A new champagne carpet, loads of newbies, a crisis team, and (organisers hope) no slaps this year – it’s time for the 2023 Academy Awards!
While the Oscarsis of course about celebrating the best films and performances of the year, there’s also a lot more to look out for than just the winners.
The “insane” – as described by star Michelle Yeoh–multiverse adventure Everything Everywhere All At Once leads the nominations, with 11 nods, closely followed by dark comedy The Banshees Of Inisherinand German anti-war epic All Quiet On The Western Front, which each have nine.
Here is everything you need to know about this year’s ceremony – which you can watch on Sky News – taking place at the Dolby Theatre at Ovation Hollywood on Sunday evening, into Monday morning UK time.
Don’t worry – the host has assured ‘no blood will be shed’
Normally this would be a strange thing for an Oscars host to confirm, but after last year’s events perhaps you never can tell.
US comedian Jimmy Kimmel is returning to helm the ceremony for the third time – and this year, organisers have swapped the traditional red carpet for a champagne hue. Let’s hope they don’t have any kids, pets, snacks or nominees who have walked to the ceremony.
Speaking as the carpet was officially rolled out, Kimmel joked that it had been picked up for “a very good price downtown”.
Referencing Will Smith‘s infamous slap at the 2022 show, he continued: “People have been asking, ‘Is there going to be any trouble this year? Is there going to be any violence this year?’ and we certainly hope not. I think the decision to go with a champagne carpet rather than a red carpet shows how confident we are that no blood will be shed.”
Advertisement
Celeb bingo
Image: Pic: Barbara Munker/picture-alliance/dpa/AP Ima
First things first: the red – sorry – champagne carpet. As well as the nominees (we’ll come to them later) you can expect loads of other A-listers who will be presenting gongs on the night.
Look out for Halle Berry, Cara Delevingne, Harrison Ford, Kate Hudson, Pedro Pascal, John Travolta, Mindy Kaling, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Paul Dano, Elizabeth Olsen, Riz Ahmed, Halle Bailey, Antonio Banderas and Elizabeth Banks.
Plus, the Academy has also confirmed attendees including Emily Blunt, Jessica Chastain, John Cho, Glenn Close, Jennifer Connelly, Ariana DeBose, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Samuel L Jackson, Dwayne “The Rock” Johnson, Michael B Jordan, Nicole Kidman, Troy Kotsur, Jonathan Majors, Melissa McCarthy, Janelle Monae, Deepika Padukone, Florence Pugh, Questlove, Zoe Saldana, Sigourney Weaver and Donnie Yen.
Plus, there will be even more partying away at the Vanity Fair after-party.
First-timers, Irish success and a record-breaker
Image: Michelle Yeoh in Everything Everywhere All At Once. Pic: A24
The acting nominees this year are:
• Colin Farrell, Bill Nighy, Paul Mescal, Austin Butler and Brendan Fraser – best actor • Cate Blanchett, Ana de Armas, Andrea Riseborough, Michelle Williams, Michelle Yeoh – best actress • Brendan Gleeson, Brian Tyree Henry, Judd Hirsch, Barry Keoghan, Ke Huy Quan – best supporting actor • Angela Bassett, Hong Chau, Kerry Condon, Jamie Lee Curtis, Stephanie Hsu – best supporting actress
A whopping 16 of these 20 slots have gone to first-timers, including, perhaps surprisingly given they are industry icons, Curtis, Yeoh and Nighy. Who has been nominated before? That would be Blanchett (this is her fifth best actress nod, plus she has three for best supporting actress, too, and one win in each category); Williams (three best actress nods in total, two for supporting, but is yet to win); Bassett (one previous best actress nod) and Hirsch – who breaks the record for the longest gap between acting nominations.
The actor, who stars in The Fabelmans, was last nominated in 1980 for Ordinary People, some 41 years and 341 days before his latest nod. According to Guinness World Records, the record was previously held by Henry Fonda, who had a gap of 41 years and one day between his best actor nominations in 1941 (for The Grapes Of Wrath) and 1982 (On Golden Pond).
