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While the likes of Arctic Monkeys and Fatboy Slim are Glastonbury veterans, there are plenty of performers taking to the stages at the famous festival for the first time this year – including one Sir Elton John.

For the Rocket Man, this one is extra special, as it marks his final ever UK gig before he retires from touring.

“There is no more fitting way to say goodbye to my British fans,” Sir Elton has said of what will be his first and last Glastonbury show. He has promised a different setlist to the one played during tour gigs, and teased special guests – with everyone from Lady Gaga, Ed Sheeran, Chris Martin and Britney Spears to Dua Lipa, Taron Egerton and Olly Alexander on the rumour list.

Sir Elton John performs on stage during his Farewell Yellow Brick Road show at the O2 Arena, in south London. Pic: PA
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The UK leg of Sir Elton John’s Farewell Yellow Brick Road tour ends with his Glastonbury performance

Despite being one of the biggest-selling music artists of all time, the 76-year-old has still admitted to feeling “intimidated” about headlining the most famous festival in the world.

But as a Glastonbury virgin, he’s in good company this year, with plenty of other acts experiencing the Worthy Farm magic for the first time.

Among them is Rick Astley, who will open the Pyramid stage on Saturday morning.

“I’ve dropped our daughter off many times, but I’ve never actually gone through the gates myself,” he told Sky News. “That’s kind of strange, considering I’m on the Pyramid Stage tomorrow… I don’t know how I’m going to get to sleep tonight actually thinking about that.

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“You kind of think, we’ll give it our best shot, we’re going to go down there and we’re going to do this, that and the other. And then when you arrive and you see the enormity of it, the size of it and the scale of it – because cameras can’t do it justice – you have to actually be here and take that time to actually drift through a little bit.

“I think the nerves get worse, but I also want to kind of try and enjoy it, just be in the moment and not let it slip away without me actually being present, as it were.”

The size of the festival is something the singer realised he had underestimated.

“The scale is hard to deal with. I’ve looked at who’s playing and I’m thinking, ‘oh, I’d love to see them, I’d love to see them’. Now that I’m here, I’m thinking, you haven’t got a hope in hell of getting from that stage to that stage. So I’ve realigned my bands and artists that I want to see. It’s just massive.”

Guns N' Roses' Axl Rose, left, and Slash perform on the first weekend of the Austin City Limits Music Festival at Zilker Park in Austin, Texas. Pic: Jack Plunkett/Invision/AP
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Axl Rose and Slash of Guns’n’Roses – who will also perform for the first time. Pic: Jack Plunkett/Invision/AP


Astley is one of those artists beloved by everyone; as he chats ahead of a not-so-surprise set alongside Blossoms, he is stopped for selfies several times. No doubt his early Pyramid stage set will draw a big crowd, and the sing-along to his most famous hit, Never Gonna Give You Up, should provide a memorable Glastonbury highlight.

At 57, he says he is enjoying soaking up the festival for the first time as he experiences his career resurgence.

“There’s a lot of people who’ll come to Glastonbury and they might be 18 or 19 and play it for the first time, and that’s great. But having waited so long to get a chance, I think that’s a cool thing as well… to come to Glastonbury at this point I think is amazing. I’m really conscious of making sure I enjoy it and I think if I was a lot younger, it might just sort of buzz by without me realising.”

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Other big-name first-timers performing in 2023 include Guns’n’Roses, who headline the Pyramid stage later on Saturday, and Yusuf Islam, AKA Cat Stevens, who takes this year’s “legends slot” on Sunday afternoon.

Astley says he can understand why even Sir Elton feels some nerves. “I don’t care who you are, if you’re one of those people who gets up there and just dials in and doesn’t care, then you shouldn’t be doing it anyway.

“I’ve met him a bunch of times and I just don’t think he’s that kind of a character. I think he wants to put on a show and leave Glastonbury wanting more.

“I’m sure he’s like that. I’m sure [Paul] McCartney is like that, I’m sure they all are. They don’t want to come here and just be ‘okay’. They want to come and blow it away. I think it’s going to be emotional, his set, because of what it means – it’s the last British gig, almost the last gig ever. So it’s going to be… I think I might have a few tears anyway.”

As for his own set, Astley says he has no idea what to expect when he walks out on to that famous stage, following in the footsteps of stars including Sir Paul, The Rolling Stones, Stevie Wonder, Bruce Springsteen, Beyonce, Kylie Minogue and dozens more.

“We’ve all seen it, you know, it’s enormous. It’s mad. But I also think there’s a lot of love here… I think music is way less separate and people’s tastes are way more eclectic. I think they’re quite as happy to go and see the biggest rock band in the world, then go and see Elton on the last night, maybe catch someone like myself, you know, at 12 o’clock… with a hangover.”

Hangover or no hangover, Astley will deliver, ticking off a milestone moment in his career.

“It’s a privilege to be in the audience at Glastonbury,” he says. “But it’s a super privilege to actually be one of the performers.”

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‘Love you bro’: Zayn Malik’s tribute to Liam Payne at first show since former bandmate’s death

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'Love you bro': Zayn Malik's tribute to Liam Payne at first show since former bandmate's death

Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.

Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.

Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.

A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”

The 31-year-old also previously postponed the US leg of the tour after the “heartbreaking loss”.

He later rescheduled the Edinburgh shows, which had been planned for 20 and 21 November, to December due to “unforeseen circumstances”.

Following Payne’s death, Malik said he “never got to thank” him for his support during some of the “most difficult” times.

“I will cherish all the memories I have with you in my heart forever,” he said in a post on Instagram.

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Malik rose to fame in 2010 when Simon Cowell teamed him up with Payne, Harry Styles, Louis Tomlinson and Niall Horan on talent show The X Factor.

Malik left the band in 2015 and all members went on to pursue their own solo careers.

An investigation has been launched into Payne’s death by prosecutors and three people have been charged in connection with the incident.

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Kanye West accused of sexual assault on set of music video in new lawsuit

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Kanye West accused of sexual assault on set of music video in new lawsuit

Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.

Warning: This story contains details that readers may find distressing

The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.

The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.

She is seeking compensatory and punitive damages against the 47-year-old.

A representative for Ye was approached for comment by NBC News on Saturday.

The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.

The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.

The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.

The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.

When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.

The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”

While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.

It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”

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Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.

The corporation did not immediately respond to a request for comment by NBC.

Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.

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Joy star James Norton on the ‘postcode lottery’ of IVF – and playing the scientist who was part of creating the first ‘test-tube baby’

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Joy star James Norton on the 'postcode lottery' of IVF - and playing the scientist who was part of creating the first 'test-tube baby'

Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.

In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.

The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.

James Norton stars in Joy. Pic: Kerry Brown/ Netflix
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In the UK, statistics show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade

Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.

“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.

“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”

Bill Nighy, Thomasin McKenzie and James Norton star in Joy. Pic: Netflix/ Kerry Brown
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Bill Nighy, Thomasin McKenzie and James Norton star in Joy. All pics: Netflix/ Kerry Brown

Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.

But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.

Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.

The couple went through seven rounds of IVF themselves to conceive their son.

James Norton and Thomasin McKenzie star in Joy. Pic: Kerry Brown/ Netflix
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Norton portrays scientist Bob Edwards, while McKenzie plays embryologist Jean Purdy

While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.

“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.

“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”

In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.

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Bill Nighy ‘proud’ of new film on IVF breakthrough

“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”

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In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.

“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”

Joy is in UK cinemas from 15 November, and on Netflix from 22 November

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