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The Oscars is a ceremony designed to celebrate the year’s best films and the people who made them, but often the awards themselves get overshadowed by other events.

In recent years we’ve seen the wrong film announced as best picture, #Oscarssowhite trending on social media and of course, last year’s now infamous slap by Will Smith, who later went back on stage to accept the award for best actor.

This year the Academy of Motion Picture Arts and Sciences, who are behind the ceremony, have for the first time implemented a crisis team who will be on hand should anything unexpected happen.

In preparation the team have been tasked with running practice scenarios, with the intention that they will react instantly should something controversial take place.

But it’s not something that seems to have impacted plans for the show itself.

Speaking at a press conference, the executive producer and showrunner of this year’s Oscars, Glen Weiss, says at the many events he’s worked at there have always been teams in place to deal with difficult moments, but it’s not something he’s focusing on.

“We put on the entertainment, the secret service takes on the other stuff,” he said.

Last month the Academy’s new president (she took on the role last summer) Janet Yang told attendees at the Oscars Nominees Luncheon (an annual event that takes place in the weeks before the awards for those nominated) that she thought changes were necessary following what she described as last year’s “unprecedented event”.

“What happened on stage was wholly unacceptable and the response from the organisation was inadequate,” Ms Yang said.

“We learned from this that the Academy must be fully transparent and accountable in our actions and particularly in times of crisis.”

Will Smith accepts the award for best performance by an actor in a leading role for King Richard. Pic: AP Photo/Chris Pizzello
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Will Smith accepts the award for best actor after slapping Chris Rock. Pic: AP Photo/Chris Pizzello

“We must act swiftly, compassionately and decisively for ourselves and for our industry – you should and can expect no less from us going forward.”

“We are committed to maintaining the highest of standards while creating the changes we wish to see in our industry.”

So, with a crisis team now in place, what are the chances they will actually be called upon? It’s not as if anyone could have predicted the slap ahead of last year’s Oscars.

But Academy CEO Bill Kramer, who is also new, having been in the position since last July, has told Time they have already in fact been put to work after the nominations came under fire following a very short and targeted campaign for Andrea Riseborough.

It saw a week of heavy promotion on social media for the actress’s performance in To Leslie by Hollywood heavyweights including Jennifer Aniston, Ed Norton and fellow nominee Cate Blanchett.

When she was shortlisted for the lead actress award, some critics queried whether the nominations process is fit for purpose.

Mr Kramer told Time the Academy was “much more ready to handle the campaign regulations discussion” thanks to the crisis team.

“That happened on a Tuesday and, six days later, we were able to issue our formal statement from the board that really carved out a plan for us,” he said.

“So you never know exactly what’s going to happen.”

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Hollywood’s brightest stars on what it feels like to be nominated for an Oscar

Mr Kramer added: “But you have to have the teams and frameworks in place and the processes in place, to come together to figure things out quickly.”

“But also making sure that you have the right groups of members and leaders and stakeholders who can come together to have a voice in this conversation.”

The Academy has faced criticism in the past for being slow to change, but it seems perhaps lessons have now been learned, and with the Oscars still pulling in millions of viewers around the world (despite declining viewing figures) all eyes will be on the organisation – and its crisis team – should the unexpected happen.

You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase.

Plus, get all the intel from our Oscars special Backstage podcast, available wherever you get your podcasts, from Monday morning.

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Former BBC executive and presenter Alan Yentob dies

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Former BBC executive and presenter Alan Yentob dies

Alan Yentob, the former BBC presenter and executive, has died aged 78.

A statement from his family, shared by the BBC, said Yentob died on Saturday.

His wife Philippa Walker said: “For Jacob, Bella and I, every day with Alan held the promise of something unexpected. Our life was exciting, he was exciting.

“He was curious, funny, annoying, late, and creative in every cell of his body. But more than that, he was the kindest of men and a profoundly moral man. He leaves in his wake a trail of love a mile wide.”

