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It’s the biggest night in showbiz, at the heart of which lies the greatest accolade for any actor – an Academy Award.

Their performances have been judged by Hollywood’s great and good, and their teams have been campaigning for months – but who gets the gong on the night is yet to be revealed.

So, with the stakes high, and stars out in force, Sky News caught up with a host of Oscar nominees, and asked them how it feels to be in with the chance of taking home an Oscar on Sunday night.

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Michelle Yeoh says she’s not past her prime yet

Michelle Yeoh: ‘It would be the ultimate’

The multiverse madness that is Everything Everywhere All At Once is not only leading the Oscar race with 11 nods, it’s also given Michelle Yeoh her first Academy nomination.

The Malaysian actress plays Evelyn Wang, an overworked laundrette owner transported into ever more baffling parallel worlds in the touching indie sci-fi directed by Daniel Kwan and Daniel Scheinert – collectively known as the Daniels.

Calling the script “a rare gem,” she told Sky News she was overjoyed “to be given a role that encompasses all the things that you want your audience to see and let them believe that you are capable of”.

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By centring the story around a middle-aged Asian woman, Yeoh says the movie has opened up new conversations: “Hollywood is global. How can it not include a movie like this? I think at the end of the day, kudos to the Daniels who had the courage to write a story like this with hotdog fingers, you know, and rocks and confetti man, and things like that, where normally people would go like, ‘This is too insane’.

“But our world is chaotic and insane and unpredictable, and we have to learn to embrace whatever comes our way.”

And as for her feelings about potentially becoming an Oscar winner, she admits: “I don’t like that pressure, this is my first time so I don’t understand how intense it is, just getting the nominations was terrifying. What if?! Because it felt like a big part of the world was wanting it so badly.”

If she doesn’t win, Yeoh’s philosophical, explaining: “For Jamie [Lee Curtis, her co-star] and myself we love what we do, we are passionate about our work…

“Getting nominated or getting an award would be the ultimate but if you don’t you sort of resign to it and go ‘yeh, it’s alright, we’ll move on, we’ll find something’ as long as we can do what we love it’s ok.”

But if she does bag her first Oscar aged 60, a defiant Yeoh has this to say to anyone who may question the lateness of the recognition: “When someone says, ‘Oh they’re past their prime’, hell no, we’re going to show you what prime is.”

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Colin Farrell says The Banshees of Inisherin’s nods are the ‘icing on the cake’

Colin Farrell: ‘The icing on the cake’

He’s been starring in movies for nearly a quarter of a century, but so far, he’s never been nominated for an Oscar.

But after winning a Golden Globe earlier this year, hopes are high that Irish star Colin Farrell could finally get his Academy Award for his role of slighted friend Padraic in The Banshees Of Inisherin.

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The 46-year-old star, who will be bringing his teenage son to the ceremony, told Sky News ahead of the big night: “To do the film, to be off the west coast of Ireland with the cast we had, the crew that we had and reuniting with this fella [co-star Brendan Gleeson} and reuniting with Martin, I was happy.

“Then Venice happened, and we were all shocked at the response we got in Venice and then since then it’s just been like a snowball. So, it’s icing on a cake that we were more than happy to have ravished already.”

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The star of The Mummy speaks about his first lead role in over a decade

Brendan Fraser: ‘Frothy, happy and giddy’

One of the biggest stars of the 1990s, Canadian-American actor Brendan Fraser’s return to Hollywood after nearly 20 years out of the limelight has been nothing short of spectacular.

The 53-year-old’s comeback, thanks to the role of morbidly obese English teacher Charlie in Darren Aronofsky’s The Whale, has even inspired its own definition – the “Bren-aissance”.

Fraser told Sky News he hopes the character’s “journey of redemption” will go on to “change some hearts and minds about how we feel about these issues”.

He said he had no doubts about signing up for the film: “Darren Aronofsky is a world-class film maker who has a track record for bringing out very good and even transformative performances from the actors he chooses to work with.

