The Goonies star Martha Plimpton on 80s nostalgia, Ke Huy Quan’s Oscar hopes and playing a criminal mama
Martha Plimpton has played a host of roles across film, TV and stage throughout five decades, but for many she’ll always be associated with the role she played as a 14-year-old – Stef Steinbrenner in The Goonies.
One of the most beloved films of the 1980s, many of the young teens who starred in it – including Plimpton – defied the curse of the child star and continued their screen success as adults.
Plimpton (R) starred with Ke Huy Quan (3rd R) in 1985 film The Goonies
And in a twist of fate, one of the original Goonies – Ke Huy Quan, who found it harder than most to get work due to a paucity of parts for Asian-American actors – is now taking Hollywood by storm after being cast in multi-Oscar nominated Everything Everywhere All At Once.
The film is the most nominated at this year’s Oscars. So far he’s won a Golden Globe, Critics’ Choice and SAG award, and will potentially add an Academy Award to his haul on Sunday.
It’s a Hollywood comeback Plimpton couldn’t be happier to see. She tells Sky News: “I’m especially excited for Ke [Huy Quan]… My gosh, he’s just the dearest human being and the sweetest man and that he’s experiencing this wave of appreciation and love from all over… it’s just really lovely. I’m really excited and happy for him.”
Visibly proud of her co-star, she admits she’s unlikely to be watching the ceremony live – it’s available exclusively in the UK from 11pm on Sky News and Sky Showcase – but says she’ll be rooting for him nevertheless.
Oscars aside, Plimpton is in fact here to talk about her latest project – A Town Called Malice – a very different prospect, which sees her play Mint Ma, the matriarch of a South London crime family – the Lords – who have re-located to the Costa del Sol in a bid to improve their lot.
Described by its creator Nick Love as a “neon Western”, it’s also a love letter to the 80s, filled with all the bright fashion, big hairstyles and memorable music you’d expect from the era.
Plimpton credits the crime drama’s “camp quality” as part of the attraction – indeed there are moments in the show when the characters break into song and dance.
A Town Called Malice. Pic: Sky Max
The New York-born star worked with a dialect coach to nail her English accent, which is impeccable throughout. Partly, no doubt, due to the fact she now lives in the UK.
She explains: “I love my Sunday roast and I love the culture, I love the people. I think the British people are extraordinary and have a great sense of humour and a wonderful self-deprecating nature to them that is really just lovely and charming.
“Despite this country’s problems, which, believe me, I’m familiar with, especially coming from the United States… I think that there’s something to the English character that makes dealing with those problems sort of charming, hilarious, and funny.”
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It’s no surprise, then, that she jumped at the chance to play a British character, albeit one on the wrong side of the law.
“I loved the idea of this woman from South London – her stealth and her commitment to her family,” she says.
“And I love the idea of playing a mum to all of these gorgeous young men and being a part of this crazy crime family.”
In the show, her youngest son Gene and his girlfriend Cindy are on the run from police following a hit and run.
Spain offers them safe haven thanks to a breakdown in an extradition treaty with the UK, but matters only become more complicated once on the Costa del crime.
Plimpton says it’s a theme rich with dramatic possibilities: “Our fascination with crime probably has some primal reasons for it that I’m not qualified to list, but it’s the excitement and it’s the unpredictability. And people who live life on the edges of society, on the outer edge of what we all consider acceptable.”
And setting it in the 1980s adds a colour and energy to the show that only that era could.
A Town Called Malice. Pic: Sky Max
She calls her costumes – including terry towelling swimming costumes, tight white jeans and lots of shoulder pads – “absolutely phenomenal”.
And as for the soundtrack which accompanies each episode, she says: “I’m already immersed in eighties music, those were my teen years. So, I’m pretty familiar with that musical era, and I’m not ashamed to say I still listen to it quite regularly.
“I think we always cling to the music that we grew up with and that connects with us as young people. It’s not necessarily nostalgia for me, it’s an ever-present reality.”
While she agrees the 80s was a great time to grow up as a teen, she admits: “It was also a difficult time to be a teenager. The world was changing spectacularly during that time. It was a scary time, we were terrified of nuclear annihilation.
