Connect with us

Published

on

The meeting that took place in Branch Rickey’s office on Montague Street in Brooklyn in late August of 1945 has obtained an almost apocryphal status. Dodgers scout Clyde Sukeforth had met up with Jackie Robinson in Toledo, and the two traveled together to New York to meet the Dodgers’ general manager. Sukeforth ushered Robinson into Rickey’s office and warned his boss that he had not had a chance to see Robinson throw from the shortstop hole, as Rickey had requested, because Robinson had been nursing a sore shoulder.

Rickey and Robinson sized each other up. A long minute of silence passed. “When Rickey met somebody he was interested in, he studied them in the most profound way,” Sukeforth would say. “He just sat and stared. And that’s what he did with Robinson — stared at him as if he were trying to get inside the man.”

Robinson stared right back.

At some point during the meeting Rickey would get in Robinson’s face, tossing insults like those he would face on the field. He told Robinson he would have beanballs thrown his way, he would be physically attacked, he would be spiked and spat on, that he would have to control his temper. Robinson wrote in his autobiography:

“Mr. Rickey,” I asked, “are you looking for a Negro who is afraid to fight back?”

I will never forget the way he exploded.

“Robinson,” he said, “I’m looking for a ballplayer with guts enough not to fight back.”

That’s when Robinson agreed to sign a contract to play for Montreal, Brooklyn’s affiliate in the International League, for 1946.

Still, there was no guarantee that Robinson was going to be the first Black player in the majors. To that point, there wasn’t much experience on Robinson’s baseball résumé to presume he was going to be great — and, as the first Black player, Robinson had to be great as opposed to merely good.

On the 75th anniversary of Robinson’s debut with the Dodgers, Robinson’s skill as a player is sometimes overlooked — rightfully — when honoring his cultural and historical impact. All these years later, we learn and remember what Robinson went through, the abuses he suffered, the pressures he endured.

That meeting in Brooklyn was just the beginning. After the deal was signed, it was time for Robinson to play. And, oh, could Jackie Robinson play baseball.


Robinson himself always expressed surprise that Rickey had selected him. The biggest Negro Leagues stars of the time included future Hall of Famers Josh Gibson, Satchel Paige and Monte Irvin, who was regarded as the best young player. It seemed one of the three would be first, but Gibson and Paige were too old by 1945 and Irvin, after serving in World War II, did not believe himself to be in the right frame of mind to return immediately to baseball.

Robinson, meanwhile, might not have even made it to the Monarchs tryout had it not paid more than his job at the time.

Robinson had starred in baseball at Pasadena City College, but in two years at UCLA he was much better known as a star halfback for the football team and also a letter winner in basketball and track. He played just one season of baseball, one that doesn’t even get a mention in his autobiography — maybe with good reason, because, according to the UCLA website, Robinson hit .097 for the Bruins, a figure apparently drawn from Arnold Rampersad’s biography of Robinson (although Rampersad’s sourcing is not exactly clear).

It’s clear that, at the time, baseball was hardly the young man’s best sport. Robinson also won the Pacific Coast intercollegiate golf championship and reached the semifinals of the national tennis tournament for Black players. He also won swimming events for UCLA. So if he really did hit .097, baseball was perhaps his seventh-best sport.

After receiving an honorable discharge from the army in 1944, Robinson played pro football for the Los Angeles Bulldogs. He then got a job at Samuel Huston College in Austin, Texas, teaching physical education and coaching basketball at the all-Black school.

In his autobiography, Robinson explains how he found his way to a tryout in March with the Kansas City Monarchs of the Negro Leagues: He had heard the Monarchs paid $400 per month, and that was more than he was making coaching basketball.

He must have made a quick impression with the Monarchs. In a preseason article in the April edition of Negro Baseball magazine, legendary sportswriter Sam Lacy named Robinson on his list of prospective players who could integrate the majors, calling him the “ideal man to pace the experiment.”

Robinson was clearly one of the best players in the league that season. In the 34 league games for which researchers have found stats, Robinson hit .375/.449/.600 with four home runs. Maybe he didn’t have the arm to play shortstop, but he had all the other tools Rickey and Sukeforth were looking for: speed, hitting ability and, most obvious of all, as Rickey sensed in his office, an intense competitive drive.

