Nigel Lawson dies: The life of Thatcher’s chancellor, from political clashes to the Big Boom and climate scepticism
Nigel Lawson, chancellor to Margaret Thatcher, has died at the age of 91.
He leaves behind five of his six children, including TV chef Nigella Lawson and journalist Dominic Lawson. One of his daughters, Thomasina, died aged 32.
Born in Hampstead, northwest London, on 11 March 1932, the son of the owner of a tea-trading firm climbed his way to the top of British politics after an education at Westminster School and Oxford University.
His political life started at Oxford, where he did Philosophy, Politics and Economics – like many other politicians – but he began his working life carrying out national service as a Royal Navy officer.
Lord Lawson, as he was to become, then became a financial journalist, writing for the Financial Times and The Sunday Telegraph, before becoming editor of The Spectator.
After 14 years as a journalist, in 1970 he stood to become an MP, unsuccessfully, for the Eton and Slough seat before eventually winning the now-defunct Leicestershire constituency of Blaby four years later.
When the Conservatives won the election in 1979 under Mrs Thatcher, she made him financial secretary to the Treasury and her policies at the time clearly reflected his influence.
She then promoted him to energy secretary, where he helped prepare for what he called “inevitable” full-scale strikes in the coal industry, which had been nationalised by Labour prime minister Clement Attlee.
But it was as chancellor that Mr Lawson ensured he would go down in the history books.
Margaret Thatcher’s cabinet in 1983. Nigel Lawson is sitting third from the left
Tax cuts, the Big Bang and the Lawson Boom
The second longest-serving chancellor after Gordon Brown, Mr Lawson was key to Mrs Thatcher’s economic policies – and success.
After getting the job in 1983 he pushed ahead with tax reforms, reducing corporation taxes and lowering National Insurance contributions for the lower-paid, while extending the VAT base.
From 1986, his public image grew after he reduced the standard rate of personal income tax and unemployment began to fall.
He also managed to turn around government finances from a budget deficit of £10.5bn in 1983 to a surplus of £3.9bn in 1988 and £4.1bn in 1989.
However, the government’s current account deficit increased from below 1% GDP to almost 5% in three years.
Mr Lawson managed to honour his promise to bring taxation rates down, with the basic rate going from 30% to 25%, and the top tax rate from 60% to 40%. He also removed other higher rates so nobody paid above 40% in personal tax.
One of his major triumphs was the Big Bang of 1986, which saw the City’s financial markets deregulated and London strengthened as a financial capital – but in 2010, he admitted the “unintended consequence” of that was the 2007 financial crisis.
He even had a period of economic growth named after him. The Lawson Boom saw the UK economy on the up after 1986, with unemployment halved.
However, that led to a rise in inflation to 8% in 1988 and interest rates doubled to 15% within 18 months, with critics accusing Mr Lawson of unleashing an inflationary spiral due to his policies.
In his 1992 memoir, written just after he stepped down as an MP, Mr Lawson admitted the 1987 manifesto was not properly thought through and if it had not been for the economic growth, the manifesto would have been a disaster.
“As it was, it was merely an embarrassment,” he said.
Mr Lawson with a battered red Budget Box in 1987
Clashes with Thatcher
While he was Mrs Thatcher’s right-hand man, the pair did not always see eye-to-eye and he was overruled in cabinet when he opposed introducing a poll tax to replace local government financing.
There was also the now-infamous 1988 budget, which took nearly two hours for Mr Lawson to announce as there were continuous interruptions and protests from opposition parties.
The then-depute leader of the Scottish National Party, Alex Salmond, was suspended from the Commons for his constant interruptions and MPs voted against amending the law bill.
Nigel Lawson with Margaret Thatcher at the 1989 Conservative Party Conference
Mrs Thatcher and her chancellor also clashed over the exchange-rate mechanism (ERM) membership in 1985, with Mr Lawson – ironically, as he became a Brexiteer – believing membership was the only way forward to help convince the markets the UK was committed to fiscal discipline.
It proved to be one of Mrs Thatcher’s most tumultuous meetings with her senior ministers as she single-handedly faced them down after Mr Lawson had spoken separately to all of the ministers present to persuade them to ambush her.
