Killing off Greta Thunberg and Dolly Parton? The artist creating fake obituaries of cultural stars
The blown-up newspaper pages displayed through the windows of an otherwise sparse, all-white gallery space in London’s busy Mayfair district stop you in your tracks.
“Greta Thunberg, who has died aged 19, enjoyed a meteoric career as a climate activist,” begins one, the text surrounding a photograph of the young campaigner speaking into a mic; on the wall facing her is Formula 1 star Lewis Hamilton, one hand on heart, the other held aloft in a triumphant fist. “Sir Lewis Hamilton, who has died aged 38, was the greatest British racing driver…”
Dolly Parton, Grace Jones, Sadhguru, Marc Almond and David Hammons are also immortalised. The text is there in black and white, past tense, matter-of-fact, next to images of their instantly recognisable faces.
Pic: Lucy Dawkins courtesy Gagosian
Like the horrible moment you see your favourite celebrity trending on Twitter for no apparent reason, the incredibly real-seeming works evoke a panicked double-take. But don’t worry – these obituaries are in fact hypothetical, the latest works by artist Adam McEwen, featured in his first solo exhibition in London.
The great equaliser, death is one of art’s most prolific subjects – “the biggest subject”, McEwen says – but forecasting the inevitable so intricately and so specifically for very real, very much alive human beings, makes these faux newspaper articles rather uncanny.
While some might consider the works morbid or even distasteful, McEwen sees them as celebratory, though not uncritical. Similar to the introduction these subjects might get should they appear on Desert Island Discs or This Is Your Life, they are warts-and-all markers of a life well lived; a lifetime of experiences and personal qualities distilled into roughly 1,400 words.
The works are homages to “people I love”, McEwen tells Sky News. What links Parton, Thunberg, Lewis and the other figures featured is a thread of “tension”, he says, or triumph over adversity; they have played by their own rules and won.
“These people are demonstrations that despite it appearing life is very difficult – if not impossible – to negotiate, you in fact have more choices and freedom than you realise.” McEwen points to Parton, a performer who has written thousands of songs and who has revelled, according to his artwork, in “subverting expectations about large-breasted, big-haired women” from the American South.
“You look at the story of Dolly Parton and she demonstrates it. And Lewis Hamilton, let’s say; [it was] almost impossible to be a young black man who wants to be a Formula One driver, if not impossible. But he shows it is possible.”
Thunberg’s rapid rise from unknown schoolgirl to the world’s most famous environmental activist is one that fascinates McEwen. “Apart from her youth and her conviction,” he writes in her fake obit, “her ability to strike a chord lay in the power and simplicity of her message: older generations had left the young to suffer the consequences of their consumption. Everyone knew it; now the young weren’t going to let them ignore it anymore.”
From Malcolm McLaren to Kate Moss, Rod Stewart and Bill Clinton
Adam McEwen’s previous works were part of The George Michael Collection sale at Christie’s in 2019. Pic: Nils Jorgensen/Shutterstock
As a young artist in the 1990s, McEwen subsidised his passion working part-time as an obituary writer for the Daily Telegraph. The idea to turn the form into art was born from a group show he was taking part in in 2000. “Everyone was given a Vivienne Westwood muslin shirt, a straitjacket, and we were told to do whatever we wanted. I decided to write Malcolm McLaren’s obituary… it was a homage to Malcolm and it had a kind of dark, slightly punk sensibility that made sense.”
Further fake obituaries to stars and notable figures followed, featuring everyone from Nicole Kidman, Kate Moss and Macaulay Culkin to Rod Stewart, Jeff Koons and Bill Clinton. Some would read differently now should he be starting afresh in 2023.
“They won’t be updated,” says McEwen. “Also, they function differently later. Let’s say, Macaulay Culkin, the actor. In 2004 he had a certain stature and a certain story; he was in Home Alone… 20 years later, we see it from a different position… You see this artwork now and it’s like, that’s not how I think about Macaulay Culkin anymore.”
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McLaren, the former Sex Pistols manager and partner of Westwood, later came to hear about his own obit. “I met him once and told him,” McEwen says. “He was sort of initially nonplussed and then he laughed.”