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Yentob joined the BBC as a trainee in 1968 and held a number of positions – including controller of BBC One and BBC Two, director of television, and head of music and art.

He was also the director of BBC drama, entertainment, and children’s TV.

Yentob launched CBBC and CBeebies, and his drama commissions included Pride And Prejudice and Middlemarch.

Alan Yentob with former BBC director general Tony Hall in 2012. Pic: Reuters.
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Alan Yentob (left) with former BBC director general Tony Hall in 2012. Pic: Reuters.

The TV executive was made a Commander of the Order of the British Empire (CBE) by the King in 2024 for services to the arts and media.

In a tribute, the BBC’s director-general Tim Davie said: “Alan Yentob was a towering figure in British broadcasting and the arts. A creative force and a cultural visionary, he shaped decades of programming at the BBC and beyond, with a passion for storytelling and public service that leave a lasting legacy.

“Above all, Alan was a true original. His passion wasn’t performative – it was personal. He believed in the power of culture to enrich, challenge and connect us.”

BBC Radio 4 presenter Amol Rajan described him on Instagram as “such a unique and kind man: an improbable impresario from unlikely origins who became a towering figure in the culture of post-war Britain.

“I commend his spirit to the living.”

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Gillian Anderson warns UK homelessness ‘will only get worse’

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Gillian Anderson warns UK homelessness 'will only get worse'

Gillian Anderson has warned homelessness is a growing problem in the UK – one that will only get worse if we enter a recession.

The award-winning actress, who is playing a woman facing homelessness along with her husband in her latest film, The Salt Path, told Sky News: “It’s interesting because I feel like it’s even changed in the UK in the last little while.”

Born in Chicago, and now living in London, she explained: “I’m used to seeing it so much in Vancouver and California and other areas that I spent time. You don’t often see it as much in the UK.”

Her co-star in the film, White Lotus actor Jason Isaacs, chips in: “You do now.”

“It’s now becoming more and more prevalent since COVID,” said Anderson, “and the current financial situation in the country and around the world.

“It’s a topic that I think will be more and more in the forefront of people’s minds, particularly if we end up going into a recession.”

Pic: Steve Tanner/Black Bear
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Gillian Anderson and Jason Isaacs in The Salt Path. Pic: Steve Tanner/Black Bear

The film is based on Raynor Winn’s 2018 memoir, which depicts her and her husband’s 630-mile trek along the Cornish, Devon and Dorset coastline, walking from Minehead, Somerset to Land’s End.

Written from her notes on the journey, The Salt Path went on to sell over a million copies worldwide and spent nearly two years in The Sunday Times bestseller list. Winn’s since written two more memoirs.

Isaacs, who plays her husband Moth Winn in the movie, told Sky News that Winn told him she “hopes [the film] makes people look at homeless people when they walk by in a different light, give them a second look and maybe talk to them”.

With record levels of homelessness in the UK, with a recent Financial Times analysis showing one in every 200 households in the UK is experiencing homelessness, the cost of living crisis is worsening an already serious problem.

Pic: Steve Tanner/Black Bear
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Pic: Steve Tanner/Black Bear

The film sees Ray and Winn let down by the system, first by the court which evicts them from their home, then by the council which tells them despite a terminal diagnosis they don’t qualify for emergency housing.

Following the loss of their family farm shortly after Moth’s shock terminal diagnosis with rare neurological condition Corticobasal Degeneration (CBD), the couple find solace in nature.

They set off with just a tent and two backpacks to walk the coastal path.

Isaacs says living in a transient way comes naturally to actors, admitting like his character, he too “lives out of a suitcase” and is “away on jobs often”.

Read more:
Is this every actor’s bucket list job?

Pic: Steve Tanner/Black Bear
Image:
Pic: Steve Tanner/Black Bear

Shot in 2023 across Somerset, Devon, Cornwall and Wales, Anderson says as a city-dweller, the locations had an impact on her.

