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The daughter of a man allegedly struck in the back by Gwyneth Paltrow in a ‘hit-and-run’ ski crash has told a US court he is now “in a really negative place” after the incident.

Polly Sanderson-Grasham said before the 2016 collision Terry Sanderson was a “fun-loving, gregarious” man, a “goer” and a “real positive influence”, as well as an experienced skier.

But she told jurors her father’s now “easily frustrated… gets agitated, angry” and “he’s got a pretty short fuse”.

She also said she didn’t have a memory of him being an angry person before.

Terry Sanderson in court. Pic: AP
Image:
Terry Sanderson. Pic: AP

“I think he’s just a little more cautious, not as confident – he’s in a really negative place and that’s hard for me as his daughter,” she explained.

Retired optometrist Mr Sanderson, 76, is suing the Hollywood star for $300,000 (£244,000), claiming she was “out of control” and struck the fellow skier, causing him to suffer a brain injury, four broken ribs and other serious injuries.

Jurors heard the incident in Utah seven years ago “completely changed his life”, with injuries likely to be “long-standing”.

Paltrow, 50, is accused of leaving the scene without saying a word after the collision at the Deer Valley Resort on 26 February 2016.

The Shakespeare in Love star denies Mr Sanderson’s claims and alleges it was he who crashed into her. She is counter-suing him for $1.

Polly Sanderson-Grasham in court. Pic: AP
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Polly Sanderson-Grasham in court. Pic: AP
Polly Sanderson-Grasham. Pic: AP
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Pic: AP

‘Slap in the face’

Ms Sanderson-Grasham told the court in Park City, Utah, that at his granddaughter’s graduation about three months after the crash, seeing the state of him was like “a slap in the face”.

She said: “I felt like ‘wow’. There was a moment when I almost expected drool to come out of his mouth.

“He wasn’t engaged with anyone… that was my first slap in the face that something is terribly wrong.”

He could now not “see the forest for the trees” and got stuck “in the minutiae” of things, according to Ms Sanderson-Grasham.

She later became emotional, telling the court: “I hope that he moves on. I hope that we’re able to put this very strange chapter behind us.

“We have a lot of healing to do.”

Earlier, the court was told Mr Sanderson “pretty much” lost his love of life after the crash.

Gwyneth Paltrow sits in court. Pic: AP
Image:
Pic: AP

‘It was affecting his personal life, his relationships’

On the third day of proceedings, neuropsychologist Dr Alina Fong gave video evidence, saying when she first met Mr Sanderson in 2017, he presented “a myriad” of symptoms which indicated having suffered a concussion.

She said: “According to Terry’s report, these were quite significantly affecting his life. It was affecting his personal life, his relationships.

“It affected him on so many levels, especially for someone who was used to loving life… by the time he came to me that was pretty much gone.”

Her words echoed those of fellow neuropsychologist Dr Sam Goldstein, who on Wednesday said the 2016 incident caused an “acute rapid downturn” in Mr Sanderson’s behaviour and functioning that had not stemmed from pre-existing medical issues.

“Were it not for that particular accident, the life he was living (prior)… would be the life he would still be living,” Dr Goldstein said.

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Radiologist doubts ‘plausibility’ of Paltrow story

Dr Fong challenged the opinions of other medical experts employed by Ms Paltrow’s defence, adding: “This has completely changed his life physically, emotionally, biologically – and he has been affected in all those domains.”

She said there was no evidence “whatsoever” that Mr Sanderson was “faking” his injuries and he had been “an ideal patient”.

Read more:
Day one’s evidence
Day two’s evidence

On ski slopes, Utah law gives the skier who is downhill the right of way, and a central question in the case is who was farther down the run when the collision happened.

Both Paltrow and Mr Sanderson claim they were further downhill when the other rammed into them, causing their skis to intertwine and the pair to tumble.

The case continues.

