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It’s the biggest night in showbiz, at the heart of which lies the greatest accolade for any actor – an Academy Award.

Their performances have been judged by Hollywood’s great and good, and their teams have been campaigning for months – but who gets the gong on the night is yet to be revealed.

So, with the stakes high, and stars out in force, Sky News caught up with a host of Oscar nominees, and asked them how it feels to be in with the chance of taking home an Oscar on Sunday night.

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Michelle Yeoh says she’s not past her prime yet

Michelle Yeoh: ‘It would be the ultimate’

The multiverse madness that is Everything Everywhere All At Once is not only leading the Oscar race with 11 nods, it’s also given Michelle Yeoh her first Academy nomination.

The Malaysian actress plays Evelyn Wang, an overworked laundrette owner transported into ever more baffling parallel worlds in the touching indie sci-fi directed by Daniel Kwan and Daniel Scheinert – collectively known as the Daniels.

Calling the script “a rare gem,” she told Sky News she was overjoyed “to be given a role that encompasses all the things that you want your audience to see and let them believe that you are capable of”.

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By centring the story around a middle-aged Asian woman, Yeoh says the movie has opened up new conversations: “Hollywood is global. How can it not include a movie like this? I think at the end of the day, kudos to the Daniels who had the courage to write a story like this with hotdog fingers, you know, and rocks and confetti man, and things like that, where normally people would go like, ‘This is too insane’.

“But our world is chaotic and insane and unpredictable, and we have to learn to embrace whatever comes our way.”

And as for her feelings about potentially becoming an Oscar winner, she admits: “I don’t like that pressure, this is my first time so I don’t understand how intense it is, just getting the nominations was terrifying. What if?! Because it felt like a big part of the world was wanting it so badly.”

If she doesn’t win, Yeoh’s philosophical, explaining: “For Jamie [Lee Curtis, her co-star] and myself we love what we do, we are passionate about our work…

“Getting nominated or getting an award would be the ultimate but if you don’t you sort of resign to it and go ‘yeh, it’s alright, we’ll move on, we’ll find something’ as long as we can do what we love it’s ok.”

But if she does bag her first Oscar aged 60, a defiant Yeoh has this to say to anyone who may question the lateness of the recognition: “When someone says, ‘Oh they’re past their prime’, hell no, we’re going to show you what prime is.”

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Colin Farrell says The Banshees of Inisherin’s nods are the ‘icing on the cake’

Colin Farrell: ‘The icing on the cake’

He’s been starring in movies for nearly a quarter of a century, but so far, he’s never been nominated for an Oscar.

But after winning a Golden Globe earlier this year, hopes are high that Irish star Colin Farrell could finally get his Academy Award for his role of slighted friend Padraic in The Banshees Of Inisherin.

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The 46-year-old star, who will be bringing his teenage son to the ceremony, told Sky News ahead of the big night: “To do the film, to be off the west coast of Ireland with the cast we had, the crew that we had and reuniting with this fella [co-star Brendan Gleeson} and reuniting with Martin, I was happy.

“Then Venice happened, and we were all shocked at the response we got in Venice and then since then it’s just been like a snowball. So, it’s icing on a cake that we were more than happy to have ravished already.”

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The star of The Mummy speaks about his first lead role in over a decade

Brendan Fraser: ‘Frothy, happy and giddy’

One of the biggest stars of the 1990s, Canadian-American actor Brendan Fraser’s return to Hollywood after nearly 20 years out of the limelight has been nothing short of spectacular.

The 53-year-old’s comeback, thanks to the role of morbidly obese English teacher Charlie in Darren Aronofsky’s The Whale, has even inspired its own definition – the “Bren-aissance”.

Fraser told Sky News he hopes the character’s “journey of redemption” will go on to “change some hearts and minds about how we feel about these issues”.

He said he had no doubts about signing up for the film: “Darren Aronofsky is a world-class film maker who has a track record for bringing out very good and even transformative performances from the actors he chooses to work with.

“So, I didn’t have any doubts knowing how good he is at what he does, if anything I had enthusiasm and some hope and some humility and a little bit of creative intimidation, I will admit too.”

And as for the experience of being up for an Oscar, he said: “It’s new to me but we’re all frothy and happy and giddy and happy for this with fingers crossed and fondest hopes for success but who knows what the result is going to be?

“I’m confident and I think that we have a shot of making it to the finish line.”

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The former child star says he ‘was so nervous’ to return to acting

Ke Huy Quan: ‘A wild ride’

On a comeback rollercoaster of his own, Ke Huy Quan, has worked through childhood fame thanks to Indiana Jones And The Temple Of Doom and The Goonies, followed by near-obscurity, and is now bouncing back into the spotlight with his critically acclaimed role in Everything Everywhere All At Once. It’s been quite the journey.

