Toni Collette says her new TV series, which imagines a world where teenage girls suddenly develop the ability to electrocute people at will, is actually addressing issues in our own reality.
The Australian actress plays a politician in The Power, which is based on the hit 2016 novel by Naomi Alderman.
Collette tells Sky News’ film and TV podcast Backstage that the show acts as something of a wake-up call over how young women are treated by society.
Image: Pic: Katie Yu/Prime Video/Amazon Studios
“Historically it’s a bit of an ageist world – along with other ‘ists’ – and people can overlook kids in general, but for young girls, I think they’re particularly overlooked,” she says. “It did feel important, you know, to actually tell a story about inclusivity and equality. It’s a big deal and it’s something we’re really grappling with in our world.
“To see it and identify with it in a slightly removed, entertaining, sci-fi way is probably a cool way to address it and for people to come to it without feeling like it’s dogmatic or didactic.”
While Collette plays Margot Cleary-Lopez, Mayor of Seattle, her co-star John Leguizamo plays her character’s husband, Rob.
The actor, who has had a long and varied career – from Carlito’s Way, Moulin Rouge and the John Wick franchise to acclaimed series such as When They See Us – says it is always gratifying to appear in a show delivering a message.
‘Maybe we need to change’
Image: Pic: Katie Yu/Prime Video/Amazon Studios
“I love being a part of something that I feel is trying to do something important, trying to say something,” he tells Backstage.
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“I love entertainment for entertainment’s sake, but I love more when it has poignancy, when it has relevance to what’s going on politically, socially and this, unfortunately, does speak on those subjects, on what’s happening in America: Roe versus Wade, bans on trans people, bans on black literature and Latin literature in schools in history [classes].
“It speaks of our times, but hopefully it does it in a way that’s entertaining and not preachy, and maybe people can look at themselves and go, maybe we need to change – you hope for that.”
Image: John Leguizamo and Toni Collette at The Power’s New York premiere. Pic: Alyssa Greenberg/Prime Video/Amazon Studios
The Power explores the idea of women becoming the dominant sex. While the idea of teenage girls suddenly developing deadly abilities might sound scary – particularly to men – Collette thinks the idea of them harnessing some power of their own is actually very positive.
“Any change is a little bit daunting, right? Because everyone’s very comfortable in the familiar, and I know that there’s an inherent fear around it because it is very, it can be destructive if used in the wrong way. But actually, I think there’s something so beautiful about these girls, some of them for the first time, having a real sense of safety in themselves, and a sense of agency and sovereignty.
“That just builds confidence and I think there’s something really hopeful about that. That balances out the potentially destructive side of it.”
In the series, Collette’s character finds herself thrust into the limelight when she is among the first to speak out publicly after the teenagers develop their powers. While the woman she plays is politically ambitious, the actress says she has no interest in heading in that direction herself.
“I was petrified doing the fake debate scene, I can’t imagine what it’s like doing it in reality, there’s too much at stake, there’s so much responsibility,” she says. “I really admire – not a lot of politicians who come from a place of ego – but I think Margot is a woman with really good intentions, she really cares about the people she represents and I think she’s the best of her kind.”
Leguizamo agrees Collette’s character represents a certain kind of politician.
“I work around a lot of politicians, so I have respect for the Margot types that really care, really want to make a change,” he says.
“You see great politicians, who care, broken by the system, you know, their ideals crushed right before them – it’s hard to see. That’s why I respect real politicians who want to make a change and make the world a better place, like Margot.”
The Power is streaming on Prime Video – hear our review on the latest episode of Backstage, the film and TV podcast from Sky News
Prunella Scales, best known for her role as Sybil in Fawlty Towers, has died aged 93, her family has said.
Prunella Scales was watching the sitcom the day before she died, her sons Samuel and Joseph West said.
They said in a statement to the PA news agency: “Our darling mother Prunella Scales died peacefully at home in London yesterday.”
Her seven-decade acting career saw her in multiple roles from the 1950s, including in 1960s sitcom Marriage Lines, before featuring as the wife of John Cleese’s character Basil Fawlty, in two series of Fawlty Towers in 1975 and 1979.
Image: Prunella Scales, pictured in 2017, has died at the age of 93. File pic: PA
The family statement added: “She was 93. Although dementia forced her retirement from a remarkable acting career of nearly 70 years, she continued to live at home. She was watching Fawlty Towers the day before she died.
“Pru was married to Timothy West for 61 years. He died in November 2024.
“She is survived by two sons and one stepdaughter, seven grandchildren and four great-grandchildren.
“We would like to thank all those who gave Pru such wonderful care at the end of her life: her last days were comfortable, contented and surrounded by love.”
