The young sons of a woman who died in a crowd crush at the O2 Academy in Brixton are starting to ask: “Where is my mum?”
Rebecca Ikumelo’s boys, aged five and seven, are beginning to realise their mother isn’t coming home, her family members have said.
Ms Ikumelo, 33, of Newham, east London, and security worker Gaby Hutchinson, 23, of Gravesend, Kent, who was on duty at the south London venue, both died days after being hurt when ticketless fans tried to get into a show by Nigerian Afrobeats artist Asake in December.
A 21-year-old woman is still seriously ill in hospital.
Their grieving families are searching for answers as to how the crush happened and have now appealed to the public to help with a police criminal investigation into the deadly incident.
‘They are really feeling their mum’s absence’
Ms Ikumelo’s father, Anthony, said the family wanted to see a basic sense of “compassion” and “respect” from everyone involved to aid the investigation into what went wrong on 15 December.
Organising more concerts and events instead – while there are still safety concerns – would be a “further slap” to the relatives, he added.
Image: Anthony Ikumelo, 63, father, and Wale Ikumelo, 31, brother, of Rebecca Ikumelo, 33
Mr Ikumelo added one of the reasons his daughter died was “greed” and lamented the lack of safety measures on the day.
He said: “It feels like greed is one of the reasons why my daughter died and why all the things that should have been in place for safety were not there.
“This is why everyone should be working with us, from the government down, to find out what happened and to prevent it from happening again.
“We want those responsible prosecuted and eventually we want the government to make sure this will not happen to another family again.”
Image: Rebecca Ikumelo of Newham. Pic: Met Police
Yetunde Olodo said Ms Ikumelo’s young sons – her grandsons – are missing their mum.
She explained: “They don’t understand what is happening but I am sure they are really feeling their mum’s absence.”
Questions over safety and security need to be answered, according to Ms Ikumelo’s aunt Mary, who said it was “a stampede and it is not the first time this has happened in the UK”.
She said extra safety measures should be put in place at future events.
She added: “We are very angry and upset.
“The people who think that maybe they are going to get away with this – they need to be scared because we will never stop as a family until justice prevails.”
Sale of ‘dodgy’ tickets contributed to tragedy
The other victim of the crush was 23-year-old security worker Gaby Hutchinson and her family also have many unanswered questions.
“Why was she inside? Why was there so many people? Why were there so many people turning up? The venue was full and you have got people outside wanting to get in,” said her mother Chris.
Her daughter was “trained to walk around the [venue’s] perimeter and that was it,” she added.
Image: Gaby Hutchinson died whilst working at the event
While Ms Hutchinson’s sister Nina said: “She did not die because of an accident like a car accident. She died at work and that should not have happened.”
She added: “I hope that for the people who were selling supposedly dodgy tickets that was worth it to them because ultimately it is [part of] what led to my sister’s death.
“There would not have been that excess of people there who did not have tickets, if you did not do that.”
The family feel “fear” of concerts and similar events ever since Ms Hutchinson’s death, her sister added, and they now tried to avoid crowds.
Image: Chris Hutchinson, 60, mother, and Nina Hutchinson, 32, sister, of Gaby Hutchinson, 23, who died following a crowd crush outside an Asake concert at the Brixton O2 Academy in London
Police investigation update
Metropolitan Police Detective Chief Inspector Nigel Penney said the criminal investigation was under way and potential offences being looked into included “corporate manslaughter, criminal negligence manslaughter… health and safety at work offences, along with violent disorder”.
Mr Penney said the police “are looking at every avenue to establish exactly what went wrong” and “have persons of interest” they are probing.
He appealed to the “hundreds of people” at the event capturing the scenes on their phones saying, “however insignificant it is, we want people to come forward with whatever they have”.
Mr Bates Vs The Post Office and Mr Loverman were among the big winners at this year’s BAFTA TV awards – with Danny Dyer and Ruth Jones picking up comedy prizes.
After Mr Bates was named the winner of the TV BAFTAfor best limited drama, ITV was also given a special award for commissioning a show that “brought dynamic change”.
The four-part series, which aired in January 2024, depicted how former subpostmasters and subpostmistresses were held liable by the Post Office for financial discrepancies thrown up by its computerised accounting system, Horizon – shining a light on one of the widest miscarriages of justice in UK legal history.
Producer Patrick Spence said the show could never have been made without ITV, as well as the journalists who covered the wrongful convictions, and those who campaigned about the scandal.
“Our show didn’t change the law, the people of this nation did that,” he said.
Image: Lennie James was named best actor for Mr Loverman. Pic: PA
Image: Marisa Abela won her prize for Industry. Pic: PA
Mr Bates stars Toby Jones and Monica Dolan missed out on prizes in the acting categories, with Marisa Abela named best actress for her performance in Industry and Lennie James named best actor for Mr Loverman, a series based on the novel of the same name by Booker Prize winner Bernadine Evaristo.
Both winners seemed shocked to receive the gongs, with first-time nominee Abela saying: “Oh my god, I really wasn’t expecting that at all… This is insane.”
James described the win as a “fantastic honour”.
Earlier in the night, his co-star Ariyon Bakare took home the prize for best supporting actor, while Baby Reindeer’s Jessica Gunning picked up the gong for best supporting actress.
Image: Ruth Jones with her comedy performance gong. Pic: PA
Image: Danny Dyer won his BAFTA for Mr Bigstuff. Pic: PA
Elsewhere, Dyer got one of the night’s biggest cheers as his first ever BAFTA was announced – the award for male performance in a comedy, for his role in Sky’s Mr Bigstuff – while Jones’s final performance as Nessa in the long-awaited Gavin & Stacey: The Finale earned her the female comedy performance gong.