He says Koons was also aware of his. “It’s a funny relationship, but it’s not… people have said to me, why don’t you do Trump? Kill him! They’re not really getting the point.”
‘This isn’t a morbid wish – death is a fact’
Adam McEwen. Pic: Andisheh Avini
McEwen says he doesn’t worry about how his subjects might react to seeing the stories of their lives told through their made-up deaths. “The only thing I know about Greta Thunberg, for real… the only thing I know for sure about Nicole Kidman or Bill Clinton, is that they are going to die. I’m not using it as a morbid wish. It’s a fact. For me also, I’m going to die.
“I don’t think [it’s] upsetting. Apart from anything else, these things exist in filing cabinets, or in digital filing cabinets, already for famous people. For Dolly Parton, there are already obituaries written for her, because they have to be. All I’m doing is appropriating something that’s already there.”
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When he worked for the Telegraph, McEwen wrote obituaries in reaction to sudden deaths – including for John F Kennedy Jr in 1999, when he died alongside his wife and sister-in-law in a private plane crash – as well as planned pieces.
Just like a real newspaper article, there may be errors to look out for in his artwork, he says. “Typos, sure. Maybe factual errors. I mean, exactly like a newspaper. It’s 6pm. It’s got to go to press. We do the best [we can] and then the next morning, ‘Oh f***, we’ve missed that typo’. It’s the same. I’ve done them when they go, ‘in 19XX…’ and I was going to find the date [but forgot], and then it’s done and it’s in the exhibition. ‘Damn, I didn’t see that.’ But it doesn’t matter, because it’s the same. It’s all part of it.”
Adam McEwen’s exhibition of fake obituaries dedicated to living celebrities is showing at Gagosian’s Davies Street gallery in London until 11 March
Merseyside Police knows – better than any force, perhaps – that in a social media age, an information vacuum can become a misinformation cauldron.
They have learnt from the aftermath of the Southport stabbing attack, where the force was criticised for being too slow to release information that could have calmed the riots that followed.
So, it feels like things have been done differently this time.
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Police tents surrounded by debris at the scene in Water Street. Pic: PA
The incident happened just after 6pm on Monday.
Videos – captured by fans on their phones – were online within moments. Shared and speculated upon, with guesses as to the attacker’s identity and motive.
But alongside the huge and immediate police investigation, the communication machine moved equally fast.
Within a few hours, police released a description of the man they had arrested – a 53-year-old white British man from the Liverpool area.
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Moment car drives into crowds in Liverpool
A few hours after that, we had an extensive press conference during which police ruled out terrorism as a motive.
Again, they appealed for videos not to be shared online and for people not to speculate.
Liverpool City Region Mayor Steve Rotheram said Merseyside Police “handled the situation fantastically” given how quickly footage of the incident was shared online.
He told Sky News that online misinformation can set “a lot of false narrative”.
The mayor added: “And we all know that speculation and social media are a wildfire of different vantages, and some of it is for nefarious reasons.
“So, it was right, of course, that the police reacted as quickly as they did to dampen down some of the types of posts that we were witnessing, you know, saying that there were other things happening throughout the city.”
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‘These were utterly tragic scenes’
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Police commentator Graham Wettone also told Sky News the force had done well to quickly combat misinformation spreading online.
He said: “That’s always a problem in today’s day and age, social media taking over so much news reporting, with so many people as well present at the scene where that awful incident took place, mobile phones out, people recording it, and then posting it almost straight away.”
Dal Babu, a former Metropolitan Police chief superintendent, also highlighted it was “unprecedented” that the force “very quickly” gave the ethnicity and race of the suspect.
Speaking to BBC Radio 5 Live, he said: “I think that was to dampen down some of the speculation from the far-right that sort of continues on X even as we speak that this was a Muslim extremist and there’s a conspiracy theory.”
Mr Babu agreed that Merseyside Police appears to have learned lessons from what happened after the Southport stabbings.
He added: “The difficulty we have is in the olden days, when I was policing, you would have a conversation with trusty journalists, print journalists, radio journalists, broadcasting journalists, you’d have a conversation and say look can you please hold fire on sharing this information and people would listen.
“We don’t have that with social media, it’s like the Wild West and anything goes and so puts the police in a very, very difficult position.”
Meanwhile, the police investigation continues.
