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It’s the biggest night in showbiz, at the heart of which lies the greatest accolade for any actor – an Academy Award.

Their performances have been judged by Hollywood’s great and good, and their teams have been campaigning for months – but who gets the gong on the night is yet to be revealed.

So, with the stakes high, and stars out in force, Sky News caught up with a host of Oscar nominees, and asked them how it feels to be in with the chance of taking home an Oscar on Sunday night.

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Michelle Yeoh says she’s not past her prime yet

Michelle Yeoh: ‘It would be the ultimate’

The multiverse madness that is Everything Everywhere All At Once is not only leading the Oscar race with 11 nods, it’s also given Michelle Yeoh her first Academy nomination.

The Malaysian actress plays Evelyn Wang, an overworked laundrette owner transported into ever more baffling parallel worlds in the touching indie sci-fi directed by Daniel Kwan and Daniel Scheinert – collectively known as the Daniels.

Calling the script “a rare gem,” she told Sky News she was overjoyed “to be given a role that encompasses all the things that you want your audience to see and let them believe that you are capable of”.

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By centring the story around a middle-aged Asian woman, Yeoh says the movie has opened up new conversations: “Hollywood is global. How can it not include a movie like this? I think at the end of the day, kudos to the Daniels who had the courage to write a story like this with hotdog fingers, you know, and rocks and confetti man, and things like that, where normally people would go like, ‘This is too insane’.

“But our world is chaotic and insane and unpredictable, and we have to learn to embrace whatever comes our way.”

And as for her feelings about potentially becoming an Oscar winner, she admits: “I don’t like that pressure, this is my first time so I don’t understand how intense it is, just getting the nominations was terrifying. What if?! Because it felt like a big part of the world was wanting it so badly.”

If she doesn’t win, Yeoh’s philosophical, explaining: “For Jamie [Lee Curtis, her co-star] and myself we love what we do, we are passionate about our work…

“Getting nominated or getting an award would be the ultimate but if you don’t you sort of resign to it and go ‘yeh, it’s alright, we’ll move on, we’ll find something’ as long as we can do what we love it’s ok.”

But if she does bag her first Oscar aged 60, a defiant Yeoh has this to say to anyone who may question the lateness of the recognition: “When someone says, ‘Oh they’re past their prime’, hell no, we’re going to show you what prime is.”

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Colin Farrell says The Banshees of Inisherin’s nods are the ‘icing on the cake’

Colin Farrell: ‘The icing on the cake’

He’s been starring in movies for nearly a quarter of a century, but so far, he’s never been nominated for an Oscar.

But after winning a Golden Globe earlier this year, hopes are high that Irish star Colin Farrell could finally get his Academy Award for his role of slighted friend Padraic in The Banshees Of Inisherin.

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The 46-year-old star, who will be bringing his teenage son to the ceremony, told Sky News ahead of the big night: “To do the film, to be off the west coast of Ireland with the cast we had, the crew that we had and reuniting with this fella [co-star Brendan Gleeson} and reuniting with Martin, I was happy.

“Then Venice happened, and we were all shocked at the response we got in Venice and then since then it’s just been like a snowball. So, it’s icing on a cake that we were more than happy to have ravished already.”

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The star of The Mummy speaks about his first lead role in over a decade

Brendan Fraser: ‘Frothy, happy and giddy’

One of the biggest stars of the 1990s, Canadian-American actor Brendan Fraser’s return to Hollywood after nearly 20 years out of the limelight has been nothing short of spectacular.

The 53-year-old’s comeback, thanks to the role of morbidly obese English teacher Charlie in Darren Aronofsky’s The Whale, has even inspired its own definition – the “Bren-aissance”.

Fraser told Sky News he hopes the character’s “journey of redemption” will go on to “change some hearts and minds about how we feel about these issues”.

He said he had no doubts about signing up for the film: “Darren Aronofsky is a world-class film maker who has a track record for bringing out very good and even transformative performances from the actors he chooses to work with.

