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Only 17% of headliners at the UK’s top festivals this year are female, Sky News analysis has found.

Women are seen as too much of a “risk” for the top slots because of a perception festivalgoers prefer watching men, as well as the pool of female talent still being too small, music industry experts say.

Industry figures also called on Glastonbury to do more to bridge the gender divide.

Across 104 festivals this summer, only a fifth (20%) of headline acts are fronted by women, compared with almost four-fifths (78%) by men and 2% by non-binary people.

At the biggest festivals, with over 30,000 capacity, this is even lower for women at one in six (17%).

And if you count the total number of performers on stage during headline slots, only one in 10 (11%) are women.

According to our research, while women are still behind men across the board, they are more popular with fans on YouTube, Google and the radio, than they are with festival promoters when booking headliners.

Meanwhile, the likes of Glastonbury, Isle of Wight Festival and Latitude don’t have a single female-fronted headliner on their main stages this year.

Glastonbury, which is releasing its final 2023 tickets, faced a backlash in March after it revealed the Arctic Monkeys, Guns n Roses and Sir Elton John will headline its famous Pyramid Stage this year.

Folk rocker, Cat Stevens, is also booked for the Sunday afternoon “legends” slot despite rumours Blondie was due to take it.

Organiser Emily Eavis said the female headliner they had planned, widely rumoured to be Taylor Swift, had to pull out due to a tour clash.

Revellers dance as Diana Ross headlines the Pyramid stage at Worthy Farm in Somerset during the Glastonbury Festival in Britain, June 26, 2022. REUTERS/Dylan Martinez
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Glastonbury’s famous Pyramid Stage

Women ‘too much of a risk’

Eve Horne is a producer, singer-songwriter and founder of Peak Music UK, which mentors female and non-binary artists and producers. She is also on UK Music’s Diversity Taskforce and is a board member of Moving The Needle, which works to improve female inclusion in the industry.

She says there was hope that the devastating impact of COVID would make industry bosses prioritise inclusion and diversity.

“If anything it did a 360 and went backwards,” she tells Sky News.

“Everyone started going for the money again and saying there’s too much risk in putting women as headliners.”

Eve claims promoters repeatedly tell her that festivalgoers of all genders prefer watching men perform more than women.

“It’s about money at the end of the day and we still have old white men gatekeeping the industry,” she adds.

Pic: We Are The Unheard
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Eve Horne says diversity in music has gone backwards since COVID. Pic: We Are The Unheard

John Rostron, chief executive of the Association of Independent Festivals, which represents 105 UK events, says the problem stems from there being a smaller pool of female artists for promoters to pick from.

“A headline slot might be the pinnacle of an artist’s live career.

“There are plenty of barriers for any artist to get there, but for women there are maybe triple the number of barriers, so the talent pool at the top is smaller.

“We have to wait for them to come up and then be open to booking them.”

The problem gets worse at larger festivals where big acts charge high fees and promoters have to meet those costs with ticket sales – and are also accountable to shareholders.

“You can’t say that a male band sells more tickets because they’re men,” he adds. “But you can say that they sell more tickets than another band when that’s been proven to be true.”

YouTubers and radio DJs choosing more women

Sky News looked at YouTube views and radio play to see how popular female-fronted artists are on those platforms. “Female-fronted” refers to acts with a female lead performer.

They were far better represented on both platforms than they were at the top of festival billboards.

On YouTube, in the 12 months to the end of March, female-fronted artists made up 35% of total music views, while their male counterparts were 65%. Non-binary-fronted acts were at fewer than 1%.

Almost half (24) of the 50 most searched for artists on Google in the same period were also female.

Both data sets suggest fans do want to consume female-fronted artists.

On the radio, they have averaged roughly a third (32%) of plays between 2019 and now, with male acts at just under two-thirds (65%) and non-binary at 3%.

So far in 2023, the gender balance has been almost equal, with female and male artists both at 48%, with the remainder non-binary.

Six of the top 10 songs played on the radio so far this year are by female solo artists including Miley Cyrus’s Flowers – the most popular song of 2023 so far.

Increases in non-binary representation are largely down to a small number of artists, such as Sam Smith and Olly Alexander.

At festivals there are signs of progress. Across all stages almost three in 10 (29%) acts are female-fronted – up by almost 2% on the five-year average.

But that progress isn’t reflected in headline slots.

