted, big-haired women” from the American South.
“You look at the story of Dolly Parton and she demonstrates it. And Lewis Hamilton, let’s say; [it was] almost impossible to be a young black man who wants to be a Formula One driver, if not impossible. But he shows it is possible.”
Thunberg’s rapid rise from unknown schoolgirl to the world’s most famous environmental activist is one that fascinates McEwen. “Apart from her youth and her conviction,” he writes in her fake obit, “her ability to strike a chord lay in the power and simplicity of her message: older generations had left the young to suffer the consequences of their consumption. Everyone knew it; now the young weren’t going to let them ignore it anymore.”
From Malcolm McLaren to Kate Moss, Rod Stewart and Bill Clinton
Adam McEwen’s previous works were part of The George Michael Collection sale at Christie’s in 2019. Pic: Nils Jorgensen/Shutterstock
As a young artist in the 1990s, McEwen subsidised his passion working part-time as an obituary writer for the Daily Telegraph. The idea to turn the form into art was born from a group show he was taking part in in 2000. “Everyone was given a Vivienne Westwood muslin shirt, a straitjacket, and we were told to do whatever we wanted. I decided to write Malcolm McLaren’s obituary… it was a homage to Malcolm and it had a kind of dark, slightly punk sensibility that made sense.”
Further fake obituaries to stars and notable figures followed, featuring everyone from Nicole Kidman, Kate Moss and Macaulay Culkin to Rod Stewart, Jeff Koons and Bill Clinton. Some would read differently now should he be starting afresh in 2023.
“They won’t be updated,” says McEwen. “Also, they function differently later. Let’s say, Macaulay Culkin, the actor. In 2004 he had a certain stature and a certain story; he was in Home Alone… 20 years later, we see it from a different position… You see this artwork now and it’s like, that’s not how I think about Macaulay Culkin anymore.”
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McLaren, the former Sex Pistols manager and partner of Westwood, later came to hear about his own obit. “I met him once and told him,” McEwen says. “He was sort of initially nonplussed and then he laughed.”
He says Koons was also aware of his. “It’s a funny relationship, but it’s not… people have said to me, why don’t you do Trump? Kill him! They’re not really getting the point.”
‘This isn’t a morbid wish – death is a fact’
Adam McEwen. Pic: Andisheh Avini
McEwen says he doesn’t worry about how his subjects might react to seeing the stories of their lives told through their made-up deaths. “The only thing I know about Greta Thunberg, for real… the only thing I know for sure about Nicole Kidman or Bill Clinton, is that they are going to die. I’m not using it as a morbid wish. It’s a fact. For me also, I’m going to die.
“I don’t think [it’s] upsetting. Apart from anything else, these things exist in filing cabinets, or in digital filing cabinets, already for famous people. For Dolly Parton, there are already obituaries written for her, because they have to be. All I’m doing is appropriating something that’s already there.”
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When he worked for the Telegraph, McEwen wrote obituaries in reaction to sudden deaths – including for John F Kennedy Jr in 1999, when he died alongside his wife and sister-in-law in a private plane crash – as well as planned pieces.
Just like a real newspaper article, there may be errors to look out for in his artwork, he says. “Typos, sure. Maybe factual errors. I mean, exactly like a newspaper. It’s 6pm. It’s got to go to press. We do the best [we can] and then the next morning, ‘Oh f***, we’ve missed that typo’. It’s the same. I’ve done them when they go, ‘in 19XX…’ and I was going to find the date [but forgot], and then it’s done and it’s in the exhibition. ‘Damn, I didn’t see that.’ But it doesn’t matter, because it’s the same. It’s all part of it.”
Adam McEwen’s exhibition of fake obituaries dedicated to living celebrities is showing at Gagosian’s Davies Street gallery in London until 11 March
A “British man” has died after being beaten and set on fire by a mob in Ecuador, according to reports by media in the South American country.
According to reports, the man – who has not been officially identified – had been detained by police after being accused of being involved in a fatal shooting.
Ecuadorian news outlet Ecuavisa reported that the man had been taken to a police station Playas del Cuyabeno, a remote village in the Amazon rainforest.
While there, a group broke into the station and took the man away. He was then set on fire in the street, it is reported, and died from his burns.
The incident reportedly happened in the Playas del Cuyabeno area of Sucumbios province
Another local report, from EXTRA.ec, said that specialist police units had been slow to arrive due to the geographical conditions of the area – which is accessible by river.
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According to reports, police officers at the station apparently decided they could not intervene when the mob arrived out of concerns for their own safety.
The UK Foreign, Commonwealth and Development Office has been approached for comment.
Premier League match tickets at Chelsea have been selling for more than twice the price of a season ticket on an American exchange website with a familiar director and investor to supporters – club chairman Todd Boehly.
Amid growing fan fury, Sky News was able to access the Vivid Seats platform on different devices last week from London – and saw tickets for the visit of Liverpool on 4 May, priced by Chelsea at a maximum of £80, being sold for between £537 and £2,666.
Some tickets were listed as being sold by traders.
Chairman of Chelsea Todd Boehly. Pic: Reuters
Chelsea’s official website appeared to show no availability for this premium fixture, with the Blues battling for Champions League qualification and Liverpool potentially celebrating being crowned Premier League winners.
The most expensive Stamford Bridge season ticket for this campaign was £1,015.
Vivid is listed by the Premier League among “unauthorised ticket websites” with a message: “We would urge fans to exercise extreme caution when dealing with these websites.”
