In Harlan Coben’s latest book, he gives you a big spoiler on the first page.
I Will Find You is centred around a man who is in prison for murdering his son – but he reveals very early he didn’t do it.
“I know the beginning, I know the end, I know nothing in between,” he explained to Sky News about his writing process.
“So it’s like travelling from my home state of New Jersey across the country to LA – I may go Route 80, I’ll maybe go via the Suez Canal or stop in Tokyo, but I always end up in LA.”
And it’s this method that has kept people turning the thriller writer’s pages since 1995 – with 35 books making up his ever-growing bibliography.
Coben, who has won a raft of literary awards, said his inspiration comes from playing with the idea of a perfect life, and the outside forces that could change any aspect of it.
“I guess I like secrets, I like the past, I like things we think are buried that aren’t, I like family dynamics – you kind of mix all that together.
“Maybe you had that old relationship that you let go… you turned left instead of right – so what happens when things go the other way?
“What changes in your entire life? That sort of thing always fascinates me.”
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And as well as seemingly constantly writing books (he said he loved being out and about, but admitted he eventually longs to be back in the writing room), he also has a big-money deal with Netflix, which is adapting a number of his books.
Fool Me Once is currently in production at the streamer, with Coben serving as executive producer as he does on all his TV projects, and will boast a big-name cast, with the likes of Michelle Keegan, Richard Armitage and Joanna Lumley involved.
Talking about seeing his projects come to fruition, Coben said: “The first time I go on set and I see all of these people putting it together, the cast and crew all bringing it to life, I can’t help but think to myself, ‘man, I had this little idea in my house in New Jersey and now all these talented people… [are] bringing it to life for 190 countries, to over 200 million subscribers’.
“I can actually get genuinely moved when I’m on set, it’s pretty cool.”
But on the pressures of being a writer in 2023, Coben explained he isn’t fearful of how his books are received, and his writing reflects the ideals of his characters.
“I guess I don’t listen to the external voices, but the world is different, and so you have to reflect that,” he said.
“My novels take place in the present day, so my characters will speak now differently than when I wrote a book in 1989 or something like that.
“They should speak differently – the world is different.
“I try not to worry about it in the sense of… I’m not fearful of it, and some characters are good, and some characters are bad, and how they speak should reflect that as well.”
The new novel I Will Find You is available now, with titles such as The Stranger and Too Close also available to stream on Netflix.
Christina Aguilera has told Sky News it is “magical” to see her hit film Burlesque being brought to London’s West End – and also opened up about her rise to fame in the late 1990s.
The US star topped the US and UK charts with Genie In A Bottle in 1999, before finding an even bigger audience with her acclaimed album Stripped and hits including Dirrty, Beautiful and Fighter in the early 2000s.
Image: Christina Aguilera is a producer for the stage adaptation of Burlesque. Pic: Hayden Coens @daydreamsmedia
In 2010, she starred in Burlesque alongside Cher, Julianne Hough and Stanley Tucci, and now, 15 years later, is a producer for the stage version of the show alongside the film’s original director and writer, Steven Antin.
Speaking ahead of the show’s gala night, Aguileratold Sky News presenter Leah Boleto she has enjoyed taking a backseat and seeing the fresh interpretation of her character – a small-town girl turned into a star.
Image: Burlesque The Musical. Pic: Pamela Raith Photography
“It’s just so beautiful to see the talent that’s on this stage and to absorb it and appreciate the fresh takes on things,” she said. “I love actually taking a step back and a backseat… it’s beautiful to see the reinvention.
“When you’re in it, you focus on the choreography, all these different elements, that being able to take a backseat and being more of a visionary of the bigger picture, it’s really a special thing.”
Aguilera said she had been “blown away” by Jess Folley, who plays her character Ali in the show, and has fully embraced the “powerhouse vocals” as well as the vulnerability needed for the role.
“She just is doing such a magnificent, magnificent job and likewise inspires me as well,” she said.
Image: Jess Folley stars as Ali, the role originally played by Aguilera, in Burlesque The Musical. Pic: Pamela Raith Photography
Aguilera said she would love to see her film co-star Cher popping by to see the show in London.
“She’s always welcome to grace us with her incredible, iconic presence. And I’m just so grateful that I had the time to be with her. I mean, looking back, it’s just – did that even happen?”
Aguilera arrived on the scene at the same time as Britney Spears, at a time when young female pop stars were celebrated, sexualised and scrutinised.
After the success of her debut album, she took a different direction with Stripped – embracing her sexuality and famously taking on a less girlish image with chaps, a nose stud and black streaks in her hair for the Dirrty video, and opening up about her life and emotions through songs such as Fighter and Beautiful.
