Pulp bass player Steve Mackey has died at the age of 56, the band has announced, paying tribute to a “beloved friend” who “made things happen”.
The Sheffield band, who rose to prominence with their fourth and fifth albums His ‘N’ Hers and Different Class in the 1990s, said the musician died on Thursday. On Mackey’s own Instagram page, his wife Katie posted her own tribute and said he had been in hospital for three months.
Sharing a photograph on Instagram taken on tour during 2012, the band said: “Our beloved friend & bass player Steve Mackey passed away this morning. Our thoughts are with his family & loved ones.
“This photo of Steve dates from when Pulp were on tour in South America in 2012. We had a day off & Steve suggested we go climbing in the Andes. So we did.”
Describing the trek as “a completely magical experience”, the tribute continued: “Far more magical than staring at the hotel room wall all day (which is probably what we’d have done otherwise).
“Steve made things happen. In his life & in the band… we’d very much like to think that he’s back in those mountains now, on the next stage of his adventure.
“Safe travels, Steve. We hope to catch up with you one day.”
Mercury Prize and an Ivor Novello award for Different Class and Common People
Image: L-R: Pulp’s Nick Banks, Candida Doyle, Mark Webber, Mackey and Cocker, with the award for outstanding song collection during the 62nd Annual Ivor Novello Music Awards in 2017
Mackey joined Pulp, fronted by Jarvis Cocker, in the late 1980s, in time for their third album, Separations. In 1994, the band released its fourth album, His ‘N’ Hers, which was nominated for the Mercury Prize later that year.
Two years later, fifth album Different Class – featuring hits including Common People, Something Changes, Disco 2000, Mis-Shapes andSorted For E’s & Wizz – went on to win the prestigious award.
Common People also earned the band an Ivor Novello award in 1996, and in 2017 they were awarded by the Ivors Academy for their outstanding song collection.
In 1995, the group became a late replacement for The Stone Roses to headline that year’s Glastonbury Festival and went on to play one of the most memorable sets in the event’s history. In 2011, following a hiatus, their comeback “secret” set drew one of the biggest crowds ever to the festival’s Park Stage.
In 2022, after another long break, Cocker announced the band would be playing live shows in 2023, with gigs in London and Sheffield, and sets at festivals including Isle Of Wight, planned for the summer.
At the time, Mackey announced that while the band was “a very important part of my creative life… and I’m exceptionally proud of the body of work we’ve created together”, he would not be joining them for the reunion shows.
He said instead he would be working on his other projects involving music, filmmaking and photography. “Wishing Candy, Nick, Mark and Jarvis the very best with forthcoming performances in the UK and also an enormous thanks to Pulp’s amazing fanbase, many of whom have sent me lovely messages,” he said in a statement.
As well as his work with Pulp, Mackey was also a producer who worked with acts including MIA, Arcade Fire and Florence And The Machine.
In her tribute, his wife Katie said: “After three months in hospital, fighting with all his strength and determination, we are shocked and devastated to have said goodbye to my brilliant, beautiful husband, Steve Mackey.
“Steve died today, a loss which has left myself, his son Marley, parents Kath and Paul, sister Michelle and many friends all heartbroken. Steve was the most talented man I knew, an exceptional musician, producer, photographer and filmmaker.
“As in life, he was adored by everyone whose paths he crossed in the multiple creative disciplines he conquered. I would like to express my heartfelt thanks to all the NHS staff who worked tirelessly for Steve. He will be missed beyond words.”
Bandmate Nick Banks also paid tribute, describing Mackey as a “brilliantly talented individual” who “fought so valiantly to stay with us”.
The growing popularity and reach of the Premier League globally is leaving rival European football competitions struggling to compete.
Not only to find an audience, but to find outlets to even show the matches.
So German football had to think differently – going to where Gen Z is engaging with football through content creators.
And that’s why tonight, Harry Kane’s Bayern Munich will begin their defence of the Bundesliga title live to 1.4 million subscribers on the That’s Football channel on YouTube.
Image: Harry Kane in Bundesliga action last season. Pic: Reuters
It’s run by Mark Goldbridge, known for passionate but often provocative, punchy commentary about players on streams going viral.
His brand was built by being filmed reacting to watching Manchester United matches.
“People need to appreciate that we have a certain content style, and that’s very, very popular,” Goldbridge told Sky News.
“That is an area that needs to be catered [to] and that’s why, without the rights, we’ve had such big, big audiences.”
Goldbridge revealed he isn’t paying to show his 20 Friday night matches this season – reinforcing how the Bundesliga struggled to find a buyer in Britain.
Sky Sports previously had a four-year rights deal to exclusively show those German matches here, but will now only show the prestige Saturday evening slot live.
Image: Bundesliga teams Eintracht Frankfurt and RB Leipzig during their match in April. Pic: Reuters
European leagues are finding it increasingly difficult in this market to sell their rights because domestic football is so dominant and appealing.
The focus of football budgets is on domestic games for Sky as well as Discovery-owned TNT Sports, which also focuses its European football coverage on men’s continental competitions, including the Champions League.
More Premier League matches will be shown live than ever before – with at least 215 on Sky, the parent company of Sky News, and others on TNT.
Sky Sports also has live men’s rights to the English Football League and Scottish matches, as well as sharing the Women’s Super League with the BBC.
The Bundesliga is also making the games broadcast by Goldbridge’s channel available to the BBC to stream online. They will further be on The Overlap, a YouTube channel part-owned by Gary Neville.