Image: Colin Farrell is one of four stars of The Banshees Of Inisherin to be nominated – although, sadly, there’s no nod for the donkey. Pic: Jonathan Hession/Searchlight Pictures via AP
It’s a stellar year for Irish actors, thanks mainly to The Banshees Of Inisherin, which sees all four of its main stars – Farrell, Gleeson, Condon and Keoghan – nominated, alongside Mescal for his performance in Aftersun. Only two of this year’s acting nominees are British, though – Nighy, for Living, and Riseborough, for To Leslie – the lowest number in a decade.
Asian actors have also made history, with Everything Everywhere stars Yeoh, Quan and Hsu nominated alongside The Whale’s Chau, and this year marks the first time two Asian women have ever been up for best supporting actress.
The Banshees Of Inisherin and Everything Everywhere account for eight of the 20 nominations – the first time this has happened in 45 years – and less than half (nine) of the stars nominated are from the US.
Should Bassett win in her category, it will be a first acting gong for a Marvel film, and at the start of awards season she seemed to be a favourite. However, as other stars such as Condon (BAFTAs) and Curtis (SAG) have picked up the award at other ceremonies, this category is definitely not a dead cert.
Meanwhile, Riseborough’s nod for the small-budget indie film To Leslie ruffled some feathers due to concerns raised over campaigning.
Image: Pics: Netflix/ Disney/ Searchlight/ Warner Bros/ A24/ Universal/ Focus/ Paramount/ Neon/ Orion-United Artists via AP
The films nominated for best picture are: All Quiet On The Western Front, Avatar: The Way of Water, The Banshees Of Inisherin, Elvis, Everything Everywhere All At Once, The Fabelmans, Tar, Top Gun: Maverick, Triangle Of Sadness and Women Talking.
Everything Everywhere is the bookies’ favourite to win, followed by The Banshees Of Inisherin and All Quiet On The Western Front.
It is a year for blockbuster sequels, with two in the running for best picture – Top Gun: Maverick and Avatar: The Way Of Water – for the first time ever.
Image: John Williams has worked with Steven Spielberg on numerous blockbusters, including the Indiana Jones films. Pic: Moviestore/Shutterstock
At 90 years old, John Williams, shortlisted for scoring The Fabelmans, is the oldest Oscar nominee ever. This is also his 53rd nomination, making him the most nominated living person (and second ever only to Walt Disney).
Williams’s work on The Fabelmans, a coming-of-age drama based on director Steven Spielberg’s own childhood, marks a 50-year partnership between the pair, which includes films such as ET, Jaws, Indiana Jones, Schindler’s List and Jurassic Park.
Who’s going to win?
Please use Chrome browser for a more accessible video player
0:37
From The Goonies to the Oscars
There are loads of awards ceremonies that take place in the run-up to the Oscars, including the Golden Globes, the BAFTAs, the Critics’ Choice and the SAGs, to name just a few. Some years, you see the same faces on stage over and over again, but not so much in 2023. This year’s awards season has been the most unpredictable for a while, with varying winners at different events, making the Oscars race pretty exciting.
Despite the unpredictability, we’re still predicting, courtesy of Sky News’ Backstage entertainment podcast co-host Claire Gregory – because what she doesn’t know about the Oscars isn’t worth knowing.
Bookies’ favourite Everything Everywhere All At Once is going to win best picture, she says, and she’s tipping one of the film’s stars, Ke Huy Quan, for the best supporting actor gong. Cate Blanchett (Tar), Kerry Condon (The Banshees Of Inisherin) and Brendan Fraser (The Whale) are the other predictions for acting nods, while she’s hoping Steven Spielberg (The Fabelmans) is named best director – but thinks it’ll go to Everything Everywhere’s “the Daniels”.
