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Toni Collette says her new TV series, which imagines a world where teenage girls suddenly develop the ability to electrocute people at will, is actually addressing issues in our own reality.

The Australian actress plays a politician in The Power, which is based on the hit 2016 novel by Naomi Alderman.

Collette tells Sky News’ film and TV podcast Backstage that the show acts as something of a wake-up call over how young women are treated by society.

Toni Collette, John Leguizamo and co-stars in The Power. Pic: Katie Yu/Prime Video/Amazon Studios
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Pic: Katie Yu/Prime Video/Amazon Studios

“Historically it’s a bit of an ageist world – along with other ‘ists’ – and people can overlook kids in general, but for young girls, I think they’re particularly overlooked,” she says. “It did feel important, you know, to actually tell a story about inclusivity and equality. It’s a big deal and it’s something we’re really grappling with in our world.

“To see it and identify with it in a slightly removed, entertaining, sci-fi way is probably a cool way to address it and for people to come to it without feeling like it’s dogmatic or didactic.”

While Collette plays Margot Cleary-Lopez, Mayor of Seattle, her co-star John Leguizamo plays her character’s husband, Rob.

The actor, who has had a long and varied career – from Carlito’s Way, Moulin Rouge and the John Wick franchise to acclaimed series such as When They See Us – says it is always gratifying to appear in a show delivering a message.

‘Maybe we need to change’

Toni Collette in The Power. Pic: Katie Yu/Prime Video/Amazon Studios

Copyright: Amazon Studios

Description: Toni Collette as Margot Cleary-Lopez

Filename: Toni_Collette_as_Margot_Cleary-Lopez_POWR_S1_UT_105_220818_YUKATI_00486RC_700.jpg
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Pic: Katie Yu/Prime Video/Amazon Studios

“I love being a part of something that I feel is trying to do something important, trying to say something,” he tells Backstage.

“I love entertainment for entertainment’s sake, but I love more when it has poignancy, when it has relevance to what’s going on politically, socially and this, unfortunately, does speak on those subjects, on what’s happening in America: Roe versus Wade, bans on trans people, bans on black literature and Latin literature in schools in history [classes].

“It speaks of our times, but hopefully it does it in a way that’s entertaining and not preachy, and maybe people can look at themselves and go, maybe we need to change – you hope for that.”

The Power stars John Leguizamo and Toni Collette at The Power New York premiere. Pic: Alyssa Greenberg/Prime Video/Amazon Studios
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John Leguizamo and Toni Collette at The Power’s New York premiere. Pic: Alyssa Greenberg/Prime Video/Amazon Studios

The Power explores the idea of women becoming the dominant sex. While the idea of teenage girls suddenly developing deadly abilities might sound scary – particularly to men – Collette thinks the idea of them harnessing some power of their own is actually very positive.

“Any change is a little bit daunting, right? Because everyone’s very comfortable in the familiar, and I know that there’s an inherent fear around it because it is very, it can be destructive if used in the wrong way. But actually, I think there’s something so beautiful about these girls, some of them for the first time, having a real sense of safety in themselves, and a sense of agency and sovereignty.

“That just builds confidence and I think there’s something really hopeful about that. That balances out the potentially destructive side of it.”

Click to subscribe to Backstage wherever you get your podcasts

Politics in real life?

In the series, Collette’s character finds herself thrust into the limelight when she is among the first to speak out publicly after the teenagers develop their powers. While the woman she plays is politically ambitious, the actress says she has no interest in heading in that direction herself.

“I was petrified doing the fake debate scene, I can’t imagine what it’s like doing it in reality, there’s too much at stake, there’s so much responsibility,” she says. “I really admire – not a lot of politicians who come from a place of ego – but I think Margot is a woman with really good intentions, she really cares about the people she represents and I think she’s the best of her kind.”

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Leguizamo agrees Collette’s character represents a certain kind of politician.

“I work around a lot of politicians, so I have respect for the Margot types that really care, really want to make a change,” he says.

“You see great politicians, who care, broken by the system, you know, their ideals crushed right before them – it’s hard to see. That’s why I respect real politicians who want to make a change and make the world a better place, like Margot.”

The Power is streaming on Prime Video – hear our review on the latest episode of Backstage, the film and TV podcast from Sky News

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Man arrested after death of Gogglebox star George Gilbey is released under investigation

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Man arrested after death of Gogglebox star George Gilbey is released under investigation

A man arrested in connection with the death of Gogglebox star George Gilbey has been released under investigation.