Quan plays Waymond Wang (and Alpha Waymond) in the parallel universe bonanza, which has surprised many with its numerous award show nominations and wins.

He told Sky News the response to the film has been overwhelming: “When I decided to step back into acting, I was so nervous because I didn’t know what the audience would think – the last time they saw me up on the screen I was a little kid, and now I’m a middle-aged man.

“So, so to have them respond so positively has been incredible.”

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And as for taking the role, he says it was a no-brainer: “When I read the script, I knew it was special. I loved it, it was a script I wanted to read for a long time, and we had the most fun making it, but we didn’t expect all of this.

“I mean, all these, you know award nominations and the audience embracing a movie the way they did is beyond anything we ever imagined.”

And he’s clearly loving every minute of awards season: “I’m enjoying it very much. I’m very grateful for everything that has happened since. And yeah, it’s been it’s been a wild ride.”

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Michelle Williams says it’s ‘hard to feel like a great mum’ while serving her acting work

Michelle Williams: ‘Always doing something new’

It’s her fifth Academy nomination, but could it be her first win?

Michelle Williams, 42, plays Mitzi Fabelman, the mother to a fictional Steven Spielberg in the semi-autobiographical film The Fabelmans which tells the story of his early life.

She told Sky News the film relates to her own experience as a mother: “I think it’s an incredible balance to try and strike and I do think balance is the correct word as it is something that is constantly adjusting and that you’re always looking for your footing on, it really is a give and take.

“Sometimes I think when you’re really serving your work, it’s really hard to feel like you’re being a great mom, and when you’re being an incredible mom you know that your work is languishing, so you have to find a way to go back and forth between these two realities and get comfortable with that discomfort.”

Despite the constant juggle, she says the rewards are worth it – awards or no awards: “I do this for my own sense of satisfaction, purpose, self-esteem, I want to feel a certain way internally about my contribution to this job that I’ve been doing for 30 years that is the only thing I’ve ever done and it’s always about doing something new.”

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The Love Actually star says working on the film was ‘deeply gratifying’

Bill Nighy: ‘Absolutely marvellous’

The 73-year-old British star plays buttoned-up civil servant Mr Williams, who works joylessly in the county public works department, until a terminal diagnosis inspires him to make a change.

Living is The Kazuo Ishiguro-scripted remake of Akira Kurosawa’s 1952 film Ikiru – which quite literally reminds us to make the most of life.

Nighy told Sky News the reserved and stiff upper lip manner of the film was something he relished: “I’m fascinated by it, both from an acting point of view and because it’s fun. You know, to act in that kind of recklessly restrained manner and I’m interested in it as a thing.

“I think it probably is regrettable and psychiatrists would probably say it’s a deeply unhealthy way but there’s also something kind of heroic about it and it’s funny that you weren’t allowed to express anything really.”

Luckily, he says the response to the movie has been far from restrained: “I feel very, very, very good about it, as you can imagine. It’s been marvellous. People really respond to the movie and they’re inspired by it, which is what it was designed to do. So, it’s deeply, deeply gratifying.”

He even admits to enjoying all the attention – at least a little bit: “As much as I’m able to enjoy anything, I have a negative tendency which I have to really kind of combat. But no, seriously, yeah, it’s absolutely marvellous.”

And as for coping with awards season, he’s upbeat and positive: “I just try and do the day, really. I mean, I don’t sit around really thinking about awards. And it’s been a while since I’ve been mentioned in dispatches, but it’s all very cheerful and fun.”

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The Banshees of Inisherin filmmaker on working with Colin Farrell and Brendan Gleeson

Martin McDonagh: ‘Exciting and scary at the same time’

The man behind Irish tragicomedy Banshees Of Inisherin – a tale of male friendship gone sour – has been blown away by the positive response to the movie starring Colin Farrell, Brendan Gleeson, Kerry Condon and Barry Keogh – all of whom are up for Oscars too.

He told Sky News: “We thought we were just making a smallish film and we didn’t think it would ever have this kind of reaction. It’s been amazing.

“Yeah, it’s great to do it like with mates, you know, Colin and Brendan are all mates and Kerry and Barry too. So yeah, it’s been a dream, really.”

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The movie’s up for the biggest prize of the night – best picture – as well as best original screenplay, best score and best editing. And McDonagh’s up for best director too.

Despite four of his Banshee actors being up for gongs, he says he isn’t expecting to become the go-to director for actors looking for a nod: “I hope not, I don’t like working! But no, it’s been amazing. And fun too you know, they’re such a nice bunch and it was a joy to make the film with them and it’s a joy to be able to do this stuff with them too.”

And as for awards season, McDonagh will be using the silver-lining approach to cope with any feelings of disappointment should he not get the prize on the night.

