Asteroid City: The stars of Wes Anderson’s new comedy on working with the esteemed director
Wes Anderson has gathered such a huge celebrity cast for his latest movie that it’s perhaps apt that Asteroid City is set around a stargazer convention – while the characters stare at the skies, the viewers are kept entranced by a different kind of star.
Among the vast cast are A-listers Tom Hanks, Margot Robbie, Scarlett Johansson, Bryan Cranston… Known for his highly stylised movies, Anderson seems to have no issue attracting talent to work with him.
Set in the American southwest in 1955, this film saw a small functioning town built in Spain to serve as the titular Asteroid City, with the cast and crew living and working there throughout the production.
Shot while COVID protocols were in place, it also served as a bubble.
Speaking to Sky News’ Backstage Podcast, cast-members talked about their experiences working with Anderson on Asteroid City, which itself is a play within a TV special.
Bryan Cranston on playing the narrator of the TV special about the play Asteroid City:
“I started really looking and doing some research on the more famous newscasters of the fifties – Edward R Murrow and Walter Cronkite and things like that, and I settled in on someone who kept coming back to me and I was influenced by Ted Koppel, and I sort of love the way he delivered the news.
“And I also feel that those men fall in love with their own voices… So that sort of came to me that we would do it in this sort of registry and without any emotion and without any opinion on what I was saying, so that the actors in the group can supply that – I was just there to monitor and feed in exposition.
“So, I just figured out this is my role, this is what my job is and then, you know, Wes takes a look at it and shapes it and basically says: ‘Faster, faster, faster, faster’. And you do it faster, faster, faster!”
Pic: Pop. 87 Productions/Focus Features
Jeffrey Wright on Anderson’s fast-paced script:
“He’s the conductor and he’s setting the rhythm and the tempo and that’s what he wants.
“I think he has a thing for early cinema, 40s, 50s style of stylised dialogue that no one really spoke in the world – it was just this dialect that existed in storytelling, and I kind of love that stuff, too, I love, melodrama and the old forms.
“It’s just a different take on telling the story, it doesn’t mean because it’s antique that it’s not effective – we’ve changed but I think there’s still something that can be moving about those styles, and it’s also a way of accepting that this is a performance – we understand it’s not real, it’s not a documentary and I think Wes likes to celebrate performance in that way.”
Pic: Pop. 87 Productions/Focus Features
Scarlett Johansson on the preparation needed to play an actor who herself is playing a character who is preparing for a part:
“There were so many layers of the performance – I’m playing an actor who’s playing an actor who’s preparing something.
Scarlett Johansson in Asteroid City. Pic: Pop. 87 Productions/Focus Features
“I had a lot of questions for Wes, and we talked a lot about all these different – like, What’s this play? What’s this movie that [Johansson’s character] Midge Campbell is preparing? Who is Midge Campbell? I think it was good to figure that stuff out.
“The prep was maybe more involved with this film because it had so many different layers – if I go into doing something, I try to come in with something to hang my hat on, so I have something to offer in the beginning and then it hopefully will evolve from there, but this needed a bit of thinking on it and discussion with Wes and a lot of questions and stuff like that.”
Pic: Pop. 87 Productions/Focus Features
Jason Schwartzman on working on the film and with Scarlett Johansson:
“It was so fun. It was so interesting. I loved it.
“It wasn’t hard, I’ll tell you, because I felt like I was acting with – the movie was like, done, [Johansson]’s so amazing.”
Pic: Pop. 87 Productions/Focus Features
Maya Hawke on the ‘impossible task’ she found herself trying:
“Getting to try something impossible is kind of freeing, you know? Versus having to sort of try to master – being asked to do something simple where you’re like, ‘Oh, no, I’m going to mess this up’.
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‘These people are all so intimidating’
“I felt that the impossible task that was asked of me was, you know, these people are all so intimidating and so talented, and to enter that environment as a new person, as a young person, as a person without that much experience, and to come in with confidence and to not worry that I was going to ruin the film, which very quickly I realised was actually impossible once I got there, because Wes is so masterful in the orchestra conduction of everything that you couldn’t ruin it if you tried your hardest.”
Rupert Friend on living and working together while making Asteroid City:
“One of the things that Wes not only encourages but really engenders is this spirit of community and what it means is that whether you are the main focus of a scene or not is completely immaterial.
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“You want to be there to support your colleagues, whether you’re in the deep, deep background out of focus, as many of us were, or you’re front and centre – that becomes immaterial, so you’re speaking about the egalitarian nature of it.
“I don’t know of a more genuine ensemble than what I saw on set and on the screen for this movie, I mean, any of these people could be the star and everyone gave it to everyone else.”
