When Elvis star Austin Butler arrived at this year’s BAFTA Awards, it wasn’t his model girlfriend Kaia Gerber who accompanied the actor as his plus-one.
Instead, Butler attended the ceremony with Polly Bennett, the movement coach who spent months working with the star to help him transform into The King.
When the camera panned to his seat after his name was called out as the winner of this year’s best actor award, it was Bennett he was hugging; on stage, she was his first thank you very much: “I could not have done this without you and I love you so much.”
Image: Pic: Warner Bros
Bennett, a British movement director and choreographer who is based in London, is the go-to woman for transformations when actors need to portray very famous real-life people.
After working on the London 2012 Olympics and later as an assistant choreographer for Steve Coogan and John C Reilly for 2018’s Stan & Ollie, she landed the job as the chief movement coach behind Rami Malek‘s Oscar-winning portrayal of Queen frontman Freddie Mercury. Taking on the royals for The Crown soon followed, and this year she completed her “musical icon trilogy” with British actress Naomi Ackie’s metamorphosis into Whitney Houston in I Wanna Dance With Somebody.
With millions watching their every move, actors are used to being scrutinised, critiqued and criticised. But playing an icon, knowing your performance is going to be compared with the much-worshipped real thing, is perhaps one of the hardest jobs in the business.
“I think it’s a massive task because people have such an affiliation for Elvis,” Bennett tells Sky News. “People know him, people know the performances, so it didn’t slide past either of us that it was quite a big deal.”
‘Imagine you’ve got a mosquito on the back of your knee…’
Image: Pic: Ruby Bell
Bennett’s planned six months working with Butler for the Baz Luhrmann production, which was filmed in Australia, ended up turning into a year-and-a-half, on and off, in part due to breaks during the pandemic. They worked together for several hours every day.
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The Butler she met before their rehearsals started was “a really musical guy” already; he played the piano, had played guitar to a certain level, “and was a sort of closet singer”. The groundwork was there. They practised swing and tap dancing to get the feel of Presley, and recited his lyrics as poetry.
We have met at a dance studio in central London, and Bennett demonstrates her methods for conveying movements to make them real. It’s not simply “shake your hand”, but “reach out to show off your wedding ring” and shake “as if you’re taking off a glove”. For the Elvis leg shake: “I’d like you to imagine you’ve got a little mosquito on the back of your kneecap. So it’s not coming from your hip, it’s coming from your knee.”
This is where it all comes from, she says. “There’s so many ‘isms’ that people think [Elvis] does, and it’s all based in a truth, it’s all based in an understanding of something. But actually, the more footage I watched, the more research I did, the more books I read, the more interviews I saw… actually, it’s not really his hips that are the first thing that move, it’s his feet, it’s his knees.”
No copying allowed
Image: (L-R) Rami Malek, Bennett and Butler at the BAFTAs. Pic: Greg Williams
Luhrmann’s Elvis charts the singer from his teenage years until his death at the age of 42, so Butler, now 31, had to learn different Presleys as he aged. “We had to keep him flexible in that sense because the filming schedule was out of sequence. He’d be in the ’50s one day and then the next day he would be in a jumpsuit [in the early ’70s] on stage.”
Bennett also used Presley’s heritage to teach Butler. “His mum used to tap dance and do the shuffles and the bops in their house. That’s what Elvis grew up around – a mum who was quite effervescent, and moved. So rather than just looking at one piece of footage and going, that’s how he moves now, it’s trying to rewind and go, where did he get this from? That’s so much more helpful for an actor than just copying.
“We’re trying to understand the difference between imitation and embodying. And obviously Austin, as much as he tried, isn’t an exact replica of Elvis; his arms are different lengths, his body is a different shape. So you have to try and find the essence of a person rather than try and do everything exact, because everything exact actually doesn’t sit right in Austin’s body.”
