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Frankie Goes To Hollywood has reunited 36 years after they split up, performing in front of a 30,000 strong crowd in Liverpool in a concert to mark the start of the Eurovision Song Contest.

The band, who formed in the city in 1980 and acrimoniously parted ways seven years later performed just one song.

Frankie Goes To Hollywood's singer Holly Johnson performing in 1985. Pic: AP
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Frankie Goes To Hollywood’s singer Holly Johnson performing in 1985. Pic: AP

Despite being most famous for number 1 hits including Relax, Two Tribes and The Power of Love, they instead chose to perform Welcome to the Pleasuredome which made it to number 2 in the charts in 1985.

Holly Johnson, Brian Nash, Paul Rutherford, Mark O’Toole and Peter Gill have not performed together since an argument before their final gig at Wembley Arena in 1987 is reported to have led to a fight backstage.

Other Liverpool-linked bands to perform at The National Lottery’s Big Eurovision Welcome outside St George’s Hall included Atomic Kitten, The Lightning Seeds and funk band The Real Thing.

Former Eurovision winners Conchita Wurst, who represented Austria in 2014, and Ukraine’s Jamala, who competed in 2016, accompanied by the United Ukrainian Ballet, also performed.

Liverpool has been transformed with public artworks and installations for the international music competition, which the UK is hosting on behalf of Ukraine amid the Russian invasion.

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The competition kicked off in earnest on Sunday, with the 37 competing acts walking a turquoise carpet ahead of the song contest next Saturday.

Electronic duo Tvorchi, made up of producer Andrii Hutsuliak and vocalist Jeffery Kenny, will compete for Ukraine with their rousing song Heart Of Steel.

Kaarija from Finland are second favourite to win
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Kaarija from Finland are second favourite to win

Last year, Kalush Orchestra swept to victory on a wave of support from the voting public.

Mae Muller, 25, will compete for the UK with her dance track I Wrote A Song, featuring tongue-in-cheek lyrics about a cheating ex-boyfriend.

Last year British TikTok star Sam Rider took second place in the competition.

Wild Youth will represent Ireland with their song We Are One.

Loreen from Sweden, Kaarija from Finland and La Zarra from France are the competition favourites.

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Mae Muller met the King in April

The Eurovision Village, at the city’s Pier Head, opened on Friday with a performance from last year’s winners Kalush Orchestra.

On Saturday, Scissor Sisters’ singer Jake Shears performed there after a screening of the King’s coronation.

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A total of 37 countries are set to take part in Eurovision this year, with Ukraine automatically qualifying for the grand final as 2022 winners as well as the so-called “big five” – the UK, France, Germany, Italy and Spain – who each get a free pass because of their financial contributions to the event.

The first Eurovision semi-final will take place on Tuesday, followed by a second semi-final on Thursday, and the grand final on 13 May.

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Race Across The World contestant Sam Gardiner dies aged 24

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Race Across The World contestant Sam Gardiner dies aged 24

Race Across The World contestant Sam Gardiner has died at the age of 24 in a car crash, his family has said.

In a statement, his mother Jo – who appeared on the 2019 series with him – and his father Andrew said: “We are devastated by the loss of our beloved son Sam in a terrible accident.

“Sam left us far too soon, and whilst words will never fully capture the light, joy and energy he brought into our lives, we hold on to the memories that made him so special.

“Sam was adored by his family. As a son, brother and nephew, he was loyal, funny and fiercely protective.”

They added that taking part in Race Across The World “opened his eyes to the wonder of adventure and travel”.

Sam Gardiner. Pic: Greater Manchester Police
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Pic: Greater Manchester Police

The statement continued: “He was willing to go wherever the trail might lead and he touched everyone he met on the road.

“Sam brought warmth, laughter and a smattering of chaos wherever he went. He leaves behind a huge hole in our hearts.

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“He found great happiness working as a landscape gardener on the west coast of Scotland. He leaves behind a huge hole in our hearts. We will miss him endlessly, but we’ll also remember him with smiles, tall tales, and a depth of love that will never fade.”