“So, I didn’t have any doubts knowing how good he is at what he does, if anything I had enthusiasm and some hope and some humility and a little bit of creative intimidation, I will admit too.”

And as for the experience of being up for an Oscar, he said: “It’s new to me but we’re all frothy and happy and giddy and happy for this with fingers crossed and fondest hopes for success but who knows what the result is going to be?

“I’m confident and I think that we have a shot of making it to the finish line.”

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The former child star says he ‘was so nervous’ to return to acting

Ke Huy Quan: ‘A wild ride’

On a comeback rollercoaster of his own, Ke Huy Quan, has worked through childhood fame thanks to Indiana Jones And The Temple Of Doom and The Goonies, followed by near-obscurity, and is now bouncing back into the spotlight with his critically acclaimed role in Everything Everywhere All At Once. It’s been quite the journey.

Quan plays Waymond Wang (and Alpha Waymond) in the parallel universe bonanza, which has surprised many with its numerous award show nominations and wins.

He told Sky News the response to the film has been overwhelming: “When I decided to step back into acting, I was so nervous because I didn’t know what the audience would think – the last time they saw me up on the screen I was a little kid, and now I’m a middle-aged man.

“So, so to have them respond so positively has been incredible.”

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And as for taking the role, he says it was a no-brainer: “When I read the script, I knew it was special. I loved it, it was a script I wanted to read for a long time, and we had the most fun making it, but we didn’t expect all of this.

“I mean, all these, you know award nominations and the audience embracing a movie the way they did is beyond anything we ever imagined.”

And he’s clearly loving every minute of awards season: “I’m enjoying it very much. I’m very grateful for everything that has happened since. And yeah, it’s been it’s been a wild ride.”

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Michelle Williams says it’s ‘hard to feel like a great mum’ while serving her acting work

Michelle Williams: ‘Always doing something new’

It’s her fifth Academy nomination, but could it be her first win?

Michelle Williams, 42, plays Mitzi Fabelman, the mother to a fictional Steven Spielberg in the semi-autobiographical film The Fabelmans which tells the story of his early life.

She told Sky News the film relates to her own experience as a mother: “I think it’s an incredible balance to try and strike and I do think balance is the correct word as it is something that is constantly adjusting and that you’re always looking for your footing on, it really is a give and take.

“Sometimes I think when you’re really serving your work, it’s really hard to feel like you’re being a great mom, and when you’re being an incredible mom you know that your work is languishing, so you have to find a way to go back and forth between these two realities and get comfortable with that discomfort.”

Despite the constant juggle, she says the rewards are worth it – awards or no awards: “I do this for my own sense of satisfaction, purpose, self-esteem, I want to feel a certain way internally about my contribution to this job that I’ve been doing for 30 years that is the only thing I’ve ever done and it’s always about doing something new.”

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The Love Actually star says working on the film was ‘deeply gratifying’

Bill Nighy: ‘Absolutely marvellous’

The 73-year-old British star plays buttoned-up civil servant Mr Williams, who works joylessly in the county public works department, until a terminal diagnosis inspires him to make a change.

Living is The Kazuo Ishiguro-scripted remake of Akira Kurosawa’s 1952 film Ikiru – which quite literally reminds us to make the most of life.

Nighy told Sky News the reserved and stiff upper lip manner of the film was something he relished: “I’m fascinated by it, both from an acting point of view and because it’s fun. You know, to act in that kind of recklessly restrained manner and I’m interested in it as a thing.

“I think it probably is regrettable and psychiatrists would probably say it’s a deeply unhealthy way but there’s also something kind of heroic about it and it’s funny that you weren’t allowed to express anything really.”

Luckily, he says the response to the movie has been far from restrained: “I feel very, very, very good about it, as you can imagine. It’s been marvellous. People really respond to the movie and they’re inspired by it, which is what it was designed to do. So, it’s deeply, deeply gratifying.”

He even admits to enjoying all the attention – at least a little bit: “As much as I’m able to enjoy anything, I have a negative tendency which I have to really kind of combat. But no, seriously, yeah, it’s absolutely marvellous.”