In central Liverpool, Water Street is cordoned off with police officers and vehicles in place.
Flags, sprays of paint flares and empty bottles still cover the road. Whereas they have been cleared elsewhere along the parade route, here they remain. Chilling symbols of the party, that within moments became a scene of utter horror.
King Charles and Queen Camilla are being urged to use their visit to Canada to seek an apology for the abuse of British children.
Campaigners have called on them to pursue an apology for the “dire circumstances” suffered by so-called “Home Children” over decades.
More than 100,000 were shipped from orphan homes in the UK to Canada between 1869 and 1948 with many used as cheap labour, typically as farm workers and domestic servants. Many were subject to mistreatment and abuse.
Canada has resisted calls to follow the UK and Australia in apologising for its involvement in child migrant schemes.
King Charles and Mark Carney on Monday. Pic: PA
Campaigners for the Home Children say the royal visit presents a “great opportunity” for a change of heart.
“I would ask that King Charles uses his trip to request an apology,” John Jefkins told Sky News.
John’s father Bert was one of 115,000 British Home Children transported to Canada, arriving in 1914 with his brother Reggie.
“It’s really important for the Home Children themselves and for their descendants,” John said.
“It’s something we deserve and it’s really important for the healing process, as well as building awareness of the experience of the Home Children.
“They were treated very, very badly by the Canadian government at the time. A lot of them were abused, they were treated horribly. They were second-class citizens, lepers in a way.”
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John Jefkins
John added: “I think the King’s visit provides a great opportunity to reinforce our campaign and to pursue an apology because we’re part of the Commonwealth and King Charles is a new Head of the Commonwealth meeting a new Canadian prime minister. It’s a chance, for both, to look at the situation with a fresh eye.
“There’s much about this visit that looks on our sovereignty and who we are as Canadians, rightly so.
“I think it’s also right that in contemplating the country we built, we focus on the people who built it, many in the most trying of circumstances.”
The issue was addressed by the then Prince of Wales during a tour of Canada in May 2022. He said at the time: “We must find new ways to come to terms with the darker and more difficult aspects of the past.”
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King Charles and Queen Camilla are on a two-day visit to Canada.
On Tuesday, the King will deliver the Speech from the Throne to open the 45th session of Canada’s parliament.
Camilla was made Patron of Barnardo’s in 2016. The organisation sent tens of thousands of Home Children to Canada. She took on the role, having served as president since 2007.
Buckingham Palace has been contacted for comment.
A spokesperson for the Canadian government said: “The government of Canada is committed to keeping the memory of the British Home Children alive.
“Immigration, Refugees and Citizenship Canada deeply regrets this unjust and discriminatory policy, which was in place from 1869 to 1948. Such an approach would have no place in modern Canada, and we must learn from past mistakes.”
Ministers are considering scrapping the two-child benefit cap, the education secretary told Sky News.
Bridget Phillipson, asked by Wilfred Frost on Sky News Breakfast if the cap should be lifted, said: “It’s not off the table.
“It’s certainly something that we’re considering.”
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The policy means most families cannot claim means-tested benefits for more than their first two children born after April 2017.
Ms Phillipson’s comments are the strongest a minister has made about the policy potentially being scrapped.
Analysis by The Resolution Foundation thinktank over the weekend found 470,000 children would be lifted out of poverty if parents could claim benefits for more than two children.
However, Ms Phillipson said the government inherited a “really difficult situation” with public finances from the Conservative government.
“These are not easy or straightforward choices in terms of how we stack it up, but we know the damage child poverty causes,” she added.
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Why did Labour delay their child poverty strategy?
The education secretary, who is also head of the government’s child poverty taskforce, said ministers are trying to help in other ways, such as expanding funded childcare hours and opening free breakfast clubs.
She said it is “the moral purpose of Labour governments to ensure that everyone, no matter their background, can get on in life”.
Her “personal mission” is to tackle child poverty, she said.
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Sir Keir Starmer is said to have privately backed abolishing the two-child limit and requested the Treasury find the £3.5bn to do so, The Observer reported on Sunday.
The government’s child poverty strategy, which the taskforce is working on, has been delayed from its original publication date in the spring.
Whether to scrap the two-child benefit cap is one of the main issues it is looking at.
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