Revellers dance at the West Holts stage at Worthy Farm in Somerset during the Glastonbury Festival in Britain, June 24, 2022.  REUTERS/Dylan Martinez...
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Festival crowds are thought to prefer watching male artists perform.

‘Glastonbury can afford inclusion managers’

By contrast, the Mighty Hoopla, a 25,000-person festival in south London, has had no male-fronted headliners since 2018.

Olly Alexander headlined in 2018 and is returning this year.

It offers a “platform to LGBTQ+ performers” and ensures at least 50% of performers are female and non-binary across the whole line-up.

Cassie Leon, who heads-up inclusion for the festival, says with their audience, it’s “relatively easy” to commit to a diverse line-up.

“Part of queer culture is trying to uplift women as much as possible,” she adds.

The Mighty Hoopla 2022. Pic: www.lukedyson.com
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The Mighty Hoopla prides itself on its diverse line-up. Pic: www.lukedyson.com

Asked how other festivals should improve female representation, she says more staff should be hired specifically to promote inclusion.

“It’s everybody’s issue, from the agents to the festivals to the places finding the talent,” she says.

Specifically on Glastonbury, she adds: “If you can afford Elton John, you can afford inclusion managers.”

While Britain’s biggest festival might be less profit-focused than others, raising funds for charities and reportedly paying artists a fraction of their usual fees, smaller festivals still seem to do better at booking female-fronted headliners.

Jungle and drum and bass artist Nia Archives is headlining two indie festivals this year – We Out Here in Dorset and Outlook in Croatia – as well as playing at Glastonbury.

“It’s a hard one for me,” she says “because I know I’m being given those opportunities but also recognise that not everybody has those opportunities.”

Festivalgoers on the first day of Download Festival at Donington Park in Leicestershire. Picture date: Friday June 18, 2021.
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Rock and metal festival Download has had no female-fronted headliners since 2018

Heavy metal and rock among worst offenders

Other than the Mighty Hoopla, no festival in our database has had more than a third female-fronted headline acts between 2018 and now.

Six have had none at all since then – Isle of Wight, Download, Kendal Calling, TRNSMT, Slam Dunk Festival and Bloodstock Open Air.

With half of the worst offenders coming under rock and heavy metal, John Rostron, of AIF, which represents Bloodstock Open Air, says things are “particularly difficult” across those genres as there is a “much smaller talent pool”.

Bloodstock’s festival director Adam Gregory shares his view.

“There is a shortage of female-fronted bands coming through the ranks,” he says, adding that headline slots are booked according to the “strongest available offering”.

John also points to the way some major festivals sign up artists exclusively – preventing them from playing other events.

“Someone playing third at Reading might be perfect to headline one of our smaller festivals, but they can’t. Both organisers and artists have a responsibility to say no to exclusives.”

‘Ethical’ promoters

There are groups trying to make a difference.

Not Bad For A Girl, a DJ collective based in Manchester and London, formed four years ago to “create a platform for female and non-binary DJs” – running their own events, performing at others, and on the radio.

Pic: Not Bad For A Girl
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Pic: Not Bad For A Girl

They wear signature pink balaclavas in a bid to “eliminate conventional beauty standards” after members were denied opportunities on account of their gender.

Founder Martha Bolton says they actively support diverse talent, for example by “having two events and using one as a cash cow, so the other can promote an up-and-coming artist”.

She adds that big organisations like Glastonbury have a responsibility to set the standard for the industry.

“It needs to be the bigger people taking that jump for the rest of us who can’t afford the risk.”

Glastonbury poster version 1

No accountability

There is no official regulator of the music industry in the UK, so no official means of accountability when it comes to gender diversity.

UK Music, which has its own diversity taskforce, acts as a trade union, and connects smaller associations that represent specific parts of the industry.

Read more:
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Keychange is an EU-funded diversity programme that asks its 600 signatories (41% of which are festivals) to commit to at least 50% female inclusion. By the end of 2021, 64% of signatories had met the target.

But neither body is legally binding.

Mandatory Credit: Photo by James McCauley/Shutterstock (10324527ac).Lizzo.Glastonbury Festival, UK - 29 Jun 2019
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Lizzo at Glastonbury 2019. Pic: James McCauley/Shutterstock

In an interview with The Guardian in March, Emily Eavis said Lizzo, who will perform just before Guns N Roses on the Pyramid Stage, could “totally headline” but the rock band were already booked.

