Florence Pugh says the idea to cut off her hair for her latest film was inspired by her own way of dealing with mental health issues when she was younger.
In A Good Person the star plays a woman who becomes addicted to painkillers following a tragedy.
While struggling with what she’s going through, her character Allison cuts her hair and Pugh told Sky News’ film and TV podcast Backstage that the idea to do that came from her own lived experience.
“I think we have this awful nature, well, I do sometimes, that when things are going wrong, I just, like, chop bits of myself off, and that idea actually came from me when I was younger,” she explained.
“I was just going through that classic teenage bout of depression where you’re not quite sure that you’re depressed, so I just bought random things and tried to quick fix myself, like just to buy things that would stick on me and maybe I’d feel better.
“And so that was an idea that I was saying, ‘Well, what if she just chops off a piece of her for no reason other than just trying to fix something?’ And then what that did is it made this whole character not care anymore and have hair that is ridiculous, and I loved that.
“I always love stepping into a role where I don’t have to care about being camera beautiful or anything like that, I love not being able to have to think about that.”
More on Florence Pugh
Related Topics:
Image: Florence Pugh stars in A Good Person. Pic: Sky Cinema
While Pugh’s character is an addict, she’s also likeable and relatable – with the film steering clear from a stereotypical portrayal of a drug user.
The actress says it was important – though not easy – for her to get the part right.
Advertisement
“I think we forget that just because someone is in this awful space doesn’t mean that they’re still not charming or they’re still not able to make you love them or make you want to help them – that is the hardest thing about being in that situation.
“We spoke to many people that helped us, helped paint an idea of what it is to be like at that low and how far you have to get and how far you have to go to actually realise you need help.
“I think having all of those amazing characters around her, desperately trying to help her, make it real, make it harder, make it unbelievable that she can’t kick it – and then that also helps me be able to kind of figure out an arc of how do I pull this all the way through?
“That she has to still be likeable and frustratingly stubborn. And why do we still want her to get better even after she’s done all that she’s done, and that was tricky.
“Of course, it’s so hard doing something like this because you never want to offend anyone, you don’t want to hurt anyone, you want to get it right – you end up battering yourself a little bit as well – but I’m really proud of it, I’m really proud of this work.”
The film was written for Pugh by her former partner Zach Braff – who also directs – who she dated for three years.
She admits that it might have been hard to suggest changes or push back if they didn’t have the history that they do.
“I’m sure it would be if it was maybe someone that didn’t know me so well and I didn’t know them so well.
Image: Zach Braff, (2nd L) directed the film. Pic: Sky Cinema
“There were things in the original script that I’d be like, ‘I don’t think it would…’ or ‘That, I’d find a bit hard to say’ or ‘Do you mind if I give a stab at this?’ and [Braff] was completely cool with that and I think because he does know me so well and knows how I perform and knows what he wanted from me as a performer it meant that I could also then ask the same of him, and that was an amazing experience to have.
“It was very free for everybody on set, not just me – he wrote the film for me, but every actor and every character had the ability to show up on the day they were working and mean something, and if they needed to change something, they’re more than welcome to bring it to light.”
A Good Person is Braff’s third film as writer-director, following 2004’s Garden State and 2014’s Wish I Was Here.
He told Sky News’ Backstage Podcast he would like to do more – but it’s not as simple as just wanting to.
“It’s very hard for me to write a script, they don’t come easily to me.
“I wish I could be more prolific, but I have to let inspiration strike, so it’s hard.
“But this came to me during the pandemic and certainly during the lockdown I had the time and I had no excuse – I ran out of excuses during lockdown, the universe locked us all in our houses and I had no choice.”
The film looks at tragedy, grief and how people respond to trauma and Braff has been open about it being inspired by his own experiences – including losing a good friend to COVID-19.
He acknowledges it’s exposing to pour himself in to the film.
Image: Pic: Sky Cinema
“What’s more vulnerable than writing an original screenplay and saying, ‘This is the pain that I’ve had, these are my wounds, basically’, but I think that’s what hopefully good art is, in any form – an artist having the courage to be vulnerable for an audience.
“I think that’s certainly what one does as an actor every day that they’re working.”
The loss of his friend to COVID and the lockdown giving Braff the time and space to write are just two ways in which the pandemic impacted the film.
While A Good Person focuses on one character’s recovery, Braff says it’s really looking at how we’ve all coped the past few years.
“I think that one of the things that people might see in this film is that it’s also in the macro about recovering.
“I mean, the film’s about recovering from tragedy and trauma, and I think if you zoom out, I hope that audiences will see it’s also about recovering from that experience that we all went through – this insane pandemic that I don’t think we can all even process just yet.
“We’re just moving on but not really looking at the whole thing, and I think there’s also that – it’s about coming out of this horrible time.”
A Good Person, which also stars Morgan Freeman, is out now on Sky Cinema.
Hear our review on the latest episode of Backstage – the film and TV podcast from Sky News.
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
Image: (L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
Image: The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
Image: D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”
“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.
“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.
“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”
Image: Members of the Unite union in Birmingham earlier this month. Pic: PA
Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.
“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.
“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”
Spreaker
This content is provided by Spreaker, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Spreaker cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Spreaker cookies.
To view this content you can use the button below to allow Spreaker cookies for this session only.
Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”
About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.
Image: Rubbish has blighted the city’s streets for weeks . Pic: PA
Please use Chrome browser for a more accessible video player
0:57
Bin situation ‘pains me’ – council boss
On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.
He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.
“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.
Sky News understands talks are not set to resume until next week.
Drummer Zak Starkey has said he is “surprised and saddened” after parting ways with The Who following recent charity shows at the Royal Albert Hall.
The musician, who is the son of The Beatles drummer Ringo Starr and his first wife, Maureen Starkey, had been with the band since 1996, when he joined for their Quadrophenia tour.
He was introduced to drumming as a child by “Uncle Keith” – The Whodrummer and family friendKeith Moon, who died in 1978.
Earlier this week, the band issued a statement saying a “collective decision” had been made about his departure. It came after their Teenage Cancer Trust shows in March.
A review of one gig, published in the Metro, suggested frontman Roger Daltrey – who launched the annual gig series for the charity in 2000 – was “frustrated” with the drumming during some tracks.
“Filling the shoes of my Godfather, ‘Uncle Keith’ has been the biggest honour and I remain their biggest fan,” he said. “They’ve been like family to me.”
More on The Who
Related Topics:
In January, Starkey suffered a blood clot in his right leg and a performance with his other band Mantra Of The Cosmos – which also features Shaun Ryder and Bez from Happy Mondays, and Andy Bell of Ride and Oasis – was cancelled.
Referencing this in his statement to Rolling Stone, Starkey said: “I suffered a serious medical emergency with blood clots in my right bass drum calf. This is now completely healed and does not affect my drumming or running.”
He continued: “After playing those songs with the band for so many decades, I’m surprised and saddened anyone would have an issue with my performance that night, but what can you do?”
Starkey said he planned to “take some much needed time off with my family” and focus on the release of Mantra Of The Cosmos single Domino Bones, which features Noel Gallagher, as well as his autobiography.
“Twenty-nine years at any job is a good old run, and I wish them the best,” he added.
Starkey has also previously played with Oasis, Lightning Seeds and Johnny Marr.
While Daltrey starts a solo tour at the weekend, The Who have two shows planned for Italy in July but no full tour. Details of a replacement for Starkey have not been announced.