Rolf Harris’s legacy will not be as an artist who painted the Queen, or a musician who played with The Beatles, but rather as a sexual predator who carried out decades of abuse.
Once considered a jovial entertainer, on our screens for more than 60 years, a high-profile trial in 2014 saw him convicted of carrying out sex attacks on girls as young as seven.
Prosecutor Sasha Wass QC described Harris as a “Jekyll and Hyde” character, who, despite his child-friendly public image, was a “sinister pervert” with a “demon lurking beneath his charming exterior”.
The fact his depraved actions went without punishment for so long adds to the trauma for many of his victims, who say they will never recover.
How did his crimes go unchecked?
Again and again, Southwark Crown Court heard about the large, all-enveloping bear hug he would use to trap victims, swiftly sexually assaulting them before moving on as if nothing had happened.
One of the most damning pieces of evidence was a letter he sent to the father of one of his victims, in which he admitted he had a sexual relationship with her, but denied it began when she was just 13.
In the letter, Harris said he was shocked when his former victim told him she had gone along with everything he did “out of fear” and had asked her: “Why did you never just say no?”
He said she replied: “How could [I] say no to the great television star Rolf Harris?”
Image: Rolf Harris once visited Buckingham Palace to paint the Queen
Harris filmed NSPCC video while abusing youngsters
One early sign of his brazen self-belief can be found in an educational video titled Kids Can Say No.
Harris himself suggested the safety video was made, even contacting the National Society for the Prevention of Cruelty to Children (NSPCC) to gain advice on the best way to teach children about stranger danger.
Harris is now known to have been actively abusing youngsters at the time.
Filmed in 1985, Harris presents the 20-minute video, and tells a group of primary school-age children, “even people you know and trust can be abusers”.
He goes on to warn them, “sometimes people do things to one another that don’t make them feel good”.
In the video’s finale, a large group of children and adults are led by Harris in singing: “My body’s nobody’s body but mine. You’ve got your own body, let me have mine.”
Two uniformed police officers make up part of the choir.
Image: A young Harris pictured in 1955, three years after moving to the UK
Harris on Savile: ‘We go back a long time’
Skipping forward seven years, and more archive footage – this time of Harris drawing paedophile DJ Jimmy Savile in 1992 and joking “we go back a long time” – now has disturbing implications.
Savile died aged 84 in 2011, having never been brought to justice for his crimes. He is now believed to be one of Britain’s most prolific sex offenders.
Harris’s 2014 trial saw a jury of six men and six women find him guilty of 12 counts of indecent assault on women and girls between 1969 and 1986. One of those convictions was later overturned.
Sentenced to five years and nine months in prison, he served just three.
Harris always denied the accusations against him and showed no remorse for his crimes.
Image: Harris with entertainer Rod Hull and Emu in 1987
Why did Harris feel untouchable?
Described in court as an arrogant man, who carried out many of his attacks in plain sight, Harris seemed to believe himself untouchable.
Born in Perth, Australia, to parents who had emigrated from Merthyr Tydfil in Wales, Harris moved to the UK in 1952.
He met his wife Alwen, a sculptor – who stood by him throughout his trial and time in jail – when they were both art students in London.
Image: Harris leaving court with his wife Alwen (L) and daughter Bindi (R) in June 2014
With a fair talent for painting and music, and ability to chat and entertain, it was a 10-minute art slot on a BBC children’s programme alongside a puppet called Fuzz that gave him the first taste of the limelight in 1953.
Swiftly embraced by British TV, he went on to front popular shows including The Rolf Harris Show, Rolf’s Cartoon Club and Rolf On Art.
A musical career, mainly with novelty songs, saw him top the charts with his cover version of Two Little Boys resting at number 1 for six weeks.
Harris’s career defied that of many children’s presenters, who struggle to maintain popularity after progressing into more mainstream shows.
His 10-year stint presenting Animal Hospital from 1994 to 2004 kept him a household name. Frequently becoming emotional about an unwell puppy or injured cat, it was an empathy Harris seemed unable to offer to his victims.
