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“This is the first interview I have done on this movie, so it’s completely fresh – from here on out, I will have said everything.”

That’s how Richard Gere started our chat about his latest film, Maybe I Do.

Refreshingly honest, the star known for hit romcoms including Pretty Woman and Runaway Bride hasn’t done a film since 2017 and is candid about how strange it was returning to set.

“Whenever I start a project, I kind of question whether I know what I’m doing at all,” Gere admitted.

“And after three years of not making a film or working in the theatre, I think I had this feeling of, ‘do I know how to do this? Did I ever know how to do this?'”

“But I think it is like riding a bike – you pretty much remember how to do it.”

The break Gere took was largely due to the pandemic.

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A way back

Instead of working, Gere spent lockdown and the period afterwards with his wife and children, waiting for the right opportunity to lure him back to acting.

I just stayed at home with my family… I mean, the protocols for making movies in that period were so daunting that I didn’t really want to go through it,” he said.

“So it loosened up a little bit and the script came through – Michael Jacobs, a really nice guy, wrote this fun script.

“[I thought] this is a way to get back into the working world with something adult but fun, with actors I knew and had worked with before and trusted.”

‘She knew my movies better than I did’

The film is called Maybe I Do and is about a couple considering marriage who get their parents together, only to find they already know each other well.

His daughter is played by Emma Roberts – the niece of Julia Roberts, who Gere teamed up with for both Pretty Woman and Runaway Bride.

Still from Maybe I Do starring Emma Roberts

Pic: Signature Entertainment/Prime Video
Image:
Emma Roberts plays Richard Gere’s daughter. Pic: Signature Entertainment/Prime Video

“Oh, it was funny,” he said about working with Emma.

“I even forgot the movies – she knew my movies better than I did, the ones I had done with Julia.

“And there was a certain irony to that.”

Roberts told Backstage she only got round to telling her aunt she was working with Gere after it had happened.

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“I actually only just told her recently, and I was like, ‘I forgot got to tell you, I worked with Richard,'” she said.

“I love Runaway Bride, I love Pretty Woman, so it was really fun to get to work with him as well, and he’s so sweet.

“It’s like full circle, him playing my dad after him and my aunt working together so much.”

‘She was lovely then, and she’s lovely now’

The cast also features Susan Sarandon, William H Macy and Diane Keaton.

Gere says it was great to be reunited with the latter after first working together decades ago in the 1977 film Looking for Mr Goodbar.

“We had communicated a few times over the years… She was at the beginning of being the biggest actress in the world at that point, and I was just starting to make movies,” he said.

“But she was lovely then, and she’s lovely now.”

Still from Maybe I Do starring Richard Gere

Pic: Signature Entertainment/Prime Video
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Richard Gere stars alongside Diane Keaton, William H Macy and Susan Sarandon. Pic: Signature Entertainment/Prime Video

“You know, she’s witty, and she’s fun and works hard and always finds her own way through doing things – it’s not the obvious, and it’s not the predictable.”

Gere’s character in the film is somewhat jaded, fed up about getting older.

‘Silly not to engage’ in growing old

The actor says it’s not something he himself worries about.

“I have a two-and-a-half year old and a three-and-a- half – almost four-year-old and a ten-year-old, so I don’t have really the luxury of thinking about time or getting older,” Gere laughed.

“Getting older is inevitable. I mean, it would be silly for people not to engage [with] it and even early on to just think about it, you know?”

“But I get – at best – a finite number of years, and it might be a lot shorter based on health and accidents and all kinds of other things, so it certainly is inevitable.”

For Roberts, working with such a stellar cast was a golden opportunity.

But she admits it did put the pressure on.

“I feel like I always come to work prepared, but I was definitely quadruple prepared for this set.” She said.

“But I remember there was one scene where it was like four and a half pages long, and I had the most dialogue and at one point I just forgot my lines because all I could feel was everyone’s eyes looking at me.”

“And even though I’ve obviously been working for a long time, to work with such a huge calibre of talent in one room, it was really amazing.”

Maybe I Do is streaming now on Prime Video.

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Author Dame Jilly Cooper died after fall at home, inquest finds

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Author Dame Jilly Cooper died after fall at home, inquest finds

Dame Jilly Cooper died from a head injury after falling at her home in Gloucestershire, an inquest has found.

Katy Skerrett, senior coroner for Gloucestershire, said the 88-year-old author “fell, perhaps down some stairs, sustaining a significant head injury”.

Though the fall was unwitnessed, forensic evidence in the area surrounding the stairs suggested that it was where the fall occurred.

South Western Ambulance Service were called at 5.35pm on 4 October and arrived at Dame Jilly’s home at 5.56pm, they told the inquiry in a statement.

Dame Jilly was initially alert and speaking with the crew on arrival. She did not recall the exact details of the fall, with only a “vague recollection of falling down”, but she spoke of having a severe headache.

She was transferred to Gloucestershire Royal Hospital, where an urgent CT scan found she had sustained a skull fracture, determined likely to be a terminal event.

“The medical opinion was that this head injury was unfortunately catastrophic,” said Ms Skerrett. “She was made comfortable, her condition sadly thereafter deteriorated, and she passed away in the emergency department with family”.

Dame Jilly’s long-standing GP told the inquest that she had fallen twice previously, in 2018 and in September 2024.

She died in hospital at 8.30am on 5 October. Her death was found to be accidental, with Ms Skerrett saying “there were no suspicious circumstances surrounding her fall”.

Ms Skerrett extended the “sincere condolences” of the coroner’s office to Dame Jilly’s family.

In a statement after her death, her children Emily Tarrant and Felix Cooper paid tribute to their mum, saying that “her unexpected death has come as a complete shock”.