Image: Prunella Scales was married to fellow actor Timothy West for 61 years before his death in November 2024. Pic: Geoff Pugh/Shutterstock
Prunella Scales was one of the most successful and popular comedy actresses of her generation – achieving worldwide fame and recognition as Sybil, the long-suffering wife of Basil Fawlty in the sitcom Fawlty Towers.
Her performances, alongside John Cleese, are often regarded as arguably some of TV’s funniest comedy moments ever.
The sitcom, set in a hotel in the seaside resort of Torquay, continues to be broadcast. It was developed into a theatre production that moved to London’s West End in 2024.
Image: Prunella Scales (left), pictured here in 1979 as Sybil, alongside John Cleese (back centre) who played Basil Fawlty. Pic: Eugene Adebari/Shutterstock
But although she was regularly cast in comic roles, alongside comedy giants like Richard Briers and Ronnie Barker, her abilities ranged far more widely than that.
‘National treasure’ and ‘British icon’
Jon Petrie, director of comedy at the BBC which broadcast Fawlty Towers, described her as a “national treasure whose brilliance as Sybil Fawlty lit up screens and still makes us laugh today”.
Meanwhile, Corinne Mills, for Alzheimer’s Society, called her a “a true British icon” and praised her for “shining an important light on the UK’s biggest killer”.
Seven-decade acting career
Prunella Margaret Rumney Illingworth, who was born on 22 June 1932, had a seven-decade acting career.
Her career break came with the early 1960s sitcom Marriage Lines, starring opposite Richard Briers. Scales also played Queen Elizabeth II in the British film A Question Of Attribution, and in 1973, Scales teamed up with Ronnie Barker in the series called Seven Of One.
In 2006, she appeared alongside Academy Award winners Vanessa Redgrave and Maximilian Schell in the mini-series The Shell Seekers.
Scales married West in 1963, and had two sons; the elder being the actor and director Samuel West, and a stepdaughter, Juliet.
Image: Prunella Scales, seen with husband Timothy West in 2024, was living with dementia. Pic: PA
Dementia caused her ‘gradual disappearance’
In January 2013, she revealed her short-term memory was fading and a year later her husband confirmed that Scales was living with dementia.
West told Piers Morgan’s Life Stories: “The sad thing is that you just watch the gradual disappearance of the person that you knew and loved and were very close to.
“When we’ve been to a concert, or a play, or a film, there’s nothing very much we can say about it afterwards because Pru will have a fairly hazy memory.”
The couple appeared together in 10 series of the TV series Great Canal Journeys until Scales’ dementia reportedly progressed to the point where they had to stop in 2020.
The pair appeared in several more specials, where they looked back at their travels.
This breaking news story is being updated and more details will be published shortly.
Steve Coogan says he is “proud” of his film about the discovery of Richard III’s remains after he and two production companies agreed to pay “substantial damages” to a university academic.
The Alan Partridge star, his firm Baby Cow, and Pathe Productions have settled a libel claim over how Richard Taylor was portrayed in the 2022 movie The Lost King after he sued them.
Coogan, who co-wrote the screenplay and also starred in the film, said The Lost King was “the story I wanted to tell, and I am happy I did” following the settlement in the High Court on Monday.
The movie tells of how Philippa Langley led the search for the king’s skeleton.
Image: Richard Taylor outside the High Court. Pic: PA
The lost remains of the Plantagenet monarch, who ruled England between June 1483 and August 1485, were discovered in a Leicester car park in August 2012, more than 500 years after his death.
In June last year, Judge Jaron Lewis ruled that the film portrayed Mr Taylor, who was deputy registrar at the University of Leicester at the time of the discovery, as “knowingly misrepresented facts [about the find] to the media and the public”.
Mr Taylor was also shown to be “smug, unduly dismissive and patronising”, which had a defamatory meaning, the judge said.
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The case was due to proceed to trial, but lawyers for Mr Taylor, who is now chief operating officer at Loughborough University, told a hearing at the High Court on Monday that the parties had settled the claim.
Image: Richard III reigned from 1483 to 1485. Pic: PA
Depiction caused serious harm – lawyer
His barrister, William Bennett KC, said Mr Taylor felt “the depiction of him in this untrue way in the film caused serious harm to his professional and personal reputations and caused enormous distress and embarrassment to him”.
“The defendants have now settled Mr Taylor’s claim in the libel against them for the publication of the film by paying him substantial damages.
“Furthermore, they have agreed to make changes to the film in order to withdraw the allegations complained of and to pay him his legal costs.”
The University of Leicester played a “crucial role in providing funds and academic expertise” for the project to find the remains, with Mr Taylor the “key co-ordinator of the university’s involvement”, Mr Bennett said.