Image: Harris was a fan of the didgeridoo, and claims to have invented the wobble board
Following his conviction, he wrote a song in jail, describing his victims as money-grabbing “wenches” who want to make him “dance”.
Harris may have wanted to be remembered as a warm-hearted man who loved animals, invented the wobble board and could draw at the speed of light.
Stripped of his CBE and BAFTA fellowship, he will instead be remembered as a paedophile and serial sexual abuser.
Harris once told a journalist his greatest fear was not being loved.
As news of his death aged 93 is met around the world, it’s a fear that has been realised, due to his actions – and his actions alone.
Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.
The organisation has launched an indicative ballot among about 7,000 members working in film and TV.
Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.
It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.
Image: The Hollywood strikes took place in 2023. File pic: AP
The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.
Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.
Another statutory ballot would have to be made before any industrial action is taken.
“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.
“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”
Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.
The union has no choice but to recommend members support industrial action, he said.
“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.
The hotly anticipated Spotify Wrapped is revealing our top tracks, artists and albums for 2025.
But how does the streaming service calculate personalised summaries of users’ listening habits and rank the UK’s hottest artists?
Here’s a look at how your data is used.
The platform describes the annual statistics as “a chance to look back on your year in sound”.
It says data is captured between January and mid-November on every account, although it mostly excludes anything streamed in private mode. (Don’t worry, your passion for the Spice Girls can be kept secret.)
Wrapped presents personalised listening statistics, which Spotify calls the “real story of your year of listening”, alongside global figures for comparison.
The streaming service says Minutes Listened reflects the actual time spent listening to audio on the platform.
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Once a user streams at least 30 tracks, Spotify generates a list of Your Top Songs. Similarly, Your Top Artists ranks artists based on total minutes listening to a particular performer.
Other metrics identify the top genres users have played, as well as podcasts and audiobooks ranked by total minutes listened. And if you’ve listened to at least 70% of tracks on a record, you’ll see top albums too.
Spotify also creates Your Listening Age, a guesstimate of your age based on the era of the music “you feel most connected to”.
The streaming service says the statistic is calculated using a five-year span of music which users engaged with more than other listeners of a similar age.
Image: Spotify has been summing up 2025’s most listened to tracks. Pic: Spotify
Swift vs Bunny
Pop superstar Taylor Swift has been named the UK’s most-streamed artist on Spotify for the third year in a row.
But she dropped out of the top spot in the global rankings, coming second to Puerto Rican superstar Bad Bunny, who secured more than 19.8 billion streams. Third were The Weeknd, followed by Drake and Billie Eilish.
Bad Bunny’s LP Debi Tirar Mas Fotos was the most listened-to album worldwide.
Spotify revealed Drake was the UK’s second most-listened to artist, followed by Sabrina Carpenter in third, The Weeknd in fourth and Billie Eilish in fifth.
Despite being the most listened-to artist, Swift failed to break into the UK’s top five most listened-to songs and albums of the year.
Alex Warren’s Ordinary was the most-streamed song, and Short ‘N’ Sweet, released by Carpenter last year, the top album.
Israel will be allowed to compete in next year’s Eurovision Song Contest – with several broadcasters saying they will now boycott the event.
Dutch broadcaster AVROTROS, Spain’s RTVE and Ireland’s RTE immediately issued statements saying they will not participate in the 2026 contest following the European Broadcasting Union’s general assembly meeting on Thursday.
Sky News understands Slovenia’s broadcaster will also pull out.
Members were asked to vote in a secret ballot on whether they were happy with new rules announced last month, without going ahead with a vote on participation next year.
In a statement, the EBU said members had shown “clear support for reforms to reinforce trust and protect neutrality”.
Ahead of the assembly, Israel’s public broadcaster KAN said its chief executive Golan Yochpaz and representative to the EBU, Ayala Mizrahi, would present KAN’s position “regarding attempts to disqualify Israel from the competition”.
The rule changes annnounced in November came after Israeli singer Yuval Raphael received the largest number of votes from the public at this year’s contest, held in Basel, Switzerland, in May – ultimately finishing as runner-up to Austria’s entry after the jury votes were counted.
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This breaking news story is being updated and more details will be published shortly.