Sweden has won this year’s Eurovision Song Contest, with singer Loreen making history as the first woman to win more than once after first taking the crown back in 2012.
The 39-year-old’s win for dance-pop anthem Tattoo also means Sweden has drawn level with Ireland for the country with the most Eurovision wins – seven apiece.
Finland were the runners up with quirky singer Kaarija’s hyper-pop-rap tune Cha Cha Cha.
The 29-year-old Finn had been a popular act in the build up to the grand final, arriving in his own customised sauna van and posing up a storm on the red carpet in his trademark neon green sleeves-only puffer jacket and bowl haircut.
Israel’s entry, sung by Noa Kirel and which featured the most energetic dance routine of the night, came third.
UK’s act, Mae Muller, who sang I Wrote A Song, came a disappointing second to last in the competition.
It will be a blow to the 25-year-old from north London, who had been widely tipped to make it into the top 10 with her catchy pop track, especially after the UK’s success in the contest last year.
Other guest appearances in the show included last year’s Eurovision runner-up Sam Ryder performing Mountain with Queen legend Roger Taylor accompanying him on the drums, Liverpool songstress Sonia and Abba’s Bjorn Ulvaeus giving advice to future Eurovision winners.
And of course, Eurovision isn’t just about winning, it’s about something much bigger. This year more than ever, the contest was proof of music’s power to unite.
The first time two countries have jointly hosted Eurovision, Liverpool put on the event on behalf of Ukraine, because the war-torn nation was unable to do so.
Eleven Ukrainian artists performed in the ceremony itself, with Ukrainian motifs and the Ukrainian identity playing a central role throughout the night.
Prime Minister Rishi Sunak called the European Broadcasting Union’s (EBU) decision to ban his appearance “disappointing“.
The EBU, a group of national public broadcasters that produce Eurovision, said they feared his message would “politicise” the contest.
Despite the ban, inevitably Russia’s invasion of Ukraine was referenced by other performers during the night.
Nods to the ongoing war included the Ukrainian act Tvorchi whose song Heart Of Steel was inspired by the siege of Mariupol, Croatia’s Let 3 who performed anti-war song Mama SC! in front of giant nuclear warheads and Czechia’s Vesna singing part of their song My Sister’s Crown in Ukrainian.
A powerful opening performance by Kalush Orchestra performing Voices Of A New Generation followed by their winning hit Stefania – a song that has become an unofficial anthem for Ukraine since the start of the war – also bought a sharp focus to the night’s proceedings.
In more light-hearted fare, Eurovision’s love of novelty acts shone through with some real corkers on offer this year.
One of the most talked about acts of the night – Austria’s We Need To Talk About Edgar Allen Poe – opened the competition, with singers Teya and Salena channelling the ghost of the literary great to take a swipe at music streamers.
And while not all of the wackier performances saw their ingenuity rewarded on the leaderboard, acts that particularly got the auditorium buzzing included Germany’s pop-metal act Lord Of The Lost singing Blood And Glitter; Australia’s Voyager belting out Promise while rocking out on the bonnet of a vintage Toyota MR2 and Croatia’s Let 3 stripping off to their pants and vests mid-way through Mama SC!
While it may all be over for another year, fans of the world’s most-watched live non-sporting event will already be getting excited over next year’s performance in Sweden.
Pros in the field of putting on a Eurovision grand final – it will be the country’s third time on hosting duty in the last 12 years.
But many will surely be wondering if the shadow of the war in Ukraine will still hang so heavy over the show this time next year.
Angelina Jolie says although she appreciates being an artist, she would prefer for her legacy to be “a good mother” and to be known for her “belief in equality and human rights”.
The Oscar-winning actress stars as Maria Callas in the new Pablo Larrain film about the opera singer’s life.
She has called Maria “the hardest” and “most challenging” role she has had in her career and put months of preparation into immersing herself into the world of opera.