After leading the International League in batting average (.349) and runs (113) and finishing second in stolen bases (40) for Montreal in 1946, Robinson joined Brooklyn in 1947 and won the Rookie of the Year Award and finished fifth in the MVP voting.

He won National League MVP honors in 1949, leading the league with a .342 average and 37 steals while scoring 122 runs and driving in 124. Over his first seven seasons, he scored 773 runs, more than any player in baseball except Stan Musial. Only Musial had more hits. Only Musial, Ted Williams and George Kell hit for a higher average than Robinson’s .319. Nobody stole more bases. Only Musial had more WAR, and there was a bigger gap from Robinson to the No. 3 player than from Musial to Robinson.


What made Robinson such a great player? It’s almost too easy to attribute his success just to an overwhelming conviction that failure was not an option. No doubt, that was an important part of his career with the Dodgers, but it also undersells his ability.

As a hitter

Although his swing isn’t necessarily one you would teach or see today, Robinson adapted quickly to major league pitching (despite Bob Feller’s declaration that Robinson “couldn’t hit an inside pitch to save his neck”). He had a little hitch as he brought his bat back to begin his swing, his bat starting almost parallel to the ground, a style seen more often back then. Still, you can sense why some might have thought Robinson would have trouble pulling his hands in to handle anything inside. Clearly, however, Robinson had the bat speed and hand-eye coordination to do damage on those pitches.

In highlights, you also see Robinson hitting off his front foot a lot, another style that was more popular in those days, when most players weren’t selling out for power on every swing. (Roberto Clemente was another famous front-foot hitter.) As his .311 career average with the Dodgers attests, Robinson was a line-drive hitter. He topped out at 19 home runs in one season, although he reached double digits in nine of his 10 seasons with Brooklyn.

“He is as good a hitter as I have ever seen with two strikes,” Rickey would say in 1950. “Most hitters do not swing the same after they get two strikes. They do not have the same power. Robinson swings with the same power, regardless of the count. And so good are his reflexes that he can lay off the pitch at the last second, even after one might think that he has committed himself.”

More than anything, though, it’s Robinson’s plate discipline that stands out. He drew 740 walks with the Dodgers while striking out just 291 times. Even in that lower-strikeout era, those numbers were outstanding. Look at where he ranked among all major leaguers in strikeout-to-walk ratio each season:

1947: 22nd

1948: 42nd

1949: 10th

1950: 8th

1951: 8th

1952: 8th

1953: 9th

1954: 5th

1955: 2nd

1956: 11th

He wasn’t about to give the pitcher any advantage by swinging at pitches out of the strike zone. Plus, he could beat you in so many ways. Back then, bunting was a big part of the game, and Robinson was regarded as perhaps the best bunter around. He led the National League in sacrifice hits in 1947 with 28 and in 1949 with 17. In his excellent book “Opening Day” on Robinson’s first season with the Dodgers, Jonathan Eig reports that Robinson had 14 bunt singles during his rookie season, a skill he would continue to use throughout his career.

On the base paths

His speed was famously a big part of his game, but he wasn’t a graceful runner, with his arms angled away from his body, flailing about to propel him forward. He was all coiled-up energy, indeed, a football running back tearing around the bases. He used his speed to intimidate opponents as well, bouncing off the bases and threatening to steal on any pitch. My late father-in-law grew up in Brooklyn and would tell me, “There was nothing as exciting as watching Jackie Robinson dance around on the bases.”

Another reason that Robinson’s daringness on the base paths seemed to take opponents by surprise: There wasn’t much base-stealing in those days. The year before Robinson joined the Dodgers, Brooklyn’s Pete Reiser led the NL with 34 steals, while George Case led the AL with 28. Only two other players were even over 20. It was very much station-to-station baseball. Then comes Robinson, a force of nature — whether or not he was running all the time, he was certainly threatening to run at any time. He led the NL with 29 steals in his rookie season and with 37 in 1949. His big leads off the base were legendary.

“It’s been a long time since we’ve had one man in the league who has an upsetting effect on every infield whenever he gets on base,” Cubs manager Charlie Grimm said during Robinson’s rookie season. “Robinson makes ’em all squirm. After all, he takes such a good lead that you got to make a play for him. You’ve got to try and pick him off. He sets up the play himself, and there’s no choice but to make him take back a step or two.”