She reiterated that female inclusion is “top of our agenda”, having committed to 50:50 representation in 2020 and secured more than half female and non-binary acts for 2023 so far.

In its diversity statement the festival says it is “working alongside experts in equality and anti-discrimination” on an internal review.

“We try our best and we obviously aim for 50:50. Some years, it’s more, some years, it’s less,” Eavis told the BBC earlier this year, adding it’s “looking like we’ve got two female headliners” for 2024.

But she added that despite being the biggest festival in the country, it is not just down to her to make change.

“We’re trying our best so the pipeline needs to be developed. This starts way back with the record companies, radio. I can shout as loud as I like but we need to get everyone on board.”

Sky News has contacted Glastonbury for further comment.

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Stalker who believed Strictly Come Dancing judge Shirley Ballas was his aunt avoids jail

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Stalker who believed Strictly Come Dancing judge Shirley Ballas was his aunt avoids jail

A man who stalked Strictly Come Dancing judge Shirley Ballas for six years has avoided jail.

Kyle Shaw, 37, got a 20-month suspended sentence and a lifetime restraining order on contacting Ballas, her mother, niece, and former partner.

Liverpool Crown Court heard that he thought Ballas was his aunt and “began a persistent campaign of contact”.

“He believed, and it’s evident from what he was told by his mother, that her late brother was his father,” said prosecutor Nicola Daley.

The court heard there was no evidence he was wrong, and “limited evidence” he was correct.

Ms Daley said Shaw’s messages had accused Ballas of being to blame for the death of her brother, who took his own life in 2003 aged 44.

He also set up social media accounts in his name.

Shaw had pleaded guilty to stalking the former dancer between August 2017 and November 2023 at a hearing in February.

Incidents included following Ballas’s 86-year-old mother, Audrey Rich, while she was shopping and telling her she was his grandmother.

The court heard in messages to Mrs Rich, Shaw had asked: “Where’s my dad?”

Ballas was so worried for her mother’s safety that she moved her from Merseyside to London.

Shaw outside court on the day of his sentencing. Pic: PA
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Kyle Shaw outside court on the day of his sentencing. Pic: PA

In October 2020, Ballas called police after Shaw messaged her and said: “Do you want me to kill myself, Shirley?”

Posts on X included one alongside an image of her home address that warned: “You ruined my life, I’ll ruin yours and everyone’s around you.”

Another referenced a book signing and said: “I can’t wait to meet you for the first time Aunty Shirley. Hopefully I can get an autograph.”

The court was told Ballas’s niece Mary Assall, former partner Daniel Taylor and colleagues from Strictly Come Dancing and ITV’s Loose Women were also sent messages.

‘I know where you live’

On one occasion in late 2023, Shaw called Mr Taylor and told him he knew where the couple lived and described Ballas’s movements.

The court heard the 64-year-old TV star become wary of socialising and stopped using public transport.

Prosecutor Ms Daley said: “She described having sleepless nights worrying about herself and her family’s safety and being particularly distressed when suggestions were made to her that she and her mother were responsible for her brother taking his own life.”

Man accused of stalking Shirley Ballas
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Ballas has been head judge on Strictly Come Dancing since 2017. Pic: PA

Shaw cried and wiped away tears as he was sentenced on Tuesday.

The judge said the stalking stemmed from his mother telling him Ballas’s brother, David Rich, was his biological father.

“I’m satisfied that your motive for this offending was a desire to seek contact with people you genuinely believed were your family,” he said.

“Whether in fact there’s any truth in that belief is difficult, if not impossible, to determine.”

Kyle Shaw leaves Liverpool Crown Court, where he is charged with stalking Strictly judge Shirley Ballas.
Pic: PA
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Shaw pictured at court in February. Pic: PA

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Defence lawyer John Weate said Shaw had been told the story by his mother “in his mid to late teens” and had suffered “complex mental health issues” since he was a child.

He added: “He now accepts that Miss Ballas and her family don’t wish to have any contact with him and, importantly, he volunteered the information that he has no intention of contacting them again.”

Shaw, of Whetstone Lane in Birkenhead, also admitted possessing cannabis and was ordered to undertake a rehab programme.

