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Wes Anderson has gathered such a huge celebrity cast for his latest movie that it’s perhaps apt that Asteroid City is set around a stargazer convention – while the characters stare at the skies, the viewers are kept entranced by a different kind of star.

Among the vast cast are A-listers Tom Hanks, Margot Robbie, Scarlett Johansson, Bryan Cranston… Known for his highly stylised movies, Anderson seems to have no issue attracting talent to work with him.

Set in the American southwest in 1955, this film saw a small functioning town built in Spain to serve as the titular Asteroid City, with the cast and crew living and working there throughout the production.

Shot while COVID protocols were in place, it also served as a bubble.

Speaking to Sky News’ Backstage Podcast, cast-members talked about their experiences working with Anderson on Asteroid City, which itself is a play within a TV special.

Bryan Cranston on playing the narrator of the TV special about the play Asteroid City:

“I started really looking and doing some research on the more famous newscasters of the fifties – Edward R Murrow and Walter Cronkite and things like that, and I settled in on someone who kept coming back to me and I was influenced by Ted Koppel, and I sort of love the way he delivered the news.

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“And I also feel that those men fall in love with their own voices… So that sort of came to me that we would do it in this sort of registry and without any emotion and without any opinion on what I was saying, so that the actors in the group can supply that – I was just there to monitor and feed in exposition.

“So, I just figured out this is my role, this is what my job is and then, you know, Wes takes a look at it and shapes it and basically says: ‘Faster, faster, faster, faster’. And you do it faster, faster, faster!”

Pic: Pop. 87 Productions/Focus Features
Image:
Pic: Pop. 87 Productions/Focus Features

Jeffrey Wright on Anderson’s fast-paced script:

“He’s the conductor and he’s setting the rhythm and the tempo and that’s what he wants.

“I think he has a thing for early cinema, 40s, 50s style of stylised dialogue that no one really spoke in the world – it was just this dialect that existed in storytelling, and I kind of love that stuff, too, I love, melodrama and the old forms.

“It’s just a different take on telling the story, it doesn’t mean because it’s antique that it’s not effective – we’ve changed but I think there’s still something that can be moving about those styles, and it’s also a way of accepting that this is a performance – we understand it’s not real, it’s not a documentary and I think Wes likes to celebrate performance in that way.”

Pic: Pop. 87 Productions/Focus Features
Image:
Pic: Pop. 87 Productions/Focus Features

Scarlett Johansson on the preparation needed to play an actor who herself is playing a character who is preparing for a part:

“There were so many layers of the performance – I’m playing an actor who’s playing an actor who’s preparing something.

Pic: Pop. 87 Productions/Focus Features
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Scarlett Johansson in Asteroid City. Pic: Pop. 87 Productions/Focus Features

“I had a lot of questions for Wes, and we talked a lot about all these different – like, What’s this play? What’s this movie that [Johansson’s character] Midge Campbell is preparing? Who is Midge Campbell? I think it was good to figure that stuff out.

“The prep was maybe more involved with this film because it had so many different layers – if I go into doing something, I try to come in with something to hang my hat on, so I have something to offer in the beginning and then it hopefully will evolve from there, but this needed a bit of thinking on it and discussion with Wes and a lot of questions and stuff like that.”

Pic: Pop. 87 Productions/Focus Features
Image:
Pic: Pop. 87 Productions/Focus Features

Jason Schwartzman on working on the film and with Scarlett Johansson:

“It was so fun. It was so interesting. I loved it.

“It wasn’t hard, I’ll tell you, because I felt like I was acting with – the movie was like, done, [Johansson]’s so amazing.”

Steve Carell in director Wes Anderson's ASTEROID CITY, a Focus Features release. Credit: Courtesy of Pop. 87 Productions/Focus Features
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Pic: Pop. 87 Productions/Focus Features

Maya Hawke on the ‘impossible task’ she found herself trying:

“Getting to try something impossible is kind of freeing, you know? Versus having to sort of try to master – being asked to do something simple where you’re like, ‘Oh, no, I’m going to mess this up’.

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‘These people are all so intimidating’

“I felt that the impossible task that was asked of me was, you know, these people are all so intimidating and so talented, and to enter that environment as a new person, as a young person, as a person without that much experience, and to come in with confidence and to not worry that I was going to ruin the film, which very quickly I realised was actually impossible once I got there, because Wes is so masterful in the orchestra conduction of everything that you couldn’t ruin it if you tried your hardest.”

Rupert Friend on living and working together while making Asteroid City:

“One of the things that Wes not only encourages but really engenders is this spirit of community and what it means is that whether you are the main focus of a scene or not is completely immaterial.