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Taylor Swift announces 12th studio album

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Taylor Swift announces 12th studio album

Taylor Swift has announced her 12th studio album during an appearance on her boyfriend Travis Kelce’s podcast.

The pop megastar, appearing on New Heights, did not say when the record, titled The Life Of A Showgirl, will be released.

Fans can pre-order the album in various formats now and Swift’s website says physical copies will be shipped by 13 October.

Pic: New Heights
Image:
Pic: New Heights

On Monday, Taylor Nation – an official branch of the singer’s marketing team – teased the release on TikTok with a slideshow of 12 images alongside the caption: “Thinking about when she said ‘See you next era…'”

Swift is seen wearing orange in every picture.

A special limited vinyl edition of the album will be released in “Portofino orange glitter”, according to a pre-order page on her site. A special cassette edition is also available for pre-order.

Taylor Swift's website features The Life of a Showgirl pre-order options. Pic: Reuters
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Taylor Swift’s website features The Life of a Showgirl pre-order options. Pic: Reuters

A brief clip from the New Heights podcast, hosted by Swift’s NFL star boyfriend, Travis Kelce and his brother Jason, a former NFL player, was posted on Instagram early on Tuesday.

The video showed Swift pulling a copy of the album from a briefcase with the cover blurred.

The full podcast episode will be released at 11pm on Tuesday, UK time.

Swift is living up to her reputation as pop’s hardest-working star


Gemma Peplow

Gemma Peplow

Culture and entertainment reporter

@gemmapeplow

You might think that after pulling off the highest-grossing tour in history, all while writing and releasing an unexpected record-breaking double album at the same time, Taylor Swift would be happy to take a little break.

But no. The singer-songwriter has announced her 12th album, her sixth in six years.

Since her self-titled debut in 2006, the longest period Swifties have had to wait is just three years, between 2014’s 1989 and 2017’s Reputation; the period in which the star took time out following her public feud with Kim Kardashian and Kanye West.

Over the past few years, Swift has also re-recorded and re-released four of her early albums in a (now resolved) battle over the rights to her master recordings.

With the new announcement, she’s living up to her reputation as the hardest-working star in pop.

Album number 12 is titled The Life Of A Showgirl, hinting at inspiration drawn from spending the best part of two years on the road – and perhaps a return to pop after embracing folk and her more gothic side.

Fans are now eagerly waiting to find out what Swift’s new era will bring.

New Heights had previously teased Swift’s appearance by posting an orange image on social media with a mysterious silhouette, which many correctly identified as the pop star.

The Life Of A Showgirl follows Swift’s The Tortured Poets Department, released last year during her record-breaking Eras tour, which generated more than $2.2bn (£1.6bn) across two years and five continents, making it the highest-grossing tour of all time.

Read more about Taylor Swift:
Swift’s final London show was the ‘best’
The impact of the ‘excruciating’ Era’s tour
Her new chart record

It marks her first release since she took back control over her entire back catalogue from private equity firm Shamrock Capital for an undisclosed amount.

In an effort to regain control over her music in recent years, Swift has been re-recording and releasing her first six albums. The move was prompted by Hybe America CEO Scooter Braun’s purchase and sale of her early catalogue.

Some of the ‘Taylor’s Version’ releases have included new songs as well as Easter eggs and visuals to offer a deeper understanding of her work.

The four re-recorded albums released so far have been massive commercial and cultural successes, each one entering the Billboard 200 US album chart at number one, helping her become the woman with the most number one albums in history.

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Harry and Meghan extend Netflix partnership – but it’s no longer exclusive

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Harry and Meghan extend Netflix partnership - but it's no longer exclusive

Harry and Meghan have signed a new “multi-year, first-look deal” with Netflix, following the deal they struck with the streaming giant five years ago.

Described by the Sussexes as “extending their creative partnership”, while the news quashes rumours the relationship might not be renewed, it would appear to be a less prestigious deal than their first.

