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Celebrities and Hollywood executives have found themselves at odds over the use of Artificial Intelligence like ChatGPT, even as its already happening at every level of moviemaking, eliminating human accountability and judgment.

Stars like Harrison Ford , Keanu Reeves and more have started to speak out about AI using their likeness and voice. While some celebs have been willing to sell their rights to AI companies, others have taken steps to protect their image in contracts, Fox News noted.

They have this artificial intelligence program that can go through every foot of film that Lucasfilm owns, Ford said of George Lucas production company, making him look younger in the final film in the Indiana Jones franchise.

I did a bunch of movies for them, he added. They have all this footage, including film that wasnt printed. So they can mine it from where the light is coming from, from the expression. I dont know how they do it. But thats my actual face. Then I put little dots on my face, and I say the words, and they make [it]. Its fantastic. The danger is less about AI in the creation of documentary, the actual production, and more in the curation of it, says Amit Dey, executive vp nonfiction at MRC https://t.co/vawj91Cx5t

The Hollywood Reporter (@THR) May 4, 2023

Reeves, who famously played a character who fought AI in The Matrix in the 1999 sci-fi thriller, isnt as keen on the technology. He said he realized a while ago he needed to have legal protection to prohibit digital manipulation of performances without his consent.

I dont mind if someone takes a blink out during an edit, Reeves told Wired. But, early on, in the early 2000s, or it might have been the 90s, I had a performance changed. They added a tear to my face, and I was just like, Huh?! It was like, I dont even have to be here.'

Its going to be interesting to see how humans deal with these technologies, he added. Theyre having such cultural, sociological impacts and the species is being studied. Theres so much data on behaviors now. Technologies are finding places in our education, in our medicine, in our entertainment, in our politics, and how we war and how we work.

People are growing up with these tools, the John Wick star continued. Were listening to music already thats made by AI in the style of Nirvana. Theres NFT digital art. Its coolbut theres a corporatocracy behind it thats looking to control those things. Culturally, socially, were gonna be confronted by the value of real, or the non-value. And then whats going to be pushed on us? Whats going to be presented to us?

In Hollywood right now, the Writers Guild of America(WGA) is striking and many of your favorite shows are on hold as TV and Film screenwriters express unease and concerns over chatbots rewriting or writing scripts, Fortune.com noted. The strike is also over an increase in pay and larger contributions to benefits.

Writer, director, and actress Justine Bateman issued a warning to those in the business amid the strike when she tweeted that AI has to be addressed now or never. I believe this is the last time any labor action will be effective in our business. If we dont make strong rules now, they simply wont notice if we strike in three years, because at that point they wont need us.

Actors, you must have iron-clad protection against the AI use of your image and voice in the SAG MBA or your profession is finishedshe added.

AI is terrifying, Danny Strong, the Dopesick and Empire creator said. Now, Ive seen some of ChatGPTs writing and as of now Im not terrified because Chat is a terrible writer. But who knows? That could change.

Michael Winship, president of the WGA East and a news and documentary writer said, Were not totally against AI. There are ways it can be useful. But too many people are using it against us and using it to create mediocrity. Theyre also in violation of copyright. Theyre also plagiarizing.

In a recent Vice article, voice actors spoke out about having to sign their rights away to these tech companies using voice-generating artificial intelligence.

Its disrespectful to the craft to suggest that generating a performance is equivalent to a real human beings performance, SungWon Cho, a game and animation voice actor said.

Sure, you can get it to sound tonally like a voice, and maybe even make it sound like its capturing an emotion, but at the end of the day, it is still going to ring hollow and false, he added. Going down this road runs the risk of people thinking that voice-over can be replaced entirely by AI, which really makes my stomach turn.

Film producer Emmet McDermott recently wrote that writers should be concerned about protections against AI in the documentary and nonfiction space, the Hollywood Reporter noted.

The greatest threat to broader culture posed by ambient machinery isnt the bottom-up, AI-generated art populating social media (think: Wes Anderson Directs Star Wars), McDermott wrote.

