Do you like movies? I do, but sometimes real life is even crazier than the movies.
Azad Safarov is a Ukrainian producer working with Sky News journalists in Ukraine. He is also the assistant director and line producer for the Oscar-nominated documentary film ‘A House Made Of Splinters’. Here he writes about going from the frontline to the red carpet.
In just a short space of time I have gone from being on the frontline in Ukraine, to preparing to walk the red carpet at the Oscars ceremony in Los Angeles. And it’s a strange feeling.
I was born into a poor family in Azerbaijan, and because of the war in Nagorny Karabakh and financial problems, my family decided to move to Ukraine. We settled in Donetsk and became Ukrainian citizens.
I was eight years old at the time, and even then, all I wanted to do was make movies. My cousin and I filmed short sketches and dreamt of selling them to Hollywood.
Image: Azad Safarov with Sky News’s Stuart Ramsay in Ukraine
My mother advised me to become a journalist, because she believed it was the most peaceful profession in Ukraine. But no sooner had I graduated from university and moved to Kyiv in 2014, the protests on the Maidan began – and consequently the war.
As a television journalist, I’ve worked everywhere in Ukraine. Under fire on the frontline, and undercover in the Russian-occupied territory of Ukraine.
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My point is, I am much more comfortable in a 12-kilogram bulletproof vest and a helmet than a black-tie tuxedo.
I applied for a special 21-day permit to leave the country when I was told that I was going to the ceremony.
It was granted, and I decided I wanted to wear a sweatshirt or a t-shirt, anything with an inscription or the state coat of arms of Ukraine. But they explained to me that the organisers would simply not let me inside, there is a strict dress code.
‘Deprived of the right to be happy’
I’ve been dreaming of this moment all my life.
I used to watch Oscar ceremonies and imagine winning; I’d imagine how proud my parents, friends and family would be if I ever won the award.
But now the moment has come, and I have a nomination, I can’t say it too loudly or be too happy about it.
“Aren’t you jumping for joy?! This is the Oscars! That’s super cool!” my friends say to me all the time.
I am happy, of course, but the joy is mixed with sadness, because as long as I am here in Los Angeles, on the frontline in Ukraine every day, every hour really, soldiers are dying, protecting our country from our neighbour.
I cannot post funny pictures on social media, because at this very time, millions of Ukrainian civilians are suffering from Russia’s aggression and missiles.
It feels like Russia has deprived us of the right to be happy, to be successful, the right to enjoy life, the right to simply laugh out loud.
Image: A House Made of Splinters is about the consequences of the war
The consequences of war
Our Oscar-nominated documentary film, A House Made of Splinters, is also about the consequences of the war.
The director is the talented Danish filmmaker Simon Lereng Wilmont who I started working with back in 2015, and this is our second film from Ukraine. The first one, The Distant Barking of Dogs, made the Oscar shortlist in 2019.
A House Made of Splinters is about children growing up in a temporary shelter next to the war. It is sad, but at the same time, it is a film about hope. It’s about how Ukrainian children fight for their own happiness, childhood, and the right to live in a family and feel love, even while the war rages on.
It’s an important story to tell, and we have an important mission that goes beyond.
I co-founded the NGO, the Voices of Children Charitable Foundation, with the documentary’s consultant and human rights activist Olena Rozvadovska, and after the Russian invasion, we helped thousands of children, and their families evacuate from the frontline. But the needs are only growing.
Image: Azad also says the movie is a film about hope
Image: Azad Safarov made it to Los Angeles
The entire production team understands that we are competing with big companies and big names at the Oscars, with big budgets for advertising their nominees.
But to win would be incredible, in these dark times we want to give at least one small piece of joy to the country, which has been fighting for freedom and the happiness of being free for so long.
And with this in mind, I will go to the ceremony and hope for the best. I will take two things with me: my father’s broken watch – he died when I was 13 years old – and a brooch in the colours of the Ukrainian flag.
And no, I will not disable the air raid alert app on my phone if there is a notification about it from Ukraine, because to me, the Oscars is one more platform to remind the world about the war.
You can watch the Academy Awards on Sunday 12 March from 11pm exclusively on Sky News and Sky Showcase.And for everything you need to know ahead of the ceremony, don’t miss our special Backstage podcast, out now, plus look out for our special episode on the winners from Monday morning.
The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.
Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.
The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.
Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.
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Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.
The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.
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The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.
The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.
Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.
Image: Neil Young performing at the New Orleans Jazz & Heritage Festival last May. Pic: Amy Harris/Invision/AP
Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.
They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.
The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.
The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.
2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.
Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.
US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.
The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.
She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.
Image: Sabrina Carpenter performing her second song. Pic: Reuters
Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.
But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.
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The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”
Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”
Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.
Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.
They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.
Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.
What will the trial cover?
Clarke is suing GNM for libel, sometimes also referred to as defamation.
It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.
Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.
He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.
“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”
The Guardian is defending the claim on the basis of truth and public interest.
It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.
“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”
The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.
The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.
His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.
Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.
The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.
Image: In July 2015. Pic: PA
What has happened since the articles were published?
A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.
However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.
His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.
ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.
The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.
Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.
He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.
Image: At the UK premiere of Kidulthood in London’s Leicester Square in 2006. Pic: PA
‘Rising star’
Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.
Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.
He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.
It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.