With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix
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With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix

As a “first-look deal” rather than an overall deal, the entertainment giant will be able to say yes or no to their content before anyone else, but they will not be under an obligation to stream it.

Several US outlets have suggested it is a downgrade from the Sussexes’ previous contract, which saw the streaming giant pay for exclusive rights for the content and was thought to be worth more than $100m (£74m).

British PR expert Mark Borkowski described the deal as a “downgrade” and suggested Netflix was “pivoting away” from Harry and Meghan.

Read more: Some call the deal a demotion – but the company still sees them as a power couple

Harry and Meghan set up their media company, Archewell Productions, after quitting as senior working royals in 2020.

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Their partnership with Netflix had promised documentaries, docuseries, feature films, scripted shows and children’s television, but has so far only delivered documentaries and docuseries.

These include Harry & Meghan, a six-part series about their departure from the royal household, which is Netflix’s fifth most popular series of all time, and most recently, the lifestyle show With Love, Meghan, which is the streamer’s most-watched culinary show since its release earlier this year.

Speaking about the new deal, Meghan said: “We’re proud to extend our partnership with Netflix and expand our work together to include the As ever brand.”

As ever is Meghan’s lifestyle brand, launched in 2024, and rebranded this year, selling products including jams, shortbread and wine.

Meghan went on: “My husband and I feel inspired by our partners who work closely with us and our Archewell Productions team to create thoughtful content across genres that resonates globally and celebrates our shared vision.”

(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix
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(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix

Netflix’s chief content officer Bela Bajaria called the Sussexes “influential voices” and said their stories “resonate with audiences everywhere”.

New output includes the second season of With Love Meghan later this month, and a Christmas special in December.

Archewell Productions is also working on a documentary about orphaned children in Uganda’s Masaka region, an area heavily hit by the HIV/AIDS crisis, titled Masaka Kids, A Rhythm Within, and is developing a feature adaptation of the bestselling romantic novel by Carley Fortune, Meet Me At The Lake.

It comes as Harry has cut ties with his Sentebale charity but has said he still intends to do what he can to help young people in Lesotho, Botswana and Southern Africa.

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Some call the Sussexes’ Netflix deal a demotion – but the company still sees them as a power couple

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Some call the Sussexes' Netflix deal a demotion - but the company still sees them as a power couple

While we’re all desperate to know what this new deal is really worth in dollars and pounds, one thing I can tell you for certain is that Prince Harry and Meghan want us to know they’re delighted that Netflix again wanted to get a deal done.

“Absolutely over the moon” is how it was described to me.

But they’ll also be aware of the attention it’ll attract as we all try to pick apart what it means.

Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix
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Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix

Firstly because of that ongoing fascination in how they’re making money since stepping away from royal life and losing financial support from the King, but also because of the recent reports that Netflix were intending to cut ties.

Yes this is a different type of deal from their original one in 2020. Some have argued that a “first look deal” looks like a demotion from what they previously signed up to.

With no real clarity on how much their original deal was worth, and no numbers being publicly thrown around this time, that is hard to judge.

But talking to those who know something about these kinds of deals you do get a sense it could potentially be more lucrative than it looks on face value.

More on Meghan Markle

With first look deals, yes there is often financial commitments from the likes of Netflix to get that first exclusive look at projects and first refusal.

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Harry claims: War of words continues

But there could be other significant monetary incentives for the Sussexes to sign.

For example, when the Obamas signed a first look deal with Netflix, the streaming service agreed to pay the operational costs for their production company “Higher Ground”.

Could it be that Netflix are also now covering the costs of Archewell Productions?

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It’s stating the obvious to say that Harry and Meghan continue to divide opinions, some wanting to watch their programmes from a place of respect and fondness, others as a reason to grumble about them.

But signing on this latest dotted line shows Netflix still sees them as a power couple, who attract significant attention and are worthy of investment, whatever that really adds up to.

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