“So, I didn’t have any doubts knowing how good he is at what he does, if anything I had enthusiasm and some hope and some humility and a little bit of creative intimidation, I will admit too.”

And as for the experience of being up for an Oscar, he said: “It’s new to me but we’re all frothy and happy and giddy and happy for this with fingers crossed and fondest hopes for success but who knows what the result is going to be?

“I’m confident and I think that we have a shot of making it to the finish line.”

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The former child star says he ‘was so nervous’ to return to acting

Ke Huy Quan: ‘A wild ride’

On a comeback rollercoaster of his own, Ke Huy Quan, has worked through childhood fame thanks to Indiana Jones And The Temple Of Doom and The Goonies, followed by near-obscurity, and is now bouncing back into the spotlight with his critically acclaimed role in Everything Everywhere All At Once. It’s been quite the journey.

Quan plays Waymond Wang (and Alpha Waymond) in the parallel universe bonanza, which has surprised many with its numerous award show nominations and wins.

He told Sky News the response to the film has been overwhelming: “When I decided to step back into acting, I was so nervous because I didn’t know what the audience would think – the last time they saw me up on the screen I was a little kid, and now I’m a middle-aged man.

“So, so to have them respond so positively has been incredible.”

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And as for taking the role, he says it was a no-brainer: “When I read the script, I knew it was special. I loved it, it was a script I wanted to read for a long time, and we had the most fun making it, but we didn’t expect all of this.

“I mean, all these, you know award nominations and the audience embracing a movie the way they did is beyond anything we ever imagined.”

And he’s clearly loving every minute of awards season: “I’m enjoying it very much. I’m very grateful for everything that has happened since. And yeah, it’s been it’s been a wild ride.”

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Michelle Williams says it’s ‘hard to feel like a great mum’ while serving her acting work

Michelle Williams: ‘Always doing something new’

It’s her fifth Academy nomination, but could it be her first win?

Michelle Williams, 42, plays Mitzi Fabelman, the mother to a fictional Steven Spielberg in the semi-autobiographical film The Fabelmans which tells the story of his early life.

She told Sky News the film relates to her own experience as a mother: “I think it’s an incredible balance to try and strike and I do think balance is the correct word as it is something that is constantly adjusting and that you’re always looking for your footing on, it really is a give and take.

“Sometimes I think when you’re really serving your work, it’s really hard to feel like you’re being a great mom, and when you’re being an incredible mom you know that your work is languishing, so you have to find a way to go back and forth between these two realities and get comfortable with that discomfort.”

Despite the constant juggle, she says the rewards are worth it – awards or no awards: “I do this for my own sense of satisfaction, purpose, self-esteem, I want to feel a certain way internally about my contribution to this job that I’ve been doing for 30 years that is the only thing I’ve ever done and it’s always about doing something new.”

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The Love Actually star says working on the film was ‘deeply gratifying’

Bill Nighy: ‘Absolutely marvellous’

The 73-year-old British star plays buttoned-up civil servant Mr Williams, who works joylessly in the county public works department, until a terminal diagnosis inspires him to make a change.

Living is The Kazuo Ishiguro-scripted remake of Akira Kurosawa’s 1952 film Ikiru – which quite literally reminds us to make the most of life.

Nighy told Sky News the reserved and stiff upper lip manner of the film was something he relished: “I’m fascinated by it, both from an acting point of view and because it’s fun. You know, to act in that kind of recklessly restrained manner and I’m interested in it as a thing.

“I think it probably is regrettable and psychiatrists would probably say it’s a deeply unhealthy way but there’s also something kind of heroic about it and it’s funny that you weren’t allowed to express anything really.”

Luckily, he says the response to the movie has been far from restrained: “I feel very, very, very good about it, as you can imagine. It’s been marvellous. People really respond to the movie and they’re inspired by it, which is what it was designed to do. So, it’s deeply, deeply gratifying.”

