Prince Harry in court: William’s prank call, strip club visit, and Chelsy Davy break-up – duke faces more questions from Mirror publisher’s lawyer
Prince Harry has answered questions about a prank voicemail left by his brother William, a visit to a strip club, and his break-up with Chelsy Davy, in his second day giving evidence at the High Court.
Harry was also asked if he would be “disappointed” should the court not find in his favour and decide details about his private life were not obtained by phone hacking by Mirror Group Newspapers (MGN) journalists.
The Duke of Sussex said he would be “speculating”, but when pushed further he replied to say he would “feel some injustice”.
Harry told the court: “I believe that phone hacking was [done] on an industrial scale across at least three of the papers at the time… that is beyond any doubt.
“To have a decision against me and any of the other people [bringing a claim], given that Mirror Group have admitted hacking [in relation to other cases], yes it would feel like an injustice… if it wasn’t accepted.”
Andrew Green KC, representing MGN, then asked the duke: “So you want to have been phone hacked?”.
“Nobody wants to be phone hacked,” he replied.
In 2014, MGN admitted liability in four cases of phone hacking, and since then has settled dozens of claims, with stars including Hugh Grant and Sienna Miller. The publisher denies the allegations made by Harry.
Prince Harry is being questioned by MGN’s barrister Andrew Green
Harry arrived outside the court’s Rolls Building in central London in a black Range Rover shortly before 10am, wearing a dark suit and silver tie, before entering the witness box again after nearly five hours of cross-examination on Tuesday.
His witness statement has also been released, containing the full details of all his allegations against MGN, publisher of the Daily Mirror and other titles – a lawsuit that makes him the first senior royal to give evidence in a UK court in more in than 100 years.
After resuming his questioning this morning, Mr Green asked Harry about an article headlined “Chel Shocked”, published in the People in 2006, which reports how his then girlfriend Ms Davy was angry about the royal allegedly receiving a lap dance during a night out with cadet friends.
In his witness statement, Harry said he does not remember Ms Davy being mad at him. “We did speak about it over the phone, but I promised her that I hadn’t had a lap dance and stayed with the three other cadets that had girlfriends,” he wrote.
Speaking in court, Harry said parts of the article were “factually incorrect” – including a reference to a “tall statuesque blonde” who bore a “striking resemblance” to Ms Davy.
Harry’s former girlfriend Chelsea Davy pictured in 2011
Mr Green put it to Harry that many MGN stories included as part of his case contained information that was already available elsewhere, including in articles by rival news outlets.
One story published by the now defunct News Of The World at the time contained details of a voicemail left by Prince William to Harry, mimicking Ms Davy’s “high-pitched” accent, the barrister told the court – saying this was an “important step” to police arresting Clive Goodman, the then royal editor at the News Of The World, and private investigator Glenn Mulcaire, over royal phone hacking.
Harry said he was aware of this.
Mr Green also asked about an article headlined “Hooray Harry’s dumped” – which the duke said was “hurtful to say the least” and that “such a private moment was turned into a bit of a laugh”.
The barrister said the “Hooray” name had been used to describe the royal in previous stories and “was not celebrating the demise of your relationship.”
Pop star appears outside Harry court case
Before today’s evidence began, former East 17 star Brian Harvey turned up outside court, shouting about corruption.
He told Sky News that he too was a victim of phone hacking, and that the media is “a joke”.
Brian Harvey outside court – we have blurred this image as it contains information Sky News cannot verify
During his first day in court, Harry criticised Piers Morgan, and said in his witness statement that he felt “physically sick” at the thought of the former Mirror editor and his “band of journalists” allegedly “earwigging” on his mother Princess Diana‘s messages.
Morgan later told Sky News he did not see any of Harry’s comments, but added: “I wish him luck with his privacy campaign and look forward to reading about it in his next book.”
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Piers Morgan reacts to Harry’s claims
As part of our special programmes on the case, Sky News is transcribing Harry’s evidence and recreating his court appearance with an actor.
The royal is suing MGN, attempting to prove that reporters for the Mirror, Sunday Mirror and Sunday People titles were linked to methods including phone hacking, so-called “blagging” or gaining information by deception, and use of private investigators, between 1996 and 2010.
He claims about 140 articles contained information gathered using unlawful methods, and 33 of these have been selected to be considered at the trial.
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Harry’s ‘distress’ at press coverage
MGN is contesting the claims and has either denied or not admitted each of them. The publisher also argues that some of the claimants have brought their legal action too late.
Read more:
Duke was calm on day one – but there’s much more to come
Which articles have been brought up in the duke’s case?
The key people named in Prince Harry’s witness statement
As well as Harry, there are three other representative claimants involved in the case: Coronation Street actor Michael Turner, known professionally as Michael Le Vell, who is best known for playing Kevin Webster; Hollyoaks and former Coronation Street actress Nikki Sanderson; and comedian Paul Whitehouse’s ex-wife Fiona Wightman.
They are representative of more than 100 claimants overall, including singer and TV star Cheryl, ex-footballer and pundit Ian Wright, and the estate of the late George Michael.
Harry In Court – watch special programme on Sky News tonight at 9pm
The Stone Roses bassist Gary “Mani” Mounfield has died at the age of 63, his family has said.
Mani’s brother, Greg, said in a post on Facebook: “It is with the heaviest of hearts that I have to announce the sad passing of my brother.”
“RIP RKID,” he added.
Gary “Mani” Mounfield and his wife Imelda at the world premiere of “The Stone Roses : Made Of Stone” in 2013. Pic: Reuters
Formed in 1983, The Stone Roses were a mainstay of the “Madchester” scene.