It is the top-down, AI-powered platforming of art, which were already seeing across the media landscape algorithms deciding, on a global scale, which stories to tell and how and it is especially insidious in the realm of nonfiction, he added.

Actor-screenwriter Clark Gregg said that whats especially scary about [AI] is nobody, including a lot of the people who are involved with creating it, seem to be able to explain exactly what its capable of and how quickly it will be capable of more.

Amit Dey, executive vp nonfiction at MRC said, Its one thing if human-made films are competing in the market against robot-made films. Its another thing entirely when data in the form of artificial intelligence, or proprietary algorithms, shape the decisions around what human audiences are exposed to. In other words, what gets boughtwhat stories get told.

However, CEO Bryn Mooser of XTR has defended using AI after creating a proprietary algorithm which he called a valuable tool to help guide his development process.

We had always been thinking of it as a tool, and as a tool its incredibly useful, Mooser said. What conversations are trending. What people are talking about. We built it so we could overlay that with historical data in the documentary business.

What works, what doesnt, he added. Its application as a tool to enhance what filmmakers can do is incredibly powerful and important. And my hope would be that its embraced.

Others have noted that it is Hollywood themselves that has been warning us for decades about the dangers of getting too close to AI, Gizmodo noted.

Such films they mentioned that bring this idea home include the 2014 Ex-Machina, 2001s Artificial Intelligence, Ghost in the Shell in 1995, and of course Disneys 1982 Tron. The theme with so many of these sci-fi films is that AI can eventually develop its own autonomy and then the battle between humans and machines changes forever.

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Suárez out at Trackhouse Racing at end of 2025

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Suárez out at Trackhouse Racing at end of 2025

CONCORD, N.C. — Daniel Suárez, the only Mexican-born driver to win a NASCAR national series race, is out at Trackhouse Racing at the end of the 2025 season.

Trackhouse and Suárez officially called the parting a “mutual decision” that allows the driver an earlier opportunity to pursue a new ride for next season.

While Trackhouse did not name a replacement in the No. 99 Chevrolet, Suárez’s departure opened the door for the team to promote teen sensation Connor Zilisch into the ride. Zilisch, who drives in the Xfinity Series for JR Motorsports, has run three Cup races for Trackhouse this season, including Saturday night at Atlanta.

Suárez has just two wins in 305 career Cup starts, and is a distant 29th in the points standings this season. The 33-year-old Suarez is in his fifth season with Trackhouse Racing and was the team’s first driver in 2021. He made NASCAR’s playoffs two times with Trackhouse.

“We took a team nobody had even heard of in 2021 and in just a couple of years we were winning races and running upfront on a weekly basis,” Suárez wrote on social media. “Just like the seasons in a year, sometimes things change and we have agreed to each go in our own direction.”

Trackhouse founder and owner Justin Marks thanked Suárez for his contributions.

“The role Daniel has played in the Trackhouse origin story and its first five years will remain a valued part of the company’s history forever,” Marks said. “His commitment, work ethic and dedication to the effort is one of the most impressive things I personally have seen in my career.”

Trackhouse Racing also has Ross Chastain and Shane van Gisbergen under contract, along with Zilisch is its development driver. Chastain has six career wins and was the 2022 Cup Series runner-up while van Gisbergen has a win this year and is in the playoffs.

Suárez, who became an American citizen last year, also has three Xfinity Series wins and one Truck Series win. His 2016 championship in the second-tier Xfinity Series made him the only foreign-born driver to win a national series title.

He made a triumphant return last month to his home country when he won the Xfinity Series race in Mexico City driving for JR Motorsports at Autodromo Hermanos Rodriguez.

Yet the balance of celebrating a homecoming with looming contract negotiations weighed on Suárez.

“It’s not the first time that I’ve been in this position. Definitely the first time with the Mexico race, but it’s not the first time that I’ve been in the position that we have to win or in the position that we have a contract negotiation in the middle of the season,” Suárez said. “It’s definitely a distraction. I won’t sit here and tell you that it doesn’t really matter. I’m trying to be as smart as possible and to put all this stuff on the side and just do my thing on the track.”