The man, who is in his 40s, was arrested on suspicion of gross negligence manslaughter in connection with Gilbey’s death on Thursday.

The 40-year-old star reportedly died following an accident at work on Wednesday.

Essex Police said: “As part of our ongoing investigation into the death of a man in Campfield Road, Shoebury, on Wednesday 27 March, a man aged in his 40s from the Witham area was arrested on suspicion of gross negligence manslaughter.

“He has now been released under investigation.

“This is a joint investigation with the Health and Safety Executive and our enquiries are ongoing.”

Police previously said they were called to an incident in Shoebury at around 10am on Wednesday after “a man who was working at height had fallen and sustained an injury”.

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Gilbey was best known for appearing on the Channel 4 show alongside his mother Linda McGarry and stepfather Pete McGarry, who died in 2021 aged 71.

George Gilbey. Pic: Shutterstock
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Reality star Gilbey. Pic: Shutterstock

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The family first appeared on the second series of Gogglebox in 2013 but were dropped the following year when the reality star signed up for the 14th series of Celebrity Big Brother in 2014, reaching the final.

Gilbey appeared on the Channel 5 version of the show alongside other famous faces including The Hills star Stephanie Pratt and American actor Gary Busey, who won the series.

The family later returned to Gogglebox and a spokesperson for the award-winning programme said: “George was part of the Gogglebox family for eight series alongside his mum Linda and stepdad Pete.

“Our thoughts and deepest condolences are with Linda and George’s family and friends at this very sad time. The family has asked for privacy.”

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Bill Nighy on style, social media and holy socks: ‘I can’t operate in the wrong kind of trousers’

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Bill Nighy on style, social media and holy socks: 'I can't operate in the wrong kind of trousers'

Bill Nighy is a man of many talents – but he knows his limitations – most specifically in the trouser department.

The 74-year-old actor tells Sky News he has very clear sartorial demands when it comes to his acting rider.

“It’s odd, people used to say: ‘There’s a significant lack of classical work on your CV’. And I would say something like: ‘The reason is, I can’t operate in those kind of trousers,’ which is a joke, but it’s also kind of true.

“If you want me at my best, put me in a decent lounge suit. It’s a stupid thing for an actor to say, but art does reflect life.”

And he’s not afraid to bring his own life quite literally into his films, adding: “If it’s a contemporary film and it’s an independent film and they haven’t got a lot of money, I just say, ‘Come to my flat,’ and I open the wardrobe and they can take out whatever they want for that movie. So, the two things do blend.”

He’s currently starring in underdog sports drama The Beautiful Game, playing a retired football talent scout coaching England’s team in the Homeless World Cup.

Founded in 2001, the real-life international tournament that inspired the movie now involves over 70 countries and has transformed the lives of more than one million homeless people.

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Former Homeless World Cup players – who are no longer homeless – feature in the film, playing team members from other countries, which Nighy calls “a wonderful piece of symmetry”.

He of course wore a suit and tie for the majority of the film, despite it being shot in Rome during a heatwave. Scorching weather aside, he says: “It was quite fun to stand on the touchline and scream.”

Pic: Netflix
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Nighy as football talent scout Mal in The Beautiful Game. Pic: Netflix

While Nighy may not necessarily look the part of a stereotypical football coach, he does work on his fitness, training three times a week. It’s something he insists he won’t be “winning any prizes for”, and he certainly won’t be sharing snaps of his workouts on Instagram.

‘My iPhone doesn’t see a lot of action’

He explains: “I’ve never been on social media. I’m lucky in that regard because I’m of an age where I can just about get away with it.

“I nearly went on it. I got very close to, I think it was Instagram, but I didn’t in the end make that jump.

“I don’t have a laptop. I mean, I’m carrying a computer in my pocket, obviously, like everybody else, but I’ve never had a computer. I’ve never owned one, again because I’m fortunate. I don’t need one for anything. I’ve got an iPhone, but there’s not a lot of action on it apart from, you know, the obvious.”

I can only guess ‘the obvious’ is phoning his nearest and dearest, including his daughter and friends. Nighy keeps his romantic dealings close to his chest, and since splitting with his partner of 26 years, he hasn’t been publicly linked to anyone new – either in the public eye or out.

Nighy and Anna Wintour at the Met Gala last year. Pic: Reuters
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Nighy with friend Anna Wintour at the Met Gala last year. Pic: Reuters

As one of Britain’s most recognisable actors, he’s humble in his appraisal of his five decade career spanning theatre, TV and film – reaching to Hollywood and back.