He even admits to enjoying all the attention – at least a little bit: “As much as I’m able to enjoy anything, I have a negative tendency which I have to really kind of combat. But no, seriously, yeah, it’s absolutely marvellous.”

And as for coping with awards season, he’s upbeat and positive: “I just try and do the day, really. I mean, I don’t sit around really thinking about awards. And it’s been a while since I’ve been mentioned in dispatches, but it’s all very cheerful and fun.”

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The Banshees of Inisherin filmmaker on working with Colin Farrell and Brendan Gleeson

Martin McDonagh: ‘Exciting and scary at the same time’

The man behind Irish tragicomedy Banshees Of Inisherin – a tale of male friendship gone sour – has been blown away by the positive response to the movie starring Colin Farrell, Brendan Gleeson, Kerry Condon and Barry Keogh – all of whom are up for Oscars too.

He told Sky News: “We thought we were just making a smallish film and we didn’t think it would ever have this kind of reaction. It’s been amazing.

“Yeah, it’s great to do it like with mates, you know, Colin and Brendan are all mates and Kerry and Barry too. So yeah, it’s been a dream, really.”

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The movie’s up for the biggest prize of the night – best picture – as well as best original screenplay, best score and best editing. And McDonagh’s up for best director too.

Despite four of his Banshee actors being up for gongs, he says he isn’t expecting to become the go-to director for actors looking for a nod: “I hope not, I don’t like working! But no, it’s been amazing. And fun too you know, they’re such a nice bunch and it was a joy to make the film with them and it’s a joy to be able to do this stuff with them too.”

And as for awards season, McDonagh will be using the silver-lining approach to cope with any feelings of disappointment should he not get the prize on the night.

He explains: “I’m bad at public speaking, so I kind of I’m half happy when we lose so I don’t have to go up there. But no, it’s better to be in the mix than not to be in the mix. So, it’s weirdly both exciting and scary at the same time.”

You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase. Plus, get all the intel from our Oscars special Backstage podcast, available wherever you get your podcasts, from Monday morning.

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Observer editor-in-chief James Harding says BBC should be ‘put beyond reach of politicians’

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Observer editor-in-chief James Harding says BBC should be 'put beyond reach of politicians'

The Observer’s editor-in-chief has called for the BBC to be “put beyond the reach of politicians” – and has compared the fight for survival within television to the zombie fungus in The Last Of Us.

Speaking to Sky News about his James MacTaggart Memorial Lecture at the Edinburgh TV Festival on Wednesday, James Harding said it “is not the golden age of TV, it’s more like The Last Of Us… just trying to stay alive as the fungus of new things eats through all of us”.

The co-founder of Tortoise Media – which bought The Observer from the Scott Trust and Guardian Media Group in December – said he believes establishing the independence of the BBC is critical “if we want to build confidence in shared facts and respect for the truth”.

“At the moment politicians choose the chairman, they choose the licence fee, they have enormous influence over it,” he said.

“Let’s face it, there’s a suspicion that there’s a certain worldview attached to the BBC. Let’s make sure that it’s obvious to people that actually different points of view are really welcome.”

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Should BBC merge with Channel 4?

Mr Harding, who ran the BBC’s news and current affairs programming from 2013 up until the beginning of 2018, said the government must consider separating itself from the institution.

He explained: “When the government established the independence of the Bank of England in 1997, it put confidence in the central institution of the economy ahead of politics; the government today can and should do the same for the shared institution in our society by giving real independence to the BBC.”

The BBC has been criticised for a number of incidents in recent months, including breaching its own accuracy editorial guidelines and livestreaming the controversial Bob Vylan Glastonbury set, where there were chants of: “Death to the IDF [Israel Defence Forces]”.

Bob Vylan performing at Glastonbury in June. Pic: PA
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Bob Vylan performing at Glastonbury in June. Pic: PA

Following the incident, Culture Secretary Lisa Nandy said ministers expected “accountability at the highest levels” for the BBC’s decision to screen the performance.