‘I made Rami walk up and down Oxford Street with his mic’
Image: Malek as Freddie Mercury in Bohemian Rhapsody, and Naomi Ackie (below) as Whitney Houston in I Wanna Dance With Somebody. Pics: 20th Century Fox/Sony Pictures
Working with Butler was different to Malek, who was not such a natural mover. “We had to do a lot of work of just understanding music, hearing beats in music, hearing accents, being able to hear the half counts… at that point he wasn’t a performer that had ever been on stage himself. So I made Rami walk up and down Oxford Street with his microphone above his head, while he was training, to get him used to the idea of people looking at him, and wanting people to look at him.”
Mercury boxed as a child, she says, which is reflected in the way he performed. “[I said to Rami], what do you see in his stage performances that feels similar to that? And Rami was like, ‘he does the fist raises’. He’s not just doing it because it feels good, he’s doing it because it’s something that he’s worked on his whole life.”
Ackie’s transformation into Houston was just as impressive, says Bennett, despite the film falling a little under the radar in comparison with the other two. They worked on her background as a gospel singer and also the fact she was a tomboy growing up, very different to the glamorous superstar people came to know.
“When she was a kid, she didn’t wear dresses, she was wearing dungarees and hanging out with her brothers, and she was exposed to drugs very early. We spoke a lot about a boy in a dress, as Whitney. So the idea that she was a little boy, and she’d put a dress on, so she’s sort of acting feminine, rather than inherently being what we understand as feminine.”
Will Butler win the Oscar?
Image: Pic: Warner Bros
With a BAFTA and a Golden Globe already under his rhinestone belt, Butler could well find himself following in Malek’s footsteps and making a winner’s speech on Oscars night, too (it appears to be a two-horse race between him and The Whale actor Brendan Fraser).
Win or lose, Bennett says she is proud of what they have achieved. “I mean, the fact that there’s nobody going, ‘he doesn’t look like Elvis’ or ‘he doesn’t sound like Elvis,” she laughs. “It’s quite nice that we’ve achieved that for the fans, for the family, and for the people involved in telling the story.”
For an actor playing a real person, those behind-the-scenes roles – the hair and make-up artists and vocal trainers, as well as movement coaches – play a huge part in winning those awards.
Bennett agrees and laughs. “I’m not trying to go, look at me, look at all the amazing things I’ve done. But I do love the idea of people being recognised for the work they do, because it’s not just people out there on their own, watching YouTube late at night, thinking about how to play Elvis Presley.
“It was amazing to go with [Butler] as his guest to the BAFTAs because that’s also him acknowledging that people in my position – choreographers, movement directors – we don’t have awards, we’re not part of that circuit.” She pauses and gives a wry smile. “Which is a shame.”
You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase.And for everything you need to know ahead of the ceremony, don’t miss our special Backstage podcast available on Friday morning, plus a winners special episode from Monday morning
Grammy-award winning R&B and soul singer D’Angelo has died following a battle with pancreatic cancer, his family has said.
He died on Tuesday, leaving behind a “legacy of extraordinarily moving music” following a “prolonged and courageous battle with cancer,” his family said in a statement.
The prominent musician, born Michael D’Angelo Archer, was 51 years old.
A family statement said: “We are saddened that he can only leave dear memories with his family, but we are eternally grateful for the legacy of extraordinarily moving music he leaves behind.
“We ask that you respect our privacy during this difficult time, but invite you all join us in mourning his passing while also celebrating the gift of song that he has left for the world.”
The singer rose to prominence in the 1990s with his first album, Brown Sugar.
The track “Lady” from that album reached No. 10 in March 1996 and remained on Billboard’s Hot 100 chart for 20 weeks.
An emergency vote on Israel’s participation in the Eurovision Song Contest has been called off following developments in the Middle East, the European Broadcasting Union (EBU) has said.
Contest organisers had scheduled “an extraordinary meeting of [its] general assembly to be held online” in early November after several countries said they would no longer take part in Eurovision if Israel participated.
The EBU said in a statement that following “recent developments in the Middle East” the executive board had agreed on Monday that there should be an in-person discussion among members “on the issue of participation in the Eurovision Song Contest 2026”.
It said the matter had now been added to the agenda of its winter general assembly, which will take place in December.
Further details about the session would be shared with EBU members in the coming weeks, it added.
It is not clear if a vote will still take place at a later date.