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Gary Glitter made bankrupt after failing to pay £500k compensation to victim

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Gary Glitter made bankrupt after failing to pay £500k compensation to victim

Gary Glitter has been made bankrupt after failing to pay more than £500,000 in damages to a woman he abused when she was 12 years old.

She sued the disgraced singer, whose real name is Paul Gadd, after he was found guilty of attacking her and two other schoolgirls between 1975 and 1980.

Glitter, 80, was jailed for 16 years in 2015 and released in 2023 but was recalled to prison less than six weeks later after breaching his parole conditions.

A judge awarded the woman £508,800, including £381,000 in lost earnings and £7,800 for future therapy and treatment, saying she was subjected to abuse “of the most serious kind”.

The court heard she had not worked for decades due to the trauma of being repeatedly raped and “humiliated” by the singer.

Gary Glitter has lost a parole board bid to be freed from jail.
Pic:Met Police/PA
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Glitter was jailed for 16 years in 2015. Pic: Met Police/PA

Glitter was made bankrupt last month at the County Court at Torquay and Newton Abbot, in Devon – the county where he is reportedly serving his sentence in Channings Wood prison, in Newton Abbot.

Richard Scorer, head of abuse law at Slater and Gordon, the law firm representing the woman, said: “We confirm that Gadd has been made bankrupt following our client’s application.

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“As he has done throughout, Gadd has refused to cooperate with the process and continues to treat his victims with contempt.

“We hope and trust that the parole board will take his behaviour into account in any future parole applications, as it clearly demonstrates that he has never changed, shows no remorse and remains a serious risk to the public.”

Glitter was first jailed for four months in 1999 after he admitted possessing around 4,000 indecent images of children.

He was expelled from Cambodia in 2002, and in March 2006 was convicted of sexually abusing two girls, aged 10 and 11, in Vietnam where he spent two-and-a-half years in prison.

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His sentence for the 2016 convictions expires in February 2031.

Glitter was automatically released from HMP The Verne, a low-security prison in Portland, Dorset, in February 2023 after serving half of his fixed-term determinate sentence.

But he was back behind bars weeks later after reportedly trying to access the dark web and images of children.

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Paul Mescal and Barry Keoghan revealed in line-up for Sam Mendes’ four Beatles films

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Paul Mescal and Barry Keoghan revealed in line-up for Sam Mendes' four Beatles films

Paul Mescal and Barry Keoghan will play Paul McCartney and Ringo Starr in the upcoming Beatles films – with a Stranger Things star also portraying one of the Fab Four.

The two Irish actors will be joined by London-born performers Harris Dickinson as John Lennon, and Joseph Quinn as George Harrison.

The cast for the Sam Mendes project was revealed at the CinemaCon event in Las Vegas, with all four appearing on stage and taking a bow together in Beatles style.

Paul Mescal, Joseph Quinn, Barry Keoghan and Harris Dickinson stand onstage to promote the upcoming "The Beatles" movies during a Sony Pictures presentation.
Pic: Reuters
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(L-R) Mescal, Quinn, Keoghan and Dickinson appeared together at the announcement. Pic: Reuters

Mendes is making four interconnected films – one from the perspective of each of the band members – and they are all set to be released “in proximity” to each other in April 2028.

It marks the first time The Beatles and the families of John Lennon and George Harrison have granted full life story and music rights for a scripted film.

Playing McCartney is another big role for 29-year-old Mescal, who recently starred in the Gladiator sequel and was nominated for an Oscar in 2023 for Aftersun.

Barry Keoghan – who also got an Oscar nod for The Banshees of Inisherin – will portray the other surviving Beatles member, Ringo Starr.

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The Beatles
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Pic: PA

Meanwhile, Stranger Things star Joseph Quinn, who appeared with long hair as Eddie Munson in the fourth series, takes up the role of George Harrison.

Harris Dickinson has the challenge of stepping into the shoes of perhaps the most famous Beatle, John Lennon.

The 28-year-old recently starred in erotic thriller Babygirl with Nicole Kidman and also appeared in satire Triangle of Sadness.

Mendes told the industry audience at CinemaCon there is “still plenty to explore” despite the Beatles’ rise having being well chronicled.

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The Oscar-winning British director is known for films including American Beauty, First World War movie 1917, and Bond outings Skyfall and Spectre.

Sony Pictures boss Tom Rothman said the close release of all four films in three years’ time will be “the first bingeable theatrical experience”.

“We are going to dominate the culture that month,” he added.

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