The Little Mermaid – the cartoon feature-film based on Hans Christian Andersen’s story about a mermaid desperate for life on land – was credited with kicking off Disney’s renaissance in 1989, a period when the company returned to making successful animated movies following something of a slump.
Half set underwater, with big musical numbers and aquatic creatures mixed in with mythical ones as well as those on land, making a live-action version was no mean feat.
The casting of the lead character Ariel had to be right – not only did the actress have to convincingly act as a mermaid, but they would also need to perform beloved songs and spend much of the movie without a voice at all.
Enter popstar Halle Bailey – who with her sister Chloe is one of half of the pop duo Chloe x Halle – was the first person to audition for the role and ultimately the only one to win it.
But her casting led to a racist backlash, with those behind it seemingly ready to believe in mermaids, but only if they are white.
Javier Bardem, who plays Ariel’s father King Triton, is dismissive of anyone who disagrees with Bailey’s casting.
Image: Javier Bardem plays Ariel’s father King Triton. Pic: Disney
“I don’t think we need to give any voice to that,” he told Sky News’s Backstage podcast.
“Seeing it, she’s so technically superior, she’s such an amazing actress, her voice is just ridiculous, but I think what makes her so incredibly watchable and you feel like you’re always with her is her kindness as a human,” agreed Melissa McCarthy, who plays the sea witch Ursula.
“There’s just a little bit of magic in her and I think you feel that, you can’t deny it and I can’t imagine any other human or fish playing Ariel.”
For director Rob Marshall it was frustrating to see Bailey being judged before anyone had seen her in the role.
“When we cast her there was no agenda, we weren’t looking for a woman of colour, we saw every ethnicity for the role – we just wanted to find the best Ariel,” he told Backstage.
“That was all we cared about and she was the one, it was just so clear, and so I thought these people are so small-minded, to me it feels archaic we’re even discussing skin colour in this era – it’s like from another century.”
“I thought, you know what, just come see the film, in my head I was like, you will see that she’s Ariel, there’s no question about that, and I’m excited for people to see her.”
Image: Bailey was the first person to audition for the role. Pic: Disney
For the other actors playing roles that loom large in many people’s childhoods was a balance between paying tribute to what came before and refreshing and modernising for the new movie.
The original Ursula was said to be inspired by the US drag queen Divine and McCarthy says she was definitely inspired by drag for her own performance.
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Ursula in The Little Mermaid based on Divine
“I’ve always been a big fan of drag since high school – it’s such an incredible art form and it’s been around forever and there’s something to that kind of unapologetic, bigger than life, I’m right in your face, I shall not apologise,” she said.
“But also it’s a front for things, so yes, it’s a homage to a certain type of woman, but you’re also kind of poking fun at that type of woman.
“It’s a balancing act and there’s always a drag queen in my heart for all my parts.”
Image: Melissa McCarthy plays the sea witch Ursula. Pic: Disney
For Hamilton star Daveed Diggs who plays King Triton’s advisor – a crab called Sebastian, he was aware that he didn’t want to simply do an impression of the character’s original voice actor Samuel E Wright.
“I was super worried about it until the day we started,” he admitted.
“And then it was very clear that Rob [Marshall] was creating an atmosphere where he really wanted us to bring new things to it and the whole team like Alan [Menken – who did the film’s music] too, every time we were doing anything, it was like, really find what works for you.”
Image: Daveed Diggs plays Sebastian the crab. Pic: Disney
He added: “Everybody attached to this thing is such a fan of the original, so all of that was coming into it, we were getting all that for free, all of the like reverence for this film that we all love, and then they really pushed us to also figure out what our version is.”
Making The Little Mermaid was a huge undertaking with the actors put on specially devised rigs in order to make them look as though they were moving underwater.
And rather than the voice cast of characters such as Sebastian or the fish Flounder being locked away in a booth far from set, they were also present during filming.
For Bardem having Diggs in the room as well as models of the character made a big difference in his performance.
