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The Big Ten in 2024 will introduce a football schedule model that includes 11 protected matchups across the conference, eliminates divisions and targets a robust overall rotation as the league expands to 16 members with USC and UCLA.

The “Flex Protect Plus” model maintains a nine-game league schedule and contains both guaranteed annual matchups and rotating ones. Beginning in 2024, every conference pairing will take place at least twice in a four-year span, once at each member school’s home stadium.

The list of annual protected matchups, which features historic rivalries and trophy games, varies in number among Big Ten teams.

The protected games are: MichiganOhio State, UCLA-USC, MinnesotaWisconsin, IndianaPurdue, Michigan State-Michigan, Iowa-Minnesota, IllinoisNorthwestern, Iowa-Nebraska, MarylandRutgers, Iowa-Wisconsin and Illinois-Purdue. The Big Ten on Thursday announced all opponents for the 2024 and 2025 seasons, although specific dates will be finalized later.

Teams also will have opponents they play in both 2024 and 2025 — called “two-plays” — that will change for the 2026-27 cycle. For example, USC and Penn State will play in both seasons, as will UCLA and Nebraska.

Big Ten chief operating officer Kerry Kenny told ESPN that overall flexibility became the biggest priority with the schedule model, which generated about a year of discussion. The conference considered models that included no protected annual games, or 1-3 protected games per school, before deciding that a varied approach could preserve the most important pairings and create the best rotation so players could compete in every stadium. According to Kenny, the Big Ten reviewed 171 versions within the Flex Protect Plus model.

“It’s done in two-year increments, so that allows you to be a little bit more responsive to competitive trends, responsive to changes in the postseason model,” Kenny said. “Look, we don’t know how the CFP committee is going to evaluate teams in this expanded playoff, but we’re pretty darn sure that this model that we’re putting forward and the depth of the games and the quality of games, that’s going to send a pretty strong and significant message.”

The division-less model will feature the top two teams competing in the Big Ten championship game. Tiebreaker specifics will be announced at a later date. Since the Big Ten implemented the East and West divisions in 2014, the East division winner has won every conference title.

Kenny said that although divisions had advantages, they also limited the frequency of compelling matchups. Under the current division model, Indiana-Purdue is the only protected annual cross-division matchup. Kenny said the Nebraska-Michigan series, in which Michigan visited Nebraska in 2012 but did not go back until 2021, often came up in discussions.

“That’s a nine-year gap for two historically competitive, some of the winningest programs in the history of the sport, and Michigan fans and Nebraska fans only got to experience that game in Lincoln twice since Nebraska joined the league,” he said. “So competitive is important and postseason access and TV, but it comes down to asking the question: ‘What makes us a conference? What makes us feel like we’re really tied together in a meaningful way?’

“Playing each other more and not less has some impact.”

When examining different schedule models, the Big Ten asked its schools to list the most important matchups — historic rivalries, regional games, trophy games — they would want protected annually in a nondivision format. The schools then were asked about their “nonnegotiables,” Kenny said, as well as games they would like to play frequently but not annually.

Iowa, which first played both Minnesota and Wisconsin in the late 1890s, preserved both games, along with Nebraska, a regional series that has been played the day after Thanksgiving since Nebraska joined the Big Ten.

Penn State, meanwhile, has zero annual protected opponents in the new model. The Penn State-Ohio State game has often shaped the league and CFP races, but it will not be played in 2025 after taking place at Beaver Stadium in 2024.

“The more protected matchups you’ve included in the model, the less flexibility you had to create a really balanced model for everybody,” Kenny said. “So 11 was where we capped it. Penn State doesn’t have any protected matchups, but they see more teams three out of four years, the way that the model will be built moving forward, that might be a little more geographic to them.”

USC’s initial Big Ten schedule in 2024 will feature Illinois, Iowa, Michigan and Wisconsin at home, and Maryland, Northwestern, Penn State, Purdue and UCLA on the road. UCLA’s first Big Ten slate has Minnesota, Nebraska, Northwestern, Ohio State and USC at home, and Indiana, Iowa, Michigan and Rutgers on the road.

Both newcomers will play every Big Ten school at least once by the end of the 2025 season, and every existing Big Ten team will play at either UCLA or USC during the same span. Kenny said increased travel and a third time zone factored into the 2024 and 2025 opponents, as did avoiding repeat sites from the 2023 schedule and maintaining the alternating five-four split — five league home games one year, four league home games the next.

“We needed to make sure that we did a good job of balancing not having really extreme travel distances for them, of one school having to go to their five furthest possible opponents in Year 1,” Kenny said. “You have to balance Eastern time zone schools, Central time zone schools.”

Michigan’s 2024 trip to USC will mark its first since 1958. USC will visit Penn State for the first time since 1994.

UCLA will visit Michigan Stadium for the first time since 1996 and will host Ohio State for the first time since 2001.

The Big Ten first introduced divisions in 2011, when Nebraska joined the league as its 12th member. The initial divisions, named Legends and Leaders, were formed to achieve competitive balance based on team performance data. Certain annual rivalries were sacrificed, including Wisconsin-Iowa.

But the division names drew widespread mockery, and the league scrapped them in 2013 and then went with the geographic designations, which began when Maryland and Rutgers entered the league in 2014.

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‘Are you serious?’: How the LSU band got a 66 year-old tuba player

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'Are you serious?': How the LSU band got a 66 year-old tuba player

BATON ROUGE, La. — Capt. Dale Dicharry, the commander of Homeland Security for the East Baton Rouge Parish Sheriff’s Office, has heard plenty of strange calls in his time in law enforcement, particularly here in south Louisiana. But this one beat all the others.

Someone had called in about a wounded animal, and the call was coming from right in his own neighborhood.

“He said, ‘A wounded moose,'” Dicharry said. “I said, ‘We ain’t got no moose around.'”

Then it struck him: That would be Kent.

Kent Broussard, Dicharry’s new neighbor, was a retiree who had just moved to Baton Rouge determined to fulfill his life’s dream: to join the Golden Band from Tigerland at LSU. And he was learning to play, of all things, the tuba.

Dicharry tells the story in the Broussards’ living room, alongside his wife Dawn, Broussard’s wife Cheryl and fellow neighbors Lynette Wilks and Barry Searles. They all immediately leap to Kent’s defense. He wasn’t so bad at the tuba that his playing was confused with moose noises, they say. It was just that confusion was natural; nobody in the neighborhood was expecting someone to be playing a tuba at all.

They say it takes a village to raise a child. But it turns out it takes this neighborhood, on the southern edge of Baton Rouge, to raise a 66-year-old tuba player. It was here that Broussard serenaded the neighbors from his porch, marched around the streets in a weighted vest to get his stamina up and avoided the heat by playing early in the morning and late at night.

Leaf blowers might be annoying at those hours. But nobody was ever bothered by Broussard’s brass. He was bringing a little bit of Tiger Stadium into everybody’s homes.

He soon became the envy of the neighborhood. He had a lifelong goal and made it happen. He is now a member of the LSU band, playing the fight songs on Saturday nights at Tiger Stadium. Welcome to the Tiger Tuba Kent Fan Club.

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A post shared by Kent Broussard (@tigertubakent)

“I’ve had ’em in my head for 60 years and now I’m getting the opportunity to play them,” Broussard said of the tunes.

It’s a quintessential Louisiana tale. The Broussards were among the first Acadian families (later shortened to Cajun) to settle in Louisiana two centuries ago, arriving from France via Canada where they were expelled after rebelling against the British. Kent Broussard, born in Cajun country in Lafayette, got an accounting degree and MBA from Southeastern Louisiana in Hammond and played trumpet in the band for two years. He went to work for Sazerac Spirits, named for a cocktail first invented in New Orleans, then was instrumental in the creation of the Sazerac House on the city’s Canal Street. He and Cheryl lived in LaPlace along the Mississippi River, but after two floods and Kent’s retirement, they decided to pick up and move to Baton Rouge so he could do the most Louisiana thing possible: Join the LSU band.

“You can’t get much more south Louisiana than that,” he joked.

Since the 1960s, Broussard had gone to LSU football games and loved hearing the band play. In the 1980s, when he and Cheryl started dating, he would take her to LSU games and make her stay after the game and watch the band play. So five years ago, before he retired, he emailed the band director and asked what he would have to do to join the band.

There were challenges. First, he would have to be a student. Second, competition was going to be tight, and he would have to learn to march, which most of the students had done for years in middle and high school. There would likely be too much competition on trumpet, he was told. But the world has fewer tuba players than trumpet players and the LSU band loves having a robust tuba line — after having 24 sousaphones last year, they decided to accept 32 this year. So that’s where Broussard decided to direct his energies.

“It started really 30 years ago when I made a commitment to myself that I wanted to do something that really no one else had ever done,” Broussard said. “I just love the band. And I didn’t look at it like, because of my age, I don’t think I should try out. That has really never crossed my mind. I’m young at heart.”

To practice at home, Broussard bought a $3,000 tuba off Facebook Marketplace — a friend jokingly called it a “Temu Tuba” — from a member of a mariachi band in Los Angeles who collects sousaphones, repairs them and sells them. An LSU student who helps the band repair instruments helped him assemble it and get it set up right. Dale Dicharry gave him the idea of walking around with the weighted vest. Over dinner conversations with neighbors, he would reveal his plan.