In the field

The most underrated aspect of Robinson’s game was his fielding. When Bill James published his “New Historical Baseball Abstract” in 2001, his analysis at the time showed Robinson to be one of the best defensive second basemen of all time — to a degree that might even surprise Robinson’s most ardent supporters, as he wrote.

“I would not rule out the possibility that Jackie may have been a far better defensive second baseman than even the people who watched him regularly realized. Jackie, I would suggest, was such a controversial figure, such a polarizing figure, that it must have been extremely difficult to see him for exactly what he was, even when he was right in front of you,” James wrote. “Also, Jackie was, according to all accounts, unusually intelligent. Is it not possible, I wonder, that Jackie’s intelligence created benefits for his team that only show up in the statistics?”

James goes on to point out Robinson’s versatility. He played about 2,000 innings at third base later in his career — and, according to James’ win shares method, Robinson’s defensive stats are off the charts. He played nearly 1,100 innings in left field — his metrics are outstanding. The defensive estimations used at Baseball-Reference credit Robinson with 81 runs saved over his career. All this, and keep in mind that defense usually peaks early in a player’s career, while Robinson was 28 during his rookie season.

It’s perhaps understandable why observers at the time might have underestimated Robinson’s defense. There was nothing elegant about his game in the field. I picture him playing defense the same way; not the smooth, gliding nature of a classic second baseman, like Roberto Alomar, but chewing up ground as he chased after ground balls. But keep in mind what his Hall of Fame contemporary Ralph Kiner said: “Jackie Robinson was the best athlete ever to play major league baseball.” Robinson, no doubt, made routine plays look easy; he didn’t have to dive for balls because he was already there.

When you add it all together

Robinson’s greatest season might have been 1949, his MVP season, which Baseball-Reference values at 9.3 WAR — best among all National League players. Or maybe it was 1951, when he hit .338/.429/.527 and again led the NL in WAR, at 9.7. Or maybe it was 1952, when he hit .308/.440/.465 and led NL position players with 8.4 WAR.

When looking at the best seasons via WAR by a second baseman since integration, Robinson’s top three rank second, tied for fifth and tied for 14th. Joe Morgan has five of the top 11 and is regarded as the best second baseman since World War II and the greatest ever alongside Rogers Hornsby and Eddie Collins. Of course, Morgan enjoyed a full career. Robinson had many of his prime seasons cut off by the war and the color barrier.

As it is, Robinson’s 61.8 career WAR still ranks 15th among second basemen. What could that total have been? Let’s work backward and put Robinson in the major leagues at 21, like Morgan. We’ll give him an average age-21 season, transplant his age-28 rookie season with the Dodgers to age 22 and his age-29 season to age 23 and then assume he reaches peak performance level in his fourth season. We get something like this:

Age 21: 2.5 WAR

Age 22: 4.1

Age 23: 5.3

Age 24: 7.5

Age 25: 8.5

Age 26: 9.0

Age 27: 10.0

Age 28: 8.5

Age 29: 9.5

Then his actual totals the rest of the way:

Age 30: 9.3

Age 31: 7.4

Age 32: 9.7

Age 33: 8.4

Age 34: 6.9

Age 35: 3.6

Age 36: 2.6

Age 37: 4.5

Our theoretical Jackie Robinson ends up with 117.3 career WAR, which would place him seventh among position players who played at least part of their careers after integration: Barry Bonds (162.8), Willie Mays (156.1), Henry Aaron (143.0), Stan Musial (128.6), Ted Williams (122.0, not including his own missing seasons) and Alex Rodriguez (117.6).

Maybe that’s an optimistic projection; it’s impossible to know, of course. Morgan, for instance, had his peak years from 28 to 32. But the general point holds true: Robinson, at his best, was one of the all-time greats, and in many cases was better than is even generally acknowledged.

We love to put different players in different eras or imagine what-if scenarios. What would Babe Ruth do today? What if Mickey Mantle’s knees hadn’t gone bad? But maybe we don’t have to do that with Robinson. The Jackie Robinson legacy isn’t about what he could have done. It lives on today, 75 years after that first game at Ebbets Field, precisely because of what he did do.

