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The biggest event so far in the 2024 election cycle took place in New Hampshire Wednesday evening. 

Former President Trump participated in a town hall event hosted by CNN, with Kaitlan Collins serving as moderator.

The fact that the event was happening at all had drawn some criticism beforehand — mostly, but not exclusively, from liberals and the left.

On the other hand, a ratings bonanza was forecast by many media-watchers.

After all the hype, here are the main takeaways. A disaster for CNN

Trump did not so much win the event as CNN lost it — catastrophically.

Not all of the blame can be placed on Collins, though there were clearly moments when she could have pushed back faster or more strongly.

A far bigger problem was a decision, presumably taken by producers, to have a live audience “made up of Republicans and undeclared voters who tend to take part in New Hampshire’s Republican primary,” as Collins put it in her introductory remarks.

What that meant was an audience loudly supportive of Trump at every turn — and plainly disdainful of Collins. 

Around halfway through the event, Trump’s description of Collins as “a nasty person” drew whoops of delight.

Not a single tough question was asked of Trump by any audience member.

Perhaps most strikingly of all, Trump’s denial of ever having met, much less abused, E. Jean Carroll, received raucous approval — despite a nine-person jury having found Trump liable for sexual abuse and defamation of Carroll only the previous day.

Offering his own spin on Carroll’s story, Trump wondered “What kind of a woman meets somebody and brings them up and within minutes you are playing hanky panky in a dressing room, OK?”

Many in the audience laughed.

Media figures, as well as politicians on the left, reacted with horror.

“I can’t believe this is being allowed on @CNN,” tweeted Gretchen Carlson, the former Fox News anchor whose allegations of sexual harassment sparked the downfall of that network’s one-time supremo, Roger Ailes. “This is promulgating the cult leadership of Trump — and people are laughing at sexual assault.”

Rep. Alexandria Ocasio-Cortez (D-N.Y.) tweeted, “CNN should be ashamed of themselves. They have lost total control of this ‘town hall’ to again be manipulated into platforming election disinformation, defenses of Jan 6th, and a public attack on a sexual abuse victim.”

Ocasio-Cortez added, “The audience is cheering him on and laughing at the host.”

CNN shouldn’t create programming to please Ocasio-Cortez, of course — any more than it should mold coverage to please Trump.

But the network has serious questions to answer about an event that spiraled so abjectly — and set up one of its own rising stars for a humiliating failure. Trump was strikingly evasive on abortion

Collins did have some sliver of success when she pressed Trump on his position on abortion.

She was not able to wring from him a specific answer on whether he would sign a federal abortion ban if he were to win back the presidency in 2024. Yet, the vagueness and evasiveness of his response was revealing.

Trump proclaimed that the Supreme Court’s decision striking down Roe v. Wade last June was “a great victory.” His rationale was an unusual one.

The former president contended that the decision “was an incredible thing for pro-life because it gave pro-life something to negotiate with.”

The explanation that followed was not clear, but Trump appeared to be arguing that, with the erstwhile constitutional guarantee of a right to abortion gone, it was easier to make deals between liberals and conservatives on certain limits to abortion.

Trying to distance himself from the most rigid anti-abortion positions in his party — positions that have fared badly at the polls in recent months — he added, “I happen to believe in the exceptions” to outright bans.

Still, Trump several times avoided Collins’s question on whether he would sign a federal ban. Trump on the debt ceiling: ‘You’re gonna have to do a default’

The former president encouraged his party colleagues on Capitol Hill to hold to a hard line in the ongoing talks about the debt ceiling — even if it came at the price of the kind of U.S. default that virtually all credible economists say would be disastrous.

Trump vigorously backed the position put forward by Speaker Kevin McCarthy (R-Calif.) among others — that the debt ceiling should only be raised if President Biden and the Democrats accede to steep spending cuts.

The White House has declined to countenance that idea. Democrats often note that Republicans voted to raise the debt ceiling three times during Trump’s one term, even as he added more than $7 trillion to the national debt.

Trump insisted Republicans in Congress should stand firm.

“I say to the Republicans out there — congressmen, senators — if they don’t give you massive cuts, you’re gonna have to do a default,” he said.

He predicted that the Democrats would “absolutely cave” in the face of such a strong position.

But, he suggested, even if they did not and the U.S. went into default for the first time in its history, “it’s better than what we’re doing right now because we’re spending money like drunken sailors.” Election lies and downplaying Jan. 6

Perhaps the most predictable part of Wednesday’s event came with Trump’s standard lines about the 2020 election, and his minimization of what took place on Jan. 6, 2021.

