Watched by millions around the world, the Eurovision Song Contest is musical Marmite – love it or loath it – even its fiercest critic can’t call it dull.
This year of course is something special – for the first time two countries (Ukraine and the UK) will jointly host the event which has descended on Liverpool’s waterfront in all its multi-coloured glory.
So, as pop fans ready themselves for Saturday’s marathon of 26 acts in four hours, who do we think is going to be taking home the iconic Eurovision glass microphone trophy?
The top three
Sweden – the birthplace of Eurovision royalty Abba – are favourite to win.
Loreen – who won the contest in 2012 with Euphoria – is now returning with her new song Tattoo, an electric banger with show stopping vocals.
And science is on her side, with solo female pop acts found to be the most likely to win the competition, according to a recent study by digital marketing agency Evoluted.
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Winning this year would put Sweden level with Ireland for most wins (seven) and make Loreen the first woman to win it more than once.
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‘I want to create something that matters’
Finland’s hyper-pop-rap tune Cha Cha Cha is also hotly tipped by bookies.
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The song is performed by Finnish singer Kaarija – a pro at posing up a storm on the red carpet with his trademark neon green sleeves-only puffer jacket and bowl haircut.
His name is a clever pun in Finnish on the verbs “to wrap / and to rap” and his song is inspired by the feeling of losing your inhibitions after a drink or two. The 29-year-old singer has described the track to Sky News as: “Very much power and energy and fire”.
Electronic duo Tvorchi, made up of producer Andrii Hutsuliak and vocalist Jeffery Kenny, will compete for Ukraine with their rousing song Heart Of Steel.
With their band name meaning “creative” in Ukrainian, their song is an understated message of defiance aimed at Russia, the invader of their homeland.
They are of course hoping to take the prize back to Ukraine, which was unable to host this year’s show due to the war.
She explained the inspiration for the song on TikTok: “I was really annoyed at this guy. I wanted to do something crazy, maybe burn his house down, I don’t know.
“But instead I took the high road and I wrote a song. And that’s called growth, ladies and gentlemen.”
With an energetic dance routine and easy-to-sing-along-to section of “da dada dada da’s” it stands a good chance of making the top 10.
Also in the running
Spain’s Blanca Paloma will sing Eaea which has an authentic Spanish sound, fused with strong synth line.
Paloma has said the song represents a “chant to her late grandmother”, who had inspired much of her music.
Norway’s Alessandra will sing Queen Of Kings, a pop sensation with a super catchy chorus. With comparison to Lady Gaga, it’s already one of the most streamed songs of the competition.
And France’s La Zarra will sing sultry torch song Evidemment (which translates as “obviously” in English).
The French-language track was created especially for the contest, co-written by La Zarra herself, and she’s described it as a true French “chanson” about love, the importance of loving oneself and the strive towards achieving complete happiness in what can often be a complex world.
What about the novelty songs?
Possibly more important than the potential winners, are the acts everyone will be talking about on Sunday morning.
Austria is getting all literary, with Teya and Salena’s entry Who The Hell Is Edgar?, about the ghost of American writer Edgar Allan Poe. That, and streaming sites short-changing artists. Quite an eclectic mix.
Croatian shock-rock band Let 3 will sing a a track called Mama SC, which includes the lyrics: “Mama bought the tractor”, “Armageddon granny” and “War, war, evil little psychopath”.
While they will perform in brightly coloured military garb on the Eurovision stage, they are reported to have been in trouble in Croatia for stripping off in public and performing naked.
Irish actor Paul Mescal says meeting King Charles was not on his “list of priorities”.
The 28-year-old star was introduced to the reigning monarch at the Gladiator II world premiere in London last week.
The historical epic picks up 20 years after the Oscar-winning original, and marks Mescal‘s first big studio movie after success in TV and independent film, playing Roman warrior Lucius Verus.
Talking about his brush with royalty on the red carpet, Mescal told US outlet Variety he did not see it coming.
Speaking at the film’s Los Angeles premiere, Mescal said: “How wild is it? It’s definitely not something that I thought was in the bingo cards.
“I’m Irish, so it’s not on the list of priorities”.
He then swiftly turned the answer to the film’s 86-year-old director, Ridley Scott, saying: “It’s an amazing thing for Ridley because I know how important that is for him.
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“So, to see his film celebrated in that context was pretty special.”
Ahead of the premiere, both Mescal and Scott had enjoyed a champagne reception at Buckingham Palace, and so were already in a celebratory mood on their arrival.
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Due to the large number of people at the event, Mescal admitted it was also hard to hear what was being said during his exchange with the King, so he was “nodding along and smiling”.
The world premiere was held in aid of the Film and TV Charity, which celebrates its 100th anniversary this year, and marked the first premiere Charles attended as King.
The King also met with Mescal’s co-stars including Oscar-winner Denzel Washington and Narcos actor Pedro Pascal.
Other celebrities to attend included actor Joseph Fiennes and TV presenter Claudia Winkleman.
Reviews of the film have been mixed thanks to its more-is-more attitude to CGI and OTT storylines, but there is broad agreement that audiences will leave the cinema somewhat entertained.
Sir Ridley – who cast Mescal in the role after a brief Zoom chat with the actor – told Sky News his reason for choosing him was that he saw aspects of “a young Albert Finney” in him.
The original Gladiator starred Russell Crowe as Roman general Maximus Decimus Meridius. The Australian actordoes not return for the sequel.
Joaquin Phoenix also had a starring role in the first film, which Scott later admitted he nearly walked out of.