Image: Behind the scenes of covering a Premier League game
‘A progressive step’
Bundesliga International CEO Peer Naubert said: “Our approach is as diverse as our supporters: by combining established broadcasters with digital platforms and content creators, we are taking a progressive step in how top-level football can be experienced.
“This multi-layered strategy allows us to connect with more audiences across the UK and Ireland, giving every supporter the chance to engage … in the way that suits them best.”
While the former England and Manchester United player is a star pundit on Sky, he could also be seen as a rival to the Comcast-owned broadcaster by attracting fans to newer outlets of his channel.
Goldbridge doesn’t see himself as a rival yet to long-established broadcasters.
“We’re not looking to replace what you can find on Sky or the BBC or anything like that,” he said. “This is a community that will be live with us, watching the Bundesliga, learning about it.
“And if I get a pronunciation wrong, or I don’t know about a player, then I’ve got my community there to back me up. I don’t profess to know everything.”
Image: Kane celebrates the Bundesliga title with his Bayern Munich teammates. Pic: Reuters
‘This is the future’
But he can be relatable to audiences, with more than two million subscribing to his The United Stand channel, earning him millions of pounds over the last decade.
“We’ve been there growing in the background and I think certain media outlets have ignored that, maybe hoping it would go away,” he said.
“I certainly think synergy and collaboration need to happen more because there are things in the mainstream that I don’t like and there will be people out there that really don’t like the way we watch football, but a lot of people do.
“And it’s about offering that choice to people and there are different ways people listen to football on the radio, people watch it with a commentator, some people turn the audio off completely, some people watch things like this (watch-a-long).
“And I think that is the future, to offer more choice.”
Thirteen unreleased Beatles tracks are set to feature on a new Anthology compilation – almost 30 years since the last.
The announcement comes following a big hint from Sir Paul McCartney and the other official Beatles social media channels, which all shared a carousel of images containing the numbers one to four on Instagram the day before the announcement.
Anthology 4 will feature 13 demos, session recordings and other rare tracks that have never been released before, similar to the first three Anthology compilations, which were released between 1995 and 1996.
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Details of a full track listing are yet to be revealed. There is no indication the release will feature any completely previously unheard songs.
A book and documentary series, The Beatles Anthology, is also being remastered and streamed on Disney+, billed as “The Beatles’ story, in their own words”.
The series will include a new ninth episode featuring previously unseen behind-the-scenes footage of Sir Paul, George Harrison and Ringo Starr, filmed as they made the collections.
Beatles producer George Martin’s son Giles has remastered versions of Anthology 1, 2 and 3, and all four will be released in a new box set in November.
The 191-track set will also feature new mixes of Free As A Bird and Real Love – the singles from Anthology 1 and 2 – using the late John Lennon‘s vocals. These have been mixed by the songs’ original producer, Electric Light Orchestra frontman Jeff Lynne.
The box set will also include the original liner notes for the first three anthologies as well as a new set of notes on Anthology 4 by Beatles author Kevin Howlett, and an introduction compiled from 1996 interviews recorded with The Beatles’ close friend and adviser Derek Taylor.
The Beatles are the best-selling musical act of all time, having achieved 18 number one singles and 15 number one albums in the UK alone since they formed in 1960.
Prosecutors in the Sean “Diddy” Combs case have urged the judge to reject a request by the hip-hop mogul for acquittal or retrial on prostitution-related charges.
He was cleared of more serious charges of racketeering conspiracy and sex-trafficking. The trial would have been “totally different” if these charges had not been included, his defence team argued, saying they lacked credibility.
Image: File pic: Matt Sayles/Invision/AP
Now, prosecutors have responded to the request for the conviction to be thrown out, or for a retrial, saying in a court document that there was “ample evidence” presented during the trial that supported the jury’s convictions.
“[Combs] masterminded every aspect of freak offs,” the document says. “He transported escorts across state lines to engage in freak offs for pay. He directed the sexual activity of escorts… for his own sexual gratification. And he personally engaged in sexual activity during freak offs.”
The two transportation for prostitution charges Combs was convicted of fall under America’s Mann Act, which prohibits interstate commerce related to prostitution.
The rapper’s lawyers have argued that, to their knowledge, he is “the only person” ever convicted of these charges for the conduct he was accused of in court.
Image: Combs’s reaction after hearing the verdicts following his trial. Pic: Reuters/Jane Rosenberg
“The men chose to travel and engage in the activity voluntarily,” the defence team said in their submission to the judge for acquittal. “The verdict confirms the women were not vulnerable or exploited or trafficked or sexually assaulted during the freak offs or hotel nights.”
In their response, prosecutors said “evidence of the defendant’s guilt on the Mann Act counts was overwhelming”.
Combs, one of the most influential hip-hop producers of all time, is due to be sentenced in October. Each charge carries a potential jail sentence of 10 years.
He would have been facing a mandatory 15 years – and up to life – in prison had he been convicted of the charges of racketeering conspiracy and sex trafficking, of which he was exonerated.
Combs fell to his knees when the verdicts were read out, and his team later hailed it a “victory”.
The rapper has already served nearly a year at a federal jail in Brooklyn, where he has been since his arrest in September 2024.
He has been in contact with Donald Trump about a pardon, a source close to the rapper’s legal team told Sky News’ US partner network NBC News earlier this month, but the president has cast doubt on this actually happening.
Judge Arun Subramanian, who heard the trial, said Combs has not met the burden of showing by clear and convincing evidence a “lack of danger to any person or the community”.