Anderson reveals: “As I’ve gotten older, I have become more aware of nature than […] when I was younger, and certainly in filming this film and being outside and so much of nature being a third character, it did shift my thinking around it.”

Meanwhile, Isaacs says he discovered a “third character” leading the film just the day before our interview, when speaking to Winn on the phone.

Isaacs says the author told him: “I feel like there’s three characters in the film,” going on, “I thought she was going to say nature, but she said, ‘No, that path'”.

Isaacs elaborates: “Not just nature, but that path where the various biblical landscapes you get and the animals, they matter.

“The things that happen on that path were a huge part of their own personal story and hopefully the audience’s journey as well.”

The Salt Path comes to UK cinemas on Friday 30 May.

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Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail

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Hannah Gutierrez-Reed: Weapons supervisor convicted in fatal shooting on Alec Baldwin film set freed from jail

A weapons supervisor who was jailed for involuntary manslaughter over the fatal shooting of Halyna Hutchins on the set of the Alec Baldwin movie, Rust, has been freed.

Hannah Gutierrez-Reed was released on parole from the Western New Mexico Correctional Facility in Grants on Friday, after serving her 18-month sentence, NBC News, Sky’s US partner said, quoting New Mexico Corrections Department spokesperson, Brittany Roembach.

Gutierrez-Reed was released to return home to Bullhead City, Arizona, where she will be on parole for a year for the manslaughter case.

RUST armourer Hannah Gutierrez Reed jailed for involuntary manslaughter of Halyna Hutchins, Santa Fe, New Mexico, USA - 15 Apr 2024
Hannah Gutierrez-Reed in court today as she is jailed 18 months for the involuntary manslaughter on the set of the Rust movie on October 21, 2021 over the fatal shooting of the movie's cinematographer, Halyna Hutchins.

15 Apr 2024
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Hannah Gutierrez-Reed in court as she was jailed for 18 months for involuntary manslaughter. Pic: Rex/Shutterstock

Halyna Hutchins pictured in 2017 at an Artists for Peace and Justice party, 70th Cannes Film Festival, France
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Halyna Hutchins pictured in 2017. Pic: Rex/Shutterstock

She was in charge of weapons during the production of the Western film in Santa Fe, New Mexico, in October 2021, when a prop gun held by star and co-producer Alec Baldwin went off during a rehearsal.

Cinematographer Hutchins died following the incident, while director Joel Souza was injured.

Gutierrez-Reed was acquitted of charges of tampering with evidence in the investigation, but will be on probation over a separate conviction for unlawfully carrying a gun into a Santa Fe bar where firearms are banned weeks before Rust began filming.

Actor Alec Baldwin reacts after the judge threw out the involuntary manslaughter case for the 2021 fatal shooting of cinematographer Halyna Hutchins during filming of the Western movie "Rust," Friday, July 12, 2024, at Santa Fe County District Court in Santa Fe, N.M. (Pool Video via AP)
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Alec Baldwin reacts after the judge threw out the involuntary manslaughter case against him. Pic: AP

Involuntary manslaughter means causing someone’s death due to negligence, without intending to.

At her 10-day trial in New Mexico in March last year, prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of Rust and for failing to follow basic gun safety protocols.

The 18-month sentence she was given was the maximum available for the offence.

Baldwin, 67, was also charged with involuntary manslaughter, but the case was dramatically dismissed by the judge during his trial last July over mistakes made by police and prosecutors, including allegations of withholding ammunition evidence from the defence.

The actor had always denied the charge, maintaining he did not pull the gun’s trigger and that others on the set were responsible for safety checks on the weapon.

Rust was finished in Montana and released earlier this month, minus the scene they were working on when Hutchins was shot, Souza, speaking at November’s premiere in Poland, said.

Rust is billed as the story of a 13-year-old boy who, left to fend for himself and his younger brother following their parents’ deaths in 1880s Wyoming, goes on the run with his long-estranged grandfather after being sentenced to hang for the accidental killing of a local rancher.

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