Mr Lawson later said he had considered resigning after she said their arguments did not convince her, but he was dissuaded by colleagues. Mrs Thatcher was persuaded to sign up to the ERM five years later by Mr Lawson’s successor, John Major.
The prime minister’s relationship with her chancellor took another dive when she re-employed economist Alan Walters in 1989 as her personal economic adviser, with Mr Lawson at loggerheads with them over the ERM.
He threatened to resign if Mrs Thatcher did not sack Mr Walters over his support of the ERM. Mrs Thatcher wrote in a private memo that was “absurd” and urged him to rethink – and Mr Lawson quit.
National Archive files released in 2017 revealed the extent Mr Walters was briefing against Mr Lawson, including telling Mrs Thatcher that Mr Lawson’s position over the ERM was having a devastating impact on the UK economy.
Mr Lawson’s resignation was seen as the beginning of the end for Mrs Thatcher, with her foreign secretary Geoffrey Howe resigning shortly after – and Mrs Thatcher resigned in 1990 after Michael Heseltine decided to challenge her for leadership of the Conservative Party.
Post-Thatcher
Mr Lawson remained as a backbencher until 1992, when he was elevated to the House of Lords with a life peerage, and was known as Lord Lawson of Blaby.
Months after he stood down as an MP, he lost five stone after his doctor told him his knee problems would not stop if he continued to carry the weight.
It dramatically changed his appearance and he published The Nigel Lawson Diet Book, which became a best seller.
Previously 17 stone and 5ft 9, he had been an easy target for political cartoonists – although it did not bother him – and he admitted after losing weight: “I was certainly a fat man.
“It came up gradually, and by the time I was chancellor, certainly, that was the thing the cartoonists seized on; that was part of the image – no doubt about it.”
Mr Lawson used his time away from the Commons to occasionally appear as a guest on daughter Nigella’s cookery shows.
He also served on the advisory board of the Conservative magazine Standpoint.
Two wives, six children
Mr Lawson was married twice. His first wife was former ballet dancer Vanessa Salmon with whom he had Dominic (the journalist), Thomasina (who died of breast cancer aged 32), Nigella (the TV chef) and Horatia. After they divorced, Ms Salmon died of liver cancer aged 48.
His second wife was former Commons researcher Therese Maclear, who he married the same year he divorced Ms Salmon. They had son Tom and daughter Emily before they divorced in 2008.
Nigel Lawson with his TV chef daughter Nigella Lawson in 2008
In 2011, he found love again at the age of 79 with 42-year-old Dr Tina Jennings, a former banker who was previously married to New Zealand’s richest man.
However, they split up two years later, with Dr Jennings reportedly finding it hard to go regularly to France, which Mr Lawson did every weekend.
Controversial support for Brexit
In 2009, Mr Lawson was caught up in the parliamentary expenses scandal after he was accused of claiming £16,000 in overnight allowances by registering his farmhouse in Gascony, southwest France, as his main residence.
In 2013, the former chancellor pushed for the UK to leave the EU and ahead of the 2016 referendum he was appointed chairman of the Vote Leave campaign.
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Nigel Lawson on George Osborne’s 2016 Autumn Statement
At the time, he was living in France and in 2018 started to apply for his official French residency card.
His critics accused him of hypocrisy for living in France yet campaigning for the UK to leave the EU, but he said he did not believe the issue of Britons living in other EU countries was a big problem in the Brexit negotiations.
In 2019, Mr Lawson returned to live in the UK after putting his Gascony mansion on the market. He said it was to be close to his children and grandchildren.
Climate scepticism
In opposition to Mrs Thatcher, who helped put climate change on the agenda, Mr Lawson was very sceptical of the concept and denied global warming is taking place to such a large degree as many scientists say.
He wrote a letter in 2004 criticising the Kyoto Protocol and claiming there were substantial scientific uncertainties.
As a member of the House of Lords Economics Affairs Select Committee, he carried out an inquiry into climate change in 2005 and recommended the Treasury take a more active role in climate policy.
The report said there was a mismatch between the economic costs and the benefits of climate policy – which kicked off a tussle between him and Michael Grubb, chief economist of the Carbon Trust.
He contributed to the 2007 documentary The Great Global Warming Swindle and in 2008 published a book called An Appeal to Reason: A Cool Look at Global Warming.