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“You want to be there to support your colleagues, whether you’re in the deep, deep background out of focus, as many of us were, or you’re front and centre – that becomes immaterial, so you’re speaking about the egalitarian nature of it.

“I don’t know of a more genuine ensemble than what I saw on set and on the screen for this movie, I mean, any of these people could be the star and everyone gave it to everyone else.”

Asteroid City is out in cinemas now, hear more about it on the latest episode of Backstage – the film and TV podcast from Sky News.

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Bridgerton creator Shonda Rhimes reacts to claims of ‘woke’ casting – and why she’s considering moving to the UK

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Bridgerton creator Shonda Rhimes reacts to claims of 'woke' casting - and why she's considering moving to the UK

Bridgerton creator Shonda Rhimes says filming the drama and its spin-off Queen Charlotte in England has prompted her to consider relocating to the UK.

The US producer, who is behind some of the most popular TV dramas of the past two decades, told Sky News working in Britain had been a “really welcoming experience”, adding: “I’ve been spending a little bit more time over here and I’m going to try to spend even more if I can swap my kids into a British school.

“I’m trying to figure that part out, but I do really love being here and it’s always been such a great experience.”

Rege-Jean Page and Phoebe Dynevor as Simon Basset and Daphne Bridgerton in Bridgerton. Pic: Netflix
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Rege-Jean Page and Phoebe Dynevor as Simon Basset and Daphne Bridgerton in Bridgerton. Pic: Netflix

Rhimes’ vast contribution to television has been recognised at this year’s Edinburgh TV festival, where she was given its inaugural fellowship award for the global impact of her shows.

Her first huge hit was Grey’s Anatomy. The medical drama, which began in 2005, is now in its 22nd season.

Shonda Rhimes created Grey's Anatomy. Pic: ABC/Kobal/Shutterstock
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Shonda Rhimes created Grey’s Anatomy. Pic: ABC/Kobal/Shutterstock

But finding an abandoned novel in a hotel room would motivate her to write Bridgerton, the drama that has become the biggest show on Netflix.

While its steamier scenes are often what garner most attention, she says after reading the books, she came to see it as a “workplace drama”.

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“These are women in their workplace because, in a world in which they have no power, they have no ability to do anything else; their only value is who they marry and their only worth is focused into that,” she adds.

‘Bizarre’ criticism

Rhimes says she is thinking about moving to the UK
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Rhimes says she is thinking about moving to the UK

Rhimes agrees there is something inherently condescending about the way critics use terms like “guilty pleasure” to describe her dramas.

“There are certain people for whom the world of women will never be considered as serious or as complex or as interesting as the world of men,” she says.

Rhimes says she finds some of the reaction to her decision to reflect a diverse range of actors in Bridgerton’s cast “bizarre” after critics accused the show’s makers of “pandering to woke culture”.

Bridgerton has been one of Netflix's most popular shows. Pic: Netflix
Image:
Bridgerton has been one of Netflix’s most popular shows. Pic: Netflix

She said: “The idea that I am writing the show looking like I look, that it wouldn’t occur to me that there should be more people in the show who look like me, I feel like that’s an obvious point. Why would I write something that doesn’t include me in any way?”

Given the thousands of episodes of drama she’s written over the years, she’s all too aware that it’s likely artificial intelligence is probably being used to scrape her scripts.

“There’s a danger of AI learning from my episodes, maybe it will learn to be better at what it does, but, most importantly, I don’t think that there’s any substitute for that germ of creativity that comes from a human imagination, I really don’t.”

As for what she enjoys watching on TV, her eyes light up when I mention having heard she’s a massive fan of a certain British sci-fi classic.

Read more on Sky News:
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“Oh my God, I’ve loved Doctor Who forever! Forever!” she says, describing writer Russell T Davies’ work as “amazing”.

She adds: “For a while, people were like ‘what’s wrong with you?’ because they didn’t know the show. I fell in love with the David Tennant years, and I haven’t been able to let it go because of the writing.”

I ask if she’s ever considered a crossover episode.

She laughs: “I don’t know if there’s a Bridgerton meets Doctor Who…, but I would work with Russell at any time.”

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Lil Nas X: Rapper arrested and taken to hospital after wandering LA street in underwear

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Lil Nas X: Rapper arrested and taken to hospital after wandering LA street in underwear

US rapper Lil Nas X has been arrested and taken to hospital after being found walking in his underwear on a Los Angeles street and allegedly charging at officers and punching one.

Police said in a statement that officers responded shortly before 6am on Thursday (2pm UK time) following reports of a naked man, according to Sky’s US partner NBC News.