Image: A statue of Richard III outside Leicester Cathedral. Pic: Shropshire Matt/PA
On-screen clarification to be added to start of film
Coogan, and the production companies were not represented and did not attend but in a joint statement following the hearing, they said they were “incredibly proud of this film and are pleased this matter has now been settled”.
An on-screen clarification will be added to the start of the film, saying the portrayal of Mr Taylor in the film is “fictional and does not represent the actions of the real Mr Taylor”, who “acted with integrity during the events portrayed”.
In a separate statement, Coogan said Philippa Langley “instigated the search for Richard III. Philippa Langley insisted on the dig in the northern area of the social services car park where the remains were found. Philippa Langley raised the majority of the money for his exhumation”.
“If it wasn’t for Philippa Langley, Richard III would still be lying under a car park in Leicester. It is her name that will be remembered in relation to the discovery of the lost king, long after Richard Taylor has faded into obscurity.
“The only changes to the film will be a front card, which will follow the existing card, which says that this film is a true story, Philippa Langley’s story. That is the story I wanted to tell, and I am happy I did.”
Mr Taylor said that he felt “cross” and “completely helpless” when the film was released, but the outcome represented “success and vindication” after “a long and gruelling battle”.
He said: “There have been moments over the last three years when I thought, when Philippa Langley approached me for the university’s support, I perhaps should have put the request in the bin, but I didn’t, and I think I was right not to do that.”
June Lockhart, who starred in television shows such as Lassie and Lost In Space, has died at the age of 100.
The US actress died of natural causes at her home in Santa Monica, California, on Thursday, according to family spokesman Lyle Gregory.
He said: “She was very happy up until the very end, reading the New York Times and LA Times every day.
“It was very important to her to stay focused on the news of the day.”
Image: (L) June Lockhart, Lassie, and Jon Provost in 1963. Pic: Everett/Shutterstock
For more than 200 episodes between 1958 and 1964, she played the role of Ruth Martin, who raised the orphaned Timmy (Jon Provost) in Lassie – a show about the adventures of a brave and intelligent Rough Collie dog.
And from 1965 to 1968 spanning over 80 episodes, Lockhart was Maureen Robinson, a mother who was part of a marooned family that travelled on the spaceship Jupiter II in Lost In Space.
She was nominated for two Emmys, including best actress in a leading role in a dramatic series for her performance in Lassie in 1959.
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She also received two stars on the Hollywood Walk of Fame, one for motion picture and one for television.
Born in New York City in 1925, she was the daughter of actor Gene Lockhart and actress Kathleen Lockhart.
Image: June Lockhart (second left) with her Lost In Space co-stars. Pic: Moviestore/Shutterstock
Feature film debut
She made her feature film debut aged 13, starring alongside both of her parents in the 1938 production A Christmas Carol, where she played Belinda Cratchit, the daughter of Bob Cratchit.
After her breakout role, she appeared in films such as All This, and Heaven Too, Meet Me in St. Louis, The Yearling, and Sergeant York.
She was also in Son Of Lassie, the 1945 sequel to Lassie, Come Home, playing the grown-up version of the role created by Elizabeth Taylor.
Over almost eight decades on screen, Lockhart appeared in dozens of TV series and movies, including when she was well in her 80s.
Other roles
She had recurring roles on Petticoat Junction, General Hospital, and Beverly Hills 90210, and guest appearances on shows including The Beverly Hillbillies, The Colbys, Knots Landing and Happy Days, as well as Full House, Roseanne and Grey’s Anatomy.
Of her time on Lassie, Lockhart spoke frankly about her canine co-star.
She said: “I worked with four Lassies. There was only one main Lassie at a time. Then there was a dog that did the running, a dog that did the fighting, and a dog that was a stand-in, because only humans can work 14 hours a day without needing a nap.
“Lassie was not especially friendly with anybody. Lassie was wholly concentrated on the trainers.”
Even though she sometimes mocked the show, she conceded: “How wonderful that in a career there is one role for which you are known. Many actors work all their lives and never have one part that is really theirs.”
In Lost In Space, Lockhart was part of a family that left Earth on a five-year flight to a faraway planet.
After their mission was sabotaged by fellow passenger Dr Zachary Smith, the group went from planet to planet, encountering strange creatures and near-disasters where viewers needed to watch the following week to learn of the escape.
Speaking fondly about working on Lost in Space, Lockhart said: “It was like going to work at Disneyland every day.”
She was married and divorced twice: to John Maloney, a physician, father of her daughters Anne Kathleen and June Elizabeth; and architect John C Lindsay.