A song featuring the cloned voices of Drake and The Weeknd – using AI technology – has been removed from various streaming sites.
The song, called Heart On My Sleeve, was created by the artist known as Ghostwriter.
Soon after it was released, the track went viral on TikTok and racked up more than 230,000 plays on YouTube, with more than 625,000 plays on Spotify, according to industry news website Music Business Worldwide.
Despite some versions still available on YouTube, it is no longer available on Apple Music, Spotify, Deezer and Tidal.
When promoting the song on TikTok, the artist said they worked as an actual ghostwriter for years for major music labels, but “got paid next to nothing”.
Although not the first example of AI being used to create songs, the convincing collaboration between Drake and The Weeknd sees them exchange lyrics about popstar and actress Selena Gomez, who previously dated The Weeknd.
In lyrics sung by the fake version of The Weeknd, the creator aims allegations at Gomez, as he sings: “Like Selena baby, I’ma cheat (sic).”
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Can you tell which tiger is real?
Universal Music Group, which publishes both artists through Republic Records, said it has been “embracing” this new technology for some time, but that songs like Heart On My Sleeve, which uses artists’ vocals and distributes it to digital service providers (DSPs) like Spotify, “represents both a breach of our agreements and a violation of copyright law”.
“The training of generative AI using our artists’ music as well as the availability of infringing content created with generative AI on DSPs, begs the question as to which side of history all stakeholders in the music ecosystem want to be on: the side of artists, fans and human creative expression, or on the side of deep fakes, fraud and denying artists their due compensation,” a spokesperson said.
“These instances demonstrate why platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists.
“We’re encouraged by the engagement of our platform partners on these issues – as they recognise they need to be part of the solution.”
At the beginning of the month, Universal Music Group sent emails to music streaming services including Spotify and Apple Music warning them that they “will not hesitate to take steps to protect our rights and those of our artists” over the use of AI-generated songs, according to the Financial Times.
Fashion brand Topshop celebrated its relaunch with its first catwalk in seven years.
The company’s website promised everyone was invited as models strutted down a runway on Trafalgar Square in front of noughties fashion icons Cara Delevingne and Adwoa Aboah and the London Mayor Sir Sadiq Khan.
The label has been operating on the online fashion platform ASOS after ceasing to operate as a standalone business in 2020.
Image: Topshop held a catwalk in Trafalgar Square. Pic: PA
Image: A model on the catwalk
Its previous owner, Sir Philip Green’s Arcadia group, collapsed into administration and all of Topshop’s physical stores – including the Oxford Circus flagship in London’s West End – closed soon after.
Delevingne told Sky News she was “totally blown away” by the relaunch event.
“It was like nostalgia mixed with something eclectic but also something brand new,” she said.
“For me, it really brings back a time of exploration of my own fashion sense because I think for me at Topshop I got to discover so much.”
The model, who is working on a capsule collection for next year, has already unveiled a choice edit in this year’s show and said her relationship with Topshop precedes her fame.
She said: “I would go in and my friends would be like ‘you would look good in that’ and I would go ‘no, that’s not really me’, and then you’d try it on and be like ‘oh maybe I can explore more’.
“They really have everything for everyone, and I feel like they brought that back.”
The runway showcased highlights from its Autumn-Winter 2025 collection, as well as an early preview of pieces set to drop later this season, including showstopper gowns, the classic white tee, and an aloe vera-coloured faux fur coat that surely should not have been on display – to prevent just about everyone rushing to buy it.
Image: Topshop’s relaunch was staged at Trafalgar Square
Image: Models in front of the National Gallery in London’s Trafalgar Square. Pic: PA
Reclaiming the high street
But sharp tailoring and statement outerwear suggest the brand is ready to reclaim the high street.
Must-have denim pieces completed the womenswear line-up while the Topman collection screamed modern utility by blending refined formal wear with sharp new silhouettes.
Casual pieces are grounded by authentic denim in deep indigos, which stood out on Trafalgar Square’s magnificent stone steps.
Topshop’s relaunch comes as the high street continues to struggle and as the UK operation of Chinese fashion giant Shein announced pre-tax profits of £38.3m for the year, up some £14m from 2023.
