When Cheryl Strayed was still at college, her mother’s sudden death transformed her life.
She went from being a successful student to a heroin addict.
The grief she experienced, and the story of how she turned such loss around to become a best-selling author, has inspired fans around the world.
But the 54-year-old writer tells Sky News: “I have no interest in being anyone’s guru.”
Best known for her 2012 memoir Wild – an international bestseller adapted into the 2014 film both produced by and starring Reese Witherspoon – Strayed wasn’t always so willing to share her personal experiences with the world.
Image: Laura Dern, Cheryl Strayed and Reese Witherspoon (L-R) at the premiere of Wild in 2014. Pic: AP
She describes her first deeply personal piece of writing, titled Heroin/e, as “a raw, personal essay about my grief, about my foray into drug use, and about the sorrow, the agony, essentially, I was in as a young woman – who didn’t have her mother”.
Published in a magazine called Double Take, she admits her first feeling on seeing her work in print wasn’t pride, but an urge to “go buy every copy of this magazine so nobody reads it”.
However, soon afterwards the magazine contacted her to say they’d received hundreds of letters – a bigger response than ever before – from readers saying they had truly connected with her work.
Strayed says: “That has really made me strong. I’m always afraid to publish personal things about myself. I’m always terrified.
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“And yet every single time I’ve been terrified, they’re the times that people say, ‘Thank you for saying that, we needed that to be said. You saved me, you changed me, you helped me’…”
She goes on: “People need to hear the truth because they need to understand they’re not alone.”
Such a transparent approach to her life has won her a legion of fans, but Strayed admits she sometimes needs to take a step back.
“I feel like it is a gift that people feel that, kind of… open and warm towards me… But also, I’ve had to really learn.
“I’ve had to actually take some of the advice I would give to other people, learn how to maintain those boundaries.”
She adds: “I’ve already given you my best thing… The thing that I can give the world is through my writing… I have no interest in being anyone’s guru.
“And so I just try to greet people with gratitude and compassion and love, which I genuinely feel for the people who read my work and love it.”
‘Feeling less alone’
Now, following the success of Wild, another of her works has been adapted for the screen.
Disney+ original Tiny Beautiful Things is based on Strayed’s best-selling collection of essays Tiny Beautiful Things: Advice on Love and Life from Dear Sugar.
It was compiled from an advice column which she wrote anonymously on The Rumpus, an online literary magazine.
Image: Kathryn Hahn plays a fictionalised version of Cheryl. Pic: Disney+
As much a personal memoir as an advice and self-help tool, Strayed says she began sharing her own personal experiences as part of her Dear Sugar advice in a nod to the many stories that had helped her during her own times of pain.
“When I was in the deep suffering in the years right after my mum died in my twenties, it was books I turned to, collections of poetry and collections of essays, and novels and plays, to see the humanity, to see the universal stories of love and loss and suffering and triumph.
“And all of those things made me feel less alone.”
Wisdom where you’d least expect it
Strayed says she has also learned to gain insights from the most unexpected of places.
“I think the most important thing ever is to stay awake and aware, and alive to wisdom in all of its forms,” she says.
“Sometimes it comes out of the mouth of your six-year-old child. Sometimes it comes from a stranger in the grocery store line.
“Sometimes it comes from a book, sometimes it comes from a therapist. Sometimes it comes from an advice columnist.
“[So it’s important] to stay awake to the fact that wisdom doesn’t come from a single source.”
Starring Kathryn Hahn, Sarah Pidgeon, Quentin Plair, and Tanzyn Crawford, Tiny Beautiful Things follows Clare – who is a fictionalised version of Strayed – as a struggling writer finding success as an advice columnist, while her own life is falling apart.
Image: Sarah Pidgeon (L) in Tiny Beautiful Things. Pic: Disney+
No Hollywood version of grief
Touching on her mother’s death in the show, Strayed says one of the most important things for her was to portray the reality of grief – not a sanitised Hollywood version of it.
“It’s so important to me that we do not tell this false story about grief that gets told over and over again, which is like this idea that if you still experience grief years after somebody has died, that somehow, you’ve been held back and the way to heal is to let it go.
“To me, the way that grief functions is… of course, immediately after somebody has died – that is very often the fiercest, hardest grieving time.
She says she has learned a valuable lesson about loss: “Grief is part of who I am. And it is both a very painful, hard thing that I wish didn’t happen to me and one of the greatest gifts of my life. And I will carry it always.
“I can carry it in a burdensome way that holds me back, that causes me pain, that forces me to be destructive, or do things that heavy weights can sometimes do.
“Or I can carry it like the basket of riches that it is…”
She goes on: “If you really want to honour that person you love so much, make something beautiful of that ugliness of that loss.”
And what do her children think?
A mother herself, she admits her children, son Carver, 18, and daughter Bobbi, 17, have yet to read any of her work.
So, does she ever worry about them learning so much about their mother’s life from her books?
On the contrary, Strayed says it’s the cherry on the cake: “It makes me feel happy that when they’re ready to know their mum on a deeper level, there’s a bunch of crazy stuff I wrote.”
Tiny Beautiful Things is streaming now on Disney+ in the UK, and on Hulu in the US.
The 1975 and Olivia Rodrigo will be among the stars headlining Glastonbury Festival this year, it has been announced.
Glastonbury organisers have revealed the line-up for this summer’s event, taking place between 25 June and 29 June, after months of speculation.
The 1975 will take to the iconic Pyramid Stage on the Friday to headline, then Canadian singer-songwriter Neil Young will perform on Saturday and Olivia Rodrigo on the Sunday.
Other big names performing include British pop sensation Charli XCX, rapper Loyle Carner electronic group The Prodigy.