He explains: “I’m bad at public speaking, so I kind of I’m half happy when we lose so I don’t have to go up there. But no, it’s better to be in the mix than not to be in the mix. So, it’s weirdly both exciting and scary at the same time.”

You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase. Plus, get all the intel from our Oscars special Backstage podcast, available wherever you get your podcasts, from Monday morning.

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Crocodile from hit film Crocodile Dundee dies peacefully, zoo says

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Crocodile from hit film Crocodile Dundee dies peacefully, zoo says

The iconic crocodile who starred in hit film Crocodile Dundee has died, his zoo has announced.

Crocosaurus Cove, where Burt had been kept since 2008, said he passed away “peacefully” over the weekend.

He was estimated to be over 90 years old, well over the usual life expectancy.

“Burt was truly one of a kind. He wasn’t just a crocodile; he was a force of nature and a reminder of the power and majesty of these incredible creatures,” the zoo said.

“While his personality could be challenging, it was also what made him so memorable and beloved by those who worked with him and the thousands who visited him over the years.

“Visitors from around the globe marvelled at his impressive size and commanding presence, especially at feeding time.”

Burt was captured for the first time in the 1980s, the zoo said, and he appeared in Crocodile Dundee just before Christmas in 1986.

He starred alongside Paul Hogan in the film, helping to “shape Australia’s image as a land of rugged natural beauty and awe-inspiring wildlife”.

Known for his “independent nature”, the zoo said Burt was a “confirmed bachelor” with a “fiery temperament”, which earned him the respect of caretakers and visitors.

“As we mourn his loss, we are reminded of the vital role wildlife plays in our shared history and the importance of preserving it for future generations,” the zoo added.

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The average saltwater crocodile usually lives up to 70 years.

Crocosaurs Cove said it plans to install a commemorative sign to celebrate his “extraordinary life and the stories and interactions he shared throughout his time at the park”.

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What texts and messages Blake Lively’s legal complaint against It Ends With Us co-star show

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What texts and messages Blake Lively's legal complaint against It Ends With Us co-star show

Documents from actress Blake Lively’s legal complaint about her It Ends With Us co-star Justin Baldoni claim to show how his PR team deliberately “planted pieces of how horrible Blake is to work with” in the press and on social media.

The legal complaint, filed to the California Civil Rights Department on Friday, contains pages of text messages allegedly sent between Baldoni and his PR team.

Lively, 37, claims that Baldoni, 40, who is also the director of the film, hired crisis PR management to engage in a “multi-tiered” plan to damage her reputation after she and her husband Ryan Reynolds, 48, complained of “repeated sexual harassment and other disturbing behaviour” on set of the movie.

Lively at the UK gala screening for the film on 8 August. Pic: AP
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Lively at the UK gala screening for the film on 8 August. Pic: AP

A lawyer representing Baldoni and his production company Wayfarer Studios says the allegations are “completely false, outrage and intentionally salacious”.

He adds that the studio and its PR team “did nothing proactive nor retaliated” against Lively – and that it hired crisis PR managers “due to the multiple demands and threats made by Ms Lively during production”.

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Blake Lively on being an actor and producer

The text messages, which Lively says she acquired through a subpoena, involve exchanges between Jennifer Abel, of PR firm RWA Communications, Melissa Nathan, of The Agency Group PR, and Baldoni.

They include:

  • Details of two quotes of PR packages – one costing “£175k” for a “3-4 month period” including “full reddit, full social account take downs”;
  • Another PR package costing “$25k per month” for “min 3 months” that includes “creation of social fan engagement to go back and forth with any negative accounts, helping to change the narrative and stay on track”;
  • Baldoni asking Ms Abel “What is the TikTok strategy” and saying “I’d like you guys to start posting me ONLY talking about domestic violence and clips and why this movie is so important”;
  • Ms Abel telling Ms Nathan she was “having reckless thoughts of wanting to plant pieces this week of how horrible Blake is to work with”;
  • Ms Abel saying: “The narrative online is so freaking good and fans are still sticking up for Justin” and telling Ms Nathan “you did such amazing work”;
  • Ms Nathan telling Ms Abel: “The majority of socials are so pro Justin and I don’t even agree with half of them lol”;
  • Ms Nathan replying to Ms Abel: “Narrative is CRAZY good”;
  • Ms Nathan telling Ms Abel: “We can’t write it down to him… We can’t write we will destroy her”;
  • Ms Nathan adding: “you know we can bury anyone”;
  • Ms Nathan saying to Ms Abel: “Don’t worry, I didn’t kill her and send her in a box to your house”, to which Abel replies: “DAMNIT”;
  • Ms Nathan telling Ms Abel socials are “really really ramping up”, to which Ms Abel adds: “It’s actually sad because it just shows you have people really want to hate on women”.

The text messages appear to date between 15 May and 18 August this year. It Ends With Us was released on 9 August.

