Ed Sheeran has revealed his wife was diagnosed with a tumour while she was pregnant and that he suffered “fear, depression and anxiety” as he dealt with her diagnosis as well as the death of his close friend Jamal Edwards.
The chart-topping British star opened up about the struggles he faced in 2022 in a statement confirming details of his new album, saying that “a series of events changed my life, my mental health, and ultimately the way I viewed music and art”.
Sheeran, 32, said his wife Cherry Seaborn was told by doctors she had a tumour while pregnant with their second child, who was born in May, “with no route to treatment until after the birth”.
At around the same time, music entrepreneur Edwards, who founded the SBTV music platform that helped launch the singer-songwriter’s career, died in February at the age of 31.
His upcoming album is titled – (Subtract), and follows previous mathematics-inspired records + (Plus), × (Multiply), ÷ (Divide) and = (Equals).
Sheeran said he had been influenced by the difficult events he had been through when writing the songs and that he scrapped his original work.
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“I had been working on Subtract for a decade, trying to sculpt the perfect acoustic album, writing and recording hundreds of songs with a clear vision of what I thought it should be,” he said.
“Then at the start of 2022, a series of events changed my life, my mental health, and ultimately the way I viewed music and art.”
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‘I felt like I was drowning’
Sheeran, from Suffolk, said that writing songs is “my therapy”.
He added: “It helps me make sense of my feelings. I wrote without thought of what the songs would be, I just wrote whatever tumbled out. And in just over a week, I replaced a decade’s worth of work with my deepest, darkest thoughts.”
The star went on to speak about the events of 2022 that led to his new work. “Within the space of a month, my pregnant wife got told she had a tumour, with no route to treatment until after the birth,” he said.
“My best friend Jamal, a brother to me, died suddenly and I found myself standing in court defending my integrity and career as a songwriter. I was spiralling through fear, depression and anxiety.
“I felt like I was drowning, head below the surface, looking up but not being able to break through for air.”
The star worked with Aaron Dessner of The National, who collaborated on Taylor Swift‘s lockdown records Folklore and Evermore, to help with the writing and production of the album, which is due to be released on 5 May.
In his statement, Sheeran said he did not feel he could release an album that did not “accurately represent” his current situation and the challenges he has faced.
He described the record as like “opening the trapdoor into my soul”, and added: “For the first time I’m not trying to craft an album people will like; I’m merely putting something out that’s honest and true to where I am in my adult life.
“This is last February’s diary entry and my way of making sense of it. This is Subtract.”
The album cover shows Sheeran’s face combined with a cracked and broken heart. Song titles include Boat, Salt Water, Life Goes On, Colourblind and No Strings, with the album closing with the track The Hills Of Aberfeldy – a reference to the Scottish market town, which he has visited on a number of occasions.
Images taken by acclaimed US photographer Annie Leibovitz have been released alongside the announcement, showing the star being washed away by waves and crouched over a writing desk at night.
The National Theatre is overhauling how it stages productions – as its ambitious climate targets mean creatives are having to be even more creative.
After setting itself the goal of achieving net zero as an organisation by 2030, off-stage quietly radical changes are under way.
Sky News was invited to see how the theatre, based in Southbank, central London, has gone about overhauling its approach to staging productions, meeting with some of those who’ve worked on its adaptation of the much-loved children’s classic Ballet Shoes.
While critics have been full of praise for the visual spectacle on-stage, how the whole look was created required a fundamental shift in approach.
“All of the team have had to be on board with reinventing, recutting and reimagining items rather than just making them from scratch,” costume designer Samuel Wyer said.
A new resource they had to work with was the National Theatre Green Store in Bermondsey, southeast London.
The warehouse has more than 131,000 items of costume and almost 22,000 props now housed under one roof so that designers can repurpose items from previous productions to try to cut their carbon footprint.
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It’s a surprisingly satisfying challenge.
Mr Wyer said they were able to “dip and cut clothes… which meant I was finding things even outside my imagination that were more perfect than I could have drawn on a piece of paper”.
Trying to lead by example, the theatre hopes to demonstrate how the industry needn’t take a fast fashion approach to making sets, props and costumes from scratch.