He’ll do his thing at the track in 2026 with yet another new team.

Suárez started his Cup career with Joe Gibbs Racing and has raced for Stewart-Haas Racing and Gaunt Brothers Racing. He has Cup wins in 2022 at Sonoma and last year in Atlanta.

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NASCAR’s downtown Chicago future unclear

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NASCAR's downtown Chicago future unclear

CHICAGO — When it comes to NASCAR’s upcoming return to downtown Chicago, Julie Giese has a long list of responsibilities. The track president is monitoring an ambitious construction schedule for the street course, to go along with everything else that goes into the busy weekend.

What happens next is going to have to wait.

The future of NASCAR in Chicago is murky going into its third edition on the first weekend in July. The three-year contract between the motorsports organization and the city that was announced in 2022 has two mutual options, and their fate is unclear.

Giese said there have been “good conversations” between NASCAR and the city, and there is time to work on the possibilities beyond the event.

“So really right now the focus is on let’s execute a really great 2025,” Giese said. “We’ll continue to have the conversations with the city. But right now, honestly, the more consistent conversations are the planning conversations.”

Jason Lee, a senior adviser to Mayor Brandon Johnson, praised NASCAR for its involvement in the community and its improvements with the event. He described almost parallel discussions going on inside of the organization and the city when it comes to the future of the partnership.

Johnson’s predecessor, Lori Lightfoot, was in charge when the original agreement for the weekend was finalized.

“We remain available to have any conversations about the future,” Lee said Monday. “I know they’ve been laser focused on executing this year’s event because there are lessons they’ve learned that they want to apply. And I think some of that, whether you successfully do that, will play a role in how they want to proceed.”

One possible change that could interest the city is moving to a different weekend, something it has discussed with NASCAR in the past.

“It may make more sense to move that event to a different weekend where we don’t have as many demands on our law enforcement and other emergency personnel,” Lee told the AP. “And so that’s definitely something that we’ve contemplated, but there is also some constraints in terms of other events in the city of Chicago and the NASCAR schedule.”

The Athletic reported June 18 that NASCAR was nearing an agreement to put a street race in the San Diego area next year. An announcement could come as soon as July.

Asked if she had spoken with NASCAR or anyone in the San Diego area about a Southern California street race, Giese said her focus is on Chicago. She also said she believes there is room for multiple street courses on NASCAR’s calendar.

“We have multiple road course races on the schedule,” she said. “So I mean … I’ve not ever heard where it has to be one or the other. I mean there is room. This event, we went into it that first year knowing full well it was a proof of concept. And we showed that it is possible.”

The Xfinity and Cup Series races in Chicago — held on a 12-turn, 2.2-mile course against the backdrop of Lake Michigan and Grant Park — are the main events in a festival-like weekend that also includes music and entertainment options.

It is geared as much to a new audience in one of NASCAR’s most important regions as it is to the most ardent racing fans. NASCAR used to race at Chicagoland Speedway in Joliet, a 45-mile drive from downtown, but it pulled out after the 2019 season.

“This is a top-three market for us, worldwide frankly, for NASCAR fans,” NASCAR executive Ben Kennedy said when the Chicago event was announced in 2022.

There was some concern for drivers and their teams about the course ahead of the first weekend, and it wasn’t exactly warmly received by local businesses and residents because of the street closures in a heavily trafficked area for tourists in the summer.

But organizers have shrunk the construction schedule from 43 days in 2023 to 25 this year. Based on input from fans, they also have made adjustments to the race viewing areas and moved the concert stage to the start-finish line. Admission is free for kids 12 and under on Saturday and Sunday this year.

The weekend also has won over at least some people inside of NASCAR.

“This was very different. But now it’s fun to see and hear from people in the industry that are coming in early, and they’re going to just enjoy the city for a few days,” Giese said. “The one piece that I hear from our drivers, especially, is they love just staying right at a hotel right across the street. They’re walking across Michigan Avenue and they’re at the course.”