Continue Reading

Sports

How ‘A League of Their Own’ started a feud between Madonna and Evansville, Indiana

Published

on

By

How 'A League of Their Own' started a feud between Madonna and Evansville, Indiana

EVANSVILLE, INDIANA, IS one of America’s biggest small towns, sitting on a bend in the Ohio River with a population of around 120,000. Its residents are a proud people.

They’re proud of their town’s resilience during the Ohio River flood of 1937 that covered 500 city blocks. They’re proud of the city’s role in World War II as a major manufacturing hub for aircraft and naval vessels.

They’re proud of their five-time College Division national champion University of Evansville men’s basketball team, and the program’s perseverance after a plane crash took the lives of the entire 1977 team.

Then there are the locals who became legends in their respective sports, like Bob Griese, Don Mattingly and, most recently, swimmer Lilly King. And we can’t even begin to get started on local high school basketball standouts throughout the years. This is Indiana, after all.

People from Evansville are proud of the high school they graduated from. They’re proud of whichever side of town, east or west, that they live on. The west side hosts the annual Fall Festival, one of the largest street festivals in the United States.

The east side was home to Roberts Stadium, which was host to the NCAA College Division (now Division II) men’s basketball national championship, as well as concerts by artists including Elvis Presley, Jimi Hendrix and Taylor Swift, who kicked off her first major tour in Evansville in 2009.

But on Dec. 8, 1991, Roberts Stadium was host to a different kind of event. An estimated 300 people gathered in the parking lot to create a human billboard. A helicopter with photographers aboard went into the southern Indiana sky around 1:30 p.m. to capture the message, which was intended for the Queen of Pop, Madonna.

The people who showed up for the gathering laid on their backs and held up large cards. Madonna’s name was spelled out in white. Over it was a red circle with a line through it to show the crowd’s disapproval.

The inspiration for the protest was a line from a TV Guide interview in which Madonna — who spent 11½ weeks in Evansville making what would become the highest-grossing baseball film in history, “A League of Their Own” — compared the city (derogatorily) to Prague.

Before the demonstration, Evansville was just the small town in Indiana that served as the backdrop for some of the most significant movie scenes in one of history’s most popular sports films.

Afterward, it was thrust into the national spotlight, portrayed as the town that rebelled against one of the most famous people in the world.


THE FILMING OF “A League of Their Own,” the movie centered on the All-American Girls Professional Baseball League of the 1940s and ’50s, began in the summer of 1991. The movie, directed by Penny Marshall, would star Geena Davis, Tom Hanks, Rosie O’Donnell, Lori Petty, Jon Lovitz and, of course, Madonna.

Evansville, as well as spots around the Illinois-Indiana-Kentucky tristate area, was selected as a filming site. Scenes were also shot in Chicago and Cooperstown, New York. Evansville’s Bosse Field, the third-oldest professional baseball stadium in the United States, behind only Wrigley Field and Fenway Park, drew Columbia Pictures to the area. The company believed it to be the perfect setting for baseball scenes, while the rest of the town could easily be touched up to create a 1940s look.

It’s no small deal when a major Hollywood production comes to any town, and in proud Evansville, the chance for residents to show off their home to some of film and entertainment’s biggest stars was a dream opportunity.

The crew began to arrive in the area on Aug. 7, 1991, but one of the film’s leads already seemed less than overjoyed to be in town. Chicago Sun-Times columnist Bill Zwecker said on “The Joan Rivers Show” that he asked Tom Hanks if he was excited to move the filming from Chicago to Evansville, to which he said Hanks replied, “Well, no. I’m sure Evansville is a nice town, but it’s certainly not going to have all the excitement Chicago has.”

Cynthia Cowen of Evansville wrote a letter to the editor of The Evansville Courier that was published a week after Hanks’ quote from Zwecker was made public. “I realize the quote upset some residents,” Cowen wrote. “But let’s face the fact that Evansville does not compare to Chicago and probably never will.” She suggested Evansville “should just try to be itself.”

That’s what Evansville did. Cast and crew members received a packet of things to do in town, with nightlife listings, restaurants and pubs, and, as Courier writer Eileen Dempsey noted, “a smattering of adult bookstores and a gay bar also were included.”

