“Did any child in the ’80s not play Super Mario Brothers?”
It’s a question that’s helped pile on the pressure when it comes to the latest iteration of the classic video game – which is one of the best-selling of all time.
The franchise has already seen numerous games, an animated TV series and animated Japanese film, a live action US movie and even a theme park – all cementing its place in popular culture.
Now, moustachioed plumbers Mario and Luigi are getting the Hollywood treatment in a feature-length animation voiced by Jurassic Park actor Chris Pratt and It’s It’s Always Sunny In Philadelphia star Charlie Day.
Both admit that now “screwing up” has been foremost on their mind.
Pratt tells Sky News: “The pressure of these characters, you know, you feel it.
“There’s a built-in expectation… all of this nostalgia, of loving the games as a kid, the score, the characters, little Easter eggs.
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“Anyone who played Nintendo growing up or loved these characters, you’re going to go to the movie.
“That same thing that has you thinking: ‘Oh, please don’t screw this up – it’s such a big part of my childhood,’ is the same thing that will be so elated and joyful when you see the film, because we didn’t screw it up thankfully.”
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Day adds: “Especially just how passionate everyone is, everyone grew up with the characters. They love them. Look, our job is just do the best acting we can do.”
However, some fans of the game have already been critical of Pratt’s casting, highlighting his lack of Italian ancestry and pouring scorn on his Brooklyn accent.
Image: Pratt and wife Katherine Schwarzenegger at Super Nintendo World at Universal Studios, Hollywood
Day is quick to defend his co-star: “I have as much Italian descent as Robert De Niro, so yeah [I do have Italian heritage], but I’m going to vouch for my buddy Chris here and say, as having seen the movie, his performance is top notch.
“I think everyone, just wait to see the movie and make the decision afterwards because the guy does a fantastic job.”
Despite the backlash, Pratt says it was a part he jumped at.
“For the most part you don’t know much about Mario and Luigi playing the video games or Princess Peach or Wario or Yoshi or any of these characters,” he says.
“[Mario’s] essentially a blue-collar, American worker. And when Illumination [the animation company behind the film] called and thought I would be right for that role, I was just like: ‘Of course I’m going to do this’. I was thrilled.”
Mario first appeared as a character in Donkey Kong in 1981, getting his own arcade game in 1983, which was then turned into a platform game for the Nintendo Entertainment System (NES) in 1985.
Meanwhile, Japanese company Nintendo was founded in 1889, originally producing handmade playing cards, before branching out into consoles in the late 1970s.
Image: Mario takes on Donkey Kong. Pic: Nintendo and Universal Studios
Now, directed by Aaron Horvath and Michael Jelenic, this the second American feature-length adaptation of the game, following the largely maligned 1993 adaptation starring Bob Hoskins and John Leguizamo. Producers will be hoping this version is a bigger success.
A few years ago, video game adaptations for TV and film were synonymous with a flop.
But with adaptations of games like The Last Of Us, The Witcher and Arcane (the first video game adaptation to win a primetime Emmy) achieving both critical and commercial success – many see this as the time for gaming to truly step into the mainstream.
The video game industry is worth hundreds of billions of pounds globally and is one of the fastest growing industries in the UK. With many turning to gaming during lockdown, it’s a hobby that has only increased in popularity over recent years.
Image: Pedro Pascal and Bella Ramsey (L-R) in The Last Of Us, the hit TV series based on a video game. Pic: HBO/Sky Atlantic
Day says: “We’ve gotten better at it, right? I think a few years ago, you’re going way back, there’s been a big sort of space between the video game movies.
“Right now, I think now they’re making movies with as much attention as they’re making any other story. I think before [it] was a little bit like: ‘Well, it’s just a one-off for kids’.”
Meanwhile, Pratt, who is married to Arnold Schwarzenegger’s daughter Katherine, has received positive feedback from his A-list in-laws.
He says: “I took my brother-in-law, Christopher [Schwarzenegger, 25, Arnold’s youngest son], who’s a big gamer.
“[He] grew up playing all these games, and he said: ‘I think that’s the best video game movie I’ve ever seen’. Pretty high praise.”
Fans of the franchise will be pleased to know there could be more to come.
Day says: “Illumination [the US studio who teamed up with Nintendo to make film], they really bring a lot of what is in the game, and not just the first game but many of the Mario games – and other Nintendo games too.”
Pratt adds: “It kind of gets you excited about the possibility of like this Nintendo Cinematic Universe, which is pretty cool. Probably you’re going to see more characters over the next 10 years, I hope.”
With both stars having 11-year-old boys, will their reaction to the movie be the real litmus test for audience reception?
Pratt and Day think not.
“I think my toughest critic is probably going to be some middle-aged man living in his basement somewhere,” Day says.
“But I think my boy is going to be fine with it.”
Pratt agrees – and with both boys “beyond excited” to see their dads take on one of the greatest video games of all time, only time will tell what the rest of the world thinks of the Super Mario Brothers’ latest adventure.
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”