In his lecture, Mr Harding said the BBC is “not institutionally antisemitic” and that: “Whatever your view of the hate speech versus freedom of speech issues, an overbearing government minister doesn’t help anyone.

“The hiring and firing of the editor-in-chief of the country’s leading newsroom and cultural organisation should not be the job of a politician. It’s chilling.”

Ahead of the BBC charter renewal in 2027, he said the corporation’s “survival is at stake”.

He argued that the BBC chair and board of directors should be “chosen, not by the prime minister, but by the board itself and then, like other such organisations, with the approval of Ofcom.

“The charter should be open-ended. And the licence fee – or any future funding arrangement – should not be decided behind closed doors by the culture secretary and the chancellor, but, as in Germany, set transparently and rationally by an independent commission that impartially advises government and is scrutinised by parliament.”

He also said the BBC should lead the way in striking deals with generative AI companies by taking advantage of the “meaningful pricing of its reliable, ceaselessly renewed library of content.

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Main points in BBC’s annual report

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“That would help set the terms for other UK news and media companies that don’t get a hearing from the new generation of tech giants,” he said.

Mr Harding suggested that the BBC should look to work with AI developers to provide a “BBC GPT” that could enable the public to utilise AI “without handing over every last detail of what’s on their minds to US tech corporations that have proved obstinately unaccountable in the UK.”

He said it’s “about more than the BBC, it’s a national investment in our future that will come back to reap multi-platform rewards that an investment in no other UK organisation can.”

Edinburgh TV Festival runs from 19 – 22 August.

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Robbie Williams reveals Gary Barlow collaboration on new album Britpop

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Robbie Williams reveals Gary Barlow collaboration on new album Britpop

Robbie Williams has revealed details of several star collaborations on his upcoming album, Britpop – including a track with Gary Barlow.

The former Take That singer teased details at a launch event for the record, which will be his first studio album of original songs in almost a decade.

He also announced he will play his “smallest-ever ticketed gig” as an intimate show for 500 fans, performing both his debut album Life Thru A Lens and Britpop in their entirety, following his current European stadium tour.

Williams and Barlow performing together in 2010. Pic: AP/ Mark Allan
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Williams and Barlow performing together in 2010. Pic: AP/ Mark Allan

Williams listed some of the artists he has collaborated with on the new album, including Black Sabbath‘s Tony Iommi, Coldplay’s Chris Martin, Supergrass frontman Gaz Coombes, and Barlow.

The relationship between the Take That stars famously deteriorated after Williams left the group, but the pair fixed their friendship in later years – and the Angels star reunited with the band for their Progress tour in 2011.

Their song on Britpop is called Morrissey, about the singer-songwriter and former frontman of The Smiths.

Answering questions from comedian Joe Lycett, who hosted the event, Williams said the song was written from the point of view of “somebody that is stalking Morrissey and is completely obsessed and in love with him”, but did not give any further detail.

Coldplay's Chris Martin also collaborated on the album. Pic: Charles Sykes/Invision/AP 2024
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Coldplay’s Chris Martin also collaborated on the album. Pic: Charles Sykes/Invision/AP 2024

Another track, Human, is about AI. “We are being told that we’re all about to be replaced, and we need clothes and we need food, so there’s a chance that we will be removed,” Williams said. “Whether it’s a prophecy, we shall see. But, yeah. It’s a song about what we’ve been told about AI.”

The singer rose to fame in Take That in the early 1990s before quitting and going on to have huge success as a solo star, with hit songs including Let Me Entertain You, Angels, Feel, No Regrets and She’s The One.

In 2023, he reflected on his life and career in a documentary series, in which he spoke about his struggles with the limelight and his mental health at the height of his fame. Last year’s Better Man – a biopic of his life in which the star was portrayed as a monkey – also tackled those issues.