“The AIDS crisis began in the late seventies, early eighties. It was the beginning of Reaganomics and Thatcherism, which was a huge shift in both of our countries away from a sort of post-war idea of collective responsibility and moving into an era of greed and personal enrichment philosophy that’s unfortunately stayed with us. But it was a very, very interesting time to be a young person.”
But she’s optimistic about today’s youth: “There’s a wonderful quality to the young people now that I think is really extraordinary. Their willingness to be accepting, their openness to new stories, new realities, their eagerness to challenge the status quo and be responsible for their own futures is extraordinary and impressive.”
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Now 52, Plimpton herself has been working since she was just a child. Starting off in a Calvin Klein advert, before moving on to film, as a teenager she played opposite her then boyfriend River Phoenix in Oscar-nominated Running On Empty and Keanu Reeves in Parenthood. Both movies were Oscar-nominated.
More films, plus theatre followed, and TV shows including Raising Hope, and The Good Wife, with the latter earning her an Emmy.
On her enduring career, Plimpton says: “I’ve been doing this since I was a kid. And, you know, I’ve been very fortunate. I mean, there have been periods of downtime and dry spells like there are in any person’s career or work life. But, yes, I’ve been very lucky to generally have made it without having to get a civilian gig.”
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She’s previously spoken about the UK’s “appreciation” of its older actresses, in contrast to the US which she says has been “really slow” on the uptake.
However, she says America’s getting better at showcasing its more mature female talent, citing the growing number of streaming services “telling a lot more stories. A lot of different stories. A lot of stories we traditionally haven’t been exposed to”.
And of course, one of those stories has to be the multi-verse madness that is Everything Everywhere All At Once, which has propelled her former Goonies co-star Quan back into the spotlight.
Ke Huy Quan. Pic: Photo by Vianney Le Caer/Invision/AP
Looking back on The Goonies – the movie which changed both their lives – she says its success has been a happy surprise: “I’m certainly impressed by the fact that it’s really taken such a hold in popular culture. And I don’t think any of us expected that it necessarily would when it came out. I mean, we all had an extraordinary time filming it. And, you know, I guess ultimately it did change all of our lives, really. It’s just wonderful.”
While she hasn’t stayed in touch with Quan, now 51, Plimpton says: “I do follow him on Instagram and I see all of his adorable selfies and it’s really sweet.”
Along with the rest of us, Plimpton will be cheering Quan on come Sunday night, hoping his unexpected showbiz return has a happy ending worthy of Hollywood.
A Town Called Malice is available on Sky Max and streaming service NOW from 16 March.
You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase. And for everything you need to know ahead of the ceremony, don’t miss our special Backstage podcast available on Friday morning, plus a winners’ special episode from Monday morning.
The Who’s Zak Starkey is back in the band after reports earlier this week he’d been sacked.
A statement on the band’s official social media pages written by guitarist Pete Townshend said “communication issues” had been “aired happily” and Starkey was “not being asked to step down”.
Townshend also acknowledged the situation “blew up very quickly and got too much oxygen”, concluding “it’s over” and acknowledged his part in “the confusion”.
Titled, “News Flash! Who Backs Zak,” the long statement said Starkey was “not being asked to step down from The Who”.
It said: “There have been some communication issues, personal and private on all sides, that needed to be dealt with, and these have been aired happily.
“Roger and I would like Zak to tighten up his latest evolved drumming style to accommodate our non-orchestral line-up and he has readily agreed.”
Roger Daltrey and Starkey on stage at the Royal Albert Hall in March. Pic: PA
The rock and roll row followed the band’s Teenage Cancer Trust shows in March.
Townsend’s statement went on: “I take responsibility for some of the confusion. Our TCT shows at the Royal Albert Hall were a little tricky for me.
“I thought that four and a half weeks would be enough time to recover completely from having a complete knee replacement. (Why did I ever think I could land on my knees?) Wrong!
“Maybe we didn’t put enough time into sound checks, giving us problems on stage. The sound in the centre of the stage is always the most difficult to work with.”
So what went wrong?
Going on to highlight the specifics of what went wrong, Townshend added: “Roger did nothing wrong but fiddle with his in-ear monitors. Zak made a few mistakes and he has apologised. Albeit with a rubber duck drummer.
“We are a family, this blew up very quickly and got too much oxygen. It’s over. We move forward now with optimism and fire in our bellies.”
A review of one gig, published in the Metro, suggested frontman Roger Daltrey – who launched the annual gig series for the charity in 2000 – had been “frustrated” with the drumming during some tracks.