“We were all like, are you serious?” Dawn Dicharry said. Someone joked they thought they had all had too much wine. But Broussard was so enthusiastic about it that they all realized they could live vicariously through him.

“To watch that man train and persevere through this heat and do what he does on the daily has just simply been amazing,” said Lynette Wilks, who lives behind the Broussards. “My granddaughter is 11 and was out riding the bike in the neighborhood. She came in and threw the bike down. She said, ‘Lulu, there’s a man marching around in the street playing a tuba.’

“Yeah, that’s Tuba Kent,” she said.

He started out playing inside for a year. The first audition was basically a screening, just to make sure that the applicants could play. Kent had to perform assigned music and upload it to YouTube for the band directors to review. After he cleared that hurdle, he started going outside to get acclimated to the grueling summers because the LSU band practices outside every day. So he would play early in the morning or later in the evening. One morning, at about 7 a.m., Broussard said he was out marching through the streets with his tuba and two cyclists rode by. As they passed him, one looked at the other and said, “That’s not something you see every day.” Broussard shot back, “Go Tigers,” and he could hear them laughing as they rode away.

At a neighborhood event, a neighbor two doors down told the Broussards that her 12-year-old son was going to bed at about 9:15 one evening and told her he thought it was so cool that he was going to bed serenaded by one of the greatest fight songs in the country.

Kent thought it was awesome. Cheryl had another reaction: “I put him on a 9 a.m. to 9 p.m. curfew,” she said, laughing.

In mid-to-late August, Broussard was invited to the band’s preseason camp, a four-day long audition where he said they “learn the LSU way of playing,” along with their marching styles and do some sight-reading of music. Mostly, he said, it was a way to make sure the culture fit was right for band members.

There are 325 members in the LSU band, including the color guard and the Golden Girls dance line, with roughly 275 members who are strictly musicians. There are always more freshmen looking to join the band than there are spots. There are no guarantees.

So the entire gang waited anxiously for the final band roster to be announced. Once they got the news, everyone went crazy. Tiger Tuba Kent was officially a Tiger.

“Barry and I grabbed us a cocktail and we ran down the street,” Dawn said. She texted Cheryl, who told her Kent wasn’t home, but everyone could come over. Then they all celebrated together in the Broussards’ home.

“It makes us all feel good,” Searles said. “You get to a certain age and then you feel like you’re done, but we really don’t feel like we’re done. So it feels good to be accepted in the world.”

Broussard became a media darling. He did TV appearances on “Good Morning America” and the SEC Network, did interviews with NPR and PBS, and appeared on “The Kelly Clarkson Show” just this week. Dawn said she was never bothered by the tuba; it was the notifications on the group chat and the neighborhood board cheering Kent on that would wake her up at night.

So Cheryl has had to share her husband with everyone. First of all, he’s taking a full class load with 13 hours as a “non-matriculated student,” or without being in a degree program. He’s only taking classes that he finds interesting. He loves American Popular Music because it explains how all the music of his life is intertwined. His classes in Louisiana History, Fundamentals of Emergency Management and Comparative Politics all work together to explain the current LSU football situation, it seems. Then he has band practice and then the games. Cheryl said she misses seeing him tend to the yard because he was so meticulous about it, but she has picked up some tips and taken care of it in his place.

“We had gone from being together all the time, which was a little too much, to all the way over here,” she said of Kent’s retirement. “I’ll see him 20 or 30 minutes, and then he’ll need to go study.”

They go to dinner on Fridays and make the most of their time. But seeing Kent get to live his dream and become an inspiration for others has been worth it. She said she has already told him it’s totally up to him and she’ll support him if he wants to do it again next year.

Every time they show Broussard’s image on the video board at Tiger Stadium, the crowd erupts. Dawn, Barry and Lynette cried the first time they saw it happen.

“I’m one of almost 400 [in the band],” Broussard said. “The overwhelming support has been humbling. Maybe I was naive about the whole situation. I think it’s a good story. Hopefully it’s kind of pushing people my age or older to say, ‘This guy’s doing something really physically and mentally challenging. He’s going back to school.’ So I’m hoping that message is resonating with some folks.”

But one place where it has already made a big difference is in the Broussards’ neighborhood. They’re just happy to be along for the ride, helping encourage their local celebrity/tuba player.

“This has just been incredible for all of us,” Wilks said.

The year hasn’t gone according to plan for the Tigers on the field. But in the stands, they’re one of the best stories of the season. And Tiger Tuba Kent likes to keep the positivity.

“Come to cheer on the band,” he said.

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Preds irked as Wild score winner on displaced net

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Preds irked as Wild score winner on displaced net

The Nashville Predators disagreed that a “weird” Minnesota Wild overtime goal scored with the net displaced Tuesday night should have counted.