Jolie, who recently reached a divorce settlement with actor Brad Pitt, told Sky News: “To be very candid, it was the therapy I didn’t realise I needed. I had no idea how much I was holding in and not letting out.
“So, the challenge wasn’t the technical [side of opera], it was an emotional experience to find my voice, to be in my body, to express. You have to give every single part of yourself.”
The biopic combines the voice of the Maleficent actress with recordings of Maria Callas.
Jolie believes it “would be a crime to not have [Callas’] voice through this because, in many ways, she is very present in this film”.
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Who was Maria Callas?
Born in New York in 1923, Maria Callas was the daughter of Greek immigrants who moved back to Athens at the age of 13 with her mother and sister.
After enrolling at the Athens Conservatory, she made her professional debut at 17 and went on to become one of the most famous faces of opera, travelling around the world and performing at Covent Garden in London, The Met in New York and La Scala in Milan.
Callas’s final operatic performance took place at Covent Garden in 1965 when she was 41 but she continued to work conducting master classes at Juilliard School, doing concert tours and starring in the 1969 film Medea.
Written by Peaky Blinders creator Steven Knight, Maria focuses on the artist’s final years in the 1970s when she moved to Paris and disappeared from public view.
She died on 16 September 1977 at the age of 53.
Jolie on changing motivations as an actor
Maria follows the life of an artist fully consumed by the art she creates and even remarks that “happiness never developed a beautiful melody”.
Reflecting on her own life in the spotlight, Jolie said she noticed her own career motivations change over the years.
“There’s this kind of study of being human that we do when we create, and we communicate with an audience because our work is not in isolation – it’s a connection.
“I think when I was younger, I had different questions about being human and different feelings and now as I’ve gotten older, I understand some things and now I have different questions.
“It’s a matter of life, right? And so maybe that’s interesting that this now is a character really contemplating death and really contemplating the toll of certain things in life that I, of course, couldn’t have understood in my 20s”.
A family affair
Two of Jolie’s children, Maddox and Pax, took on production assistant roles during the filming of Maria and witnessed their mother perform opera for the first time in public.
She says the film allowed them to create new experiences together and for her children to see her approach to playing a difficult role.
“Everyone in my home, we all give each other space to be who we are and we’re all different.
“I’m the mom, but I’m also an artist and a person and so my family has been very kind and gives me their understanding. They make fun of me, and they support me and just as you’d hope it would be.”
She adds: “When you play somebody who is dealing with so much pain, it’s very important to come home to some kindness.”
Sam Moore, who sang Soul Man and other 1960s hits in the legendary Sam & Dave duo, has died aged 89.
Moore, who influenced musicians including Michael Jackson, Al Green and Bruce Springsteen, died on Friday in Coral Gables, Florida, due to complications while recovering from surgery, his publicist Jeremy Westby said.
No additional details were immediately available.
Moore was inducted with Dave Prater into the Rock and Roll Hall of Fame in 1992.
This breaking news story is being updated and more details will be published shortly.
Neither star has publicly addressed the rumours but Tom’s comedian father, Dominic Holland, has now confirmed the pair are set to wed.
He wrote in a post on his Patreon account: “Tom, as you know by now was very incredibly well prepared. He had purchased a ring.
“He had spoken with her father and gained permission to propose to his daughter.”
“Tom had everything planned out… When, where, how, what to say, what to wear,” he added.
Dominic also noted that while most men worry about being able to afford an engagement ring, he suspects his actor son was “more concerned with the stone, its size and clarity, its housing, which jeweller”.
Tom and Zendaya met on the set of Spider-Man: Homecoming in 2016, when they played the titular hero and his love interest MJ, respectively. Their romance was confirmed in 2021.
In his post, Tom’s father admitted fears over whether being in the spotlight could put a strain on the couple’s relationship.
He wrote: “I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”
“And even though show business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention […] yet somehow right at the same time, I am completely confident they will make a successful union.”