A new champagne carpet, loads of newbies, a crisis team, and (organisers hope) no slaps this year – it’s time for the 2023 Academy Awards!
While the Oscarsis of course about celebrating the best films and performances of the year, there’s also a lot more to look out for than just the winners.
The “insane” – as described by star Michelle Yeoh–multiverse adventure Everything Everywhere All At Once leads the nominations, with 11 nods, closely followed by dark comedy The Banshees Of Inisherinand German anti-war epic All Quiet On The Western Front, which each have nine.
Here is everything you need to know about this year’s ceremony – which you can watch on Sky News – taking place at the Dolby Theatre at Ovation Hollywood on Sunday evening, into Monday morning UK time.
Don’t worry – the host has assured ‘no blood will be shed’
Normally this would be a strange thing for an Oscars host to confirm, but after last year’s events perhaps you never can tell.
US comedian Jimmy Kimmel is returning to helm the ceremony for the third time – and this year, organisers have swapped the traditional red carpet for a champagne hue. Let’s hope they don’t have any kids, pets, snacks or nominees who have walked to the ceremony.
Speaking as the carpet was officially rolled out, Kimmel joked that it had been picked up for “a very good price downtown”.
Referencing Will Smith‘s infamous slap at the 2022 show, he continued: “People have been asking, ‘Is there going to be any trouble this year? Is there going to be any violence this year?’ and we certainly hope not. I think the decision to go with a champagne carpet rather than a red carpet shows how confident we are that no blood will be shed.”
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Image: Pic: Barbara Munker/picture-alliance/dpa/AP Ima
First things first: the red – sorry – champagne carpet. As well as the nominees (we’ll come to them later) you can expect loads of other A-listers who will be presenting gongs on the night.
Look out for Halle Berry, Cara Delevingne, Harrison Ford, Kate Hudson, Pedro Pascal, John Travolta, Mindy Kaling, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Paul Dano, Elizabeth Olsen, Riz Ahmed, Halle Bailey, Antonio Banderas and Elizabeth Banks.
Plus, the Academy has also confirmed attendees including Emily Blunt, Jessica Chastain, John Cho, Glenn Close, Jennifer Connelly, Ariana DeBose, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Samuel L Jackson, Dwayne “The Rock” Johnson, Michael B Jordan, Nicole Kidman, Troy Kotsur, Jonathan Majors, Melissa McCarthy, Janelle Monae, Deepika Padukone, Florence Pugh, Questlove, Zoe Saldana, Sigourney Weaver and Donnie Yen.
Plus, there will be even more partying away at the Vanity Fair after-party.
First-timers, Irish success and a record-breaker
Image: Michelle Yeoh in Everything Everywhere All At Once. Pic: A24
The acting nominees this year are:
• Colin Farrell, Bill Nighy, Paul Mescal, Austin Butler and Brendan Fraser – best actor • Cate Blanchett, Ana de Armas, Andrea Riseborough, Michelle Williams, Michelle Yeoh – best actress • Brendan Gleeson, Brian Tyree Henry, Judd Hirsch, Barry Keoghan, Ke Huy Quan – best supporting actor • Angela Bassett, Hong Chau, Kerry Condon, Jamie Lee Curtis, Stephanie Hsu – best supporting actress
A whopping 16 of these 20 slots have gone to first-timers, including, perhaps surprisingly given they are industry icons, Curtis, Yeoh and Nighy. Who has been nominated before? That would be Blanchett (this is her fifth best actress nod, plus she has three for best supporting actress, too, and one win in each category); Williams (three best actress nods in total, two for supporting, but is yet to win); Bassett (one previous best actress nod) and Hirsch – who breaks the record for the longest gap between acting nominations.
The actor, who stars in The Fabelmans, was last nominated in 1980 for Ordinary People, some 41 years and 341 days before his latest nod. According to Guinness World Records, the record was previously held by Henry Fonda, who had a gap of 41 years and one day between his best actor nominations in 1941 (for The Grapes Of Wrath) and 1982 (On Golden Pond).
Image: Colin Farrell is one of four stars of The Banshees Of Inisherin to be nominated – although, sadly, there’s no nod for the donkey. Pic: Jonathan Hession/Searchlight Pictures via AP
It’s a stellar year for Irish actors, thanks mainly to The Banshees Of Inisherin, which sees all four of its main stars – Farrell, Gleeson, Condon and Keoghan – nominated, alongside Mescal for his performance in Aftersun. Only two of this year’s acting nominees are British, though – Nighy, for Living, and Riseborough, for To Leslie – the lowest number in a decade.
Asian actors have also made history, with Everything Everywhere stars Yeoh, Quan and Hsu nominated alongside The Whale’s Chau, and this year marks the first time two Asian women have ever been up for best supporting actress.
The Banshees Of Inisherin and Everything Everywhere account for eight of the 20 nominations – the first time this has happened in 45 years – and less than half (nine) of the stars nominated are from the US.