In both cases, Collins tried to push back, but a combination of the Trump-backing crowd and his brash demeanor contributed to her getting steamrollered.

Trump said that 2020 was “a rigged election.”

It was not.

He also said that the protesters on Jan. 6 2021 “were there with love in their heart.”

Around 140 police officers were injured on Jan. 6, when a crowd ransacked the Capitol while seeking to overturn a legitimate presidential election and thwart the peaceful transfer of power.

Trump soon afterward became the first American president in history to be twice impeached. The second impeachment was for inciting the Jan. 6 riot. A big night for Trump spells trouble for his GOP rivals

CNN may well have delivered Trump his biggest boost yet in his quest for the 2024 GOP nomination — an ironic twist for a news network to which the former president almost always used to append the term “Fake News.”

All of the traits that Trump’s hardcore supporters admire were on full display on Wednesday — the belligerence, the swatting-aside of criticism and the mocking of opponents and adversaries.

He never came close to being trapped in any politically awkward spot — save perhaps when declining to answer whether he wanted Russia or Ukraine to win the war sparked by Russian President Vladimir Putin’s February 2022 invasion. Democrats target CNN over Trump town hall Disney+, Hulu will become ‘one-app experience’ this year: CEO

Above all, CNN got humiliated at his hands — a sweet victory for conservatives who detest the network.

The event plainly reinforced Trump’s position as the dominant player in the GOP field.

That is very bad news for the rivals who are already trailing in his wake.

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Entertainment

It’s one of theatre’s most magical crafts – but now it’s critically endangered

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It's one of theatre's most magical crafts - but now it's critically endangered

Puppetry has enjoyed a renaissance in recent years.

With the ability to tell political and philosophical stories, fairy tales and musical adventures, all with equal flair, puppeteers bringing the inanimate to life on stage is back in vogue.

A staple of the festive season, the year-round resurgence has been invigorated by hit West End shows including War Horse, The Life Of Pi, The Lion King and My Neighbour Totoro, boosting a craft that has been traced back as far as the ancient Greeks.

Pinocchio is this year's Christmas show at Shakespeare's Globe. Pic: Johan Persson
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Pinocchio is this year’s Christmas show at Shakespeare’s Globe. Pic: Johan Persson

This year, puppets are centre stage at Shakespeare’s Globe, with Pinocchio their leading man.

The tale of a wooden puppet who dreams of becoming a real boy, Globe associate director Sean Holmes tells Sky News: “It seemed to fit, a boy made of wood in a theatre made of wood.

“There’s something about the kind of challenge of that storytelling, the theatricality, the magic, the puppetry, that really drew us to it.”

The performers – made up of actors and puppeteers – spent 18 months workshopping the show ahead of opening night, perfecting the challenge of skilled puppetry, acting and singing all on an open-air stage. It’s no mean feat.

More on Theatre

The show features a range of puppets, including rod, table-top, and large-scale creations that fill the stage and marionettes – small puppets with big impact.

Puppeteer Stan Middleton is a marionette specialist. Pic: Patrick Hutton
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Puppeteer Stan Middleton is a marionette specialist. Pic: Patrick Hutton

Romeo the marionette on the Globe stage. Pic: Patrick Hutton
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Romeo the marionette on the Globe stage. Pic: Patrick Hutton

One of the show’s puppeteers, Stan Middleton, a marionette specialist, operates a marionette Romeo puppet in part of the performance.

He tells Sky News: “I think a lot of people are scared of marionettes because they think, ‘Oh no, they’re too difficult, we can’t do them’.”

He goes on: “It’s so nice to have the marionette moment in this show, because it gives people a chance to see how beautiful they are and how enchanting…

“They’ve got a sort of delicate charm and a sort of like inner silence which I think really captivates people.”

Despite their charms, the intricate skills required to both craft and manipulate long-string marionettes mean they are under threat.

While some puppets – including War Horse-style rod and Totoro-style body ones – are enjoying success on the stage, marionettes are critically endangered.

Globe associate director Sean Holmes. Pic: Patrick Hutton
Image:
Globe associate director Sean Holmes. Pic: Patrick Hutton

Unlike dance or circus, puppetry is not recognised in its own right by Arts Council England and is instead grouped with theatre.

It means specialist puppet venues are competing for funding in the highly saturated market of theatre companies producing for children and families, with no special recognition of their craft.

Marionette-making was added to Heritage Crafts’ Red List of Endangered Crafts in 2023.

There are now calls for it to be added to the UNESCO Intangible Cultural Heritage (ICH) list too, after the UK officially joined earlier this year.