Image: Aguilera at the MTV Video Awards in New York in 2002. Pic: Star Max via AP Images
She also took on the patriarchy in Can’t Hold Us Down, a duet with Lil’ Kim, and performed on the hit cover of Lady Marmalade alongside Lil’ Kim, Maya and Pink for Moulin Rouge!
“I always want to stay true to authenticity,” she said. “And for me, with that first album it was wonderful to get my foot in the door…
“It’s important to me that I stepped out on my own and reflected all sides of me as a woman, embracing my sexuality and sensuality, and my body… Dirrty, I just loved those chaps and everything about that was just so fun and raw.”
So would she do it all again, then? Or would she prefer to be an artist starting out now?
“The ’90s, it was a pretty special time in music. And it was a time when you could still like go to Virgin records or like wherever and look at the CDs, look at the packaging. And, you know, sometimes the authenticity is missed.”
However, the good thing about social media now is that it has given stars the means to tell their own stories, she adds. “You have an opportunity now to really present yourself in ways that it’s not just about the music, to become more the narrator in real time… this is what it is like, be your own voice rather than reading about yourself in an article.”
But still, she wouldn’t swap. “It has to stay where it was.”
Burlesque The Musical is showing at The Savoy theatre in London now
Malcolm-Jamal Warner, who played The Cosby Show character Theo, has drowned in Costa Rica, according to authorities.
The country’s Judicial Investigation Department said the 54-year-old actor drowned on Sunday afternoon off a beach on the Caribbean coast.
It is understood he was swimming at Playa Grande de Cocles in Limon province when he was pulled underwater by a current.
“He was rescued by people on the beach,” according to the department’s early report, but emergency workers from Costa Rica’s Red Cross found him without any signs of life and he was taken to the morgue.
Warner was on holiday with his family at the time, according to US celebrity news site People.
The Cosby Show aired from 1984 to 1992 on NBC in the US and is regarded as a groundbreaking show for its portrayal of a successful black middle-class family. It was also shown on Channel 4 in the UK at around the same time.
Image: Malcolm-Jamal Warner in September 2017. Pic: Reuters
Its star, Bill Cosby, played a doctor named Cliff Huxtable, with Warner in the role of Theo, his only son.
The NBC sitcom was the most popular show in America for much of its run between 1984 and 1992.
Warner played the role for eight seasons in all 197 episodes, winning an Emmy nomination for supporting actor in a comedy in 1986.
For many, the lasting image of the character, and of Warner, is of him wearing a badly-botched mock designer shirt sewn by his sister Denise, played by Lisa Bonet.
Warner ‘proud’ of show despite Cosby claims
The legacy of The Cosby Show has been tarnished after Cosby was jailed in 2018 following a conviction for sexual assault.
Warner told the Associated Press in 2015: “My biggest concern is when it comes to images of people of colour on television and film… We’ve always had ‘The Cosby Show’ to hold up against that. And the fact that we no longer have that, that’s the thing that saddens me the most because in a few generations the Huxtables will have been just a fairy tale.”
In 2023, Warner told People in an interview: “I know I can speak for all the cast when I say The Cosby Show is something that we are all still very proud of.”
Image: Warner (left) on stage with Stevie Wonder and Bill Cosby at an awards show in 2011. Pic: AP
Warner wins a Grammy
Following his career on The Cosby Show,Warner later appeared on the sitcom Malcolm & Eddie, co-starring with comedian Eddie Griffin in the series on the UPN network from 1996 to 2000.
In the 2010s he starred opposite Tracee Ellis Ross as a family-blending couple for two seasons on the BET sitcom Read Between The Lines.
He also had a role as OJ Simpson’s friend Al Cowlings in American Crime Story and was a series regular on Fox’s The Resident.
Films he has appeared in include the 2008 rom-com Fool’s Gold with Matthew McConaughey and Kate Hudson.
A poet and a musician, Warner won a Grammy for best traditional R&B performance for the song Jesus Children with Robert Glasper and Lalah Hathaway. He was also nominated for best spoken word poetry album for Hiding In Plain View.
Warner was married with a daughter, but chose to not publicly disclose their names.
From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.
But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTAwin – and one of the ceremony’s biggest cheers from the audience – earlier this year.
Image: Danny Dyer as Lee Campbell in Mr Bigstuff
Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.
Image: Ryan Sampson (right) created the series and stars alongside Dyer
Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.
Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.
“Absolute legend,” he says.
Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.
“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”
Image: Dyer at the BAFTAs earlier this year. Pic: PA
Dyer reveals his screensaver
After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.
His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.
But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.
“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”
Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.
In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.
He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.
Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.
“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”
‘Love in the air’ at Oasis gig
But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.
“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.
“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”
Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW