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When Barry Humphries was ill in hospital, he released a statement thanking fans for their kind wishes – but added that he wanted “more and more”.

Quipping from his infirmary bed was typical of a man who never missed a punchline. “Never be afraid to laugh at yourself,” as one of his famous quotes went. “After all, you could be missing out on the joke of the century.”

Comedian, satirist, author, producer, West End star, writer, painter, born entertainer: Barry Humphries did it all. His characters included Sir Les Patterson – the lecherous “phallus-brandishing” diplomat who once chased Kylie Minogue off stage at the Royal Festival Hall – and the “boring man of the suburbs” Sandy Stone.

Humphries portraying Sir Les Patterson, the Australian cultural attache character
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Humphries portraying Sir Les Patterson, the Australian cultural attache character

But for all his achievements, following his death at the age of 89, he will be best remembered as Dame Edna Everage, the housewife-turned-megastar with the lilac hair, ostentatious glasses, and a knack for poking fun at the rich and famous.

“Dame Edna Everage is probably the most popular and gifted woman in the world today,” the biography on her website begins, before listing her many achievements: “Housewife, investigative journalist, social anthropologist, talk show host, swami, children’s book illustrator, spin doctor, Zettastar, Icon.”

A parody of small-minded suburban housewives in Australia, gladioli queen Dame Edna first appeared in the 1950s and landed her own chat show, The Dame Edna Experience, in the 1980s – interviewing everyone from Sean Connery, Cliff Richard and Lulu, to Jeffrey Archer, Germaine Greer and Joan Rivers – and paving the way for the likes of Caroline Aherne’s Mrs Merton and Paul O’Grady’s Lily Savage.

Australia's Dame Edna Everage speaks to the media ahead of her farewell show, Eat Pray Laugh, in Sydney, Australia,  Thursday, July 5, 2012. Mrs Everage played by Barry Humphies has performed on Stage and TV in Australia, the UK and USa since 1959. (AP Photo/Rob Griffith)
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Dame Edna Everage ahead of her farewell show, Eat Pray Laugh

“Hello, possums!” was Edna’s famous catchphrase, and as her fame grew, so did her glasses and the garishness of her outfits. Speaking to the celebrities, her sharp-tongued but cheeky style allowed her to get away with remarks that others couldn’t.

“She can say things, for instance, about political correctness that I couldn’t possibly express,” Humphries told the Guardian in 2022. “The same is true of Sir Les Patterson. I never swear in real life. Both characters are wonderful outlets.”

Humphries said he was retiring Edna in 2012, but she soon reappeared, proving “indestructible”. Despite her worldwide success, he said Patterson was his favourite character to play, allowing him to release his “inner vulgarity”.

He lived to make people laugh and loved to shock

The star was born John Barry Humphries in 1934 to respectable parents who wanted something different for their anarchist son. “Barry, we don’t know where you came from,” his mother would say to him when he was younger.

As a child, he would spend hours playing in his back garden, dressing up as different characters. Rebelling against his parents’ attempts to steer him down an academic path, he created his very first character: Dr Aaron Azimuth, a Dadaist and agent provocateur.

“I was hankering for something and I didn’t know what it was and I thought it must be in this mysterious place they called ‘overseas’,” he told The Australian.

Barry Humphries

Humphries left Melbourne for Sydney and then the UK in 1959, but struggled to find success as a stage actor, leading to problems with alcohol. He later spoke about his struggles openly, telling how they eventually led to him giving up drink altogether. “The alternative to alcoholism is so much more fun,” he told The Times in 2022.

At the time, he was promoting Man Behind The Mask, an intimate tour just as himself, no characters. In the official quote, he described the show as “perhaps the bravest thing I’ve ever done”, showing “what it is like to be a clown”.

In an interview, he urged fans to “hurry and buy tickets”, because they just might get to experience “a Tommy Cooper moment” and witness his on-stage death.

“You might be there on that night. I do such a spectacular curtain call.”

He lived to make people laugh and loved to shock. According to Barry Humphries legend, he had been known to take cans of soup on to a plane when flying; after sneakily slurping a mouthful he would pretend to spew into a sick bag, only to spoon the apparent vomit up – much to the horror of his surrounding passengers.

Diana enjoying a chat with the flamboyant Dame
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Diana enjoying a chat with the flamboyant Dame

On stage as an actor, he appeared in shows such as Maggie May and several productions of Oliver! following his debut in The Demon Barger in 1959. He became one of the leading members of the British comedy scene at the time, alongside Dudley Moore, Alan Bennett, Peter Cook and Spike Milligan.

On the big screen, his film credits included The Hobbit: An Unexpected Journey and Finding Nemo, and he wrote several books, both as himself and in the guise of his characters. These included his own autobiographies, More Please and My Life As Me, and Dame Edna’s My Gorgeous Life.

Humphries’ career was not without controversy and in 2019, Melbourne International Comedy Festival dropped his name from its major prize, the Barry Award, following comments he made about transgender people. In interviews, he lamented the “new puritanism” of political correctness and defended his right to offend.

“There is no more terrible fate for a comedian than to be taken seriously,” he once said.

Britain's Camilla, Duchess of Cornwall, presents Barry Humphries the Wizard of Oz award for his fictional character Sir Les Patterson at the Oldie Of The Year Awards 2021 at The Savoy Hotel in London, Britain, October 19, 2021. Chris Jackson/Pool via REUTERS
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Queen Consort presents Barry Humphries the Wizard of Oz award for his fictional character Sir Les Patterson in 2021

During his career, he picked up several awards, including a lifetime achievement prize at the British Comedy Awards in 1999, and nominations for several BAFTAs.

In 1982, he was made an Officer of the Order of Australia, and in 2007 a CBE in the UK, for services to entertainment.

Humphries leaves behind his wife Lizzie Spender, and four children from his earlier marriages.

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Harry and Meghan extend Netflix partnership – but it’s no longer exclusive

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Harry and Meghan extend Netflix partnership - but it's no longer exclusive

Harry and Meghan have signed a new “multi-year, first-look deal” with Netflix, following the deal they struck with the streaming giant five years ago.

Described by the Sussexes as “extending their creative partnership”, while the news quashes rumours the relationship might not be renewed, it would appear to be a less prestigious deal than their first.

With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix
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With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix

As a “first-look deal” rather than an overall deal, the entertainment giant will be able to say yes or no to their content before anyone else, but they will not be under an obligation to stream it.

Several US outlets have suggested it is a downgrade from the Sussexes’ previous contract, which saw the streaming giant pay for exclusive rights for the content and was thought to be worth more than $100m (£74m).

British PR expert Mark Borkowski described the deal as a “downgrade” and suggested Netflix was “pivoting away” from Harry and Meghan.

Read more: Some call the deal a demotion – but the company still sees them as a power couple

Harry and Meghan set up their media company, Archewell Productions, after quitting as senior working royals in 2020.

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Their partnership with Netflix had promised documentaries, docuseries, feature films, scripted shows and children’s television, but has so far only delivered documentaries and docuseries.

These include Harry & Meghan, a six-part series about their departure from the royal household, which is Netflix’s fifth most popular series of all time, and most recently, the lifestyle show With Love, Meghan, which is the streamer’s most-watched culinary show since its release earlier this year.

Speaking about the new deal, Meghan said: “We’re proud to extend our partnership with Netflix and expand our work together to include the As ever brand.”

As ever is Meghan’s lifestyle brand, launched in 2024, and rebranded this year, selling products including jams, shortbread and wine.

Meghan went on: “My husband and I feel inspired by our partners who work closely with us and our Archewell Productions team to create thoughtful content across genres that resonates globally and celebrates our shared vision.”

(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix
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(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix

Netflix’s chief content officer Bela Bajaria called the Sussexes “influential voices” and said their stories “resonate with audiences everywhere”.

New output includes the second season of With Love Meghan later this month, and a Christmas special in December.

Archewell Productions is also working on a documentary about orphaned children in Uganda’s Masaka region, an area heavily hit by the HIV/AIDS crisis, titled Masaka Kids, A Rhythm Within, and is developing a feature adaptation of the bestselling romantic novel by Carley Fortune, Meet Me At The Lake.

It comes as Harry has cut ties with his Sentebale charity but has said he still intends to do what he can to help young people in Lesotho, Botswana and Southern Africa.

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Some call the Sussexes’ Netflix deal a demotion – but the company still sees them as a power couple

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Some call the Sussexes' Netflix deal a demotion - but the company still sees them as a power couple

While we’re all desperate to know what this new deal is really worth in dollars and pounds, one thing I can tell you for certain is that Prince Harry and Meghan want us to know they’re delighted that Netflix again wanted to get a deal done.