“We are so proud of everything she achieved in her life and can’t begin to imagine life without her infectious smile and laughter all around us,” they added.

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The author’s many fans included former prime minister Rishi Sunak, who said her books offered “escapism”. She was a long-standing friend of Queen Camilla.

One of Dame Jilly’s most-loved characters – the showjumping womaniser Rupert Campbell-Black – was partly based on the Queen’s ex-husband Andrew Parker Bowles.

He was recently portrayed by actor Alex Hassell in the 2024 Disney+ adaptation of her novel Rivals.

Aidan Turner, who played the character Declan O'Hara in Rivals, with Dame Jilly Cooper
Pic: PA
Image:
Aidan Turner, who played the character Declan O’Hara in Rivals, with Dame Jilly Cooper
Pic: PA

In a statement issued by Buckingham Palace after Dame Jilly’s death, Camilla said: “I join my husband, the King, in sending our thoughts and sympathies to all her family. And may her hereafter be filled with impossibly handsome men and devoted dogs.”

A new edition of Dame Jilly’s book, How To Survive Christmas, which was first published in 1986, will be released on 13 November.

Her funeral will be held in private, in line with her wishes, but a public service of thanksgiving will be held at Southwark Cathedral at a later date, her agent has said.

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Sally Kirkland, famous for her Oscar-nominated roles in The Sting and Anna, dies aged 84

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Sally Kirkland, famous for her Oscar-nominated roles in The Sting and Anna, dies aged 84

Sally Kirkland, a former model and Oscar nominated actress known for her roles in films such as Anna, The Sting and JFK has died aged 84.

Her representative, Michael Greene, said Kirkland died on Tuesday morning at a Palm Springs hospice.

Kirkland had been unwell and struggling to cover medical bills after she fractured six bones last year and developed two life-threatening infections. She had also been diagnosed with dementia.

A GoFundMePage that was set up by her friends to help pay for her ongoing treatment had raised over £45,000 ($60,000).

Michael Douglas, left, and Sally Kirkland appear with their best actor Golden Globes for Wall Street and Anna. Pic: AP
Image:
Michael Douglas, left, and Sally Kirkland appear with their best actor Golden Globes for Wall Street and Anna. Pic: AP

Her biggest role was in the 1987 film Anna, as a fading Czech movie star remaking her life in the United States and mentoring a younger actor.

Kirkland won a Golden Globe and earned an Oscar nomination alongside Cher in Moonstruck, Glenn Close in Fatal Attraction, Holly Hunter in Broadcast News and Meryl Streep in Ironweed.

Born in New York City, Kirkland was encouraged to start modelling at age five by her mother, who was a fashion editor at Vogue and Life magazines. Kirkland went on to graduate from the American Academy of Dramatic Arts in 1961.

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An early breakout for the star was appearing in Andy Warhol’s 13 Most Beautiful Women in 1964.

Sally Kirkland in 2015. Pic: Reuters
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Sally Kirkland in 2015. Pic: Reuters

Some of her earliest roles were playing Shakespeare parts, including Helena in A Midsummer Night’s Dream and Miranda in an off-Broadway production of The Tempest.

She once told the Los Angeles Times: “I don’t think any actor can really call him or herself an actor unless he or she puts in time with Shakespeare.”

Kirkland was also infamous for her nude scenes, often disrobing in films and for social causes. In particular, Kirkland volunteered and advocated for people with AIDS, the homeless and prisoners.

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Tim Davie used the word ‘proud’ nearly a dozen times in staff call – but they seem fed up of his ‘nothing to see approach’

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Tim Davie used the word 'proud' nearly a dozen times in staff call - but they seem fed up of his 'nothing to see approach'

As he addressed his staff, the BBC’s outgoing director-general Tim Davie sounded remarkably upbeat given the events of the last few days.

Within a matter of minutes, he had said the word “proud” almost a dozen times. Proud of his staff, proud of what the corporation represents.

Having announced his resignation on Sunday, he was keen to stress that he was still in charge at the BBC and that he would ensure a smooth transition for whoever takes over.

Although he admitted it’s “been a rough few days”, quite frankly, it was a little bizarre how chipper he seemed. “This narrative will not be given by our enemies,” he insisted.

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Outgoing BBC director-general Tim Davie outside BBC Broadcasting House this morning. Pic: PA
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Outgoing BBC director-general Tim Davie outside BBC Broadcasting House this morning. Pic: PA

You get a sense his own staff are beyond fed up with the “nothing to see here” approach Davie has maintained throughout his tenure.

While the outgoing director-general might be hoping an inspirational quote or two might reassure those working for him, in truth, many of the insiders I’ve spoken to have seemed both weary and relieved that he’s finally on his way.

His departure is “long overdue”, one told me.

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‘We’ve must fight for our journalism’

Rumours of a coup and behind the scenes boardroom plotting have been embarrassing as the BBC tries to present a united front. In the same all-staff call, BBC chair Samir Shah was quick to say we shouldn’t believe “conspiracy theories”.

He also suggested criticism of the board was “disrespectful”, when answering a question about whether members demonstrate BBC values.

If the briefing was supposed to be a chance for staff to put their questions to those in charge, it certainly wasn’t that.

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I’m told that while the Q&A had a comments box for questions, any submitted had to be reviewed before everyone could see them.

When questions about the rumoured plotter in chief, board member Sir Robbie Gibb, weren’t getting through, staff started attempting to ask questions in the reply boxes, which were public. A friend of Mr Gibb’s suggested to Deadline that the coup theory was “absolute nonsense”.

It shows BBC staff are angry, and that’s understandable given the battering the organisation has taken in the last week.

While the bosses are keen to stress that if everyone pulls together, the BBC can ride out the storm, it’s going to take more than words to reassure frustrated staff.

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