It wasn’t long before people in the area were interacting with some of Hollywood’s stars.

Lovitz ran into fans, signing autographs and taking pictures in New Harmony, Indiana. Hanks (who has since spoken fondly of his time in Evansville) was seen at a pawn shop purchasing a Fender 12-string guitar. He also found his way to popular local eateries such as House of Como and Wolf’s Bar-B-Q. Davis tried a chicken enchilada, beans and rice with a strawberry margarita at Hacienda on First Avenue. The restaurant paid the $11 bill for her, so she autographed the check and left a $5 tip for the server. Marshall was seen shopping at the Old Evansville Antique Mall, getting a variety of items like quilts, spice jars and snowshoes, according to Dot Small, one of the owners.

A local, Richard Harper, snapped a photo of Madonna as she arrived in town in a maroon Lincoln. His wife, Mary Jo, sent the photo to Madonna’s address in town, and within a week, it was returned, signed “For Richard, Love Madonna.”

Some found other ways to extend themselves to Madonna. A 47-year-old California man, Floyd “Sandy” Bucklin, left a message for her in the classifieds of the Courier for the duration of the filming.

MADONNA CICCONE: Meet me for coffee. 415-***-****.

The Rev. Stephen Schwambach, pastor of Bethel Temple, invited Madonna to his church through the Courier.

Filming took about three months, with the movie’s World Series scene set at Bosse Field and one of the most iconic lines in any sports film — “There’s no crying in baseball!” — captured at the smaller League Field in nearby Huntingburg, Indiana.

Those three months were a success, and it seemed like Evansville was happy with its taste of Hollywood.


IN THE NOV. 23, 1991, issue of TV Guide, MTV anchor Kurt Loder interviewed Madonna in Los Angeles’ Hollywood Hills, in part to discuss “MTV 10,” a one-hour musical special celebrating MTV’s first decade.

As Loder wrote, “For the past three months — it might as well have been three years — she was stranded in Evansville, Indiana, a place she will not be revisiting in this current lifetime. (‘I may as well have been in Prague,’ she says, by way of summing up the town’s attraction.)”

Madonna told Loder that she was excited in the beginning to learn to play baseball, “but when you have to do it over and over again, you lose interest. Unless you’re getting paid 12 million dollars to play baseball — then I could grow very interested.”

Loder noted that Madonna didn’t have MTV at the home in which she was staying. “For the first time in my life, I felt very disconnected,” she told him.

But this might not have been true. Jeff Meece, who helped with props during the Evansville shoot, told the Evansville Press that because of conversations on the set, he believed that Madonna watched the “MTV Video Music Awards.” “It was generally acknowledged on the set the next day that she had watched the awards,” he claimed. “Obviously she had cable.”

The general manager of United Artists Cable of Evansville, Michael MacNeilly, personally visited the home Madonna stayed at in McCutchanville to check the house’s service. He claimed it was properly installed at the house, MTV and all. “We’re not a Podunk cable service,” he told the Courier. In fact, the real estate agent for the home, Jeri Garrison, had made cable installation a priority when Madonna decided to move in earlier than initially planned.

Madonna’s publicist at the time, Liz Rosenberg, said shortly afterward that her client’s comments had been exaggerated by Loder. “I’m sure she didn’t want to hurt anyone’s feelings,” she said. “She’s a Midwest girl. In fact, she had a very good time in Evansville and made good friends.” But as soon as the quotes hit magazine shelves, WSTO-96 FM program director Barry Witherspoon began planning the Roberts Stadium parking lot stunt.

Before Madonna’s comments to TV Guide, Witherspoon was one of the thousands to be an extra for the film. He brought over 100 T-shirts from the station with him one day and asked the publicist there to pass them out and make sure all of the stars got one.

“You had all these big stars,” he recalled. “Being in radio, I never really had been a starstruck type person, because any big concert that came to Evansville, I would end up backstage, just hanging out with the groups and whoever it was, you know, Van Halen or Def Leppard or whatever. We all just kind of hung out and stuff.”

Witherspoon noticed that the stars of the movie would go behind the stadium in between shots. So instead of sitting with the rest of the extras in his seat at the stadium, he sneaked back to see them. He recalled them sitting around hay bales, including one in the middle with a big fruit bowl.

