Sweden has won this year’s Eurovision Song Contest, with singer Loreen making history as the first woman to win more than once after first taking the crown back in 2012.
The 39-year-old’s win for dance-pop anthem Tattoo also means Sweden has drawn level with Ireland for the country with the most Eurovision wins – seven apiece.
Image: Finland’s Kaarija sings Cha Cha Cha
Finland were the runners up with quirky singer Kaarija’s hyper-pop-rap tune Cha Cha Cha.
The 29-year-old Finn had been a popular act in the build up to the grand final, arriving in his own customised sauna van and posing up a storm on the red carpet in his trademark neon green sleeves-only puffer jacket and bowl haircut.
Israel’s entry, sung by Noa Kirel and which featured the most energetic dance routine of the night, came third.
UK’s act, Mae Muller, who sang I Wrote A Song, came a disappointing second to last in the competition.
It will be a blow to the 25-year-old from north London, who had been widely tipped to make it into the top 10 with her catchy pop track, especially after the UK’s success in the contest last year.
Other guest appearances in the show included last year’s Eurovision runner-up Sam Ryder performing Mountain with Queen legend Roger Taylor accompanying him on the drums, Liverpool songstress Sonia and Abba’s Bjorn Ulvaeus giving advice to future Eurovision winners.
And of course, Eurovision isn’t just about winning, it’s about something much bigger. This year more than ever, the contest was proof of music’s power to unite.
The first time two countries have jointly hosted Eurovision, Liverpool put on the event on behalf of Ukraine, because the war-torn nation was unable to do so.
Eleven Ukrainian artists performed in the ceremony itself, with Ukrainian motifs and the Ukrainian identity playing a central role throughout the night.
Prime Minister Rishi Sunak called the European Broadcasting Union’s (EBU) decision to ban his appearance “disappointing“.
The EBU, a group of national public broadcasters that produce Eurovision, said they feared his message would “politicise” the contest.
Despite the ban, inevitably Russia’s invasion of Ukraine was referenced by other performers during the night.
Image: Kalush Orchestra performing Voices Of A New Generation
Image: Croatia’s Let 3 singing anti-war song Mama SC!
Nods to the ongoing war included the Ukrainian act Tvorchi whose song Heart Of Steel was inspired by the siege of Mariupol, Croatia’s Let 3 who performed anti-war song Mama SC! in front of giant nuclear warheads and Czechia’s Vesna singing part of their song My Sister’s Crown in Ukrainian.
A powerful opening performance by Kalush Orchestra performing Voices Of A New Generation followed by their winning hit Stefania – a song that has become an unofficial anthem for Ukraine since the start of the war – also bought a sharp focus to the night’s proceedings.
In more light-hearted fare, Eurovision’s love of novelty acts shone through with some real corkers on offer this year.
Image: Austria’s Teya & Salena singing Who The Hell Is Edgar?
Image: Australia’s Voyager rocking out as he sings Promise
One of the most talked about acts of the night – Austria’s We Need To Talk About Edgar Allen Poe – opened the competition, with singers Teya and Salena channelling the ghost of the literary great to take a swipe at music streamers.
And while not all of the wackier performances saw their ingenuity rewarded on the leaderboard, acts that particularly got the auditorium buzzing included Germany’s pop-metal act Lord Of The Lost singing Blood And Glitter; Australia’s Voyager belting out Promise while rocking out on the bonnet of a vintage Toyota MR2 and Croatia’s Let 3 stripping off to their pants and vests mid-way through Mama SC!
While it may all be over for another year, fans of the world’s most-watched live non-sporting event will already be getting excited over next year’s performance in Sweden.
Pros in the field of putting on a Eurovision grand final – it will be the country’s third time on hosting duty in the last 12 years.
But many will surely be wondering if the shadow of the war in Ukraine will still hang so heavy over the show this time next year.
Hip hop mogul Sean “Diddy” Combs has lost a bid to delay his upcoming sex-trafficking trial by two months.
US district judge Arun Subramanian said the 55-year-old rapper made his request too close to his trial, which is due to start next month.
Jury selection is currently scheduled for 5 May with opening statements set to be heard seven days later.
Combs has pleaded not guilty to five criminal counts including racketeering and sex trafficking.
Prosecutors with the Manhattan US attorney’s office accuse Combs of using his business empire to sexually abuse women between 2004 and 2024.
Combs’s lawyers say the sexual activity described by prosecutors was consensual.
In a court filing on Wednesday, Combs’s lawyer Marc Agnifilo asked Mr Subramanian to delay the trial because he needed more time to prepare his defence to two new charges which were brought on 4 April.
The charges were of sex trafficking and transportation to engage in prostitution.
Mr Agnifilo also said his team needs extra time to review emails it wants an alleged victim to turn over.
The new allegations brought the total number of criminal charges against the rap mogul to five – following the three original counts, which also included racketeering conspiracy, filed in September.
Federal prosecutors were opposed to any delay, writing in a Thursday court filing that the additional charges brought earlier this month did not amount to substantially new conduct.
They also said Combs was not entitled to the alleged victim’s communications.
Image: A sketch of Combs during one of his court appearances. Pic: Reuters
Meanwhile, Mr Subramanian is weighing other evidentiary issues, such as whether to allow alleged victims to testify under pseudonyms.
Also known during his career as Puff Daddy and P Diddy, Combs founded Bad Boy Records and is credited with helping turn rappers and R&B singers such as Notorious B.I.G, Mary J. Blige, Faith Evans and Usher into stars in the 1990s and 2000s.
But prosecutors have said his success concealed a dark side.
They say his alleged abuse included having women take part in recorded sexual performances called “freak-offs” with male sex workers, who were sometimes transported across state lines.
Combs has been in jail in Brooklyn since September, having been denied bail.
He also faces dozens of civil lawsuits by women and men who have accused him of sexual abuse.
Combs has strenuously denied all allegations of wrongdoing.
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
Image: (L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
Image: The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
Image: D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”
“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.
“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.
“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”
Image: Members of the Unite union in Birmingham earlier this month. Pic: PA
Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.
“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.
“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”
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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”
About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.
Image: Rubbish has blighted the city’s streets for weeks . Pic: PA
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Bin situation ‘pains me’ – council boss
On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.
He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.
“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.
Sky News understands talks are not set to resume until next week.