And as for coping with awards season, he’s upbeat and positive: “I just try and do the day, really. I mean, I don’t sit around really thinking about awards. And it’s been a while since I’ve been mentioned in dispatches, but it’s all very cheerful and fun.”

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The Banshees of Inisherin filmmaker on working with Colin Farrell and Brendan Gleeson

Martin McDonagh: ‘Exciting and scary at the same time’

The man behind Irish tragicomedy Banshees Of Inisherin – a tale of male friendship gone sour – has been blown away by the positive response to the movie starring Colin Farrell, Brendan Gleeson, Kerry Condon and Barry Keogh – all of whom are up for Oscars too.

He told Sky News: “We thought we were just making a smallish film and we didn’t think it would ever have this kind of reaction. It’s been amazing.

“Yeah, it’s great to do it like with mates, you know, Colin and Brendan are all mates and Kerry and Barry too. So yeah, it’s been a dream, really.”

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The movie’s up for the biggest prize of the night – best picture – as well as best original screenplay, best score and best editing. And McDonagh’s up for best director too.

Despite four of his Banshee actors being up for gongs, he says he isn’t expecting to become the go-to director for actors looking for a nod: “I hope not, I don’t like working! But no, it’s been amazing. And fun too you know, they’re such a nice bunch and it was a joy to make the film with them and it’s a joy to be able to do this stuff with them too.”

And as for awards season, McDonagh will be using the silver-lining approach to cope with any feelings of disappointment should he not get the prize on the night.

He explains: “I’m bad at public speaking, so I kind of I’m half happy when we lose so I don’t have to go up there. But no, it’s better to be in the mix than not to be in the mix. So, it’s weirdly both exciting and scary at the same time.”

You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase. Plus, get all the intel from our Oscars special Backstage podcast, available wherever you get your podcasts, from Monday morning.

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Former BBC executive and presenter Alan Yentob dies

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Former BBC executive and presenter Alan Yentob dies

Alan Yentob, the former BBC presenter and executive, has died aged 78.

A statement from his family, shared by the BBC, said Yentob died on Saturday.

His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.

“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”

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Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.

He was also the director of BBC drama, entertainment, and children’s TV.

Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.

Alan Yentob with former BBC director general Tony Hall in 2012. Pic: Reuters.
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Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.

The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.

In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.

“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”

BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.

“I commend his spirit to the living.”

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Gillian Anderson warns UK homelessness ‘will only get worse’

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Gillian Anderson warns UK homelessness 'will only get worse'

Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.

The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”

Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”

Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”

“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.

“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”

Pic: Steve Tanner/Black Bear
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Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear

The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.

Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.

Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.

With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.

Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.

Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.

They set off with just a tent and two backpacks to walk the coastal path.

Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.

Read more:
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Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.

Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”

Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.

Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.

Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.

“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”

The Salt Path comes to UK cinemas on Friday 30 May.

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Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail

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Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail

A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.

Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.

Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.

RUST armourer Hannah Gutierrez Reed jailed for involuntary manslaughter of Halyna Hutchins, Santa Fe, New Mexico, USA - 15 Apr 2024
Hannah Gutierrez-Reed in court today as she is jailed 18 months for the involuntary manslaughter on the set of the Rust movie on October 21, 2021 over the fatal shooting of the movie's cinematographer, Halyna Hutchins.

15 Apr 2024
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Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock

Halyna Hutchins pictured in 2017 at an Artists for Peace and Justice party, 70th Cannes Film Festival, France
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Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock

She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.

Cinematographer Hutchins died following the incident, while director Joel Souza was injured.

Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.

Actor Alec Baldwin reacts after the judge threw out the involuntary manslaughter case for the 2021 fatal shooting of cinematographer Halyna Hutchins during filming of the Western movie "Rust," Friday, July 12, 2024, at Santa Fe County District Court in Santa Fe, N.M. (Pool Video via AP)
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Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP

Involuntary manslaughter means causing someone’s death due to negligence, without intending to.

At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.

The 18-month sentence she was given was the maximum available for the offence.

Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.

The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.

Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.

Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.

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