“Well, my whole purpose for even doing this, for even going over there, wanting to be an extra, my goal was to get Tom Hanks to stop by the station and do an on-air stint with our morning show,” Witherspoon said.

Witherspoon told Deborah Fruin, who wrote a story titled “A Bad Day For Evansville” in the Madonna 92 magazine, “We had tried to get Madonna — in fact any of the stars — to come to the radio station for an hour, a minute, anything, but we had no luck. As far as I know the cast of ‘A League of Our (sic) Own’ only gave one group interview to a television station during their entire stay.”

He sat down on a hay bale, grabbed some fruit and asked Hanks about appearing on the radio station. Hanks’ reply? “Nah, better not do that.”

After that, Witherspoon said he got up to go sit on a park bench. As he sat there, Madonna was walking by to go to her trailer.

“I just looked up and said, ‘Hey, did you get that T-shirt I sent over to you?'” he recalled. “And she didn’t even turn her head. She just kind of looked out of the corner of her eye as she walked past me and just said, ‘Oh, is that you?’ I know it’s no big deal to give her a T-shirt, but it was just kind of, I don’t know, kind of rubbed me the wrong way.”

Witherspoon told the story on air the next day for the station’s morning show. And when the TV Guide interview came out, Witherspoon got the station involved further by organizing the parking lot stunt.

“I could have cared less what she said about Evansville myself, and I think the rest of the staff did too. But, Madonna was a big player on our station. We played everything she had done and played the snot out of it. She was a superstar, and that was the height of her superstardom really.

“So I just looked at it as — I looked at everything as a promotional opportunity for the radio station.”

Witherspoon showed up first, a few hours early, to make sure he chalked out the message in the parking lot for people to follow. “I had to get that right, because, you know, we end up doing it wrong, it looks stupid on us.” The turnout wasn’t as large as Witherspoon had hoped, so he had those in attendance lay on their backs to fill all the space. Many also wore T-shirts designed by a local graphic design artist that had a caricature of Madonna inside a map of Indiana that read, “Serving Time in Prague, Ind.”

Witherspoon got a hold of a helicopter pilot out of Henderson, Kentucky, and offered him free advertising if he would fly over the parking lot during the protest. One of Witherspoon’s jocks and a photographer from the Courier went up in the helicopter and took photos of the message along with a camera crew for the syndicated tabloid-style television show “Hard Copy.”

“I would be surprised if there was a whole lot of people that really gave a crap [about her comments], maybe thousands, but there was several hundred thousand people around. We tried to make it more than it was, just so that we could get some publicity out of it.”

That image turned the tiny, local slight into a national story.

“Entertainment Tonight” ended up doing a segment on Madonna and Evansville. Arsenio Hall, whose late-night TV show had millions of viewers, had Madonna and Rosie O’Donnell on and asked how they liked Indiana.

O’Donnell joked that Madonna was planning on buying a house in Evansville. Hall followed up and asked about the protest, to which Madonna replied, “They thought I threw shade on them.” She shrugged and said, “What are you gonna do? They only had one drag bar there!”

Despite some manufactured outrage that turned into national press, some locals were upset enough to keep their complaints in the local papers for weeks.

“I will probably see the movie when it opens only because I want to see our beautiful countryside and the local people that appear throughout. As far as I’m concerned, Madonna is not welcome to return to Evansville for the premiere of this movie or for any other reason.” – Melody Burbage, Henderson, Ky.

“Golly, gee, aw shucks, I’m just sick you weren’t happier here in Evanspatch these past few months.” – Gretchen Schroeder, Evansville

“Will The Evansville Courier pour a bit more ink through the machinery regarding Madonna’s criticism of Evansville? Who really cares what she says? … Her lack of class is evident in the simple fact that, after all the hospitality extended her by area businesses, she possesses not even the grace to say, ‘Thanks for the stay, Evansville.'” – Christine Fuchs, Evansville

There was one feud-related event held before things simmered down, though this one at least benefitted a good cause.