In the book, he admitted global warming is happening and will have negative consequences but said the impact of those changes will be moderate rather than apocalyptic, and criticised “alarmist” politicians and scientists.
He was heavily denounced by climate scientists and the UK’s chief scientific adviser at the time, Sir John Beddington, who privately told Mr Lawson he had “incorrect” and “misleading” claims in the book.
But that did not stop him airing his views, and in 2009 he launched a new thinktank called The Global Warming Policy Foundation.
His journalist son, Dominic Lawson, is also a climate change sceptic.
The actor who played PC Reg Hollis in hit TV series The Bill has been praised by officers after helping them arrest a shoplifter.
Jeff Stewart stepped in when a thief attempted to escape on a bicycle in Southampton on Wednesday.
In a statement, a Hampshire Constabulary spokesman said: “The thief, 29-year-old Mohamed Diallo, fell off the bike during his attempts to flee, before officers pounced to make their arrest.
“To their surprise, local TV legend Jeff Stewart, who played PC Hollis for 24 years in The Bill, came to their aid by sitting on the suspect’s legs while officers put him in cuffs.
(L-R) Jeff Stewart, Roberta Taylor, Mark Wingett, Trudie Goodwin and Cyril Nri celebrating The Bill’s 21st anniversary in 2004. Pic: PA
“In policing you should always expect the unexpected, but this really wasn’t on The Bill for this week.”
The Bill was broadcast on ITV between 1984 and 2010 and featured the fictional lives of police officers from the Sun Hill police station in east London.
Mr Stewart, who was among the original cast, appeared in more than 1,000 episodes as PC Hollis.
Police released footage showing their pursuit of a shoplifter in Southampton. Pic: Hampshire Constabulary
As the suspect falls to the floor, PC Hollis (aka Jeff Stewart) sits on his legs. Pic: Hampshire Constabulary
In praising Mr Stewart’s actions, the force said: “Long since retired from Sun Hill station – but he’s still got it.”
Police from the Bargate Neighbourhoods Policing Team were alerted by staff at a Co-op store in Ocean Way to a suspected shoplifter on Wednesday.
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Mohamed Diallo, 29, of Anglesea Road, Southampton, was subsequently charged with five offences of theft relating to coffee, alcohol and food from the Co-op and two other Sainsbury’s stores on three dates in April and July.
He pleaded guilty at Southampton Magistrates’ Court on Thursday and was bailed to be sentenced on August 29.
It was a cold, typically rainy Manchester evening, October 1993, when Michael Spencer Jones set out to meet a new guitar band he had been commissioned to photograph.
The weather was miserable, he didn’t know their music, wasn’t totally in the mood. “I had to drag myself from home, thinking: is it going to be worth the trouble?”
On the drive to the Out Of The Blue studio in Ancoats, on the outskirts of the city centre, a song he’d never heard before came on the local radio station. “It was like, wow, what is that?” The track was Columbia, by Oasis, the band he was on his way to meet.
He started to get excited.
Liam Gallagher at the Out Of The Blue studios in October 1993. Photo: © Michael Spencer Jones
Spencer Jones had previously met Noel Gallagher during the musician’s time as a roadie for fellow Manchester band Inspiral Carpets. But not Liam.
“As a photographer, obviously, the aesthetic of a band is massively important,” he says as he recalls that first shoot. “I’m just looking down the camera lens with a certain amount of disbelief.”
In front of him was a 21-year-old, months before the start of the fame rollercoaster that lay ahead. And yet. “I was looking at a face that just seemed to embody the quality of stardom.”
Liam Gallagher pictured during the shoot for the cover of Be Here Now. Photo: © Michael Spencer Jones
‘Success was inevitable’
It was the start of a partnership that continued throughout the band’s heyday, with Spencer Jones shooting the covers for their first three albums, their most successful records, and the singles that went with them.
“You work with bands pre-fame and there’s always that question: are they going to make it? With Oasis there was never that question. Their success was inevitable.”
There was a confidence, even in those early days. “Incredible, intoxicating confidence. [They were] not interested in any kind of social norms or social constraints.”
It wasn’t arrogance, he says, of a criticism sometimes levelled at the Gallaghers. “They just had this enormous self-belief.”
Spencer Jones was one of several photographers who followed the band, capturing the moments that became part of rock history.