Townsend also said he owed drummer Scott Devours “an apology” for not “crushing the rumour” that he would be replacing Starkey in the Who line-up.
Devours is supporting Roger Daltrey on his solo tour, which kicked off this weekend.
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Starkey – who is the son of The Beatles drummer Ringo Starr – reposted Townshend’s statement, with the message: “V grateful to be a part of the Who family Thanks Roger and Pete xx”.
The 59-year-old drummer previously said he was “surprised and saddened” by news of his sacking.
He’s been with The Who for nearly three decades, after joining in 1996 for their Quadrophenia tour.
Starkey also drums for supergroup Mantra Of The Cosmos – along with fellow musicians Shaun Ryder and Bez from Happy Mondays, and Andy Bell of Ride and Oasis – and has previously played with Oasis, Lightning Seeds and Johnny Marr.
Entertainment
The Last Of Us: The science behind the real ‘zombie’ fungus – and is it an actual threat?
Could the next public health crisis be caused by a fungus?
Such an emergency is the basis of the post-apocalypse TV drama series The Last Of Us, which has returned for its second season on Sky Atlantic.
Starring Pedro Pascal and Bella Ramsey, the show takes place in a world ravaged by a pandemic caused by a mass cordyceps outbreak, which transforms people into bloodthirsty abominations.
The prospect was outlined in its debut episode in 2023, when a prescient epidemiologist played by John Hannah warned how a warming climate could force some fungus to evolve into something more dangerous.
“Candida, ergot, cordyceps, aspergillus: any one of them could be capable of burrowing into our brains and taking control of not millions of us, but billions,” he said.
An extreme outcome with plenty of artistic licence taken – but is it entirely without scientific basis?
A mass cordyceps outbreak transforms people into blood-thirsty abominations in the show. Pic: HBO/Warner Media/Liane Hentscher
Do fungi really threaten humans?
“There are numerous fungi infecting the brains of human beings all over the planet, often with devastating outcomes,” says Professor Elaine Bignell, a world leader in the field of human fungal pathogen research.
“A number of fungal species are quite prominent pathogens and kill hundreds of thousands of people every year – it’s just the public is not well aware of this.”
A few of the dangers identified by The Last Of Us’s fictional epidemiologist previously featured on a list of health-threatening fungi by the World Health Organisation (WHO).
Among the fungi deemed most high-risk was Aspergillus fumigatus, a common mould widespread in the environment in homes and outdoors, which can cause “chronic and acute lung disease” and can be deadly.
Aspergillus is a type of mould, common in homes
Candida species, which are behind complaints like thrush and skin rashes, are also one of the leading causes of bloodstream infection in intensive care patients.
Cryptococcosis neoformans – which infects the lungs and brain, causing pneumonia and meningitis in immunosuppressed patients – also made the list. It kills more than 100,000 people a year in sub-Saharan Africa.
“One thing killer fungi do have in common is they are able to grow at human body temperature, and that’s unusual for a fungus,” Prof Bignell tells Sky News.
“Most fungi in the environment are suited to growing in more temperate conditions, and it places quite a strain on any microorganism to counteract an immune response in a human body and cope with the high temperature.”
The main symptom of ringworm is a rash, which can spread. Pic: NHS
What about cordyceps?
Cordyceps was not on the threat list – but it is absolutely real.
The parasitic fungus infects and takes over the mind of insects, as it does to humans in The Last Of Us.
“There are about 600 species,” says Dr Mark Ramsdale, a professor in molecular microbiology at the MRC Centre for Medical Mycology.
“They are predominantly insect pathogens. It’s their insect host that they manipulate and change their behaviour. And so from that perspective, there is some basis there.”
A fly infected by a cordyceps fungus. Pic: Alejandro Santillana/University of Texas
Found in tropical forests, the fungus penetrates an insect’s body via spores, which are released to allow a fungus to reproduce and defend itself.
The fungus then guides its host into more humid locations to help it grow, before feeding on the remains and launching new spores from its corpse.
When it comes to humans, cordyceps is used in treatments and therapeutics – notably Chinese herbal medicines.
“There’s a long history of relationships between humans and this particular group,” Dr Ramsdale tells Sky News.