Image: Bailey has been described as ‘technically superior by her co-star Javier Bardem. Pic: Disney
He said: “There were puppeteers and also there were toys. Toys! I was playing with toys!
“But Daveed was there too, to say the lines, so you will play the scene with the actor who’s playing Sebastian, which is amazing.
“The scene will evolve and we’ll go to different places because you have two actors playing it rather than following just one voice.”
Eurovision is supposed to be a celebration of the unifying power of music. But for the past two years, it has attracted protests and fan boycotts over its inclusion of Israel amid the country’s continued military action in Gaza.
Ahead of 2026’s contest, while nobody has even sung a note yet, a number of countries have been getting vocal.
“If Israel is there, we won’t be there,” says Natalija Gorscak, the president of broadcaster RTV Slovenia.
As the world waits to see what happens with the negotiations over Donald Trump‘s Gaza peace plan, within the cultural world, there’s no let up in the increasing isolation of Israel.
Image: Israel’s representative, Yuval Raphael, before Eurovision 2025 earlier this year. Pic: Reuters
Slovenia and broadcasters from Spain, the Netherlands, Ireland, and Iceland have all issued statements saying if Israel’s allowed to enter, they’ll consider boycotting the contest next year.
Jolted into action by the controversy, officials from the European Broadcasting Union (EBU) – which runs the contest – have announced plans for an emergency vote.
In a letter to members, EBU president Delphine Ernotte-Cunci said “given that the union has never faced a divisive situation like this before”, the board agreed it “merited a broader democratic basis for a decision”.
Described by the EBU as “an extraordinary meeting of [its] general assembly to be held online”, early next month member countries will be asked to vote on whether Israel should or shouldn’t participate.
Eurovision expert Dr Paul Jordan said: “Ultimately this has been a really challenging issue for the EBU. This is a really complex picture that is building up… and they’ve not been consistent.
“The situation is made even more complicated by the fact the organisers themselves haven’t sometimes followed their own rules about political entries and about political messaging, and they’ve allowed certain countries to, in a sense, get away with breaking the rules or deeming them to have not broken the rules sufficiently to allow participation.
“As far as I’m aware, the Israeli broadcaster has not broken any rules. However, you could argue their inclusion could indeed bring the contest into disrepute, which would be against the organisers’ rules.”
‘We should focus on music’
Image: Noa Kirel, who represented Israel in 2023, hopes they will not be banned
In 2023, Israel was represented by Noa Kirel, her country’s equivalent to Britney Spears. She came third with her song Unicorn.
“It was one of the highlights in my career, it was an incredible experience for me,” she said.
While she acknowledges “it’s very different from two years ago when I represented Israel”, she hopes her country won’t be excluded next month.
“It’s not about politics, it’s never been like that, and we should keep it that way, to focus on music.”
She believes it would be unfair to punish the Israeli people for the actions of their government: “Voters understand that politics has no connection to this competition.
“Hopefully people will understand and respect that, see the good side… and not the bad side.”
‘European policy needs more balls’
Image: Natalija Gorscak, the president of RTV Slovenia, firmly backed an Israeli boycott
Regardless of the outcome of next month’s vote, Ireland, Iceland, and Slovenia have all confirmed to Sky News that their plans to boycott will stand as long as Israel’s still at war.
Ms Gorscak said: “We can lie to ourselves and say ‘no, it’s not political’ but, you know, you can’t avoid politics.”
She believes it’s fundamentally wrong for bigger countries to be sitting on the fence.
“We are all somehow prisoner of German guilt towards Israel,” she claimed. “European policy, it needs more balls. In certain moments somebody needs to decide, somebody needs to say ‘this is enough’.”
A spokesperson for German broadcaster SWR has said it “supports the consultation process that has been initiated” and that the goal is “to reach a well-founded and sustainable agreement that aligns with the values of the EBU”.