Quite often with an umbrella. Wet weather had a major effect on each of the first two editions. Heavy rain nearly scuttled the inaugural weekend, and last year’s Cup Series race was shortened because of a rain delay and fading sunlight.

When the drivers were on the course, the racing was compelling. Shane van Gisbergen outdueled Justin Haley and Chase Elliott en route to a historic Cup victory in 2023, and Alex Bowman stopped an 80-race drought with his victory last year.

“They’ve been up against it as far as conditions are concerned,” Joe Gibbs Racing driver Denny Hamlin said. “The track has been good, it’s been racy and has passing zones and the scenery is fantastic as far as the backdrop we are racing in. There’s a lot of positives for the Chicago Street Race.

“It will probably move around in the future, but it’s in the mold in which I would like to see any street race they continue to implement in the future.”

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Elliott uses last lap to post ‘unbelievable’ win

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Elliott uses last lap to post 'unbelievable' win

HAMPTON, Ga. — Home-state favorite Chase Elliott passed Brad Keselowski on the final lap and won the crash-filled NASCAR Cup Series at Atlanta on Saturday night for his 20th career victory.

Elliott, the popular driver from Dawsonville, Georgia, earned a spot in the NASCAR playoffs with his first victory since April 2024 at Texas. It was his first win in Atlanta since 2022.

“I’ve never in my whole life, this is unbelievable,” Elliott said. “This is something I’ll remember the rest of my life.”

The race’s second crash early in Stage 2 took out many of the sport’s biggest names and left others with damaged cars. Pole winner Joey Logano, who led the first 36 laps before light rain forced the first caution, was among the many drivers caught up in the big crash.

Among others knocked out of the race: William Byron, Austin Cindric, Ross Chastain, Josh Berry, Corey LaJoie and Daniel Suarez.

“It wrecked the whole field,” Logano said. “I still don’t know exactly how it started … but it was total chaos. Cars were sideways and on the brakes. I got hit from every corner possible.”

Added Denny Hamlin, who suffered damage to his Toyota in the crash: “Some zigged. Some zagged. Most crashed.”

The Atlanta race at EchoPark Speedway, formerly known as Atlanta Motor Speedway, was the debut of the 32-driver In-Season Challenge, a five-race, bracket-style tournament.

The parade of highly regarded drivers to be knocked out so early in the race showed the perils of trying to pick NASCAR winners on a March Madness-style bracket sheet. The top two seeds were among the early casualties.

Hamlin, the No. 1 seed in the tournament, finished 31st and lost to Ty Dillon, who finished eighth.

Chase Briscoe, who held off Hamlin for his first win for Joe Gibbs Racing last week at Pocono Raceway, was the No. 2 seed before being knocked out in a crash and losing to Noah Gragson in the tournament.

A $1 million prize awaits the winner as part of a new media rights deal that includes TNT.

Elliott and Keselowski were on the front row when a caution with 33 laps to go forced a decision on whether to pit for fresh tires. Both stayed on the track, and Elliott faded following the restart until making his decisive charge at the very end.

Ryan Blaney was knocked out on a wreck late in the first stage. Christopher Bell hit the wall, triggering the crash that ended the stage with Cindric in the lead.

Cindric was involved in the bigger crash early in Stage 2. Kyle Busch, Hamlin and Bubba Wallace were among others involved in the crash.

Photo finish

Tyler Reddick beat Elliott to the finish line by 0.001 to win Stage 2 in a battle between drivers looking for their first stage win and overall victory of the season.

Weather woes

Lightning and rain delayed qualifying Friday and the Xfinity race won by Nick Sanchez late Friday. More lightning and rain threatened Saturday night’s race. Fans were encouraged to leave the stands about 90 minutes before the race due to severe weather in the area but were allowed to return as the pre-race was conducted as planned.

Up next

The Cup Series moves to Chicago for the Chicago Street Race on July 6.

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