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When Elvis star Austin Butler arrived at this year’s BAFTA Awards, it wasn’t his model girlfriend Kaia Gerber who accompanied the actor as his plus-one.

Instead, Butler attended the ceremony with Polly Bennett, the movement coach who spent months working with the star to help him transform into The King.

When the camera panned to his seat after his name was called out as the winner of this year’s best actor award, it was Bennett he was hugging; on stage, she was his first thank you very much: “I could not have done this without you and I love you so much.”

Austin Butler as Elvis Presley in Elvis. Pic: Warner Bros
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Pic: Warner Bros

Bennett, a British movement director and choreographer who is based in London, is the go-to woman for transformations when actors need to portray very famous real-life people.

After working on the London 2012 Olympics and later as an assistant choreographer for Steve Coogan and John C Reilly for 2018’s Stan & Ollie, she landed the job as the chief movement coach behind Rami Malek‘s Oscar-winning portrayal of Queen frontman Freddie Mercury. Taking on the royals for The Crown soon followed, and this year she completed her “musical icon trilogy” with British actress Naomi Ackie’s metamorphosis into Whitney Houston in I Wanna Dance With Somebody.

With millions watching their every move, actors are used to being scrutinised, critiqued and criticised. But playing an icon, knowing your performance is going to be compared with the much-worshipped real thing, is perhaps one of the hardest jobs in the business.

“I think it’s a massive task because people have such an affiliation for Elvis,” Bennett tells Sky News. “People know him, people know the performances, so it didn’t slide past either of us that it was quite a big deal.”

‘Imagine you’ve got a mosquito on the back of your knee…’

Choreographer and movement director Polly Bennett on the set of Elvis with star Austin Butler. Pic: Ruby Bell
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Pic: Ruby Bell

Bennett’s planned six months working with Butler for the Baz Luhrmann production, which was filmed in Australia, ended up turning into a year-and-a-half, on and off, in part due to breaks during the pandemic. They worked together for several hours every day.

The Butler she met before their rehearsals started was “a really musical guy” already; he played the piano, had played guitar to a certain level, “and was a sort of closet singer”. The groundwork was there. They practised swing and tap dancing to get the feel of Presley, and recited his lyrics as poetry.

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We have met at a dance studio in central London, and Bennett demonstrates her methods for conveying movements to make them real. It’s not simply “shake your hand”, but “reach out to show off your wedding ring” and shake “as if you’re taking off a glove”. For the Elvis leg shake: “I’d like you to imagine you’ve got a little mosquito on the back of your kneecap. So it’s not coming from your hip, it’s coming from your knee.”

This is where it all comes from, she says. “There’s so many ‘isms’ that people think [Elvis] does, and it’s all based in a truth, it’s all based in an understanding of something. But actually, the more footage I watched, the more research I did, the more books I read, the more interviews I saw… actually, it’s not really his hips that are the first thing that move, it’s his feet, it’s his knees.”

No copying allowed

(L-R) Rami Malek, Polly Bennett and Austin Butler at the BAFTAs: Bennett is a choreographer and movement director who trained Malek for Bohemian Rhapsody and Butler for Elvis. Pic: Greg Williams
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(L-R) Rami Malek, Bennett and Butler at the BAFTAs. Pic: Greg Williams

Luhrmann’s Elvis charts the singer from his teenage years until his death at the age of 42, so Butler, now 31, had to learn different Presleys as he aged. “We had to keep him flexible in that sense because the filming schedule was out of sequence. He’d be in the ’50s one day and then the next day he would be in a jumpsuit [in the early ’70s] on stage.”

Bennett also used Presley’s heritage to teach Butler. “His mum used to tap dance and do the shuffles and the bops in their house. That’s what Elvis grew up around – a mum who was quite effervescent, and moved. So rather than just looking at one piece of footage and going, that’s how he moves now, it’s trying to rewind and go, where did he get this from? That’s so much more helpful for an actor than just copying.