“I think if it’s demonstrated that we can do things in this way that helps all of us imagine a world where we can use what we’ve got rather than new, new, new, because we need that balance,” Mr Wyer said.
“Theatre is where we come to imagine who we could be.”
‘Every piece has its own little quirks’
Last year, the National set itself targets of 50% of the materials used in its productions having had a previous life, and 65% being repurposed at the end of each production.
For set designer Frankie Bradshaw, hitting those targets has meant working with a lot more repurposed furniture.
“Lots of second-hand cabinets, bookshelves,” she said. “Ordinarily [carpenters] would have been used to building from scratch following a drawing and this has been quite different.
“Every piece has its own little quirks, and they’ve had to adapt their processes to fit that way of working.”
While it’s by no means straightforward, the process is proving rewarding.
“It requires everyone to be a little bit more flexible, a little more patient, but it does mean you can end up with a product you’re a lot more proud of,” Ms Bradshaw added.
Ballet Shoes runs at the National Theatre until Saturday 22 February.
Neil Young has been confirmed as a headliner at this year’s Glastonbury – despite saying he was dropping out due to the BBC’s involvement in the festival.
The 79-year-old Canadian musician wrote on his website earlier this week that both he and his band, The Chrome Hearts, were pulling out because the BBC’s involvement was a “corporate turn-off”.
He has now said in a statement that this decision was down to “an error in the information I received”.
Emily Eavis, the organiser of the GlastonburyFestival, posted on Instagram on Friday: “Neil Young is an artist who’s very close to our hearts at Glastonbury.
“He does things his own way and that’s why we love him.
“We can’t wait to welcome him back here to headline the Pyramid in June.”
Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.
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Posting on Neil Young Archives, the Rock and Roll Hall of Famer wrote in his initial statement: “The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs.
“We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.
“It seems Glastonbury is now under corporate control and is not the way I remember it being.”
Young, who headlined the festival’s Pyramid stage in 2009, added: “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.
“Hope to see you at one of the other venues on the tour.”
In an updated statement, he wrote: “Due to an error in the information received, I had decided to not play the Glastonbury festival, which I always have loved.
“Happily, the festival is now back on our itinerary and we look forward to playing! Hope to see you there!”
Young, who is married to US actress Daryl Hannah, was booked to play Glastonbury in 1997 but pulled out after cutting his left index finger while making a ham sandwich.
Wayne Osmond, one of the original members of The Osmonds, has died aged 73.
The singer, who rose to fame alongside his siblings including Donny, Jimmy and Marie Osmond, died on New Year’s Day with his wife and five children by his side after suffering a stroke, family members said in posts on social media.
“His legacy of faith, music, love, and laughter have influenced the lives of many people around the world,” a family statement said.
“He would want everyone to know that the gospel of Jesus Christ is true, that families are forever, and that banana splits are the best dessert. We love him and will miss him dearly.”
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Donny Osmond, 67, paid tribute to his “dear brother” and said he was grateful to have seen him in hospital before his death.
“Wayne brought so much light, laughter, and love to everyone who knew him, especially me,” he said. “He was the ultimate optimist and was loved by everyone.”
Born in Ogden, Utah, Wayne Osmond was the fourth of nine siblings. The two oldest Osmond brothers, Virl and Tom, were both born with hearing problems.
The family were members of The Church of Jesus Christ of Latter-day Saints.
Wayne’s musical career started when he was just a boy, when he formed a barbershop quartet with three of his brothers, Alan, Merrill and Jay. They were later joined by younger siblings Donny and Jimmy and became household names in the 1970s, with hits including One Bad Apple, Crazy Horses, and Love Me For A Reason.
Merrill and Jay Osmond were among the family members sharing tributes, with Merrill, 71, also saying he visited Wayne before his death.
“I’ve never known a man that had more humility,” Merrill said. “A man with absolute no guile. An individual that was quick to forgive and had the ability to show unconditional love to everyone he ever met…
“My brother Wayne endured much. He gave it his all. His legacy will go down as someone who was not only a genius in his ability to write music, but was able to capture the hearts of millions of people and bring them closer to God.”
Jay, 69, said he had always “felt most connected to Wayne out of all of my siblings” and that a “true legend” had left the world.
Wayne Osmond is survived by all of his siblings, as well as his wife Kathlyn and their children.