Both Mescal and Scott have teased that they would both be up for a third film.
She said she was leaving to focus on family, but will remain part of the Radio 2 team and will give further details next year.
Announcing the news on her Tuesday show, she said: “After six years of fun times alongside you all on the breakfast show, I’ve decided it’s time to step away from the early alarm call and start a new chapter.
“You know I think the world of you all, listeners, and it truly has been such a privilege to share the mornings with you, to go through life’s little ups and downs, we got through the lockdown together, didn’t we?
“We’ve shared a hell of a lot, the good times, the tough times, there’s been a lot of laughter. And I am going to miss you cats.”
Scott Mills will replace Ball on the breakfast show following her departure next month.
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“Zoe and I have been such good friends now for over 25 years and have spent much of that time as part of the same radio family here at Radio 2 and also on Radio 1,” he said.
“She’s done an incredible job on this show over the past six years, and I am beyond excited to be handed the baton.”
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Hugging outside the BBC building on the day of the announcement, Ball said she was “really chuffed for my mate and really excited about it”.
Ball was the first female host of both the BBC Radio 1 and Radio 2 breakfast shows, starting at the Radio 1 breakfast show in 1998, and taking over her current Radio 2 role from Chris Evans in 2020 after he left the show.
She took a break from hosting her show over the summer, returning in September.
Ahead of her stint in radio, Ball – who is the daughter of children’s presenter Johnny Ball – co-hosted the BBC’s Saturday morning children’s magazine show Live & Kicking alongside Jamie Theakston for three years from 1996.
She has two children, Woody and Nelly, with her ex-husband, DJ and musician Norman Cook, known professionally as Fatboy Slim.
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Ball said in her announcement her last show towards the end of December will be “just in time for Christmas with plenty of fun and shenanigans”.
“While I’m stepping away from the Breakfast Show, I’m not disappearing entirely – I’ll still be a part of the Radio 2 family, with more news in the New Year,” she added.
“I’m excited to embrace my next chapter, including being a mum in the mornings, and I can’t wait to tune in on the school run!”
Helen Thomas, head of Radio 2, said: “Zoe has woken up the nation on Radio 2 with incredible warmth, wit and so much joy since January 2019, and I’d like to thank her for approaching each show with as much vim and vigour as if it were her first. I’m thrilled that she’ll remain an important part of the Radio 2 family.”
Mills, 51, got his first presenting role aged just 16 for a local station in Hampshire, and went on to present in Bristol and Manchester, before joining BBC Radio 1 in 1998.
He got his first permanent role on Radio 2 in 2022, replacing Steve Wright, after previously working as a cover presenter on the station.
British actress Olivia Williams has said that in more than 30 years of acting on screen, starring in Dune: Prophecy is the first time she has felt confident her scenes would not be cut from a project.
Williams, who has appeared in films including The Sixth Sense, Rushmore and An Education, and portrayed Camilla Parker Bowles, before she became Queen, in the final two seasons of The Crown, can now be seen in the TV prequel to the blockbuster Denis Villeneuve films.
She stars alongside her close friend Emily Watson, with the pair playing the Harkonnen sisters – two women fighting forces that threaten the future of humankind.
Based on the Dune and Sisterhood of Dune novels, the Sky Atlantic show is set 10,000 years before the birth of Timothee Chalamet‘s character, Paul Atreides, in the films, and follows the two women as they found the fabled sisterhood that will later become known as the Bene Gesserit.
Despite knowing each other for 30 years, and even working at the Royal Shakespeare Company (RSC) at the same time, the show marks Williams and Watson’s first time on screen together.
Williams says they are often asked why they have never acted together before. There’s a simple answer, she tells Sky News. “It’s because there are no scripts for two women of the same age to lead a story.
“We’re used to playing the character that can, if the film’s running a bit long, be cut out because you don’t genuinely affect the plot of the show. Well, just try cutting the Harkonnen sisters out of this story!”
She adds: “We knew that our work would be used – which, in 35 years, I’d say is the first time that’s happened.”
In Dune: Prophecy, Watson plays the Mother Superior of the Bene Gesserit Sisters, Valya Harkonnen, whilst Williams plays her younger sibling, Sister Tula Harkonnen.
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Watson, who recently starred alongside Oscar winner Cillian Murphy in Small Things Like These, says it feels wonderful to be given the freedom to portray strong, stoic characters.
“When we were first cast, we went and sat in the National Portrait Gallery and sat in front of portraits of Queen Elizabeth I, Mary, Queen of Scots, Bloody Mary, and just thought about that time when those very powerful women were front and centre, and terrified and deeply paranoid because everybody wanted to either marry them or kill them.”
The two actresses first met outside the Black Swan pub in Stratford-upon-Avon when they were starting out in their careers with the nearby RSC.
Williams says it “doesn’t feel real” that their careers have become as successful as they have.
“It is an extraordinary thing that I said I would stop at 30 and go and try to be a lawyer. I didn’t intend to be working as an actor and now I can’t believe my luck.
“You get to the end of every job and you go, was that the last time I will act? And that is a really tough way to, you know, bring up a family and you can’t get a bloody mortgage or life insurance with a lifestyle like that. So anyway, that was my real-life whinge.”
Watson said the experience of leading a big-budget series together was not lost on her, and she felt an onus to help create a positive environment for the younger actors.
“We were like the CEOs and we were making sure that everybody was seen and felt part of something and were feeling okay about how everything was going down. And it felt like a really healthy way to do it.”
Dune: Prophecy is available to watch on Sky Atlantic and Now