Pulp bass player Steve Mackey has died at the age of 56, the band has announced, paying tribute to a “beloved friend” who “made things happen”.
The Sheffield band, who rose to prominence with their fourth and fifth albums His ‘N’ Hers and Different Class in the 1990s, said the musician died on Thursday. On Mackey’s own Instagram page, his wife Katie posted her own tribute and said he had been in hospital for three months.
Sharing a photograph on Instagram taken on tour during 2012, the band said: “Our beloved friend & bass player Steve Mackey passed away this morning. Our thoughts are with his family & loved ones.
“This photo of Steve dates from when Pulp were on tour in South America in 2012. We had a day off & Steve suggested we go climbing in the Andes. So we did.”
Describing the trek as “a completely magical experience”, the tribute continued: “Far more magical than staring at the hotel room wall all day (which is probably what we’d have done otherwise).
“Steve made things happen. In his life & in the band… we’d very much like to think that he’s back in those mountains now, on the next stage of his adventure.
“Safe travels, Steve. We hope to catch up with you one day.”
Mercury Prize and an Ivor Novello award for Different Class and Common People
Image: L-R: Pulp’s Nick Banks, Candida Doyle, Mark Webber, Mackey and Cocker, with the award for outstanding song collection during the 62nd Annual Ivor Novello Music Awards in 2017
Mackey joined Pulp, fronted by Jarvis Cocker, in the late 1980s, in time for their third album, Separations. In 1994, the band released its fourth album, His ‘N’ Hers, which was nominated for the Mercury Prize later that year.
Two years later, fifth album Different Class – featuring hits including Common People, Something Changes, Disco 2000, Mis-Shapes andSorted For E’s & Wizz – went on to win the prestigious award.
Common People also earned the band an Ivor Novello award in 1996, and in 2017 they were awarded by the Ivors Academy for their outstanding song collection.
In 1995, the group became a late replacement for The Stone Roses to headline that year’s Glastonbury Festival and went on to play one of the most memorable sets in the event’s history. In 2011, following a hiatus, their comeback “secret” set drew one of the biggest crowds ever to the festival’s Park Stage.
In 2022, after another long break, Cocker announced the band would be playing live shows in 2023, with gigs in London and Sheffield, and sets at festivals including Isle Of Wight, planned for the summer.
At the time, Mackey announced that while the band was “a very important part of my creative life… and I’m exceptionally proud of the body of work we’ve created together”, he would not be joining them for the reunion shows.
He said instead he would be working on his other projects involving music, filmmaking and photography. “Wishing Candy, Nick, Mark and Jarvis the very best with forthcoming performances in the UK and also an enormous thanks to Pulp’s amazing fanbase, many of whom have sent me lovely messages,” he said in a statement.
As well as his work with Pulp, Mackey was also a producer who worked with acts including MIA, Arcade Fire and Florence And The Machine.
In her tribute, his wife Katie said: “After three months in hospital, fighting with all his strength and determination, we are shocked and devastated to have said goodbye to my brilliant, beautiful husband, Steve Mackey.
“Steve died today, a loss which has left myself, his son Marley, parents Kath and Paul, sister Michelle and many friends all heartbroken. Steve was the most talented man I knew, an exceptional musician, producer, photographer and filmmaker.
“As in life, he was adored by everyone whose paths he crossed in the multiple creative disciplines he conquered. I would like to express my heartfelt thanks to all the NHS staff who worked tirelessly for Steve. He will be missed beyond words.”
Bandmate Nick Banks also paid tribute, describing Mackey as a “brilliantly talented individual” who “fought so valiantly to stay with us”.
Alan Yentob, the former BBC presenter and executive, has died aged 78.
A statement from his family, shared by the BBC, said Yentob died on Saturday.
His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.
“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”
Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.
He was also the director of BBC drama, entertainment, and children’s TV.
Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.
Image: Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.
The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.
In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.
“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”
BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.
Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.
The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”
Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”
Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”
“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.
“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”
Image: Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear
The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.
Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.
Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.
With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.
Image: Pic: Steve Tanner/Black Bear
The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.
Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.
They set off with just a tent and two backpacks to walk the coastal path.
Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.
Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.
Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”
Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.
Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.
Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.
“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”
The Salt Path comes to UK cinemas on Friday 30 May.
A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.
Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.
Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.
Image: Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock
Image: Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock
She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.
Cinematographer Hutchins died following the incident, while director Joel Souza was injured.
Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.
Image: Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP
Involuntary manslaughter means causing someone’s death due to negligence, without intending to.
At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.
The 18-month sentence she was given was the maximum available for the offence.
Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.
The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.
Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.
Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.