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Frank Skinner has paid tribute to comedian Gareth Richards as he introduced a special edition of a podcast featuring the best bits of the radio show they co-hosted.

Richards’ death was announced yesterday almost two weeks after he suffered brain injuries in a motorway crash.

Describing Richards as a “former colleague and dear friend”, Skinner said: “There’s been lots of beautiful messages about Gareth and his family have been very kind to us and kept us informed about the details of his struggle but look, Gareth didn’t make it.

“Gareth didn’t make it and we will miss him intensely.

“He was a very kind, gentle, funny, fascinating man and I can’t believe that he…

“Today’s show features Gareth’s best bits but you are allowed to cry but you have to laugh as well, I think he would have insisted on that.”

Gareth Richards. Pic: garethrichardscomedy
Image:
Gareth Richards. Pic: garethrichardscomedy

Skinner and Richards worked together during the early days of the Saturday morning show on Absolute Radio.

In a post on social media paying tribute, Richards’ wife said: “He was in a terrible car accident on Monday 27 March at 11.30pm and sustained serious brain injuries.

“It was a miracle that he arrived at the hospital alive.

“Since then, the doctors and nurses have been incredible and have kept him in a stable and sedated condition.

“However, the latest scan revealed that the extent of the damage was so severe that they would have to remove all of the supportive medications and allow him to be at peace.”

Read more:
Gareth Richards, comedian and former radio co-host dies of brain injuries

‘We will miss him greatly’

The comedian had his first ever gig in October 2004, aboard the Wibbly Wobbly Boat, a venue compered by alternative comedy veteran Malcolm Hardy.

His success led to him becoming a finalist in the Hackney Empire New Act of the Year 2007 competition, and a runner-up in the Amused Moose Laugh-Off 2007.

In 2010 the comedian went on to lead his first solo stand-up on “Stand Up Between Songs” at the Edinburgh Fringe Festival.

Richards was also nominated for Foster’s Edinburgh Comedy Award Best Newcomer.

During his career, Richards also appeared on Russell Howard’s Good News, Live at the Electric on BBC Three and children’s TV panel show The Dog Ate My Homework on CBBC.

He later joined Skinner’s award-winning radio show for two years.

Tributes poured in from heartbroken fans, friends and family, following the announcement of his death.

On Saturday The Frank Skinner Show tweeted: “We are heartbroken about the loss of our dear friend, Gareth. We will miss him greatly.”

Emily Dean, a co-host of Skinner’s podcast, said: “God I will miss you Gareth Richards – my hilarious, unfailingly kind, gentle, beautiful friend. So grateful to have known you.”

Skinner struggled for words as he told listeners how Richards was fighting for his life after a “very big road accident” last weekend.

‘I’m absolutely gutted’

Fellow comic Joe Lycett posted: “When I did my first hour at the Edinburgh Festival, I shared my venue with Gareth Richards.

“He was on after me and was normally the first person I saw when I came off stage. He wasn’t having the best time of it that year but he was always generous and comforting despite presumably trying to focus on his own imminent show.

“We giggled together on and off over the last decade and reconnected more actively in the last couple of years, and I felt like he was getting to a happy and more honest place with who he was.

“He’d been very brave. I’m absolutely gutted about his death and am so sad for his family.

“His last WhatsApp message to me contains amongst other things, the words ‘love you’. I didn’t say it back then and I should have: love you too, G. X”

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
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Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
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Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
Image:
Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
Image:
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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