Greater Manchester Police (GMP) said the car accident happened on the A34 in Gatley, near Cheadle on Monday night. He died from his injuries on Thursday, they said.

“Emergency services attended the scene after a vehicle was reported to have left the carriageway and rolled before landing on its side,” a spokesperson said.

The 24-year-old was the only person in his car and no other vehicles were involved, they added.

A spokesperson for the makers of Race Across The World said: “Everyone who worked with him and indeed everyone who watched Sam could see just how precious and transformative the trip was for both him and his mum, Jo.

“Sam embraced the seven-week trip with an energy, love and a determination that saw the pair enjoy adventures across Mexico to Argentina making audiences fall in love with them and their special bond as a result.

“We would like to extend our deepest condolences to his parents, Andrew and Jo; his brothers, William and Charlie; his step mum Justine; his family and friends.”

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Mountainhead: Succession writer Jesse Armstrong’s new film takes aim at tech billionaires

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Mountainhead: Succession writer Jesse Armstrong's new film takes aim at tech billionaires

Succession writer Jesse Armstrong says he hopes his new film about toxic tech billionaires can be a receptacle for anyone who is “feeling wonky about the world”.

Now making his film directorial debut with Mountainhead, starring Steve Carell and Jason Schwartzman, Armstrong has shifted his focus from cut-throat media moguls to a group of billionaire friends meeting up to compare bank balances against the backdrop of a rolling international crisis they appear to have stoked.

Speaking to Sky News about the project, he said: “For a little while I poured some of my anxieties and feelings into it… and I hope it can be a receptacle for other people if they’re feeling wonky about the world, maybe this can be somewhere they put some of their anxieties for a while.”

Cory Michael Smith (R) plays Venis in Mountainhead. Pic: Mountainhead/HBO
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Cory Michael Smith (R) plays Venis in Mountainhead. Pic: Mountainhead/HBO


Jesse Armstrong with Ramy Youssef. Pic: Mountainhead/HBO
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Jesse Armstrong with Ramy Youssef. Pic: Mountainhead/HBO


Few television writers achieve widespread recognition beyond their work, but Armstrong – the man behind Succession, one of the most critically acclaimed TV shows of the past decade – has become a household name and is today one of the world’s hottest properties in high-end drama.

“If there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire,” he admits.

Long before he gifted viewers with the likes of manipulative Logan Roy and sycophantically ambitious Tom Wambsgans, back in the beginning, there was selfish slacker Jez and the perennially insecure Mark on his breakthrough hit Peep Show.

“I love comedy, you know, it’s my way in,” he explains. “I think I like it because… the mixture that you get of tragedy and absurdity strikes me as a sort of a true portrayal of the world… and I just like jokes, you know, that’s probably the basic reason.”

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After putting his pen down on the finale of Succession, walking away with 19 Emmys and nine Golden Globes, attention was always going to be drawn to what Armstrong did next.

“I had a couple of other things that I thought I would write first and this kind of snuck up on me as an area of interest,” Armstrong says.

“After I’d listened to a bunch of tech podcasts and Ted talks, I sort of needed somewhere to put the tone of voice that was increasingly in my head.”

Tapping into the unease surrounding big tech, he wrote, shot and edited Mountainhead in less than six months.

Jesse Armstrong
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Jesse Armstrong says the film’s theme ‘snuck up on me as an area of interest’

Capturing the audience mood

Explaining why he worked so fast, he said he “wanted to be in the same sort of mood as my audience, if possible”.

While he insists there aren’t “any direct map-ons” to the billionaire tech moguls, which frequently make headlines in real life, he joked he’s “happy… to play a game of ‘where did I steal what from who?'” with viewers.

“You know… Elon Musk… I think at least people would see some Mark Zuckerberg and, I don’t know, some Sam Altman, there is a bunch of those people in all the [film’s] different characters… and we’ve stolen liberally from the world in terms of the stories we’ve given them.”

Steve Carell is tasked with delivering some of the film’s most memorable lines as the satire explores the dynamic between those holding the power and those pulling the strings.