Puppets are big business, but as some types thrive, others are at risk of disappearing completely. Pic: Johan Persson/Patrick Hutton
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Puppets are big business, but as some types thrive, others are at risk of disappearing completely. Pic: Johan Persson/Patrick Hutton

Little Angel is one of the few UK theatres to have a marionette bridge. Pic: Patrick Hutton
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Little Angel is one of the few UK theatres to have a marionette bridge. Pic: Patrick Hutton

Little Angel Theatre, a hub for British puppetry for over six decades, is one of a handful of UK spaces where puppeteers can perform with long-string marionettes.

Boasting not one but two marionette bridges, puppeteers can walk 360 degrees all the way around the upper part of the stage, working their marionettes from a hidden vantage point above.

Trained by some of the last remaining UK makers, including Little Angel co-founder Lyndie Wright, Little Angel Associate director Oliver Hymans is a central figure in the effort to save the craft.

Little Angel associate director Oliver Hymans. Pic: Patrick Hutton
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Little Angel associate director Oliver Hymans. Pic: Patrick Hutton

Inspired by seeing old marionettes hung up at the back of the stage and intrigued by why they were not being used, he is now committed to re-establishing traditional marionette-making.

Hymans tells Sky News: “The marionette is a series of nine different pendulums all wired together. You’re having to work against gravity to keep it in control.

“But the thing about the marionette is you can hide the puppeteer. So, you can completely design and develop a world where there are only puppets and scenery and scenography.”

He says the majority of master marionette makers have retired or are nearing retirement, and warns there may be just a handful left in the country.

He explains: “With the onslaught of AI, we know it’s coming. Jobs where people use their hands are going to be vitally important, and if we don’t protect these crafts, they are going to die out.”

Me at Little Angel Studios. Pic: Ellie Kurttz
Image:
Me at Little Angel Studios. Pic: Ellie Kurttz

The Storm Whale at Little Angel Theatre. Pic: Northedge Photography
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The Storm Whale at Little Angel Theatre. Pic: Northedge Photography

Putting their money where their mouth is, Little Angel is nurturing emerging talent, upskilling people in both the art of making and performing with marionettes.

They plan to have a marionette show on stage next summer.

Also joining the fight for the overlooked craft, puppetry director Rachel Warr has organised a celebration of marionettes for the last three years, with the support of the Art Workers’ Guild Outreach Committee.

An industry-focused free event, it brings the puppetry community together – with particular relevance to those who work with marionettes – or who aspire to.

Puppetry director Rachel Warr (R) with Alicia Britt and Anna Smith. Pic. Tom Crame
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Puppetry director Rachel Warr (R) with Alicia Britt and Anna Smith. Pic. Tom Crame

Some members of the community appear in a forthcoming short documentary about puppets, Untangling, by filmmaker Hester Heeler-Frood.

Warr told Sky News: “People are often more affected by a puppet dying on stage than an actor pretending to die in character. It doesn’t have the artifice of getting up and walking away and getting on the tube at the end of the night.

“There’s something quite vulnerable about the puppet in that sense… We know that it’s not really alive, and yet we’re able to project on to it our own thoughts and feelings. It’s a blank canvas – a powerful tool.”

Meanwhile, as Pinocchio plays at the Globe, the theatre is running accompanying puppetry workshops, encouraging children to get involved in the craft – maybe inspiring future stars of puppeteering.

With their future hanging by a string, the training of the next generation is key to breathing life back into an overlooked craft, reinstating marionettes to their rightful place on the stage.

Pinocchio runs at Shakespeare’s Globe until Sunday 4 January.

The Storm Whale at Little Angel Studios runs until Saturday 24 January, and Me runs at Little Angel Theatre until Sunday 25 January.

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Science

Astronomers Observe Black Hole Twisting Spacetime for the First Time, Confirming Einstein’s Theory

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Astronomers have directly observed a black hole twisting spacetime for the first time, confirming Einstein’s long-standing prediction. The effect was detected during a violent stellar destruction event, where repeating X-ray and radio signals revealed a slow cosmic wobble. The discovery provides new insight into black hole spin, jets, and extreme gravity.

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Science

Hubble Captures Rare Collision in Nearby Planetary System, Revealing Violent Planet Formation

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Astronomers using NASA’s Hubble Space Telescope have witnessed rare collisions between rocky bodies in the Fomalhaut system. The glowing debris clouds created by these impacts offer a unique glimpse into how planets form and highlight challenges in identifying true exoplanets.

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