Wes Anderson has gathered such a huge celebrity cast for his latest movie that it’s perhaps apt that Asteroid City is set around a stargazer convention – while the characters stare at the skies, the viewers are kept entranced by a different kind of star.
Among the vast cast are A-listers Tom Hanks, Margot Robbie, Scarlett Johansson, Bryan Cranston… Known for his highly stylised movies, Anderson seems to have no issue attracting talent to work with him.
Set in the American southwest in 1955, this film saw a small functioning town built in Spain to serve as the titular Asteroid City, with the cast and crew living and working there throughout the production.
Shot while COVID protocols were in place, it also served as a bubble.
Speaking to Sky News’ Backstage Podcast, cast-members talked about their experiences working with Anderson on Asteroid City, which itself is a play within a TV special.
Bryan Cranston on playing the narrator of the TV special about the play Asteroid City:
“I started really looking and doing some research on the more famous newscasters of the fifties – Edward R Murrow and Walter Cronkite and things like that, and I settled in on someone who kept coming back to me and I was influenced by Ted Koppel, and I sort of love the way he delivered the news.
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“And I also feel that those men fall in love with their own voices… So that sort of came to me that we would do it in this sort of registry and without any emotion and without any opinion on what I was saying, so that the actors in the group can supply that – I was just there to monitor and feed in exposition.
“So, I just figured out this is my role, this is what my job is and then, you know, Wes takes a look at it and shapes it and basically says: ‘Faster, faster, faster, faster’. And you do it faster, faster, faster!”
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Image: Pic: Pop. 87 Productions/Focus Features
Jeffrey Wright on Anderson’s fast-paced script:
“He’s the conductor and he’s setting the rhythm and the tempo and that’s what he wants.
“I think he has a thing for early cinema, 40s, 50s style of stylised dialogue that no one really spoke in the world – it was just this dialect that existed in storytelling, and I kind of love that stuff, too, I love, melodrama and the old forms.
“It’s just a different take on telling the story, it doesn’t mean because it’s antique that it’s not effective – we’ve changed but I think there’s still something that can be moving about those styles, and it’s also a way of accepting that this is a performance – we understand it’s not real, it’s not a documentary and I think Wes likes to celebrate performance in that way.”
Image: Pic: Pop. 87 Productions/Focus Features
Scarlett Johansson on the preparation needed to play an actor who herself is playing a character who is preparing for a part:
“There were so many layers of the performance – I’m playing an actor who’s playing an actor who’s preparing something.
Image: Scarlett Johansson in Asteroid City. Pic: Pop. 87 Productions/Focus Features
“I had a lot of questions for Wes, and we talked a lot about all these different – like, What’s this play? What’s this movie that [Johansson’s character] Midge Campbell is preparing? Who is Midge Campbell? I think it was good to figure that stuff out.
“The prep was maybe more involved with this film because it had so many different layers – if I go into doing something, I try to come in with something to hang my hat on, so I have something to offer in the beginning and then it hopefully will evolve from there, but this needed a bit of thinking on it and discussion with Wes and a lot of questions and stuff like that.”
Image: Pic: Pop. 87 Productions/Focus Features
Jason Schwartzman on working on the film and with Scarlett Johansson:
“It was so fun. It was so interesting. I loved it.
“It wasn’t hard, I’ll tell you, because I felt like I was acting with – the movie was like, done, [Johansson]’s so amazing.”
Image: Pic: Pop. 87 Productions/Focus Features
Maya Hawke on the ‘impossible task’ she found herself trying:
“Getting to try something impossible is kind of freeing, you know? Versus having to sort of try to master – being asked to do something simple where you’re like, ‘Oh, no, I’m going to mess this up’.
“I felt that the impossible task that was asked of me was, you know, these people are all so intimidating and so talented, and to enter that environment as a new person, as a young person, as a person without that much experience, and to come in with confidence and to not worry that I was going to ruin the film, which very quickly I realised was actually impossible once I got there, because Wes is so masterful in the orchestra conduction of everything that you couldn’t ruin it if you tried your hardest.”
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‘These people are all so intimidating’
Rupert Friend on living and working together while making Asteroid City:
“One of the things that Wes not only encourages but really engenders is this spirit of community and what it means is that whether you are the main focus of a scene or not is completely immaterial.
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“You want to be there to support your colleagues, whether you’re in the deep, deep background out of focus, as many of us were, or you’re front and centre – that becomes immaterial, so you’re speaking about the egalitarian nature of it.
“I don’t know of a more genuine ensemble than what I saw on set and on the screen for this movie, I mean, any of these people could be the star and everyone gave it to everyone else.”
Asteroid City is out in cinemas now, hear more about it on the latest episode of Backstage – the film and TV podcast from Sky News.
Hip hop mogul Sean “Diddy” Combs has lost a bid to delay his upcoming sex-trafficking trial by two months.
US district judge Arun Subramanian said the 55-year-old rapper made his request too close to his trial, which is due to start next month.
Jury selection is currently scheduled for 5 May with opening statements set to be heard seven days later.
Combs has pleaded not guilty to five criminal counts including racketeering and sex trafficking.
Prosecutors with the Manhattan US attorney’s office accuse Combs of using his business empire to sexually abuse women between 2004 and 2024.
Combs’s lawyers say the sexual activity described by prosecutors was consensual.
In a court filing on Wednesday, Combs’s lawyer Marc Agnifilo asked Mr Subramanian to delay the trial because he needed more time to prepare his defence to two new charges which were brought on 4 April.
The charges were of sex trafficking and transportation to engage in prostitution.
Mr Agnifilo also said his team needs extra time to review emails it wants an alleged victim to turn over.
The new allegations brought the total number of criminal charges against the rap mogul to five – following the three original counts, which also included racketeering conspiracy, filed in September.
Federal prosecutors were opposed to any delay, writing in a Thursday court filing that the additional charges brought earlier this month did not amount to substantially new conduct.
They also said Combs was not entitled to the alleged victim’s communications.
Image: A sketch of Combs during one of his court appearances. Pic: Reuters
Meanwhile, Mr Subramanian is weighing other evidentiary issues, such as whether to allow alleged victims to testify under pseudonyms.
Also known during his career as Puff Daddy and P Diddy, Combs founded Bad Boy Records and is credited with helping turn rappers and R&B singers such as Notorious B.I.G, Mary J. Blige, Faith Evans and Usher into stars in the 1990s and 2000s.
But prosecutors have said his success concealed a dark side.
They say his alleged abuse included having women take part in recorded sexual performances called “freak-offs” with male sex workers, who were sometimes transported across state lines.
Combs has been in jail in Brooklyn since September, having been denied bail.
He also faces dozens of civil lawsuits by women and men who have accused him of sexual abuse.
Combs has strenuously denied all allegations of wrongdoing.
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
Image: (L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
Image: The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
Image: D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”
“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.
“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.
“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”
Image: Members of the Unite union in Birmingham earlier this month. Pic: PA
Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.
“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.
“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”
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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”
About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.
Image: Rubbish has blighted the city’s streets for weeks . Pic: PA
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Bin situation ‘pains me’ – council boss
On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.
He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.
“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.
Sky News understands talks are not set to resume until next week.