Image: Note: this is not the actual Oscars crisis team
Sometimes the awards themselves get overshadowed by other events. Yes, we’re back to ‘slapgate’ again, and in recent years we’ve also seen the wrong film announced as best picture, #OscarsSoWhite trending on social media, and a furore about campaigning.
This year the Academy is leaving nothing to chance, setting up a crisis team for the first time, with members to be on hand should anything unexpected happen.
Ms Yang told attendees at the Oscars nominees luncheon in February that she thought changes were necessary following what she described as last year’s “unprecedented event”.
“What happened on stage was wholly unacceptable and the response from the organisation was inadequate,” she said. “We learned from this that the Academy must be fully transparent and accountable in our actions and particularly in times of crisis.”
Image: L-R: Till’s Jalyn Hall and Danielle Deadwyler, whose critically acclaimed performance was expected to be rewarded with an Oscar nod. Pic: Lynsey Weatherspoon/Orion Pictures
Despite the moves that have been made in recent years to improve diversity in the industry and at awards ceremonies, this year’s BAFTAs ceremony featured a list of all-white winners that was anything but, and the Academy has already faced criticism about black actresses Viola Davis (The Woman King) and Danielle Deadwyler (Till) missing out on Oscar nominations.
The Academy has introduced new diversity rules which kick in this year in time for next year’s ceremony – although the president told Sky News that all previous best picture nominees would still qualify under the criteria, which include ensuring a third of the cast is from “an underrepresented group” or that 30% of crew are from diverse racial or ethnic groups.
“It’s finding the right balance,” she told Sky News. “So, we want rules that make sense, that keep people kind of on your toes about it, but not telling people what to make.”
Just a month after performing at the Super Bowl, Rihanna is ticking off another big one with the Oscars following her first nomination. The star will sing Lift Me Up, written for Marvel’s blockbuster sequel Black Panther: Wakanda Forever, which is nominated for best song.
Lady Gaga is also up for the same prize, for Hold My Hand from Top Gun: Maverick, but don’t expect another performance like 2019’s lovey-dovey Shallow duet with Bradley Cooper; sadly, Gaga has filming commitments so is not expected to be there this year.
All three other nominees – Sofia Carson and Diane Warren (Applause, from Tell It Like A Woman), Rahul Sipligunj and Kaala Bhairava (Naatu Naatu from RRR) and David Byrne, Son Lux and Stephanie Hsu (This Is A Life from Everything Everywhere All At Once) – will also perform.
Elsewhere, Lenny Kravitz will deliver the ceremony’s In Memoriam performance.
You can watch the Academy Awards on Sunday 12 March from 11pm in the UK exclusively on Sky News and Sky Showcase. For everything you need to know ahead of the ceremony, don’t miss our special Backstage podcast, available now, plus a winners special episode from Monday morning
A British version of long-running US sketch show Saturday Night Live (SNL) will be coming to Sky next year.
An American pop culture institution, SNL launched the careers of stars including Bill Murray, Tina Fey, Eddie Murphy, Kristen Wiig and Will Ferrell.
Image: Donald Trump on a Mothers Day episode SNL in 1993. Pic: AP
It’s also featured a host of celebrity and political guests, including tech billionaire Elon Musk and Donald Trump when he was a presidential candidate.
SNL celebrated 50 years on air in February.
British comedians will be cast in the UK spin-off, which will be overseen by US producer Lorne Michaels alongside the US version.
Along with his production company Broadway Video, which has made The Tonight Show Starring Jimmy Fallon and 30 Rock, the show will be led by UK production team Universal Television Alternative Studio.
The beginnings of SNL, which started in 1975, was recently made into the 2024 film Saturday Night, featuring Spider-Man star Willem Dafoe and Succession actor Nicholas Braun.
More on Saturday Night Live
Related Topics:
The success of SNL, which airs on NBC in the US, has led to past attempts at international versions of the programme, with a French version Le Saturday Night Live running for just one season in 2017.