Tension on the banks of The Seine in Paris in 1995. Photo: © Jill Furmanovsky
‘Noel had an uncanny intuition’
Jill Furmanovsky, who started working with Oasis towards the end of 1994, a few months after the release of debut album Definitely Maybe, says Noel always seemed aware their time together should be documented.
“An uncanny intuition, really, that it was important,” she says. “I think Noel has been aware right from the start, because for him that’s what he used to look at when he used to buy his Smiths records or Leo Sayer or whatever, he would stare at the covers and be fascinated by the pictures.”
Contrary to popular belief, Furmanovsky says the brothers got on fairly well most of the time, “otherwise they wouldn’t have been able to function”.
This image was taken around the release of third album Be Here Now in 1997. Photo: © Jill Furmanovsky
She picks one shoot in 1997, around the release of their third album, Be Here Now, as one of the more memorable ones. Noel had shared his thoughts about the band on a chalkboard and “they were having such a laugh.”
But when things did erupt, it became significant. “There were tensions in some shoots but they never started hitting each other in front of me or anything like that. I used to complain about it, actually – ‘don’t leave me out of those pictures where you’re really arguing!’.”
In Paris in 1995, tensions had boiled over. “It’s one of my favourites,” she says of the shoot. “It reflects not just the band but the family situation, these brothers in a strop with each other.”
What is notable, she says, is that they were happy for photographers to take candid shots, not just set up pictures to show them “looking cool”. Pictures that on the surface might sound mundane, showing “what they were really like – tensions, mucking about, sometimes yawning… This was the genius of Noel and [former Oasis press officer] Johnny Hopkins.”
Furmanovsky also notes the women who worked behind the scenes for Oasis – unusual at a time when the industry was even more male-dominated than it is now – and how they kept them in line.
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The brothers pictured during a break from the Wonderwall video shoot September 1995. Photo: © Jill Furmanovsky
“They got on well working with women,” she says. “Maggie Mouzakitis was their tour manager for ages and was so young, but she ruled. For a band one could say were a bunch of macho Manchester blokes, they had a lot of women working in senior positions.”
This is down to the influence of their mum, Peggy, she adds. “Absolutely crucial.”
Furmanovsky has been working with Noel on an upcoming book documenting her time with the band, and says she initially wanted to start with a picture of the Gallagher matriarch. “Noel said to me, ‘Jill, you do know she wasn’t actually in the band?'”
The Gallaghers in Portland Street, Manchester, in August 1995. Photo: © Kevin Cummins/ Iconic Images 2025
Touring with Oasis – ‘the journalist had to take a week off’
Kevin Cummins was commissioned to take pictures when Oasis signed to Creation Records, and it “kind of spiralled out of control a little bit”, he laughs.
“I photographed them for NME, gave them their first cover. I photographed them in Man City shirts because we were all Man City fans, and City were at the time sponsored by a Japanese electronics company, Brother. It seemed a perfect fit.”
The early days documenting the band were “fairly riotous”, he says. “They were quite young, they were obviously enjoying being in the limelight.
“I remember we went on tour with them for three days for an NME ‘on the road’ piece, and the journalist who came with me had to take a week off afterwards.
“I dipped in and out of tours occasionally – I’ve always done that with musicians because I cannot imagine spending more than about seven or eight days on tour with somebody, it would drive you nuts. They’re so hedonistic, especially in the early days. It’s very, very difficult to keep up.”
Photos of Oasis taken by Kevin Cummins are on display at Wembley Park throughout the summer. Photo: © Kevin Cummins/ Iconic Images 2025
Cummins says the relationship between Noel and Liam was “like anybody’s relationship, if you’ve got a younger brother – he’d get on your nerves.”
During the shoot for the City shirt pictures, he says, “Liam kicked a ball at Noel, Noel pushed him, Liam pushed him back. They have a bit of a pushing match and then they stop and they get on with it.”
Another time, following a show in Portsmouth, “as soon as we got [to the hotel] after the gig, Liam threw all the plastic furniture in the pool. Noel looked at him and said, ‘where are we going to sit?’ And he made him get in the pool and get all the furniture out. So there were like attempts at being rock and roll, and not quite getting it right sometimes.”