Organizers, including Rick O’Daniel, created a fundraising picnic to benefit the Special Olympics, calling it the “Evansville-Prague Summer Olympics.” Announced in June 1992, invitations were extended to the Czech embassy in Washington to attend the event, which was set for July 4 from noon to 5 p.m. at Burdette Park.

Madonna was invited as well, specifically to “carry the Olympic torch through town and to light the Olympic barbecue grill,” O’Daniel told the Courier.

While Madonna didn’t officially decline an invitation, the Czechoslovakian director of foreign policy sent the organizers of the event a letter. It informed them that President Havel could not attend as “he must be in Czechoslovakia for the presidential elections in the first weeks of July.”

As the Courier’s Eileen Dempsey pointed out, “All things considered, Havel may have had more fun in Evansville. He lost his re-election bid Friday.”


WHILE SOME EVANSVILLE residents didn’t have glowing reviews of Madonna, she got along just fine with other people in town.

Like University of Southern Indiana baseball coach Gary Redman, who taught baseball fundamentals to the actors. “Her first day there she was in left field just shagging fly balls,” Redman recalled. His young sons, Josh and Jace, were out there as well. “I found out pretty quickly that she absolutely loves kids. … She took right to them, and was just as nice as could be to them, played ball with them. When there was downtime she’d want to do things with them.”

Redman recalled overhearing a story Madonna told about jogging one morning in McCutchanville. “She had to go to the bathroom, really bad. So I think [she and her bodyguards] went to somebody’s house and knocked on the door and said, ‘This is Madonna. I gotta go to the bathroom.’ And she said how embarrassing that was.”

For Madonna’s birthday, Redman’s wife, Geralyn, and their sons bought balloons and baseball cards for her. “She couldn’t have been any sweeter to us, myself, my two boys,” he said.

Off the diamond, a trip to Sho-Bar, a former strip joint turned gay nightclub on Franklin Street, was one of the most widely reported highlights of Madonna’s stay in Evansville.

Patrick Higgs, a local who had taken time off from his DJ job at another bar to work every day on the movie set, went to Sho-Bar the night of Sept. 7 excited. He had spent the day filming a scene with Madonna and Rosie O’Donnell and wanted to tell his friends all about it. When he walked in, one of the owners wanted to speak with him. The bar’s DJ got into an argument with one of the other owners and quit. So they hired Higgs.

Madonna, in a black spaghetti-strap dress and a black tam, showed up that same night and paid the $3 cover charge for herself and a group of 10 others. She stood at the bar for about an hour but didn’t drink. She was very health-conscious, locals came to learn.

Eventually, someone from the group went over to owner Shawn Nix and asked if she could have a table. Of course Nix made room for her despite a packed house. Before making her exit that night, the bar had Madonna sign her name on the wall in fluorescent paint.

At a news conference for the film the next day, the cast and crew took questions from local media. Madonna was complimentary of the corn and root beer floats she’d had. As the session was closing, a reporter quipped to Madonna, “See you at Sho-Bar.” She replied with a smile, “See you at Sho-Bar.”

“Sho-Bar suddenly became the Madonna watch place,” Higgs said. “So she never came back.” That wasn’t a huge issue. Business there boomed anyway.

Alan Lee, a sportscaster at WEHT-Ch. 25, had a “Blond Ambition Scoreboard” named after Madonna’s tour as a regular feature of his nightly sportscasts since she arrived in town. Part of the bit was that Lee also wouldn’t shave until Madonna called him.

Eventually, after helping the crew get the extras needed for the World Series shoot, Lee’s phone rang at 5:22 one morning. It was Madonna. The two had a brief conversation about the filming and her time in Evansville.

“Looking back on that, there was never really any real controversy that was going on,” Lee said. “We had fun when they were here. She had fun that we know of. I think the overall impression to me would have been, this was a very positive experience for Evansville.”


HAVING “A LEAGUE of Their Own” filmed in Evansville was a significant moment in time for the city and its residents. An estimated 33,000 tristaters were extras in the film, it pumped $10 million into the local economy and it helped bring attention to Bosse Field, which had been tenantless after the Evansville Triplets of Triple-A left for Nashville following the 1984 season.

“I don’t think you can exaggerate the impact this movie still has on the community,” said Bill Bussing, the owner of the Frontier League’s Evansville Otters. “Gosh, I might be at the ballpark in November or December on a Saturday afternoon working, and people will come with tourists because they want to see the ballpark.