Should Bassett win in her category, it will be a first acting gong for a Marvel film, and at the start of awards season she seemed to be a favourite. However, as other stars such as Condon (BAFTAs) and Curtis (SAG) have picked up the award at other ceremonies, this category is definitely not a dead cert.
Meanwhile, Riseborough’s nod for the small-budget indie film To Leslie ruffled some feathers due to concerns raised over campaigning.
Image: Pics: Netflix/ Disney/ Searchlight/ Warner Bros/ A24/ Universal/ Focus/ Paramount/ Neon/ Orion-United Artists via AP
The films nominated for best picture are: All Quiet On The Western Front, Avatar: The Way of Water, The Banshees Of Inisherin, Elvis, Everything Everywhere All At Once, The Fabelmans, Tar, Top Gun: Maverick, Triangle Of Sadness and Women Talking.
Everything Everywhere is the bookies’ favourite to win, followed by The Banshees Of Inisherin and All Quiet On The Western Front.
It is a year for blockbuster sequels, with two in the running for best picture – Top Gun: Maverick and Avatar: The Way Of Water – for the first time ever.
Image: John Williams has worked with Steven Spielberg on numerous blockbusters, including the Indiana Jones films. Pic: Moviestore/Shutterstock
At 90 years old, John Williams, shortlisted for scoring The Fabelmans, is the oldest Oscar nominee ever. This is also his 53rd nomination, making him the most nominated living person (and second ever only to Walt Disney).
Williams’s work on The Fabelmans, a coming-of-age drama based on director Steven Spielberg’s own childhood, marks a 50-year partnership between the pair, which includes films such as ET, Jaws, Indiana Jones, Schindler’s List and Jurassic Park.
Who’s going to win?
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From The Goonies to the Oscars
There are loads of awards ceremonies that take place in the run-up to the Oscars, including the Golden Globes, the BAFTAs, the Critics’ Choice and the SAGs, to name just a few. Some years, you see the same faces on stage over and over again, but not so much in 2023. This year’s awards season has been the most unpredictable for a while, with varying winners at different events, making the Oscars race pretty exciting.
Despite the unpredictability, we’re still predicting, courtesy of Sky News’ Backstage entertainment podcast co-host Claire Gregory – because what she doesn’t know about the Oscars isn’t worth knowing.
Bookies’ favourite Everything Everywhere All At Once is going to win best picture, she says, and she’s tipping one of the film’s stars, Ke Huy Quan, for the best supporting actor gong. Cate Blanchett (Tar), Kerry Condon (The Banshees Of Inisherin) and Brendan Fraser (The Whale) are the other predictions for acting nods, while she’s hoping Steven Spielberg (The Fabelmans) is named best director – but thinks it’ll go to Everything Everywhere’s “the Daniels”.
Image: Note: this is not the actual Oscars crisis team
Sometimes the awards themselves get overshadowed by other events. Yes, we’re back to ‘slapgate’ again, and in recent years we’ve also seen the wrong film announced as best picture, #OscarsSoWhite trending on social media, and a furore about campaigning.
This year the Academy is leaving nothing to chance, setting up a crisis team for the first time, with members to be on hand should anything unexpected happen.
Ms Yang told attendees at the Oscars nominees luncheon in February that she thought changes were necessary following what she described as last year’s “unprecedented event”.
“What happened on stage was wholly unacceptable and the response from the organisation was inadequate,” she said. “We learned from this that the Academy must be fully transparent and accountable in our actions and particularly in times of crisis.”
Image: L-R: Till’s Jalyn Hall and Danielle Deadwyler, whose critically acclaimed performance was expected to be rewarded with an Oscar nod. Pic: Lynsey Weatherspoon/Orion Pictures
Despite the moves that have been made in recent years to improve diversity in the industry and at awards ceremonies, this year’s BAFTAs ceremony featured a list of all-white winners that was anything but, and the Academy has already faced criticism about black actresses Viola Davis (The Woman King) and Danielle Deadwyler (Till) missing out on Oscar nominations.
The Academy has introduced new diversity rules which kick in this year in time for next year’s ceremony – although the president told Sky News that all previous best picture nominees would still qualify under the criteria, which include ensuring a third of the cast is from “an underrepresented group” or that 30% of crew are from diverse racial or ethnic groups.
“It’s finding the right balance,” she told Sky News. “So, we want rules that make sense, that keep people kind of on your toes about it, but not telling people what to make.”
Just a month after performing at the Super Bowl, Rihanna is ticking off another big one with the Oscars following her first nomination. The star will sing Lift Me Up, written for Marvel’s blockbuster sequel Black Panther: Wakanda Forever, which is nominated for best song.
Lady Gaga is also up for the same prize, for Hold My Hand from Top Gun: Maverick, but don’t expect another performance like 2019’s lovey-dovey Shallow duet with Bradley Cooper; sadly, Gaga has filming commitments so is not expected to be there this year.