“We’re trying to understand the difference between imitation and embodying. And obviously Austin, as much as he tried, isn’t an exact replica of Elvis; his arms are different lengths, his body is a different shape. So you have to try and find the essence of a person rather than try and do everything exact, because everything exact actually doesn’t sit right in Austin’s body.”

‘I made Rami walk up and down Oxford Street with his mic’

Rami Malek won Leading Actor for his performance as Freddie Mercury
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Malek as Freddie Mercury in Bohemian Rhapsody, and Naomi Ackie (below) as Whitney Houston in I Wanna Dance With Somebody. Pics: 20th Century Fox/Sony Pictures
Naomi Ackie as Whitney Houston in I Wanna Dance With Somebody. Pic: Sony Pictures

Working with Butler was different to Malek, who was not such a natural mover. “We had to do a lot of work of just understanding music, hearing beats in music, hearing accents, being able to hear the half counts… at that point he wasn’t a performer that had ever been on stage himself. So I made Rami walk up and down Oxford Street with his microphone above his head, while he was training, to get him used to the idea of people looking at him, and wanting people to look at him.”

Mercury boxed as a child, she says, which is reflected in the way he performed. “[I said to Rami], what do you see in his stage performances that feels similar to that? And Rami was like, ‘he does the fist raises’. He’s not just doing it because it feels good, he’s doing it because it’s something that he’s worked on his whole life.”

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Naomi Ackie on her transformation into Whitney Houston

Ackie’s transformation into Houston was just as impressive, says Bennett, despite the film falling a little under the radar in comparison with the other two. They worked on her background as a gospel singer and also the fact she was a tomboy growing up, very different to the glamorous superstar people came to know.

“When she was a kid, she didn’t wear dresses, she was wearing dungarees and hanging out with her brothers, and she was exposed to drugs very early. We spoke a lot about a boy in a dress, as Whitney. So the idea that she was a little boy, and she’d put a dress on, so she’s sort of acting feminine, rather than inherently being what we understand as feminine.”

Will Butler win the Oscar?

Austin Butler as Elvis Presley in Elvis. Pic: Warner Bros
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Pic: Warner Bros

With a BAFTA and a Golden Globe already under his rhinestone belt, Butler could well find himself following in Malek’s footsteps and making a winner’s speech on Oscars night, too (it appears to be a two-horse race between him and The Whale actor Brendan Fraser).

Win or lose, Bennett says she is proud of what they have achieved. “I mean, the fact that there’s nobody going, ‘he doesn’t look like Elvis’ or ‘he doesn’t sound like Elvis,” she laughs. “It’s quite nice that we’ve achieved that for the fans, for the family, and for the people involved in telling the story.”

For an actor playing a real person, those behind-the-scenes roles – the hair and make-up artists and vocal trainers, as well as movement coaches – play a huge part in winning those awards.

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Bennett agrees and laughs. “I’m not trying to go, look at me, look at all the amazing things I’ve done. But I do love the idea of people being recognised for the work they do, because it’s not just people out there on their own, watching YouTube late at night, thinking about how to play Elvis Presley.

“It was amazing to go with [Butler] as his guest to the BAFTAs because that’s also him acknowledging that people in my position – choreographers, movement directors – we don’t have awards, we’re not part of that circuit.” She pauses and gives a wry smile. “Which is a shame.”

You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase. And for everything you need to know ahead of the ceremony, don’t miss our special Backstage podcast available on Friday morning, plus a winners special episode from Monday morning

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Urdd Eisteddfod: Why Strictly star Amy Dowden is supporting Welsh festival that is ‘like Britain’s Got Talent’

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Urdd Eisteddfod: Why Strictly star Amy Dowden is supporting Welsh festival that is 'like Britain's Got Talent'

Thousands of people are expected to attend Port Talbot this weekend as the town gears up to welcome an annual Welsh festival.

The Urdd Eisteddfod is a celebration of Welsh culture when children and young people up to the age of 25 take part in a variety of competitions.

There are 400 of them in total, including singing, reciting poetry and dancing.