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Young’s announcement in January came amid some confusion, as he had days before told fans he was pulling out of the festival because the BBC’s involvement was a “corporate turn-off”.
The Canadian singer-songwriter later said this decision was down to “an error in the information I received”.
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The 1975 will be headlining for the first time, having made their Glastonbury debut in 2014.
The Cheshire band, known for hits such as Somebody Else and Chocolate, have regularly made headlines due to the antics of frontman Matty Healy.
Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.
Image: Neil Young performing at the New Orleans Jazz & Heritage Festival last May. Pic: Amy Harris/Invision/AP
Appetite for the esteemed festival saw standard tickets sell out in 35 minutes in November.
They cost £373.50 plus a £5 booking fee, up £18.50 from the price from the 2024 festival, and were sold exclusively through the See Tickets website.
The date for the resale – where tickets not fully paid for are put back up for purchase – is set for some time in spring.
The headliners last summer on the iconic Pyramid Stage were Dua Lipa, SZA and Coldplay, who made history as the first act to headline the festival five times.
2026 is likely to be a year off for Glastonbury, with the festival traditionally taking place four out of every five years, and the fifth year reserved for rehabilitation of the land.
Ofcom received 825 complaints over the Brit Awards, with the majority relating to Sabrina Carpenter’s raunchy performance and Charli XCX’s outfit, the media watchdog says.
US pop star Carpenter, 25, sported a red sparkly military-style blazer dress for her performance at the awards show on Saturday night, paired with stockings and suspenders for a rendition of Espresso.
The song was mixed with a Rule Britannia mash-up, as dancers in military parade dress followed her.
She then switched to a red sparkly bra and shorts for her next song, Bad Chem, which she performed alongside dancers in bras and shorts while sitting suggestively on a large bed.
Image: Sabrina Carpenter performing her second song. Pic: Reuters
Carpenter later received the global success award at the ceremony, and was also nominated in the international artist and international song of the year categories.
But much of the buzz on social media surrounded her performance, which took place before the 9pm watershed.
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The singer addressed the concerns during her acceptance speech for artist of the year, saying: “I heard that ITV were complaining about my nipples. I feel like we’re in the era of ‘free the nipple’ though, right?”
Carpenter paid tribute to the UK in her acceptance speech, saying: “The Brits have given me this award, and this feels like such an insane honour in a very primarily tea-drinking country… you really understood my dry sense of humour because your sense of humour is so, so dry. So I love y’all more than you even understand.”
Actor Noel Clarke begins his High Court libel case against The Guardian’s publisher today.
Clarke, 49, is suing Guardian News and Media (GNM) over a series of articles it published about him in April 2021.
They were based on the claims of 20 women Clarke knew “in a professional capacity” who allege his behaviour towards them amounted to sexual misconduct.
Clarke, known for his roles in the Kidulthood trilogy and Dr Who, “vehemently” denies “any sexual misconduct or wrongdoing”.
What will the trial cover?
Clarke is suing GNM for libel, sometimes also referred to as defamation.
It’s a civil tort – not a criminal offence – defined as false written statements that have damaged the person’s reputation. This means Clarke can seek redress or damages but no one will face charges or prison.
Clarke claims the articles The Guardian published in 2021 altered public opinion of him, damaged his reputation, and lost him work.
He said after the allegations emerged: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me.
“If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.”
The Guardian is defending the claim on the basis of truth and public interest.
It said in its statement: “Our reporting on Noel Clarke in 2021 was based on the accounts of 20 brave women. After we published our first article, more women came forward.
“At trial, 32 witnesses are set to testify against Mr Clarke under oath. We look forward to a judge hearing the evidence.”
The trial will only focus on liability – not the amount of damages to be paid if Clarke is successful.
The actor tried and failed to get the case struck out in January, with his legal team saying it had “overwhelming evidence” of “perversion of the course of justice”.
His lawyers told the High Court three of the journalists involved in the articles had “deliberately and permanently” deleted messages, which meant he could not get a fair trial.
Lawyers for GNM told the court there was “no adequate evidential basis” for Clarke’s application for a strike out and said it sought “to smear Guardian journalists and editors without any proper justification”.
The trial, which will be presided over by judge Mrs Justice Steyn, is expected to last between four and six weeks.
Image: In July 2015. Pic: PA
What has happened since the articles were published?
A month before the articles about him were published in April 2021, Clarke received BAFTA’s outstanding contribution to British cinema award.
However, once the allegations against him emerged, he was suspended by the organisation and the prize rescinded.
His management and production company 42M&P told Sky News they were no longer representing him and Sky cancelled its TV show Bulletproof, starring Clarke and Top Boy actor Ashley Walters as the lead roles.
ITV also decided to pull the finale of another of his dramas, Viewpoint, following the Guardian articles.
The Met Police looked into the allegations against Clarke for any potential criminal wrongdoing, but in March 2022 announced they “did not meet the threshold for criminal investigation”.
Clarke filed the libel claim the following month and has attended several of the preliminary hearings in person.
He says he has faced a “trial by media” – and that the ordeal has left him suicidal and in need of professional help.
Image: At the UK premiere of Kidulthood in London’s Leicester Square in 2006. Pic: PA
‘Rising star’
Clarke made his TV debut in a revived version of Auf Wiedersehen Pet in 2002.
Soon after he played Mickey Smith in Dr Who and Kwame in the six-part Channel 4 series Metrosexuality.
He wrote and starred in the film trilogy Kidulthood, Adulthood, and Brotherhood, which were based in west London, where he grew up, and explored the lives of a group of teenagers given time off school after a bullied classmate takes their own life.
It was a box office success and eventually saw Clarke given BAFTA’s rising star prize in 2009.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.