“There’s no evidence they’re causing disease in humans. However, in terms of their insect relationships, they do manipulate their hosts – and several fungi have evolved this capacity over time.”
Cordyceps growing from a caterpillar. Pic: L Shyamal/Wikimedia Commons
Ophiocordyceps caloceroides infecting a tarantula. Pic: Ian Suzuki/Wikimedia Commons
Could climate change the picture?
Another facet of The Last Of Us shared by the WHO’s landmark report was the potential influence of climate change on the nature of fungi and our relationship with it.
Prof Bignell says the impact of global heating will be “profound” for all microbes on our planet.
There are some 150,000 identified species of fungi in the world, well short of the millions estimated to exist, and few have what it takes to cope with the 37C temperature and other stresses imposed by the human body.
But some do, and more could – either those yet to be discovered or which adapt to survive on a warming planet.
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“It changes the selection pressures that are put on those huge, diverse life forms,” says Dr Ramsdale.
“Perhaps some could potentially make that transition from one lifestyle to another and become pathogenic in a context we haven’t thought of before.”
So the show’s pandemic may be far from factual, but it’s not completely without merit.
“What really is the most removed from the current status quo is the scale and the rate of the infections occurring in The Last Of Us,” says Prof Bignell.
“Some fungi can get passed from one person to the next – and in the environment we are exposed to them all the time – but it would take a very significant variant to be able to cause the sorts of species extinction event they’re dramatising.”
Humans are transformed into zombie-like monsters in the show. Pic: HBO/Warner Media/Liane Hentscher
So … no reason for alarm?
You can sleep easy knowing there won’t be a fungus that turns you into a zombie in your cereal tomorrow morning.
But COVID, researchers say, is proof we can’t rest on our laurels when it comes to public health threats and the potentially sudden nature of their arrival.
With fungal infection in humans being a relatively modern phenomenon, with few examples until the 1980s, and the absence of any antifungal vaccine research programmes, there’s certainly work to do.
“We have to be in a state of preparedness,” says Prof Bignell.
“We have to have a very good understanding of how different fungi can cause human diseases, how our immune systems cope with those microbes, and a good medicine cabinet with antifungal agents we know are effective.”
In the meantime, if you do happen to see anyone that looks like they’re covered in mushrooms and feasting on a member of their family – best steer clear.
The Last Of Us airs every Monday at 2am on Sky Atlantic.
Clodagh Rodgers, a singer best known for representing the UK at the 16th Eurovision Song Contest, has died aged 78.
The Northern Irish singer was described as “the rock of this family” by her son Sam, who said she died on Friday 18 April.
Sam Sorbie wrote: “With a heavy heart, my dear beautiful mum Clodagh has sadly passed away after battling an illness for the last three years. She passed away peacefully yesterday, surrounded by her family in Cobham.
“Mum has lived an incredible life, full of love and happiness. Her fantastic career performing, travelling the world, devoting her life to her two sons and being the rock of this family.
“Life will not be the same without Mum, but she will finally be at peace now with dad, nanny and pappa. We all love and miss her terribly.”
A regular face on the TV in the 1970s and 1980s, Rodgers performed Jack In The Box at the 1971 Eurovision Song Contest in Dublin, finishing in fourth place behind Germany, Spain and the winners, Monaco.
Jack In The Box went on to reach number four in the UK singles chart, and although she entered the charts later that year with Lady Love Bug, the Eurovision track remained her biggest hit.
Rodgers began singing as a youngster and got her first record deal aged just 15.
Rodgers performing at the 16th Eurovision. Pic: BBC
She went on to appear on primetime shows including The Morecombe And Wise Show, The Two Ronnies, Top Of The Pops, Bruce Forsyth & The Generation Game and The Val Doonican Show.
She was chosen as the face of Bisto gravy in the 70s, following her Eurovision hit.
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(L-R) Rodgers with Ronnie Corbett in 1971, when they starred in Cinderella. Pic: AP
A talented live performer, she also starred in her own West End show Talk Of The Town, and West End musical hit Blood Brothers, as well as numerous variety shows and the pantomime Cinderella, co-starring comedian Ronnie Corbett.
Rodgers released six albums, five compilation records and numerous singles across her six-decade career. She insured her voice for £1m.
In 2001 she appeared as a recurring character in police drama The Bill.
Married twice, Rodgers leaves behind her two sons, Sam and Matt.
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