Take That in their 1990s heyday: (L - R) Gary Barlow, Howard Donald, Mark Owen, Williams and Jason Orange. Pic: PA
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Take That in their 1990s heyday: (L – R) Gary Barlow, Howard Donald, Mark Owen, Williams and Jason Orange. Pic: PA

Now, he says he is back with the kind of album he would have loved to have released after he left Take That in 1995 – the “peak of Britpop” and the year of Oasis’s (What’s the Story) Morning Glory?, Pulp’s Different Class, and Blur’s The Great Escape.

“I’ve kind of been musically a bit aimless for a little while because I haven’t known really what to do,” Williams said at the Britpop launch. “I chased yesterday an awful lot. Which happens.”

When you become hugely successful and then “commercial radio, whatever, stops playing you… you think, shit, what was it that I did?” he continued. “I just spent the last 15 years looking backwards. And I think with this album, if I am going to look backwards, I might as well just clear the decks, go back to the start and head off from there.”

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Williams also spoke about other projects, including artwork and investment in arts education. “I want the entertainment industry to be somebody’s Plan A and Plan B,” he said.

“You know when you go to your parents, you say, ‘I want to be a singer, I want to be a dancer or be an actor, I want to go into the entertainment industry’. [The response is] ‘You better have a Plan B.’ I want to create the Plan B for people, too.”

Robbie Williams will play at Dingwalls in Camden on 9 October. Britpop is out the following day.

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Kneecap rapper greeted by hundreds of supporters at terror charge court hearing

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Kneecap rapper greeted by hundreds of supporters at terror charge court hearing

A member of rap trio Kneecap has been released on unconditional bail after appearing in court charged with supporting a proscribed terror organisation – as hundreds turned out to support him outside.

Liam Og O hAnnaidh, who performs under the name Mo Chara, is accused of displaying a flag in support of Hezbollah at a gig in London in November last year.

Demonstrators waving flags and holding banners in support of the rapper greeted him with cheers as he made his way into Westminster Magistrates’ Court on Wednesday morning.

The rapper was mobbed by supporters and media. Pics: PA
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The rapper was mobbed by supporters and media. Pics: PA

Supported by his Kneecap bandmates Naoise O Caireallain and JJ O Dochartaigh, it took O hAnnaidh more than a minute to enter the building as security officers worked to usher him inside through a crowd of photographers and supporters.

Fans held signs which read “Free Mo Chara”, while others waved Irish and Palestinian flags.

As the hearing got under way, O hAnnaidh confirmed his name, date of birth and address. An Irish language interpreter was present in court.

During a previous hearing, prosecutors said the 27-year-old is “well within his rights” to voice his opinions on the Israel-Palestine conflict, but said the alleged incident at the O2 Forum in Kentish Town was a “wholly different thing”.

O hAnnaidh is yet to enter a plea to the charge. The case has been adjourned for legal argument and he will appear in court for a further hearing on 26 September.

Bandmates Naoise O Caireallain (pictured, centre) and JJ O Dochartaigh are supporting O hAnnaidh. Pic: Reuters
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Bandmates Naoise O Caireallain (pictured, centre) and JJ O Dochartaigh are supporting O hAnnaidh. Pic: Reuters

Who are Kneecap?

Kneecap put out their first single in 2017 and rose to wider prominence in 2024 after the release of their debut album and an eponymously titled film – a fictionalised retelling of how the band came together and their fight to save the Irish language.

The film, in which the trio play themselves and co-star alongside starring Oscar nominee Michael Fassbender, won the BAFTA for outstanding debut earlier this year, for director and writer Rich Peppiatt.

Last year, Kneecap won a discrimination case against the UK government after Conservative leader Kemi Badenoch tried to refuse them a £14,250 funding award when she was business secretary.

They are known for songs including H.O.O.D, Fine Art, and Better Way To Live, featuring Fontaines DC frontman Grian Chatten, with lyrics switching between the Irish language and English.

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