Vivid insisted it adheres to laws and regulations in Britain
The Chelsea Supporters’ Trust has written to the Premier League to ask that Vivid – given its ties with a club’s shareholder – “ceases facilitating the sale of tickets for significantly above face value”.
Mr Boehly – part of the consortium that replaced Roman Abramovich as owner in 2022 – has not addressed accusations of a “conflict of interest” or claims he is undermining efforts to combat ticket touting.
There are anti-touting warnings on signs in the streets approaching the stadium.
Sky News found some tickets for more than £2,000 on Vivid Seats
An official Chelsea Ticket Exchange allows season ticket holders to sell their tickets “at the pro-rata price of season tickets” to a club member “in a safe, secure environment”.
While Chelsea’s website says to only buy tickets in the UK from official sellers, it adds: “Many of the websites that advertise and sell tickets online are not within the jurisdiction of UK law.
“This means, while we report these sites when we see Chelsea tickets on them, there is little we can do to shut down the sites.”
Sign at Stamford Bridge warning against ticket touting
On Vivid, we did see warnings telling visiting users not to buy seats in the home sections and a pop-up eventually appeared after browsing the availability, saying: “Tickets for the EPL matches are not currently available for purchase in your location.”
No attempt was made by us to buy tickets. But should we have been able to see the listings at all?
Sky News first asked for comment from Vivid last Monday and continued to see ticket listings with variable prices in pounds during the week. It took until Friday night for any form of response.
“Vivid Seats respectfully adheres to the laws that are in place in the United Kingdom and is not in violation of any regulations around EPL tickets,” the email read in part. “As such, Vivid Seats’ policy restricts the sale and marketing of EPL tickets in the United Kingdom.”
Pic: Reuters
When Sky News checked the website again on Saturday the listings for Premier League matches were no longer visible as they are from outside of Britain.
Asked if they were no longer visible after our inquiries, Vivid’s official replied: “The conclusions that you are drawing are factually incorrect.
“We understand that people will try to find ways to circumvent technology and as such, we have validation protocols in place in order to restrict the sale and marketing of EPL tickets in the United Kingdom.”
Again, Vivid insisted it adheres to laws and regulations in Britain.
But the same official did not respond to an email detailing how we were able to view the tickets listings from London on separate days, without using VPN software that can make your browser seem as if it’s accessing the internet from another country.
Chelsea’s match against Ipswich at Stamford Bridge. Pic: Reuters
‘It’s the only way I was going to get here’
Ticket exchange websites can be the only way for some fans overseas to come to matches.
When Ipswich played at Stamford Bridge on 13 April, Baz Gillespie was able to watch after 20 years living in Cyprus by paying a vastly-inflated £300 for two tickets on a website other than Vivid.
“The only way I was going to get here was that way,” he said, remembering the days he could just queue up and pay a fiver for a ticket.
The same match was Martin van Dijk’s first-ever game at the Bridge, having come from the Netherlands after paying €150 (£128) on another exchange website after initially trying through Vivid.
“If there’s no other option, and you want to visit, it’s the only way, but I’d rather get it through like the normal way,” he said.
Chelsea fan Martin van Dijk paid €150 for a ticket on a resale website
‘An absolute disgrace’
It is the “normal way” that so many supporters want to protect and are aghast at Mr Boehly’s links to Vivid, predating his purchase of a stake in Chelsea.
“It’s an absolute disgrace,” supporter Ben Grey said. “He shouldn’t be involved in Chelsea and a reselling website. It’s unethical from a basic perspective.
“The club are coming out with communication saying that they’re against ticket reselling and our semi-majority shareholder [has a website] reselling tickets to our games.”
Asked what the Premier League should do, he replied: “I’m a massive Chelsea fan, I don’t want Chelsea to be hit hard by anything.
“But the fact of the matter is they need to sort that out and if they’re allowing there to be an owner of a club who’s reselling tickets, it’s a disgrace.”
Fan Ben Grey said Mr Boehy shouldn’t be involved in Chelsea and a reselling website
‘Not a very good look’
Another fan, Rich Still, called it “21st century greed”.
The issue is resonating with young children.
Rhys Edwards, watching with his father, said: “It doesn’t look too good on Chelsea and their owners to be fair.
“Saying that [the website] is not authorised by the league they’re playing in isn’t a very good look.”
Officials with Chelsea, the Premier League and Mr Boehly declined to comment.
The Vivid statement to Sky News stressed: “It is important to note that Vivid Seats does not set the base price for tickets sold on its marketplace or receive any revenue from that base price; only the seller sets and receives the base ticket price.”
Labour MP Rupa Huq has proposed a law change to improve pricing transparency
‘It’s like the Wild West’
Vivid highlighted to Sky News its “long-standing partnership”, including being a backer of a 2023 summer tour of the United States.
Chelsea’s website featured a quote saying: “We are pleased to join with a company committed to becoming the ultimate partner for connecting fans to the live events, teams and artists they love.”
The government has launched a consultation to prevent people from being ripped off in Britain by the resale of tickets.
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The limit could range from the cost of the original ticket to a 30% uplift to stop the public being “fleeced” by professional touts.
Labour MP for Ealing Central and Acton, Rupa Huq, has separately proposed a change to the law to improve pricing transparency on secondary ticketing sites.
“It’s an unregulated market,” she told Sky News. “It’s like the Wild West. It needs getting back into control.”
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