The LA force said that as officers went to the 11000 block of Ventura Boulevard in Studio City, the man rushed towards them.

“He was transported to a local hospital for a possible overdose and placed under arrest for battery on a police officer,” police said.

A law enforcement source confirmed to NBC News that the suspect was Montero Lamar Hill, also known as Lil Nas X.

The Old Town Road rapper punched an officer twice in the face during the encounter, according to the NBC source.

Officers were unsure whether he was on any substances or in mental distress, the source said.

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A representative for Hill did not immediately respond to a request for comment.

NBC News cited TMZ footage where Hill was seen walking down the middle of Ventura Boulevard at 4am on Thursday in a pair of white briefs and cowboy boots.

Read more entertainment and arts news:
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In the videos, Hill tells a driver to “come to the party” in one clip and in another tells the person, “Didn’t I tell you to put the phone down?”

“Uh oh, someone’s going to have to pay for that,” Hill says as he continues to walk away.

In some clips, Hill struts as if he’s on a catwalk, posing for onlookers, and at one point he places an orange traffic cone on his head.

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Noel Clarke loses libel case against Guardian publisher over sexual misconduct allegations

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Noel Clarke loses libel case against Guardian publisher over sexual misconduct allegations

Actor Noel Clarke has lost his High Court libel case against the publisher of The Guardian, over a series of news articles which featured claims from a number of women.

The first article, published in April 2021, said some 20 women who knew Clarke in a professional capacity had come forward with allegations of sexual misconduct.

The 49-year-old actor, writer and director, best known for his 2006 film Kidulthood and starring in Doctor Who, sued the publisher and vehemently denied “any sexual misconduct or wrongdoing” – but the court has found Guardian News and Media (GNM) successfully defended the legal action on the grounds of truth and public interest.

Noel Clarke outside court during the trial in April. Pic: PA
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Noel Clarke outside court during the trial in April. Pic: PA

The meanings of all eight of the newspaper’s publications were found to be “substantially true”, the judge, Mrs Justice Steyn, said in a summary of the findings.

“I have accepted some of Mr Clarke’s evidence… but overall I find that he was not a credible or reliable witness,” she said.

In her ruling, the judge also said suggestions that more than 20 witnesses, “none of whom are parties or have a stake in this case, as [Clarke] does” had come to court to lie was “inherently implausible”.

From the evidence heard, it was “clear that women have been speaking about their experiences of working with Mr Clarke for many years”, she said.

‘A deserved victory for women who suffered’

Lucy Osborne and Sirin Kale, the journalists who carried out the investigation, told Sky News they had always been confident in everything published.

“I think that this is not a problem that’s going to go away,” said Osborne. “This kind of behaviour very much still happens in the TV and film industry and other industries. So I do hope this judgment gives other women the confidence to speak out about what they’ve experienced.”

Clarke rose to fame with his 2006 film Kidulthood. Pic: PA
Image:
Clarke rose to fame with his 2006 film Kidulthood. Pic: PA

Guardian editor-in-chief Katharine Viner described the ruling as “a deserved victory for those women who suffered because of the behaviour of Noel Clarke”.

She continued: “Going to court is difficult and stressful, yet more than 20 women agreed to testify in the High Court, refusing to be bullied or intimidated.

“This is also a landmark judgment for Guardian journalism, and for investigative journalism in Britain… The judgment is clear that our investigation was thorough and fair, a template for public interest journalism.”

Clarke’s response

Clarke described the result as disappointing and maintained he believes the newspaper’s reporting was “inaccurate and damaging”.

“I have never claimed to be perfect,” he said. “But I am not the person described in these articles. Overnight I lost everything.”

He said he wanted to thank witnesses who supported his case, as well as his family, “who never stopped believing there was something worth fighting for”.

What happened during the trial?

The trial took place from early March to early April 2025, hearing evidence from multiple witnesses who made accusations against Clarke, including that he had allegedly shared nude photographs of them without their consent, groped them, and asked them to look at him when he was exposed.

Clarke also gave evidence over several days. At one stage, the actor appeared visibly emotional as he claimed the publisher had “smashed my life” with its investigation.

His lawyer told the court he had been made a “scapegoat” and was an “easy target”, as a star at the height of his success when the media industry “zealously sought to correct itself” following the #MeToo movement.

The actor had been handed the outstanding British contribution to cinema award at the BAFTAs just a few weeks before the report was published. Following the article, BAFTA announced it had suspended his membership.

But lawyers for The Guardian told how newspaper’s investigation was “careful and thorough”, saying it had been carried out “conscientiously” by the journalists involved.

In March 2022, police said the actor would not face a criminal investigation over the allegations.

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