Image: OJ Simpson on SNL in 1978 with Gilda Radner (L), and Jane Curtin. Pic: AP
Cecile Frot-Coutaz, chief executive of Sky Studios and chief content officer at Sky, said: “For over 50 years Saturday Night Live has held a unique position in TV and in our collective culture, reflecting and creating the global conversation, all under the masterful comedic guidance of Lorne Michaels.
“The show has discovered and nurtured countless comedy and musical talents over the years and we are thrilled to be partnering with Lorne and the SNL team to bring an all-British version of the show to UK audiences next year – all live from London on Saturday night.”
Saturday Night Live UK will be broadcast on Sky Max and streaming service NOW in 2026.
Details about the UK version’s cast, hosts, and premiere will be announced in the coming months.
The director of hit BBC period drama Wolf Hall says the government “needs to have enough guts to stand up to the bully in the White House” to protect the future of public service broadcasting.
Peter Kosminsky told Sky News’ Breakfast with Anna Jones that calls for a streaming levy to support British high-end TV production was urgently needed to stop the “decimation” of the UK industry.
His comments follow the release of a new report from the Culture, Media and Sport (CMS) committee, calling for the government to improve support measures for the UK’s high-quality drama sector while safeguarding the creation of distinctly British content.
Specifically, the report calls for streamers – including Netflix, Amazon, Apple TV+ and Disney+, all of which are based in the US – to commit to paying 5% of their UK subscriber revenue into a cultural fund to help finance drama with a specific interest to British audiences.
He said he feared they would make the government reticent to introduce a streaming levy, but said it was a necessary step to “defend a hundred years of honourable tradition of public service broadcasting in this country and not see it go to the wall because [the government are] frightened of the consequences from the bully in the States”.
Image: The second series of Wolf Hall, starring Mark Rylance (L) and Damian Lewis, nearly didn’t happen. Pic: BBC
Kosminsky also noted that the streamers would be able to apply for money from the fund themselves, as long as they were in co-production with a UK public service broadcaster.
More on Donald Trump
Related Topics:
Earlier this year, a White House memorandum referenced levies on US streaming services, calling them “one-sided, anti-competitive policies” that “violate American sovereignty”.
In response to the call for streaming levies, a Netflix spokesperson said such a move would “penalise audiences” and “diminish competitiveness”.
They added: “The UK is Netflix’s biggest production hub outside of North America – and we want it to stay that way.”
The Association for Commercial Broadcasters and On-Demand Services (COBA) said such a levy “risks damaging UK growth and the global success story of the UK TV sector,” and “would risk dampening streamers’ existing investment in domestic content and would inevitably increase costs for businesses”.
Image: Pic: BBC
COBA said it welcomed the committee’s support for targeted tax breaks for domestic drama.
Kosminsky also told Sky News the second series of Wolf Hall was nearly called off just six weeks before it was due to start shooting due to financial pressures, adding: “It was only because the producer, the director, writer and the leading actor all agreed to take huge cuts in their own remuneration that the show actually got made.”
He said that both he and the show’s executive producer, Sir Colin Callender, had “worked on the show unpaid for 11 years on the basis that we would get a payment when the show went into production”, calling it “a bitter blow” to see that disappear.
Working in public service broadcasting for his entire career, Kosminsky said it was “absolutely heartbreaking for me and others like me to see that the industry we have been nurtured by and we care about is being decimated”.
While he said he was a “huge fan of the streamers”, he said it was their “very deep pockets” that had “driven up the price of what we do”, to the point where the traditional broadcasters can no longer afford to make high-end television.
Image: Adolescence. Pic: Netflix
Just this week, Adolescence, created by British talent Jack Thorne and Stephen Graham, became the fourth most popular English-language series in Netflix’s history with 114 million views.
But while some very British shows might get taken on by the streamers due to universal appeal, Kosminsky said dramas including ITV’s Mr Bates Vs The Post Office and Hillsborough, and BBC drama Three Girls about the grooming of young girls by gangs in the north of England were examples of game-changing productions that could be lost in the future.
