The young sons of a woman who died in a crowd crush at the O2 Academy in Brixton are starting to ask: “Where is my mum?”
Rebecca Ikumelo’s boys, aged five and seven, are beginning to realise their mother isn’t coming home, her family members have said.
Ms Ikumelo, 33, of Newham, east London, and security worker Gaby Hutchinson, 23, of Gravesend, Kent, who was on duty at the south London venue, both died days after being hurt when ticketless fans tried to get into a show by Nigerian Afrobeats artist Asake in December.
A 21-year-old woman is still seriously ill in hospital.
Their grieving families are searching for answers as to how the crush happened and have now appealed to the public to help with a police criminal investigation into the deadly incident.
‘They are really feeling their mum’s absence’
Ms Ikumelo’s father, Anthony, said the family wanted to see a basic sense of “compassion” and “respect” from everyone involved to aid the investigation into what went wrong on 15 December.
Organising more concerts and events instead – while there are still safety concerns – would be a “further slap” to the relatives, he added.
Mr Ikumelo added one of the reasons his daughter died was “greed” and lamented the lack of safety measures on the day.
He said: “It feels like greed is one of the reasons why my daughter died and why all the things that should have been in place for safety were not there.
“This is why everyone should be working with us, from the government down, to find out what happened and to prevent it from happening again.
“We want those responsible prosecuted and eventually we want the government to make sure this will not happen to another family again.”
Yetunde Olodo said Ms Ikumelo’s young sons – her grandsons – are missing their mum.
She explained: “They don’t understand what is happening but I am sure they are really feeling their mum’s absence.”
Questions over safety and security need to be answered, according to Ms Ikumelo’s aunt Mary, who said it was “a stampede and it is not the first time this has happened in the UK”.
She said extra safety measures should be put in place at future events.
She added: “We are very angry and upset.
“The people who think that maybe they are going to get away with this – they need to be scared because we will never stop as a family until justice prevails.”
Sale of ‘dodgy’ tickets contributed to tragedy
The other victim of the crush was 23-year-old security worker Gaby Hutchinson and her family also have many unanswered questions.
“Why was she inside? Why was there so many people? Why were there so many people turning up? The venue was full and you have got people outside wanting to get in,” said her mother Chris.
Her daughter was “trained to walk around the [venue’s] perimeter and that was it,” she added.
While Ms Hutchinson’s sister Nina said: “She did not die because of an accident like a car accident. She died at work and that should not have happened.”
She added: “I hope that for the people who were selling supposedly dodgy tickets that was worth it to them because ultimately it is [part of] what led to my sister’s death.
“There would not have been that excess of people there who did not have tickets, if you did not do that.”
The family feel “fear” of concerts and similar events ever since Ms Hutchinson’s death, her sister added, and they now tried to avoid crowds.
Police investigation update
Metropolitan Police Detective Chief Inspector Nigel Penney said the criminal investigation was under way and potential offences being looked into included “corporate manslaughter, criminal negligence manslaughter… health and safety at work offences, along with violent disorder”.
Mr Penney said the police “are looking at every avenue to establish exactly what went wrong” and “have persons of interest” they are probing.
He appealed to the “hundreds of people” at the event capturing the scenes on their phones saying, “however insignificant it is, we want people to come forward with whatever they have”.
Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.
Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.
Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.
A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”
X
This content is provided by X, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable X cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to X cookies.
To view this content you can use the button below to allow X cookies for this session only.
Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.
Warning: This story contains details that readers may find distressing
The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.
The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.
She is seeking compensatory and punitive damages against the 47-year-old.
A representative for Ye was approached for comment by NBC News on Saturday.
The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.
The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.
The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.
The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.
When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.
The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”
While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.
It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”
Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.
The corporation did not immediately respond to a request for comment by NBC.
Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.
Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.
In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.
The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.
Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.
“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.
“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”
Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.
But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.
Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.
Advertisement
The couple went through seven rounds of IVF themselves to conceive their son.
While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.
“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.
“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”
In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.
Please use Chrome browser for a more accessible video player
0:28
Bill Nighy ‘proud’ of new film on IVF breakthrough
“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”
In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.
“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”
Joy is in UK cinemas from 15 November, and on Netflix from 22 November