Cummins says he has “very affectionate” memories of working with Oasis. “I’ve got a lot of very sensitive looking pictures of Liam and people are really surprised when they see them,” he says. “But he is a very sensitive lad… it’s just he was irritating because he was younger and he wanted to make himself heard.”
Photo: © Kevin Cummins/ Iconic Images 2025
Getting ready for the reunion
All three photographers have yet to see the reunion show, but all have tickets. All say the announcement last summer came as a surprise.
“There was an inkling of it, I suppose, just in the thawing of the comments between the brothers, but I still wouldn’t have guessed it,” says Furmanovsky, who has a book out later this year, and whose pictures feature in the programme. “It’s wonderful they have pulled it off with such conviction and passion.”
Cummins’ work can be seen in a free outdoor exhibition at Wembley Park, which fans will be able to see throughout the summer until the final gigs there in September.
“I think the atmosphere at the gigs seems to have been really friendly… I like the idea that people are taking their kids and they’re passing the baton on a little bit,” he says. “Everyone’s just having a blast and it’s like the event of the summer – definitely something we need at the moment.”
The Gallaghers returning to Bonehead’s former home, where the cover for Definitely Maybe was shot. Photo: © Michael Spencer Jones
Spencer Jones, who released his second Oasis book, Definitely Maybe – A View From Within, for the album’s 30th anniversary last year – adds: “They really seem to be capturing a new generation of fans and I don’t think a band has ever done that [to this extent] before. Bands from 20, 30 years ago normally just take their traditional fanbase with them.”
But he says his first thought when the reunion was announced was for the Gallaghers’ mum, Peggy. “I think for any parent, to have two children who don’t talk is pretty tough,” he says. “It’s that notion of reconciliation – if they can do it, anyone can do it.
“The fact they’re walking on stage, hands clasped together, there’s a huge amount of symbolism there that transcends Oasis and music. Especially in a fractured society, that unity is inspiring. Everyone’s had a bit of a rough time since COVID, battle weary with life itself. I think people generally are just gagging to have some fun.”
Brothers: Liam And Noel Through The Lens Of Kevin Cummins is on at Wembley Park until 30 September. Definitely Maybe – A View From Within, by Michael Spencer Jones, available through Spellbound Galleries, is out now. Oasis: Trying To Find A Way Out Of Nowhere, by Jill Furmanovsky and edited by Noel Gallagher, published by Thames & Hudson, is out from 23 September.
It was “shadowy” of the government to reveal Angela Rayner warned about the threat to social cohesion in a “readout”, Harriet Harman has said.
On Wednesday, Downing Street released a “cabinet readout” saying the deputy prime minister told ministers the government “had to show it had a plan to address people’s concerns” to defuse community tensions.
She said immigration was having a “profound impact on society” and noted 17 out of 18 places where protests broke out last summer after kicking off in Southport were the most deprived areas in Britain.
This was widely interpreted as a warning that riots could happen this summer.
But Baroness Harman told Beth Rigby on the Electoral Dysfunction podcast that announcing it in a “readout” – given to journalists after a cabinet meeting – was not the way to do things.
“These are quite huge issues – the potential for disorder, social integration, the public mood, and ahead of summer,” the Labour peer said.
“I don’t know whether I’m just a bit old-fashioned about this, but I think it’s better when government are making statements like that they give people an opportunity to ask questions rather than this kind of sort of rather shadowy way of doing it.”
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The former minister added that cabinet meetings are supposed to be secret so that everybody around the table can speak and say “anything they want because there is this protected thing”.
“You don’t say what’s happening at cabinet,” she added.
“And if anybody asks in the House of Commons or anywhere else, what happened in cabinet, the automatic response is ‘we don’t talk about what’s happened in cabinet, it’s private’. And they’ve sort of slightly breached that now.
“So is it now a situation where anybody can be asked, what did somebody say in cabinet?
“Or is it only that the prime minister can say what happened in cabinet?
“It’s a bit puzzling.”
Baroness Harman’s comments came after protests in Epping last week outside a hotel housing asylum seekers turned violent.
More than 1,000 people gathered outside The Bell Hotel in protests over two nights after an asylum seeker was arrested and charged on suspicion of alleged sexual assault of a 14-year-old girl in the town.
Counter-protesters joined, and this week Reform UK leader Nigel Farage accused Essex Police of bussing them in, which the force said was “categorically wrong”.
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