Accepting his prize, Dyer said “the acting was so bad it was funny”, before he swore several times despite being warned about the rules. He also thanked his family, and writer and actor Ryan Sampson, who he called the “best thing to come out of Rotherham”.
“I’m not going to lie this is immense,” said Jones as she collected her award. “The person I would like to thank most his my dear, dear talented friend James Corden.”
She said without British actor Corden, her co-creator and co-star, “Vanessa Shanessa Nessa’ Jenkins would not exist”.
Please use Chrome browser for a more accessible video player
2:00
Stars on the red carpet
Wins for other shows included best drama for Blue Lights, best soap for EastEnders, best scripted comedy for Alma’s Not Normal, best entertainment performance for Joe Lycett’s Late Night Lycett, and best entertainment programme for Would I Lie To You?
This year’s BAFTA Fellowship, the highest accolade given by the organisation, in recognition of an outstanding and exceptional contribution to film, games or television, was presented to broadcaster Kirsty Wark for her “unwavering dedication and unmatched legacy in the world of news and current affairs broadcasting”.
Two new categories celebrating children’s television were also introduced this yearm with CBeebies As You Like It at Shakespeare’s Globe taking home the inaugural prize for best children’s scripted, and Sky’s Disability and Me (FYI Investigates) winning the non-scripted prize.
The main ceremony, which was hosted by actor and presenter Alan Cumming at London’s Royal Festival Hall, came two weeks after the BAFTA craft ceremony for technical awards – where Baby Reindeer, Rivals and Slow Horses each picked up two prizes.
Stanley Tucci says he doesn’t understand why there has been a sudden rise in the “very far right”.
The 64-year-old actor, author and food connoisseur leads a new show aptly named Tucci In Italy, where he looks at the world-renowned cuisine and how its ingredients tell much more than just what is served on the plate.
Speaking to Sky News, he says painting the full picture of the Italian landscape was the driving force behind the show and that he made a conscious decision to include stories from all backgrounds.
Image: Stanley Tucci tries lampredotto while in Florence. Pic: National Geographic/Matt Holyoak
“I asked that we include a story about a gay couple and their children, whether it was adopted or surrogate or however, because I thought it was a really interesting story.
“I am confused as to the direction that so much of the world is heading now to the very far right and sort of vilifying the other, meaning people who aren’t like us, but I don’t quite know what that means because we are all so different.
“There is no us, right? We’re all different, so I don’t know what the problem is there.”
Image: Canci checi, a Ladin staple consisting of fried ravioli. Pic: National Geographic
Image: Tucci cooks at BBQ joint ristoro mucciante in Abruzzo with one of the owners, Rodolfo Mucciante, right. Pic: National Geographic/Matt Holyoak
Tucci adds that he wants to “look at what’s happening in Italy politically and how it’s affecting people but, of course, all through the prism of food”.
More on Italy
Related Topics:
“Those people are sitting there having a traditional Sunday lunch with the grandparents, with the grandkid, and they’re a family and yet the government says they’re not a family.
“I think that’s really interesting because Italy puts so much emphasis on family and for all practical purposes, Italy has a negative birth rate so why wouldn’t you want to welcome more children into your society who are Italian?”
Image: Chef and owner Matilde Pettini opened Dalla Lola in 2021 and discusses their dishes with Tucci. Pic: National Geographic/Matt Holyoak
Image: Ramadan El Sabawy hands Tucci a plate with his son’s crispy margherita pizza. Pic: National Geographic
In 2016, Italy passed a law that now recognises civil unions for same-sex couples in the country.
It grants couples many of the same rights and financial protections as married heterosexual couples, however, it doesn’t give LGBT+ couples the right to joint adoption or in vitro fertilisation.
In 2023, the Italian government extended its initial ban on surrogacy to include arrangements made by its citizens abroad.
Its legislation subjects any intended parent who breaks the law to jail terms of up to two years and fines of up to €1m (£846,000).
The law doesn’t include those children who were already registered before it came into effect.
Image: Tucci holding a cheese made in Lazio. Pic: National Geographic/Matt Holyoak
Image: Torcinello, a traditional sausage, served with scampi, sea asparagus, and sweet pepper sauce. Pic: National Geographic
The buzzword on social media over the last few weeks has been “conclave” following the death of Pope Francis and of course, the Oscar-winning film of the same name.
Our interview took place just before the real conclave took place, which resulted in Pope Leo XIV becoming the first American-born leader of the Catholic Church.
Starring in the film alongside Ralph Fiennes, Tucci became inadvertently connected to the news agenda when life began to imitate art.
“It’s fascinating. I mean, look, I don’t know anything about it, really, other than I made a movie about it. That’s all I know. But it is, the timing of it is unfortunate, but it’s also oddly coincidental.”
Tucci In Italy looks at traditional Italian cuisine but also explores the impact history, changing political landscapes, migration and culture can have on a dinner plate.
Image: Timballo being cut, revealing the intricate layers of crespelle and meatballs inside. Pic: National Geographic
Image: Mr Tucci fly fishes in a glacial river with locals in Trentino-Alto Adige. Pic: National Geographic/Matt Holyoak
Image: Hay soup in a loaf of homemade bread, served in the restaurant Gostner Schwaige. Pic: National Geographic
He visits the northern area of Trentino-Alto Adige, which borders Austria, to look at how Mussolini’s intense policies regarding German identity shaped the area and people today.
“It’s an incredibly beautiful region, but also it’s the way those two cultures have figured out a way to get along without violence, without blame, without hating each other, without divisiveness.
“I think it’s really wonderful. It’s a testament to… How easy it can be for us to get along.”
Tucci In Italy premieres 21 May at 8pm on National Geographic and all episodes stream from 19 May on Disney+.