Whether Spain abides by the outcome of next month’s vote might have the biggest impact.
If it makes good on its threat to boycott – as one of the big five backers of Eurovision – financially it’ll hurt.
Ms Gorscak explained: “Slovenia is a small country, and while our participation fee is peanuts, if there are more countries who are not participating it is seen in the budget.”
Israel’s public broadcaster, KAN, has said its “potential disqualification… could have wide-ranging implications for the competition and the values for which the EBU stands”.
Dr Jordan said up until now we’ve mostly seen “virtue signalling” when it comes to Eurovision artists speaking out who’ve ultimately opted to perform regardless of their objections to Israel’s inclusion on the night.
However, should entire nations boycott in 2026, he said the impact will be felt way beyond the contest’s final.
“There are two semi-finals, because of the number of participating countries, and if there isn’t a need for two semi-finals that will impact upon the logistics of the event and even the funding,” he explained.
Pop bangers and power ballads aside, the criticism of the EBU has become deafeningly loud. The world waiting and watching for political decisions – and cultural ones too.
The death of journalist and author Hunter S Thompson will be reviewed by Colorado officials at the request of his widow, the state’s bureau of investigation has announced.
Thompson, best known for his 1971 novel Fear And Loathing In Las Vegas, died aged 67 on 20 February 2005.
The original investigation concluded the death was from an allegedly self-inflicted gunshot wound and was suicide.
In a statement on Tuesday, the ColoradoBureau of Investigation (CBI) said Anita Thompson had requested a case review into her husband’s death, and that it is being carried out to provide an independent perspective on the investigation.
While Sheriff Michael Buglione said there is no new evidence suggesting foul play, “we understand the profound impact Hunter S Thompson had on this community and beyond”.
He added: “By bringing in an outside agency for a fresh look, we hope to provide a definitive and transparent review that may offer peace of mind to his family and the public.”
The CBI added its review would take “an unspecified amount of time”.
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Image: Hunter S Thompson with Benicio Del Toro and Johnny Depp at the premiere of Fear And Loathing In Las Vegas in 1998. File pic: Reuters
Born in 1937, Thompson was regarded as a pioneer in the 1960s New Journalism movement, and wrote the 1967 book Hell’s Angels about the notorious motorcycle gang after spending more than a year living and riding with them.
Famous for his first-person narratives, Thompson’s works inspired a style of reporting called Gonzo journalism – a subjective and more personal style of news writing.
Fear And Loathing In Las Vegas was adapted into a film, starring Johnny Depp – a friend of Thompson’s – and Benicio Del Toro, in 1998.
Sky News has contacted The Gonzo Foundation, a non-profit group founded by Ms Thompson to promote literature, journalism and political activism, for comment.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
Broadway actors are preparing to exit the stage in a strike that would shutter more than 30 productions ahead of its peak season.
Actors’ Equity, a union representing 900 performers and stage managers in New York’s iconic theatre scene, said a walkout was on the cards due to a dispute over healthcare.
It’s negotiating with the Broadway League, a trade body representing theatre owners, producers, and operators. A previous three-year contract expired earlier this week.
The union wants the league to increase its contribution to its healthcare fund, which is expected to fall into a deficit before next May. The rate of contributions has remained unchanged for more than a decade.
Actors’ Equity president Brooke Shields said: “Asking our employers to care for our bodies, and to pay their fair share toward our health insurance is not only reasonable and necessary, it’s an investment they should want to make toward the long-term success of their businesses.”
She added: “There are no Broadway shows without healthy Broadway actors and stage managers. And there are no healthy actors and stage managers without safe workplaces and stable health insurance.”
The Broadway League said it was “continuing good-faith negotiations” to “reach a fair agreement” that works for “shows, casts, crews, and the millions of people from around the world who come to experience Broadway.”
Actors’ Equity has not carried out a major strike since 1968, when a three-day dispute shut down 19 shows. An intervention from the New York City mayor helped both sides come to a deal.