The Urdd organisation itself was established more than a century ago in 1922, with the aim of giving children and young people in Wales the opportunity to learn and socialise in the Welsh language.

Its six-day Eisteddfod is held during May half-term and in a different part of Wales each year.

The Urdd Eisteddfod broke its own records last year, with more than 100,000 registrations to compete.

A choir competes at the 2024 Eisteddfod yr Urdd in Meifod, Powys.  The annual youth festival is Europe's largest touring youth festival. Pic: Urdd Gobaith Cymru
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A choir competes at the 2024 Eisteddfod yr Urdd. Pic: Urdd Gobaith Cymru

Margam Park is home to this year’s event – the first time since 2003 that it’s played host.

Among the main prizes up for grabs this year are the chair (awarded to the main poetry competition winner) and the crown (awarded to the main prose competition winner).

This year’s crown and chair have been made using some of the final pieces of steel produced at Port Talbot steelworks before the closure of the blast furnaces last year.

The chair at the 2025 Eisteddfod yr Urdd was created using some of the last pieces of steel produced at the Port Talbot steelworks. Pic: Urdd Gobaith Cymru
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The chair at the 2025 Eisteddfod yr Urdd was created using some of the last pieces of steel produced at the Port Talbot steelworks. Pic: Urdd Gobaith Cymru

The 2024 Eisteddfod yr Urdd "Maes" in Meifod, Powys.  The annual youth festival is Europe's largest touring youth festival. Pic: Urdd Gobaith Cymru
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Pic: Urdd Gobaith Cymru

There are some new additions to this year’s Eisteddfod, including awards for singing, musical theatre and acting, named in honour of Sir Bryn Terfel, Callum Scott Howells and Matthew Rhys.

Another new award – the Amy Dowden award for dance – will also be awarded for the first time this week.

Speaking to Sky News, Strictly Come Dancing star Dowden said it was a “real honour” to be supporting the next generation of dancers.

“The arts and the industry is tough, and I just hope that [the young people] can see that I’ve managed to push myself through it,” she said.

“I’ve worked hard, I’ve had a few challenges along the way. Hopefully I can help inspire them as well.”

Amy Dowden. File pic: PA
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Amy Dowden. File pic: PA

‘It’s like Britain’s Got Talent’

As a former competitor herself in what is one of Europe’s largest touring youth festivals, Dowden says she “couldn’t imagine [her] childhood without it”.

“I’ve loved Eisteddfods since I can remember. Every year at school I took part in everything, from the baking to the reciting poems, to the folk dancing, to the creative dancing,” she said.

“The Urdd Eisteddfod is literally like one big talent competition, it’s like Britain’s Got Talent.”

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The winner of the Amy Dowden award will get one-to-one sessions with her as part of the prize, as well as masterclasses at the Royal Welsh College of Music and Drama.

They will have the opportunity to perform on an international stage and also win a cash prize.

“I know from my dance training and everything, each of those is so beneficial to getting yourself to that professional level,” Dowden added.

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Former BBC executive and presenter Alan Yentob dies

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Former BBC executive and presenter Alan Yentob dies

Alan Yentob, the former BBC presenter and executive, has died aged 78.

A statement from his family, shared by the BBC, said Yentob died on Saturday.

His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.

“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”

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Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.

He was also the director of BBC drama, entertainment, and children’s TV.

Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.

Alan Yentob with former BBC director general Tony Hall in 2012. Pic: Reuters.
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Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.

The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.

In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.

“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”

BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.

“I commend his spirit to the living.”

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Gillian Anderson warns UK homelessness ‘will only get worse’

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Gillian Anderson warns UK homelessness 'will only get worse'

Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.

The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”

Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”

Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”

“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.

“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”

Pic: Steve Tanner/Black Bear
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Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear

The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.

Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.

Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.

With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.

Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.

Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.

They set off with just a tent and two backpacks to walk the coastal path.

Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.

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Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.

Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”

Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.

Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.

Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.

“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”

The Salt Path comes to UK cinemas on Friday 30 May.

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