“Absolutely over the moon” is how it was described to me.

But they’ll also be aware of the attention it’ll attract as we all try to pick apart what it means.

Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix
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Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix

Firstly because of that ongoing fascination in how they’re making money since stepping away from royal life and losing financial support from the King, but also because of the recent reports that Netflix were intending to cut ties.

Yes this is a different type of deal from their original one in 2020. Some have argued that a “first look deal” looks like a demotion from what they previously signed up to.

With no real clarity on how much their original deal was worth, and no numbers being publicly thrown around this time, that is hard to judge.

But talking to those who know something about these kinds of deals you do get a sense it could potentially be more lucrative than it looks on face value.

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With first look deals, yes there is often financial commitments from the likes of Netflix to get that first exclusive look at projects and first refusal.

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Harry claims: War of words continues

But there could be other significant monetary incentives for the Sussexes to sign.

For example, when the Obamas signed a first look deal with Netflix, the streaming service agreed to pay the operational costs for their production company “Higher Ground”.

Could it be that Netflix are also now covering the costs of Archewell Productions?

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It’s stating the obvious to say that Harry and Meghan continue to divide opinions, some wanting to watch their programmes from a place of respect and fondness, others as a reason to grumble about them.

But signing on this latest dotted line shows Netflix still sees them as a power couple, who attract significant attention and are worthy of investment, whatever that really adds up to.

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

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Mandalorian actor Gina Carano settles lawsuit with Disney – and thanks Elon Musk for funding it

Actor Gina Carano has settled her lawsuit with Disney and Lucasfilm after claiming she was wrongfully dismissed from The Mandalorian for expressing her political opinions.

Carano was fired in February 2021 after starring as Rebel ranger Cara Dune in two series of the Disney+ Star Wars series The Mandalorian.

According to court documents, it came after the 41-year-old referenced the Nazis’ treatment of Jewish people while discussing current political differences in the US.

At the time, production company Lucasfilm said in a statement that her “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable”.

But late on Thursday, she posted on X: “I have come to an agreement with Disney/Lucasfilm which I believe is the best outcome for all parties involved.”

She added that she “hopes this brings some healing to the force”.

The details of the financial settlement have not been disclosed.

When filing her lawsuit at the Californian District Court last year, she had sought $75,000 (£59,000) in damages.

She also thanked Elon Musk for financing the lawsuit, despite the two having never met.

“I want to extend my deepest most heartfelt gratitude to Elon Musk, a man I’ve never met, who did this Good Samaritan deed for me in funding my lawsuit,” she wrote in her post. “Thank you Mr. Musk and X for backing my case and asking for nothing in return.”

The X owner is an ardent advocate of free speech and has funded similar legal battles previously.

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Carano as Cara Dune.'The Mandalorian'. Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Carano as Cara Dune.’The Mandalorian’. Pic: Lucasfilm/Disney/Kobal/Shutterstock

Carano signed off: “I am excited to flip the page and move onto the next chapter.

“My desires remain in the arts, which is where I hope you will join me. Yes, I’m smiling. From my heart to yours, Gina.”

In response to the settlement, Lucasfilm said in a statement: “Ms Carano was always well respected by her directors, co-stars, and staff, and she worked hard to perfect her craft while treating her colleagues with kindness and respect.

“With this lawsuit concluded, we look forward to identifying opportunities to work together with Ms. Carano in the near future.”

In legal documents, Carano’s team claimed both Disney and Lucasfilm had “targeted, harassed, publicly humiliated, defamed, and went to great lengths to destroy Carano’s career”.

She also alleged she was treated differently to her male colleagues. Neither company commented on these claims.

Pic: Lucasfilm/Disney/Kobal/Shutterstock
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Pic: Lucasfilm/Disney/Kobal/Shutterstock

Lawyer Gene Schaerr, managing partner at Schaerr Jaffe, said at the time: “Disney bullied Ms Carano, trying to force her to conform to their views about cultural and political issues, and when that bullying failed, they fired her.

“Punishing employees for their speech on political or social issues is illegal under California law.”

Carano, who began her career as a mixed martial arts fighter, has starred in other Hollywood franchises, including Fast & Furious 6 as Riley Hicks, and Deadpool, in which she played Angel Dust.

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