Austria is hosting next year’s show in Vienna. The country’s national broadcaster, ORF, told Reuters news agency it welcomed the EBU’s decision.
Sky News has contacted Israeli broadcaster KAN for comment.
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Will Eurovision boycott Israel?
Faced with controversy over the conflict in Gaza, Eurovision – which labels itself a non-political event – had said member countries would vote on whether Israel should or shouldn’t take part.
Slovenia and broadcasters from Spain, the Netherlands, Ireland and Iceland had all issued statements saying if Israel was allowed to enter, they’d consider boycotting the contest.
As one of the “Big Five” backers of Eurovision, Spain’s decision to leave the competition would have a significant financial impact on the event – which is the world’s largest live singing competition.
In September, a letter from EBU president Delphine Ernotte Cunci, said “given that the union has never faced a divisive situation like this before” the board agreed it “merited a broader democratic basis for a decision”.
On Monday, Palestinian militant group Hamas freed the last living Israeli hostages from Gaza, and Israel released busloads of Palestinian detainees, under a ceasefire deal aimed at bringing an end to the two-year war in the Middle East.
The war began when Hamas stormed into Israel on October 7 2023, killing around 1,200 people and taking 251 hostage.
Israel invaded Gaza in retaliation, with airstrikes and ground assaults devastating much of the enclave and killing more than 67,000, according to the Hamas-run health ministry.
Its figures do not differentiate between civilians and combatants but it says around half of those killed were women and children.
Actress Diane Keaton, who starred in films including The Godfather and Annie Hall, has died, reports have said.
People reported her death at the age of 79, citing a family spokesperson.
The magazine said she died in California with loved ones but no other details were immediately available, and representatives for Keaton did not immediately respond to inquiries from The Associated Press news agency.
Keaton’s death was also reported by the New York Times newspaper which said it has spoken to Dori Roth, who produced a number of Keaton’s most recent films, who confirmed she had died but did not provide any details about the circumstances.
With a long career, across a series of movies that are regarded as some of the best ever made, Keaton was widely admired.
She was awarded an Oscar, a BAFTA and two Golden Globe Awards, and was also nominated for two Emmys, and a Tony, as well as picking up a series of other Academy Award and BAFTA nominations.
Image: Diane Keaton, with her best actress Oscar for ‘Annie Hall’ in 1978. Pic: AP
Her best actress Oscar was for the Woody Allen film Annie Hall, which is said to be loosely based on her life.
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She appeared in several other Allen projects, including Manhattan, as well as all three Godfather movies, in which she played Kay, the wife and then ex-wife of Marlon Brando’s son Michael Corleone, played by Al Pacino, opposite him as he descends into a life of crime and replaces his father in the family’s mafia empire.
‘Brilliant, beautiful’
The unexpected news was met with shock around the world.
Her First Wives Club co-star Bette Midler wrote on Instagram: “The brilliant, beautiful, extraordinary Diane Keaton has died. I cannot tell you how unbearably sad this makes me.
“She was hilarious, a complete original, and completely without guile, or any of the competitiveness one would have expected from such a star. What you saw was who she was … oh, la, lala!”
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Actor Ben Stiller paid tribute on X, writing: “Diane Keaton. One of the greatest film actors ever. An icon of style, humor and comedy. Brilliant. What a person.”
Keaton was the kind of actor who helped make films iconic and timeless, from her “La-dee-da, la-dee-da” phrasing as Annie Hall, bedecked in the iconic necktie, bowler hat, vest and khakis, to her heartbreaking turn as Kay Adams, the woman unfortunate enough to join the Corleone family.
Keaton also frequently worked with Nancy Meyers, starting with 1987’s Baby Boom.
Their other films together included 1991’s Father of the Bride and its 1995 sequel, as well as 2003’s Something’s Gotta Give.
In 1996 she starred opposite Goldie Hawn and Midler in The First Wives Club, about three women whose husbands had left them for younger women.
More recently she collaborated with Jane Fonda, Mary Steenburgen and Candice Bergen on the Book Club films.
Keaton never married. She adopted a daughter, Dexter, in 1996 and a son, Duke, four years later.
Sky News has contacted Keaton’s agent for a comment.