‘Top end of the market’
Moses Rashid, global marketing director at Topshop/Topman said they are competing in a different space.
Image: Topshop has been operating on the online fashion platform ASOS after ceasing to operate as a standalone business in 2020
“We’re at the top end of the market. We’re about elevation. We pride ourselves on the quality of the product,” he said.
Those products are being designed in north London, and managing director Michelle Wilson said the aim is to stay that way.
“We are a British brand, we want to be a positive force for fashion. We want to bring London to the world. It’s fundamental to who we are as a brand, our style is very much London-driven.”
The majority Danish-owned company has suggested it will slow fashion down by opening physical stores where customers can touch the products, browse collections and try things on, though the flagship on Oxford Circus is unlikely to return because a Swedish fast furniture brand has since occupied the space.
Designer Wayne Hemingway has previously collaborated with Topshop and said the relaunch must be more than nostalgia.
“They can’t rely on their old customers because their old customers have now got kids of their own to spend their money on, and they’ve got mortgages and all of those things of what being an adult means.
“They’ve got to have designers, marketeers, people who understand – who are on the pulse – who understood, number one, what was a success back then, and also a young generation of people who are there saying, ‘this is what our generation needs’, and who are bright and can help deliver that. They can’t rely on the past.”
Jones said in a statement: “A few months ago, I had to stop my tour HA!MILTON because I needed treatment for prostate cancer. I’m glad to say I’ve had that treatment and am now cancer-free!
“So, many thanks to all the doctors and nurses who helped me get better – I couldn’t do their job (I tried, but apparently you have to be qualified).”
Thanking his family, friends and fans, he went on to joke: “I have to admit there were a few dark moments when I wondered if anyone would ever see me again, but then I realised that I was leaning against the light switch.
“Thankfully, I’m now in a completely different place, and if you look at my website, you’ll see that very soon I’ll be in lots of other different places on tour too”.
Jones picks up his tour on 15 September in Stafford, touring until the end of November 2025.
The show, whose name is a play on the title of the hit musical Hamilton, promises laughter and unforgettable comedy moments, as well as jokes about giraffes and tomatoes.
The Richmond-born comedian has been hailed as the king of the one-liner, basing his jokes on clever wordplay and surreal humour.
He has performed on Live At The Apollo, Lee Mack’s All Star Cast, and Michael McIntyre’s Comedy Roadshow.
Now, in social media posts and an appearance on boyfriend Travis Kelce’s sports podcast, Swift revealed just what fans can expect from the new album.
Image: Taylor Swift and boyfriend Travis Kelce on the New Heights podcast. Pic: New Heights
The Life of Showgirl, written during the European leg of her record-breaking Eras tour, will be released on 3 October.
It consists of 12 songs, including the title track that features pop star Sabrina Carpenter.
The full track list is:
1. The Fate Of Ophelia 2. Elizabeth Taylor 3. Opalite 4. Father Figure 5. Eldest Daughter 6. Ruin The Friendship 7. Actually Romantic 8. Wi$h Li$t 9. Wood 10. Cancelled! 11. Honey 12. The Life Of A Showgirl (featuring Sabrina Carpenter)
Long-time collaborators Max Martin and Shellback, two Swedish producers who worked with Swift on some of her biggest hits, joined the pop star for this album.
Within four hours of posting the full podcast episode on YouTube, it had already gathered 4.7m views.
Image: The cover of Taylor Swift’s newly announced album. Pic: Republic Records
Image: The back cover of Taylor Swift’s 12th studio album The Life Of A Showgirl. Pic: Republic Records
‘The hardest-working star in pop’
The album follows last year’s The Tortured Poets Department, which was released during the Eras tour.
That tour, with shows on five continents and in 51 cities, raked in more than $2.2bn (£1.62bn) and was the highest-grossing tour of all time.
“This album is about what was going on behind the scenes in my inner life during this tour, which was so exuberant and electric and vibrant,” Swift said during her podcast appearance.
Sky News culture and entertainment reporter Gemma Peplowsaid after her globe-trotting tour and a swathe of re-releases over recent years, the new album cemented Swift’s reputation “as the hardest-working star in pop”.