“Even in the offseason, who would expect that anybody would be there on Saturday? But they come anyway, and I let them in, and they walk around. Some kids say, ‘This is the best day of my life,’ because they’ve seen the movie so many times they can recite the lines from certain scenes.”

Major League Baseball has explored the idea of playing a game at Bosse Field in recent years, though there are no concrete plans to do so. If a game were to be played in Evansville, there’s no question that if there were “A League of Their Own” ties, the entire cast, including Madonna, would be welcomed back.

“I thought it was overdone,” said Gordon Engelhardt, who worked nearly four decades at the now Courier & Press. “I think the media was, you know, as we are members of the media, we were looking for a story, and I think it was overblown.”

“We don’t bear grudges here,” Bussing said. “I think she would be welcomed here if she’d be willing to come back.”

Opportunity is what pushed everyone. A local radio station saw an opportunity to take advantage of its proximity to the biggest star on the planet. National media did the same after the parking lot stunt.

But most importantly, Evansville got the opportunity to mix with Hollywood, and that’s how many residents remember the experience. It’s one more thing the town can be proud of.

Continue Reading

Sports

O’Reilly to sponsor NASCAR’s second-tier series

Published

on

By

O'Reilly to sponsor NASCAR's second-tier series

CHARLOTTE, N.C. — O’Reilly Auto Parts will take over as the title sponsor for NASCAR’s second-tier national series when the Xfinity Series is renamed next season.

The multiyear partnership announced Monday is a sponsorship package that includes promotional opportunities and brand integrations with The CW Network, which is the exclusive broadcast partner for that series. The renaming will take effect on Jan. 1.

“Partnering with NASCAR and The CW at this level enables us to further deepen our connection to one of the most loyal fanbases in all of sports,” said Hugo Sanchez, O’Reilly Auto Parts vice president of advertising and marketing. “This agreement builds on our long-term involvement in NASCAR and our dedication to the fans who love cars as much as we do.”

O’Reilly Auto Parts becomes the fourth title sponsor in the series’ history. It was launched as the Busch Series in 1982, had a seven-year run with Nationwide Insurance and Xfinity has been the title sponsor the last 11 years.

“Like the great sport of NASCAR, O’Reilly Auto Parts was born in America and built on the hard work and drive of passionate people,” NASCAR President Steve O’Donnell said. “This new partnership allows us to continue to fuel that passion for the next generation of NASCAR’s stars and fans while celebrating the journey we’ve been on together for decades.”

O’Reilly Auto Parts was founded in Springfield, Missouri, in 1957 as a single store and today is an automotive parts powerhouse with more than 6,400 locations across 48 states, Puerto Rico, Mexico and Canada. For several years it was the title sponsor of NASCAR races at Daytona, Texas and Mid-Ohio.

“Our company is rooted in the same values that define NASCAR — teamwork, enthusiasm and dedication,” O’Reilly Auto Parts President Brent Kirby said. “You’ll see those in action when our customers walk through our doors. We know they need fast service, and Team O’Reilly will get them the parts they need quickly, with excellent customer service. We welcome all fans to stop by our stores and see how our team can help keep them running.”

Continue Reading

Sports

Vols name Aguilar starting QB after Iamaleava exit

Published

on

By

Vols name Aguilar starting QB after Iamaleava exit

Tennessee named senior Joey Aguilar its starting quarterback Sunday.

Aguilar transferred from UCLA to Tennessee in April, a day after former Volunteers quarterback Nico Iamaleava joined the UCLA Bruins, in what essentially was a college football quarterback trade.

Aguilar had transferred from Appalachian State to UCLA during the winter portal and was in line to start for the Bruins until UCLA signed Iamaleava.

Tennessee coach Josh Heupel noted Friday that Aguilar was “handling himself extremely well” and praised him for being “extremely comfortable” commanding the Vols offense in such a short amount of time.

Aguilar beat out redshirt freshman Jake Merklinger for the job.

Aguilar threw for 3,003 yards and 23 touchdowns with 14 interceptions last season.

Tennessee opens the season Aug. 30 against Syracuse.

Continue Reading

Trending