All three other nominees – Sofia Carson and Diane Warren (Applause, from Tell It Like A Woman), Rahul Sipligunj and Kaala Bhairava (Naatu Naatu from RRR) and David Byrne, Son Lux and Stephanie Hsu (This Is A Life from Everything Everywhere All At Once) – will also perform.
Elsewhere, Lenny Kravitz will deliver the ceremony’s In Memoriam performance.
You can watch the Academy Awards on Sunday 12 March from 11pm in the UK exclusively on Sky News and Sky Showcase. For everything you need to know ahead of the ceremony, don’t miss our special Backstage podcast, available now, plus a winners special episode from Monday morning
Clodagh Rodgers, a singer best known for representing the UK at the 16th Eurovision Song Contest, has died aged 78.
The Northern Irish singer was described as “the rock of this family” by her son Sam, who said she died on Friday 18 April.
Sam Sorbie wrote: “With a heavy heart, my dear beautiful mum Clodagh has sadly passed away after battling an illness for the last three years. She passed away peacefully yesterday, surrounded by her family in Cobham.
“Mum has lived an incredible life, full of love and happiness. Her fantastic career performing, travelling the world, devoting her life to her two sons and being the rock of this family.
“Life will not be the same without Mum, but she will finally be at peace now with dad, nanny and pappa. We all love and miss her terribly.”
A regular face on the TV in the 1970s and 1980s, Rodgers performed Jack In The Box at the 1971 Eurovision Song Contest in Dublin, finishing in fourth place behind Germany, Spain and the winners, Monaco.
Jack In The Box went on to reach number four in the UK singles chart, and although she entered the charts later that year with Lady Love Bug, the Eurovision track remained her biggest hit.
Rodgers began singing as a youngster and got her first record deal aged just 15.
Image: Rodgers performing at the 16th Eurovision. Pic: BBC
She went on to appear on primetime shows including The Morecombe And Wise Show, The Two Ronnies, Top Of The Pops, Bruce Forsyth & The Generation Game and The Val Doonican Show.
She was chosen as the face of Bisto gravy in the 70s, following her Eurovision hit.
Image: (L-R) Rodgers with Ronnie Corbett in 1971, when they starred in Cinderella. Pic: AP
A talented live performer, she also starred in her own West End show Talk Of The Town, and West End musical hit Blood Brothers, as well as numerous variety shows and the pantomime Cinderella, co-starring comedian Ronnie Corbett.
Rodgers released six albums, five compilation records and numerous singles across her six-decade career. She insured her voice for £1m.
In 2001 she appeared as a recurring character in police drama The Bill.
Married twice, Rodgers leaves behind her two sons, Sam and Matt.
Hip hop mogul Sean “Diddy” Combs has lost a bid to delay his upcoming sex-trafficking trial by two months.
US district judge Arun Subramanian said the 55-year-old rapper made his request too close to his trial, which is due to start next month.
Jury selection is currently scheduled for 5 May with opening statements set to be heard seven days later.
Combs has pleaded not guilty to five criminal counts including racketeering and sex trafficking.
Prosecutors with the Manhattan US attorney’s office accuse Combs of using his business empire to sexually abuse women between 2004 and 2024.
Combs’s lawyers say the sexual activity described by prosecutors was consensual.
In a court filing on Wednesday, Combs’s lawyer Marc Agnifilo asked Mr Subramanian to delay the trial because he needed more time to prepare his defence to two new charges which were brought on 4 April.
The charges were of sex trafficking and transportation to engage in prostitution.
Mr Agnifilo also said his team needs extra time to review emails it wants an alleged victim to turn over.
The new allegations brought the total number of criminal charges against the rap mogul to five – following the three original counts, which also included racketeering conspiracy, filed in September.
Federal prosecutors were opposed to any delay, writing in a Thursday court filing that the additional charges brought earlier this month did not amount to substantially new conduct.
They also said Combs was not entitled to the alleged victim’s communications.
Image: A sketch of Combs during one of his court appearances. Pic: Reuters
Meanwhile, Mr Subramanian is weighing other evidentiary issues, such as whether to allow alleged victims to testify under pseudonyms.
Also known during his career as Puff Daddy and P Diddy, Combs founded Bad Boy Records and is credited with helping turn rappers and R&B singers such as Notorious B.I.G, Mary J. Blige, Faith Evans and Usher into stars in the 1990s and 2000s.
But prosecutors have said his success concealed a dark side.
They say his alleged abuse included having women take part in recorded sexual performances called “freak-offs” with male sex workers, who were sometimes transported across state lines.
Combs has been in jail in Brooklyn since September, having been denied bail.
He also faces dozens of civil lawsuits by women and men who have accused him of sexual abuse.
Combs has strenuously denied all allegations of wrongdoing.
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
Image: (L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
Image: The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
Image: D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”