Wild forward Kirill Kaprizov sent a pass across the crease to teammate Marcus Johansson just as Predators goalie Justus Annunen pushed the net off its moorings. Johansson’s shot hit the side of the net as the cage continued to slide out of place. He collected the puck and then backhanded it over the goal line and off the end boards with the net dislodged.

The referee signaled a goal at 3:38 of overtime, and it was upheld after an NHL video review. Minnesota won, 3-2, overcoming an emotional letdown when Nashville’s Steven Stamkos tied the score with just 0.3 seconds left in regulation.

“The explanation was that, in [the referee’s] opinion, it was a goal. I disagree with his opinion, but that’s the way it is,” Nashville coach Andrew Brunette said.

Stamkos wasn’t pleased with the goal call after the game.

“Obviously, a weird play. I can see the confusion, but the confusing part for us was why it was so emphatically called [a goal]. I get it. Listen, the net came off. If the puck goes in right away, no problem if the net is off. But he missed the net, and the puck actually bounced back to him because the net was sideways,” he said.

The NHL’s Situation Room upheld the goal because it felt Annunen caused the net to be displaced before to an “imminent scoring opportunity” by Johansson and cited Rule 63.7 as justification. The rule reads:

“In the event that the goal post is displaced, either deliberately or accidentally, by a defending player, prior to the puck crossing the goal line between the normal position of the goalposts, the Referee may award a goal. In order to award a goal in this situation, the goal post must have been displaced by the actions of a defending player, the attacking player must have an imminent scoring opportunity prior to the goal post being displaced, and it must be determined that the puck would have entered the net between the normal position of the goal posts.”

Stamkos said he believed that Johansson’s goal-scoring shot was made possible only by the net having come off its moorings.

“I understand the net came off. I don’t think there was any intent from our goaltender to knock it off — it came off twice today. From our vantage point, we thought the puck came back to him on the second attempt because the net was off. If not, the puck goes behind the net, and we live to fight another day. So, that’s where we didn’t agree with the call,” he said.

Brunette said he didn’t believe his goalie intentionally dislodged the net.

“I don’t think just by the physics of pushing that’s what he was trying to do. I thought they missed the net. If the net didn’t dislodge, you would have ended up hitting the net,” he said.

“Unfortunately, they didn’t see it the same way. And you move on.”

This was the second win in a row for the Wild, moving them to 5-6-3 on the season. Nashville dropped to 5-6-4, losing its second straight overtime game.

“We deserved a lot better, for sure. One of our best games of the season, for sure,” Stamkos said.

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New deal brings NHL players into VR experience

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New deal brings NHL players into VR experience

The NHL Players Association has announced a licensing deal with Sense Arena that will bring stars like Connor McDavid and Matthew Tkachuk into virtual reality for the first time.

NHL Sense Arena is the only licensed NHL and NHLPA virtual and mixed reality hockey platform. The company has had an agreement with the NHL for over two years to bring team branding and events like the Winter Classic into Sense Arena’s VR training games.

Now, thanks to this name and likeness deal with the NHLPA, NHL players — around 15 per team to start — will replace the generic ones inside the game, allowing fans the chance to pass pucks to Toronto Maple Leafs star Auston Matthews or attempt to beat goaltenders like reigning Vezina Trophy winner Connor Hellebuyck.

“This partnership with Sense Arena is an exciting opportunity to bring fans closer to the incredible talent of NHL players,” said NHLPA chief commercial officer Steve Scebelo. “This is truly a dynamic new platform that will showcase the talents of the players and bring fans closer to the action in a way they have never experienced before.”

NHL players will be prominently featured in a 3-on-3 mode, which includes an 82-game season, roster management and the chance to unlock additional players. Earlier this year, NHL Sense Arena released DanglePro, a mixed reality hockey training game in which users play with their own stick and a training puck while stickhandling through virtual obstacles.

“The future of hockey training and fan engagement is evolving, and we’re excited to push the boundaries of innovation with the help of the NHLPA,” said Sense Arena founder and CEO Bob Tetiva.

Sense Arena launched its hockey VR experience in 2018 for off-ice training. It has had partnerships with USA Hockey, over a dozen NCAA programs and NHL teams like the Los Angeles Kings, New Jersey Devils and Vegas Golden Knights. Its training programs have become popular with goaltenders like Joey Daccord of the Seattle Kraken, who said he has incorporated VR training into his daily routine and has used Sense Arena between periods of NHL games to regain his focus.

“I think it’s been instrumental in my career and a factor for why I’m able to play the way that I do at the NHL level. It’s integral in my training and my preparation,” Daccord told ESPN recently. “As more guys use it, it just becomes more normal. And getting the backing of the NHLPA shows that it’s here to stay.”

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