Glenda Jackson, the Oscar-winning actress and former Labour MP, has died at the age of 87.
In a statement, her agent Lionel Larner said: “Glenda Jackson, two-time Academy Award-winning actress and politician, died peacefully at her home in Blackheath, London, this morning after a brief illness with her family at her side.
“She recently completed filming The Great Escaper in which she co-starred with Michael Caine.”
Jackson won the Oscar for best actress in 1970 for her performance as a headstrong artist in director Ken Russell’s adaptation of DH Lawrence’s novel Women in Love, and again three years later for romantic comedy A Touch Of Class.
However, she chose not to attend the Hollywood ceremony on either occasion. Despite her successful career in entertainment – she also won two Emmy Awards and a Tony – she said she never had any interest in the social and glamorous aspects of the industry, and devoted herself to politics in the 1990s.
She also once said she would “probably” turn down a damehood if she were to be offered one, because “what does it actually mean?”
Jackson was elected as the Labour MP for Hampstead and Highgate in 1992 and served as a junior transport minister from 1997 to 1999 when Sir Tony Blair was prime minister.
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However, a return to acting – and awards – came after she stood down as an MP at the 2015 general election. In 2019 she starred as a woman suffering from dementia in Elizabeth Is Missing, and won a TV BAFTA for best actress the following year.
Tulip Siddiq, Labour MP for what is now the Hampstead and Kilburn constituency, is among those paying tribute following Jackson’s death.
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“Devastated to hear that my predecessor Glenda Jackson has died,” she wrote on Twitter. “A formidable politician, an amazing actress and a very supportive mentor to me. Hampstead and Kilburn will miss you Glenda.”
Downing Street described Jackson’s death as “extremely sad news” and said Prime Minister Rishi Sunak’s “thoughts will be with her friends and family at this time”.
Diane Abbott, who became a Labour MP in 1987, described Jackson as a “kind and extremely principled woman” in her tribute on social media.
Labour MP and shadow culture secretary Lucy Powell, who worked for and alongside Glenda Jackson, recalled the “incredibly kind” politician’s humour as she paid tribute.
“This is very sad news. In my early twenties I worked for Glenda, a decade later our MPs offices were next door,” she wrote on Twitter.
“She was always incredibly kind & supportive to me. I will also remember her cutting humour, general disdain at most things, all while smoking!”
Before her death, Jackson had been reunited with fellow double Oscar-winner Sir Michael Caine, who she last acted with in The Romantic Englishwoman in 1975.
Their upcoming film The Great Escaper is inspired by true events, telling the story of a Second World War veteran who escaped his care home in Hove, East Sussex, to attend a commemoration of the 70th anniversary of the D-Day landings in France.
Born in Birkenhead in 1936, Jackson said she only started acting after she failed her school certificate, leaving her with no option but to start working at the age of 16.
While working at her local Boots store, she joined a friend at the YMCA amateur dramatics society and went on to study at the Royal Academy of Dramatic Art (RADA). She wrote to the prestigious school and was offered a place after auditioning, but could not afford the fees.
A manager at Boots wrote to the county council at the time and they local authority paid for her, paving the way for rise to stardom.
Her big break came in 1964 when director Peter Brook chose Jackson to play Charlotte Corday in his stage production of Marat/Sade, which was set in a lunatic asylum.
As well as her Oscar-winning performances, Jackson also played Egyptian queen Cleopatra in 1971 for an episode of The Morecambe & Wise Show with comedy duo Eric Morecambe and Ernie Wise.
Other notable film roles included John Schlesinger’s Sunday Bloody Sunday with Peter Finch, and she also portrayed Queen Elizabeth for a second time in Mary, Queen of Scots opposite Vanessa Redgrave in the titular role.
Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.
Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.
Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.
A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”
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Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.
Warning: This story contains details that readers may find distressing
The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.
The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.
She is seeking compensatory and punitive damages against the 47-year-old.
A representative for Ye was approached for comment by NBC News on Saturday.
The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.
The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.
The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.
The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.
When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.
The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”
While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.
It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”
Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.
The corporation did not immediately respond to a request for comment by NBC.
Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.
Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.
In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.
The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.
Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.
“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.
“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”
Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.
But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.
Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.
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The couple went through seven rounds of IVF themselves to conceive their son.
While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.
“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.
“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”
In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.
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Bill Nighy ‘proud’ of new film on IVF breakthrough
“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”
In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.
“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”
Joy is in UK cinemas from 15 November, and on Netflix from 22 November