In one other exchange, Baldoni expresses concerns his PR team may have been deploying fake “bots” to “take her [Lively] down” on social media, to which Ms Nathan replies: “I can fully confirm we do not have bots.”

The legal documents also include the alleged list of conditions Lively submitted for her “returning to production” after she alleged sexual harassment on set.

They include “no one entering… BL’s trailer while she is in a state of undress” and “no discussions of personal experience with sex or nudity”.

Lively’s legal complaint claims Baldoni “abruptly pivoted away from” the film’s marketing plan and “used domestic violence ‘survivor content’ to protect his public image” after the sexual harassment allegations came out.

Justin Baldoni at the world premiere in New York on 6 August. Pic: AP
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Baldoni at the world premiere in New York on 6 August. Pic: AP

Baldoni brands Lively’s claims ‘shameful’

Mr Freedman, representing Baldoni and Wayfarer Studios, says in his statement: “It is shameful that Ms. Lively and her representatives would make such serious and categorically false accusations against Mr. Baldoni, Wayfarer Studios and its representatives, as yet another desperate attempt to ‘fix’ her negative reputation which was garnered from her own remarks and actions during the campaign for the film; interviews and press activities that were observed publicly, in real time and unedited, which allowed for the internet to generate their own views and opinions.

“These claims are completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media. Wayfarer Studios made the decision to proactively hire a crisis manager prior to the marketing campaign of the film, to work alongside their own representative with Jonesworks employed by Stephanie Jones, due to the multiple demands and threats made by Ms. Lively during production which included her threatening to not showing up to set, threatening to not promote the film, ultimately leading to its demise during release, if her demands were not met.

“It was also discovered that Ms. Lively enlisted her own representative, Leslie Sloan with Vision PR, who also represents Mr. Reynolds, to plant negative and completely fabricated and false stories with media, even prior to any marketing had commenced for the film, which was another reason why Wayfarer Studios made the decision to hire a crisis professional to commence internal scenario planning in the case they needed to address.

“The representatives of Wayfarer Studios still did nothing proactive nor retaliated, and only responded to incoming media inquiries to ensure balanced and factual reporting and monitored social activity. What is pointedly missing from the cherry-picked correspondence is the evidence that there were no proactive measures taken with media or otherwise; just internal scenario planning and private correspondence to strategize which is standard operating procedure with public relations professionals.”

Lively says in a statement to the New York Times: “I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted.”

The August release of It Ends With Us, an adaptation of Colleen Hoover’s bestselling 2016 novel, was shrouded by speculation over discord between the lead pair.

Baldoni took a backseat in promoting the film while Lively took centre stage along with Reynolds, who was on the press circuit for Deadpool & Wolverine at the same time.

Sky News has contacted Jessica Abel and RWA Communications for comment.

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Blake Lively accuses It Ends With Us co-star Justin Baldoni of sexual harassment in legal complaint

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Blake Lively accuses It Ends With Us co-star Justin Baldoni of sexual harassment in legal complaint

Actor Blake Lively has accused her It Ends With Us co-star and director Justin Baldoni of sexual harassment on the set of the film in a legal complaint.

Lively, 37, also claims 40-year-old Baldoni and the studio behind the movie embarked on a subsequent “multi-tiered plan” to damage her reputation.

The complaint, which was filed on Friday with the California Civil Rights Department, according to the New York Times, precedes a lawsuit and names Baldoni, the studio and Baldoni’s publicists among the defendants.

In the papers, Lively claims the attempt to damage her reputation was launched after she and her husband Ryan Reynolds, 48, addressed “repeated sexual harassment and other disturbing behaviour” by Baldoni and a producer on the movie.

According to the complaint, the plan included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

A lawyer representing Justin Baldoni denies the claims. Pic AP
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A lawyer representing Justin Baldoni (pictured) denies the claims. Pic AP

It also claims Baldoni “abruptly pivoted away from” the film’s marketing plan and “used domestic violence ‘survivor content’ to protect his public image”.

Bryan Freedman, a lawyer who represents Baldoni, Wayfarer Studios, and its representatives, said in a statement: “These claims are completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media.”

He said the studio “proactively” hired a crisis manager “due to the multiple demands and threats made by Ms Lively during production”.

Mr Freedman also said Lively threatened to not appear on set and not promote the film “if her demands were not met,” although those demands were not specified.

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Lively denied planting or spreading negative information about Baldoni and the studio to the New York Times.

“I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted,” she told the paper.

The August release of It Ends With Us, an adaptation of Colleen Hoover’s bestselling 2016 novel, was shrouded by speculation over discord between the lead pair.

Baldoni took a backseat in promoting the film while Lively took centre stage along with Reynolds, who was on the press circuit for Deadpool & Wolverine at the same time.

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