Mani joined the band in 1987 and formed part of its classic line-up alongside singer Ian Brown, guitarist John Squire and drummer Alan ‘Reni’ Wren. He remained with the group until their split in 1996.
Mani’s death comes two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.
Ian Brown, left, with Mani, right, performing on stage during their 2012 reunion concerts in Manchester. Pic: Reuters
The Stone Roses frontman Brown shared a tribute online, writing: “REST IN PEACE MANi X.”
Oasis singer Liam Gallagher said he was “in total shock and absolutely devastated”, describing the bassist as “my hero”.
“RIP Mani – my heartfelt condolences to his twin boys and all of his family,” wrote the Happy Mondays’ Shaun Ryder, whose bandmate Rowetta added: “Back with your Imelda, Mani. Going to miss you so much. All my love to the boys, the family & all those who knew & loved him.”
The Charlatans frontman, Tim Burgess, shared a photo of himself with Mani, writing alongside it: “I shared this photo a week or so ago on Mani’s birthday.
“It never failed to bring a smile to my face – and that was exactly the same for the man himself.
“One of the absolute best in every way – such a beautiful friend.”
Echo & the Bunnymen vocalist Ian McCulloch said Mani was someone “who I have always loved and always will love, deeply and forever. Like a brother”.
He continued: “I am in shock to be honest. Please tell me I’m just having a bad, bad dream. My thoughts and feelings and Mani. Love to all of his family from me”.
Pic: Robert Marquardt/ZUMA Press Wire/Shutterstock
The “Madchester” bands were known for blending indie with acid house, psychedelia, and pop.
The Stone Roses’ eponymous debut album of 1989 was a huge success, and was named the second greatest album of all time in a “Music of the Millennium” poll conducted by HMV, Channel 4, The Guardian, and Classic FM.
The novel has survived the industrial revolution, radio, television, and the internet. Now it’s facing artificial intelligence – and novelists are worried.
Half (51%) fear that they will be replaced by AI entirely, according to a new survey, even though for the most part they don’t use the technology themselves.
More immediately, 85% say they think their future income will be negatively impacted by AI, and 39% claim their finances have already taken a hit.
Tracy Chevalier, the bestselling author of Girl With A Pearl Earring and The Glassmaker, shares that concern.
“I worry that a book industry driven mainly by profit will be tempted to use AI more and more to generate books,” she said in response to the survey.
“If it is cheaper to produce novels using AI (no advance or royalties to pay to authors, quicker production, retainment of copyright), publishers will almost inevitably choose to publish them.
“And if they are priced cheaper than ‘human made’ books, readers are likely to buy them, the way we buy machine-made jumpers rather than the more expensive hand-knitted ones.”
Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP
Why authors are so worried
The University of Cambridge’s Minderoo Centre for Technology and Democracy asked 258 published novelists and 74 industry insiders how AI is viewed and used in the world of British fiction.
Alongside existential fears about the wholesale replacement of the novel, many authors reported a loss of income from AI, which they attributed to “competition from AI-generated books and the loss of jobs which provide supplementary streams of income, such as copywriting”.
Some respondents reported finding “rip-off AI-generated imitations” of their own books, as well books “written under their name which they haven’t produced”.
Last year, the Authors Guild warned that “the growing access to AI is driving a new surge of low-quality sham ‘books’ on Amazon”, which has limited the number of publications per day on its Kindle self-publishing platform to combat the influx of AI-generated books.
The median income for a novelist is currently £7,000 and many make ends meet by doing related work, such as audiobook narration, copywriting or ghost-writing.
Read more: The author embracing AI to help write novels
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Could the AI bubble burst?
These tasks, authors feared, were already being supplanted by AI, although little evidence was provided for this claim, which was not possible to verify independently.
Copyright was also a big concern, with 59% of novelists reporting that they knew their work had been used to train AI models.
Of these, 99% said they did not give permission and 100% said they were not remunerated for this use.
Earlier this year, AI firm Anthropic agreed to pay authors $1.5bn (£1.2bn) to settle a lawsuit which claimed the company stole their work.
The judge in the US court case ruled that Anthropic had downloaded more than seven million digital copies of books it “knew had been pirated” and ordered the firm to pay authors compensation.
However, the judge sided with Anthropic over the question of copyright, saying that the AI model was doing something akin to when a human reads a book to inspire new work, rather than simply copying.
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Scientists sound alarm over ultra-processed foods
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Most novelists – 67% – never used it for creative work, although a few said they found it very useful for speeding up drafting or editing.
One case study featured in the report is Lizbeth Crawford, a novelist in multiple genres, including fantasy and romance. She describes working with AI as a writing partner, using it to spot plot holes and trim adjectives.
“Lizbeth used to write about one novel per year, but now she can do three per year, and her target is five,” notes the author of the report, Dr Clementine Collett.
Is there a role for government?
Despite this, the report’s foreword urges the government to slow down the spread of AI by strengthening copyright law to protect authors and other creatives.
The government has proposed making an exception to UK copyright law for “text and data mining”, which might make authors and other copyright holders opt out to stop their work being used to train AI models.
“That approach prioritises access to data for the world’s technology companies at the cost to the UK’s own creative industries,” writes Professor Gina Neff, executive director of the Minderoo Centre for Technology and Democracy.
“It is both bad economics and a betrayal of the very cultural assets of British soft power.”
A government spokesperson said: “Throughout this process we have, and always will, put the interests of the UK’s citizens and businesses first.
“We’ve always been clear on the need to work with both the creative industries and AI sector to drive AI innovation and ensure robust protections for creators.
“We are bringing together both British and global companies, alongside voices beyond the AI and creative sectors, to ensure we can capture the broadest possible range of expert views as we consider next steps.”
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