He warned: “These are not dramas that the streamers would ever make, they’re about free speech in this country. That’s part of what we think of as a democratic society, where we can make these dramas and programmes that challenge on issues of public policy that would never be of any interest in America.”
Image: Mr Bates vs the Post Office. Pic: ITV/Shutterstock
The CMS report comes following an inquiry into British film and high-end television, which considered how domestic and inward investment production was being affected by the rise of streaming platforms.
Chairwoman of the CMS committee, Dame Caroline Dinenage, said “there will be countless distinctly British stories that never make it to our screens” unless the government intervenes to “rebalance the playing field” between streamers and public service broadcasters (PSBs).
A DCMS spokesperson said: “We acknowledge the challenges facing our brilliant film and TV industry and are working with it through our Industrial Strategy to consider what more needs to be done to unlock growth and develop the skills pipeline. We thank the committee for its report which we will respond to in due course.”
A deal for a new Universal theme park in Bedfordshire has been confirmed, which Rachel Reeves says will bring “billions” to the economy and create thousands of jobs.
It will be the first Universal-branded theme park and resort in Europe and is set to open in 2031, when it is expected to become the UK’s most popular visitor attraction.
The government said it will bring an estimated £50bn into the British economy and will create about 28,000 jobs – nearly 20,000 during the construction phase, and 8,000 more in hospitality and the creative industries when it opens.
A 500-room hotel and a retail and entertainment complex is planned alongside the theme park, which will be built on a former brickworks.
Universal, which is owned by Sky News’ US parent company Comcast, expects the 476-acre site just south of Bedford to generate nearly £50bn for the economy by 2055, with 8.5m visitors in its first year.
The plan remains subject to a formal planning decision process from the Ministry of Housing, Communities and Local Government.
Universal has committed to working with local colleges and universities to train students for hospitality jobs.
Image: There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP
Among some of the famous Universal films are Wicked, Minions, Oppenheimer, Bridget Jones, Fast and the Furious, and Jurassic World.
There are five Universal theme parks already: Orlando in Florida, Hollywood, Japan, Beijing, and Singapore.
Image: The new Universal theme park will be just south of Bedford
Speaking to Wilfred Frost on Sky News Breakfast, Culture Secretary Lisa Nandy said the deal was “huge”.
“This is not just about numbers on the spreadsheet,” she said.
“This is about good jobs. It’s about growth. It’s about raising people’s living standards and putting money in people’s pockets. And it’s a massive vote of confidence in the United Kingdom.”
Welcoming the timing of the announcement, Ms Nandy added: “This deal comes off the back of one of the most tumultuous few weeks in global markets that I think anyone can remember within living memory.”
She said the fact that the government had been able to show it kept a “cool head” and “we don’t take knee-jerk decisions in response to global events” was one of the reasons it was able to announce the deal.
Image: The proposals to transform the site, a former brickworks, remain subject to a formal planning decision process
The government has said about 80% of employees at the theme park are expected to come from local areas, and it will support the “Oxford-Cambridge corridor” revived by the chancellor in January after the Conservatives scrapped plans for an Abingdon-Milton Keynes train link in 2021.
Please use Chrome browser for a more accessible video player
0:56
Chancellor responds to tariffs: ‘We’ve got your backs’
It will also commit to a “major investment” in infrastructure around the Universal site to ensure it is well-connected and easily accessible.
The announcement comes days after the government approved an expansion of nearby Luton Airport.
Mike Cavanagh, President of Comcast Corporation, said: “We could not be more excited to take this very important step in our plan to create and deliver an incredible Universal theme park and resort in the heart of the United Kingdom, which complements our growing US-based parks business by expanding our global footprint to Europe.
“We appreciate the leadership and support of Prime Minister Keir Starmer, Chancellor Rachel Reeves, Minister for Investment Poppy Gustafsson, Culture Secretary Lisa Nandy and their teams, as we work together to create and deliver a fantastic new landmark destination.”