‘Significant overhaul’ of Oscars social media and campaign rules after Andrea Riseborough nomination controversy
The Academy of Motion Picture Arts and Sciences has announced a raft of changes around social media and campaigning, following controversy surrounding one of this year’s top nominations.
British star Andrea Riseborough’s surprise Oscar nod for best actress for her role in low budget indie film To Leslie, followed endorsement from Hollywood heavyweights including Kate Winslet, Jennifer Aniston, Edward Norton and Cate Blanchett.
Not previously considered to be a contender in the race, some felt her nomination had come at the expense of black performers previously expected to make it into the category.
While a review found that no guidelines had been broken, and Riseborough’s nomination remained in place the Academy did say that “social media and outreach campaigning tactics” used by the film had “caused concern,” and that changes would subsequently be made.
Now, in what the Academy have called “the most significant overhaul since their inception in 1994,” there have been key updates to campaign promotional regulations and awards rules for next year.
Changes include clarification of rules regarding private events and gatherings, with individuals now able to host formal “for your consideration” events but prohibiting studios and companies from funding or endorsing them.
(L-R) This year’s big Oscar winners Ke Huy Quan, Michelle Yeoh, Brendan Fraser and Jamie Lee Curtis
Members cannot use social media to “encourage or discourage members to vote for any motion picture, performance, or achievement”.
Voters will no longer be able to speak to the media about their choices, even anonymously.
Studios can now only put on four “hosted” screenings in the pre-nomination period (these are normally celebrity led), however the new rules allow for an unlimited number of Q&As and panel discussions throughout the voting season.
And the Academy’s Board of Governors are completely barred from hosting private events, gatherings, screenings or moderating an event unless they have direct involvement with a film.
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The Academy has also expanded its language on regulation violations and penalties, including the process for reporting and reviewing a violation, and tweaked submission deadlines across various categories.
Next year the Oscars will introduce new diversity rules in a bid to improve representation in the industry, forcing studios to satisfy two of four criteria for their films to be eligible for best picture from 2024.
Dean Cain has been branded the “worst superman ever” as he announced he will join the US Immigration and Customs Enforcement (ICE) “ASAP”.
The 59-year-old, who was cast as Superman in the TV series Lois & Clark: The New Adventures of Superman, announced he had joined the team amid the federal agency’s unprecedented immigration raids.
He told Fox News on Wednesday his recruitment video on Instagram had gone viral and since then, “I have spoken with some of the officials over at ICE and I will be sworn in as an ICE agent ASAP”.
“You can defend your homeland and get great benefits,” he said in the Instagram post where he appealed for his followers to join ICE.
Speaking with the Superman theme song in the background, he said “hundreds of thousands of criminals” had been arrested since US President Donald Trump took office.
He then told his followers they would get a series of benefits if they joined ICE, including a $50,000 (£37,407) signing bonus and student loan repayment.
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“If you want to help save America ICE is arresting the worst of the worst and removing them from America’s streets,” he said, before adding: “I voted for that.”
ICE agents are under pressure from the White House to boost their deportation numbers in line with Mr Trump’s campaign promise to crack down on illegal immigration.
Cain’s post on Instagram received some backlash, with one user commenting: “Worst superman ever”.
Another said: “Shame on you Dean – that’s the most un-Superman thing you could possibly advocate.”
One fan turned against him and said: “Until I saw this I was such a fan. What a sad human being you must be.”
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Oasis gig at Murrayfield in Edinburgh beats Taylor Swift for most ‘ground-shaking’ concert
Oasis provided the most “ground-shaking” performance at Edinburgh’s Murrayfield Stadium when they last performed there in 2009, according to analysis of seismic data.
The Gallagher brothers’ last Scottish gig has topped the chart for the most powerful seismic concert at the venue in the past 20 years, the British Geological Survey (BGS) said.
Oasis’ June 2009 gig beat the Red Hot Chili Peppers in June 2004, Kings of Leon in June 2011 and Taylor Swift in June 2024 – when measuring the peak earthshaking power of each event.
Noel Gallagher. Pic: PA
The measurements were taken from a seismic monitoring station, some 4km from the venue.
At peak power of 215.06kW, the Oasis gig was more than twice as powerful as the next strongest one by the Red Hot Chili Peppers at 106.87kW.
Murrayfield Stadium’s most seismic concerts:
• Oasis: 17 June 2009, 215.06kW
• Red Hot Chili Peppers: 14 June 2004, 106.87kW
• Kings of Leon: 26 June 2011, 96.18kW
• Taylor Swift: 8 June 2024, 82.56kW
• Foo Fighters: 8 September 2015, 78.65kW
• Harry Styles: 26 May 2023, 65.38kW
• Beyonce: 20 May 2023, 29.31kW
• Robbie Williams: 31 May 2025, 14.18kW
• Bon Jovi: 22 June 2011, 13.20kW
• Spice Girls: 8 June 2019, 10.63kW
• One Direction: 3 June 2014, 6.82kW
The rankings were revealed ahead of Oasis’ return to the Scottish capital this weekend as part of their comeback tour.
The power output is not related to the volume of the band or the crowd; rather, it is the movement of fans jumping and dancing in time to the music, with the height of the jumping and weight of the crowd also potential factors.
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BGS seismologist Callum Harrison said: “In 2009, seismic signals generated by Oasis fans were consistent with a crowd energy of 215kW at its peak – enough to power around 30 of the scooters featured on the iconic Be Here Now album cover.
“Our network of sensors around the country is sensitive enough to pick up ground movement from a source miles away that may not be detectable to humans – and precise enough to register exact timestamps for when the events occur.
“The peak energy reading was recorded around 8.30pm on that June evening back in 2009, which correlates to the time the band first took the stage and performed Rock ‘N’ Roll Star, which couldn’t be more fitting in terms of topping our seismic music chart.”
The BGS keeps an archive of continuous ground motion recordings from seismic sensors around the country, dating back several decades.
Mr Harrison said: “Improving our understanding of historical earthquakes is an important part of BGS research in trying to understand and mitigate the seismic risk around the country.”
Oasis will take to Murrayfield’s stage on Friday, Saturday and Tuesday, so there is potential for another “shakermaker”.
Mr Harrison said it is “certainly possible” the band could top their 2009 gig, adding: “We’ll just have to wait and see.
“The main contributing factors are going to be how energetic the crowd is. If they’re jumping along with the music, how high or how fast are they jumping?”
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