Asteroid City is out in cinemas now, hear more about it on the latest episode of Backstage – the film and TV podcast from Sky News.
Angelina Jolie says although she appreciates being an artist, she would prefer for her legacy to be “a good mother” and to be known for her “belief in equality and human rights”.
The Oscar-winning actress stars as Maria Callas in the new Pablo Larrain film about the opera singer’s life.
Pic: StudioCanal
She has called Maria “the hardest” and “most challenging” role she has had in her career and put months of preparation into immersing herself into the world of opera.
Jolie, who recently reached a divorce settlement with actor Brad Pitt, told Sky News: “To be very candid, it was the therapy I didn’t realise I needed. I had no idea how much I was holding in and not letting out.
“So, the challenge wasn’t the technical [side of opera], it was an emotional experience to find my voice, to be in my body, to express. You have to give every single part of yourself.”
The biopic combines the voice of the Maleficent actress with recordings of Maria Callas.
Jolie believes it “would be a crime to not have [Callas’] voice through this because, in many ways, she is very present in this film”.
Who was Maria Callas?
Born in New York in 1923, Maria Callas was the daughter of Greek immigrants who moved back to Athens at the age of 13 with her mother and sister.
After enrolling at the Athens Conservatory, she made her professional debut at 17 and went on to become one of the most famous faces of opera, travelling around the world and performing at Covent Garden in London, The Met in New York and La Scala in Milan.
Callas’s final operatic performance took place at Covent Garden in 1965 when she was 41 but she continued to work conducting master classes at Juilliard School, doing concert tours and starring in the 1969 film Medea.
Written by Peaky Blinders creator Steven Knight, Maria focuses on the artist’s final years in the 1970s when she moved to Paris and disappeared from public view.
She died on 16 September 1977 at the age of 53.
Pic: StudioCanal
Jolie on changing motivations as an actor
Maria follows the life of an artist fully consumed by the art she creates and even remarks that “happiness never developed a beautiful melody”.
Reflecting on her own life in the spotlight, Jolie said she noticed her own career motivations change over the years.
“There’s this kind of study of being human that we do when we create, and we communicate with an audience because our work is not in isolation – it’s a connection.
“I think when I was younger, I had different questions about being human and different feelings and now as I’ve gotten older, I understand some things and now I have different questions.
“It’s a matter of life, right? And so maybe that’s interesting that this now is a character really contemplating death and really contemplating the toll of certain things in life that I, of course, couldn’t have understood in my 20s”.
Jolie at the New York Film Festival in September with three of her children (L-R) Pax, Zahara and Maddox. Pic: AP
A family affair
Two of Jolie’s children, Maddox and Pax, took on production assistant roles during the filming of Maria and witnessed their mother perform opera for the first time in public.
She says the film allowed them to create new experiences together and for her children to see her approach to playing a difficult role.
“Everyone in my home, we all give each other space to be who we are and we’re all different.
“I’m the mom, but I’m also an artist and a person and so my family has been very kind and gives me their understanding. They make fun of me, and they support me and just as you’d hope it would be.”
She adds: “When you play somebody who is dealing with so much pain, it’s very important to come home to some kindness.”
Maria is in cinemas now.
Tom Holland’s dad has confirmed his son’s engagement to Zendaya – revealing how the 28-year-old meticulously planned the proposal.
Zendaya, also 28, sparked engagement rumours when she attended last Sunday’s Golden Globes wearing a sparkling diamond on her ring finger.
Neither star has publicly addressed the rumours but Tom’s comedian father, Dominic Holland, has now confirmed the pair are set to wed.
He wrote in a post on his Patreon account: “Tom, as you know by now was very incredibly well prepared. He had purchased a ring.
“He had spoken with her father and gained permission to propose to his daughter.”
“Tom had everything planned out… When, where, how, what to say, what to wear,” he added.
Zendaya arrived at the Golden Globes with a noticeable piece of new jewellery. Pic: Invision/AP
Dominic also noted that while most men worry about being able to afford an engagement ring, he suspects his actor son was “more concerned with the stone, its size and clarity, its housing, which jeweller”.
Tom and Zendaya met on the set of Spider-Man: Homecoming in 2016, when they played the titular hero and his love interest MJ, respectively. Their romance was confirmed in 2021.
In his post, Tom’s father admitted fears over whether being in the spotlight could put a strain on the couple’s relationship.
He wrote: “I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”
“And even though show business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention […] yet somehow right at the same time, I am completely confident they will make a successful union.”
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Zendaya rose to fame after landing a role in Disney sitcom Shake It Up, and became a household name after starring in Euphoria.
Holland – who has starred in three Spider-Man films opposite his now-fiancée – made his stage debut in Billy Elliot the Musical in 2008.
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