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Lack of self-knowledge ‘good for comedy’

“People who lack a certain degree of self-knowledge are good for comedy….and if there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire.

“You know, living in a gated community and travelling by private jet certainly doesn’t help you to understand what life is like for most people.”

Armstrong’s gift for using humour to savagely dramatic ends is arguably what makes him one of the most sought-after writers working today.

Behind his ability to craft some of the sharpest and scathing dialogue on our screens, he views what he does as more than getting a laugh.

“I do believe in the sort of nobility of the idea, that this is a good way to portray the world because this is how it feels a lot of the time.”

Mountainhead will air on Sky and streaming service NOW on 1 June.

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Taylor Swift buys back rights to all master recordings – but it’s bad news for Reputation fans

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Taylor Swift buys back rights to all master recordings - but it's bad news for Reputation fans

Taylor Swift has bought back all the rights to her master recordings – but has suggested she won’t be re-releasing her Reputation album.

“All the music I’ve ever made now belongs to me,” the star announced on her official website.

“I’ve been bursting tears of joy… ever since I found out this is really happening.”

The pop star had originally lost the rights to her first six albums in 2019 when her first record label, Big Machine, sold them to music executive Scooter Braun.

After she learned Braun had acquired her musical catalogue, she opened up about it in a lengthy Tumblr post, blaming him for being complicit in Kanye West’s “incessant, manipulative bullying” of her.

Swift said she was not given the opportunity to buy her work outright, and so, in a bid to diminish the value of the master tapes, she set about re-recording them.

Taylor Swift's back catalogue has been sold on by Scooter Braun
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Taylor Swift’s back catalogue was eventually sold on by Scooter Braun

She had re-released four “Taylor’s Version” albums to date. Just her self-titled debut album and Reputation remained.

Braun later sold his stake in her albums to Shamrock Holdings, a Los Angeles investment fund, in a deal reported to be worth £222 million.

It is not known how much Swift paid Shamrock to re-acquire the rights to her songs.

Swift said she was “forever grateful” to Shamrock for allowing her to buy the rights to her music back.

“This was a business deal to them, but I really felt like they saw it for what it was to me: My memories and my sweat and my handwriting and my decades of dreams,” Swift wrote on her website.

“I am endlessly thankful. My first tattoo might just be a huge shamrock in the middle of my forehead.”

What it means for Reputation fans

Just two albums remained to be re-released by Swift – her self-titled debut album and Reputation. The latter was a particularly strong source of speculation among fans, who would look for clues in her outfits during her record-breaking Era’s tour.

But this announcement could spell the end of that.

“Full transparency: I haven’t even re-recorded a quarter of it,” Swift said.

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Prince William spotted ‘dad dancing’ at Taylor Swift’s Wembley concert in 2024.

She said Reputation was “so specific” to a certain time in her life, that she kept hitting a block when she tried to re-record it. She also said she felt it was the first album she could not improve by re-recording it.

Debut has been re-recorded, with Swift saying she “loves how it sounds now”.

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But both albums could still “re-emerge when the time is right”, particularly the unreleased tracks.

“If it happens, it won’t be from a place of sadness and longing for what I wish I could have,” Swift said.

How Swift’s stance changed the music industry

In the music industry, the owner of a master controls all rights to their artists’ recordings. This is usually agreed in contracts with artists, and allows them to recoup the financial investment they make in stars, including funding production, marketing and promotion.

It also means they can distribute it to new streaming services or license the songs to be used in movies.

Wow. Quite literally the lady in red - and the big winner of last year - Taylor Swift. Pic: AP
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Pic: AP

Swift, as co-writer of her music, had always maintained publishing rights.

“I do want my music to live on. I do want it to be in movies. I do want it to be in commercials. But I only want that if I own it,” she told Billboard in 2019.

Swift said today she had been “heartened by the conversations this saga had reignited within my industry among artists and fans”.

“Every time a new artist tells me they negotiated to own their master recordings in their record contract because of this right, I’m reminded of how important it was for all of this to happen.”

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