‘I didn’t expect acting to last’

“I don’t know what I’m cut out to be, but it probably isn’t an actor, although I don’t know if anybody is. I think we all have to bend ourselves out of shape to do whatever it is we do.

“I didn’t expect to be an actor. I didn’t expect when I became an actor that it would last very long. I didn’t have a Plan B, it was all basically out of necessity.

“I flunked school, so I didn’t have any qualifications for anything, and I didn’t have a Plan B, so I had no safety net. But, you know, it gradually worked out.”

With two BAFTAs, a Golden Globe and Teen Choice Award (yes really) to name but a few of his accolades, he’s being modest.

And his acting career is about to take a step into the unknown, with his first big horror role in First Omen coming to the screen next month.

Nighy as Cardinal Lawrence in The First Omen. Pic: 20th Century Studios
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Nighy as Cardinal Lawrence in The First Omen. Pic: Disney/20th Century Studios

A prequel to the 1976 original, it returns to the very beginning of the story, with Nighy warning it’s not a film for the feint hearted: “The early signs suggest that it is truly horrible.”

Red satin and holy socks

He does have a wide experience of otherworldly roles, if not out and out horror. Nighy lists a few. “In Shaun Of The Dead I was a werewolf. Yeah, I was a werewolf.”

(Nighy was actually a zombie, but the movie was filmed 20 years ago, and who’s splitting hairs?)

He goes on: “And I’ve been a vampire several times. And I’ve been a squid. If you count animations, I’ve been a rattle snake with a machine gun in its tail. But they’re not straight horror. [First Omen] is really my first horror movie, like what you’d call straight horror. So, it is a departure.”

It goes without saying he was well suited and booted for the role.

“I was dressed by the Vatican tailor. So, you can see I look my best if you’re going to be a priest. And I’m drenched in red satin”.

Rumour has it he was given holy socks from the Vatican shop as part of his costume. Blessed beyond doubt.

Nighy ‘can’t stand’ his own films

He says it “will frighten the life” out of its viewers, adding “a few people I’ve met who’ve seen it and who are horror freaks were stunned. One journalist actually said [they were] traumatised.”

But he doesn’t have to worry about nightmares himself. “I’ve never seen it and I’m never going to see it because I don’t watch films I’m in because I can’t stand it.”

Pic: Netflix
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Pic: Netflix

Meanwhile, his latest offering, The Beautiful Game, is a very different prospect, crafted to leave the viewer uplifted rather than in pieces.

Nighy says it’s a feelgood nostalgia that takes him right back to his childhood. “The deal was when I was a kid, you went, you paid some money, you went to the cinema, and you came out feeling a bit better than you did when you went in. This is what [The Beautiful Game] is.”

The Beautiful Game is streaming now on Netflix, and The First Omen will be in cinemas from 5 April.

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Song lyrics have become angrier and more repetitive since the 80s, study finds

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Song lyrics have become angrier and more repetitive since the 80s, study finds

Song lyrics have become angrier and more repetitive over the past four decades, a study has found.

Lyrics in rock, rap, country, pop, and R&B songs have also become simpler and more personal, according to research published in the journal Scientific Reports.

Rap songs showed the strongest increase in anger and negative emotions, while country songs had the lowest, the researchers said.

Eva Zangerle, an assistant professor at the University of Innsbruck’s department of computer science in Austria, said anger-related words may have become more common because music “reflects more general changes in society and culture”.

Prof Zangerle and her colleagues analysed the lyrics of 12,000 English-language songs released between 1980 and 2020, as well as the page views of the lyrics on online platform Genius.

They found lyrics have become simpler and easier to understand over time, while also becoming more emotional and personal.

Analysis also showed the number of different words used within songs has decreased, particularly among rap and rock songs.

The team speculated this may be because of changes in how music is enjoyed, such as increases in songs being used as background music.

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Prof Zangerle said: “In the last 40 years, we have witnessed a change from buying records in the store to being able to choose from hundreds of millions of songs on streaming platforms on the phone.

“This has also changed the way music is consumed.”

By analysing the page views on Genius, the team found older rock songs were viewed more than newer ones, but the reverse was true for country songs. They said it could indicate rock listeners prefer lyrics from older songs, while country listeners may prefer those from newer songs.

Prof Zangerle gave Bruce Springsteen’s 1973 song Spirit In The Night as a good example of complex songwriting, while she said Miley Cyrus’s 2019 hit Slide Away has simpler and repetitive lyrics.

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