Copies of Prince Harry’s memoir smeared with Afghan blood to go on sale

Published

2 years ago

April 8, 2023

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Copies of Prince Harry’s memoir smeared with the blood of Afghan people are set to go on sale – with a five-figure price tag.

Artist Andrei Molodkin says he has covered 25 copies of Spare with human blood, which he will put on display at a shop in Windsor today.

It comes after the Russian anti-war artist projected a sculpture filled with blood on to St Paul’s Cathedral in London last week, in a protest over the Duke of Sussex’s remarks about his number of kills in Afghanistan.

Molodkin said some of the blood donated for the artwork has now been used to create his “alternative Spare” books, which will be available to buy from 2 May – four days before the King’s coronation – for $10,000 (£8,000) each.

The artist says any money raised from the sale will be donated to Afghan charities.

In a statement about his latest stunt – called “Blood Money” – Molodkin said: “Prince Harry boasts of killing Taliban like they’re baddies in a video game, ‘otherising’ human life then cashing in on the sorry tale to sell books about his drug binging, sexual exploits and killing conquests.”

After going on display in Windsor on Saturday, a spokesman for Molodkin said the blood-covered books will be available to buy at a/political, the art and activist body, in Kennington, London, on 2 May.

Harry faced criticism for revealing in his memoir that he killed 25 Taliban fighters while serving with the British army in Afghanistan. He wrote that it “wasn’t a number that gave me any satisfaction… but neither was it a number that made me feel ashamed”.

The prince also admitted that he did not think of those he killed as “people”, but instead as “chess pieces” that had been taken off the board.

He wrote: “While in the heat and fog of combat, I didn’t think of those 25 as people. You can’t kill people if you think of them as people. You can’t really harm people if you think of them as people. They were chess pieces removed from the board, Bads taken away before they could kill Goods.”

Artist ‘angry’ over Harry remarks

Molodkin told Sky News last month that Harry’s remarks had made him “very, very angry” and he wanted “to drench St Paul’s Cathedral in the blood of Afghani people” by projecting his sculpture on to the landmark.

He said: “They read they are just ‘chess figures’… for some prince hunting by helicopter.

“It looked like a safari situation. How he told it, for him it’s like a computer game.”

Molodkin said about 1,250ml of blood was used in his sculpture – called Royal Blood – after being taken by a registered nurse, kept in a fridge and then “pumped” into the artwork.

The artist, who used to serve in the Soviet Army, said the blood was donated by Afghans in France and the UK and he explained to all the donors how it would be used.

The controversial artist who uses blood and oil to make his point

To coincide with the World Cup in Qatar last December, Andrei Molodkin unveiled a replica of the World Cup trophy that slowly filled with crude oil. It had a symbolic price of $150m – a figure that matched the amount of money allegedly spent on bribes and kickbacks to FIFA officials
Last August, Molodkin presented a sculpture of the White House that reportedly contained the radioactive blood of Nagasaki-born men to commemorate the 77th anniversary of the Hiroshima and Nagasaki atomic bombs
In May last year, Molodkin showcased a glass portrait of Vladimir Putin which was filled with the blood of Ukrainian soldiers. An image of the artwork was said to have been live-streamed near Moscow’s Red Square as Mr Putin oversaw Russia’s Victory Day parade
Back in 2013, Molodkin opened an exhibition called Catholic Blood that featured an installation where he pumped blood donated solely by Catholics around his replica of the Rose Window at Westminster Abbey, which he saw as a Protestant symbol

He previously hit the headlines after producing a sculpture featuring an image of Vladimir Putin that was filled with blood donated by Ukrainian fighters.

Now living in the south of France, Molodkin said he “can’t go back to Russia” as he believes he would be jailed.

Following the release of his memoir, Harry said it was a “dangerous lie” to say he had “somehow boasted” about the number of people he killed in Afghanistan.

The royal carried out two tours in Afghanistan during his time in the military, including one tour between 2012 and 2013 when he served as an Apache attack helicopter co-pilot gunner.

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Among the revelations in his book, Harry admitted he had taken cocaine, smoked weed and tried magic mushrooms, and revealed he had lost his virginity to an older woman in a field.

Entertainment

‘The heartbeat of Blondie’: Drummer Clem Burke dies aged 70

Published

1 day ago

April 7, 2025

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'The heartbeat of Blondie': Drummer Clem Burke dies aged 70

Blondie drummer Clem Burke has died at the age of 70

The band said Blurke had been diagnosed with cancer, and described his death as a “profound loss”.

He featured on all the Debbie Harry-fronted group’s studio albums since joining a year after their formation in 1975.

Blurke was with the band from their self-titled debut, through their 1978 classic Parallel Lines, to 2017’s Pollinator.

In a statement on Blondie’s Instagram, Harry and the band’s guitarist, Chris Stein, said: “It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer.

“Clem was not just a drummer, he was the heartbeat of Blondie.

“His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.

“Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him.

“Clem’s influence extended far beyond Blondie, a self-proclaimed ‘rock and roll survivalist’, he played and collaborated with numerous iconic artists.”

Burke featured on Iggy Pop’s 1982 album Zombie Birdhouse and also performed with Bob Dylan, The Ramones, The Who guitarist Pete Townshend and Joan Jett.

The statement went on to say Burke had left an “indelible mark on every project he was part of”.

It added: “We extend our deepest condolences to Clem’s family, friends, and fans around the world. His legacy will live on through the tremendous amount of music he created and the countless lives he touched.”

Burke, who performed on classic tracks such as Call Me, Heart Of Glass and One Way Or Another, made his final live appearance with Blondie last year.

Among those paying tribute to him was Kinks guitarist Dave Davies, who said: “I feel saddened that Clem Burke was taken from us so soon.

“May he rest in peace, spectacular drumming, we were friends.”

Nancy Sinatra said: “My heart is shattered. Clem became an icon as a member of Blondie, but he was also an important part of my band, the K.A.B. I was blessed to call him my friend.

“If I ever needed him, he was there. Always. Sending healing prayers and comfort to his widow, Ellen, his family, and all who loved him.”

Entertainment

Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

Published

2 days ago

April 7, 2025

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

Entertainment

Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born

Published

4 days ago

April 5, 2025

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.