Ezra Miller stars as Barry Allen in Warner Bros.’ “The Flash.”
Warner Bros. Discovery
“The Flash” is a flop. “Black Adam” was a bust. And does anyone remember “Shazam: Fury of the Gods”?
DC Studios needs more than a hero, it needs a new strategy – something different than even its recently established reboot plan.
DC and its parent company, Warner Bros. Discovery, have Marvel Cinematic Universe envy. It’s easy to see why. The MCU’s movies, including ones that haven’t been released by Disney, have grossed about $30 billion worldwide since 2008. Warner Bros. Discovery CEO David Zaslav has directed DC Studios co-CEOs James Gunn and Peter Safran to create their own shared universe involving iconic characters like Batman and Superman.
The problem is, Warner Bros. and DC are already working through the tail end of a previous – and failed – attempt to tie their characters together through multiple films and shows. At the movies, DC’s Justice League just can’t measure up against Marvel’s Avengers.
The likely answer to Warner Bros. and DC’s issues is right in front of them, though: Character-specific franchises that adhere to one filmmaker’s vision, not a TV-style writers room. Basically, let your heroes fly solo.
It’s worked for DC properties before, even recently.
Christopher Nolan’s Batman trilogy, which wrapped in 2012, was a well-reviewed box office juggernaut. And even though they were both connected to the prior attempt at creating a DC movie universe, 2017’s “Wonder Woman” and 2018’s “Aquaman” focused mainly on their title characters and racked up big bucks and accolades in the process.
To put an even finer point on it, look no further than the financial and critical success of Todd Phillips’ “Joker” and Matt Reeves’ “The Batman.” Neither movie is connected to an extended universe.
“Joker,” released in 2019, grossed more than $1 billion worldwide despite being rated R, while racking up a best actor Oscar for star Joaquin Phoenix. Last year’s “The Batman,” starring Robert Pattinson as an early-career Caped Crusader, garnered around $750 million globally. Sequels to both movies are in the works.
But so is “Batman: The Brave and the Bold,” from “Flash” director Andy Muschietti. It will not star Pattinson and will instead serve as “the introduction of the DCU Batman,” according to Gunn. How many different Batmen does an already-superhero-saturated moviegoing audience need? Especially after “The Flash,” which featured four different Dark Knights from previous movies and shows.
Fun vs. homework
Marvel Studios’ “Ant-Man and the Wasp: Quantumania.”
Disney
Comic books were once a refuge from homework. Now, to keep up with everything going on in Disney’s MCU and Sony’s Spider-Verse, which is also connected to the MCU, you need to have watched pretty much everything that came before to get up to speed. That’s dozens of movies and shows, going back to the original Robert Downey Jr. “Iron Man.”
“The Flash,” meanwhile, might be the most intense comic book movie pop quiz, even though DC’s cinematic universe has been all over the place. It’s jam-packed with cameos (some real, some CGI-generated) from past DC movies and shows, going all the way back to George Reeves’ black-and-white Superman.
But in order to understand all the gags, you have to be really into this stuff. Unless you’re a big fan of “Clerks” director Kevin Smith – big enough of a fan to have watched his standup specials, that is – a “Flash” sequence involving a Nicolas Cage version of Superman fighting a giant spider might be lost on you. The movie’s punchline, involving George Clooney returning to the role of Bruce Wayne 26 years after the badly received “Batman and Robin,” is clearly geared toward Gen-Xers and older Millennials, not today’s younger audiences.
Even the MCU model has tripped up at times. Disney CEO Bob Iger himself has suggested that the studio was going to the well too often with certain characters, after the fourth Thor film and third Ant-Man installment underwhelmed at the box office. That should be another warning sign for DC Studios.
For his part, DC’s Gunn recently acknowledged that there are “too many” superhero movies and shows. If anyone can come up with a creative way to change course, it’s him.
After working with schlock factory Troma Films early on, Gunn built a sturdy Hollywood career as a writer and director, alternating between R-rated flicks like “Slither” and stuff for general audiences, like his Guardians of the Galaxy movies for Marvel and Disney. The third entry in that series snapped the MCU out of its mini funk. It’s so far the second-highest-grossing movie of 2023, behind Universal’s “The Super Mario Bros. Movie.”
And he already has a couple DC works on his resume: the 2020 movie “The Suicide Squad” and its 2022 companion series, “Peacemaker,” both of which won wide acclaim.
Gunn is writing and directing “Superman: Legacy,” due in 2025. It’s intended to usher in the new DC shared universe. But there’s still time for him to reconsider his approach and let the Man of Steel – and all the other DC heroes – be super on their own.
Disclosure: NBCUniversal is the parent company of Universal and CNBC.
By midday Tuesday, bitcoin had passed the $105,000 level, ether jumped back above the $2,400 mark, and XRP climbed to $2.19.
The risk-on action in the markets, which also saw stocks rally on the Mideast de-escalation, wasn’t the only source of momentum, as Republican senators unveiled a major bill to set the rules of the road for crypto. Specifically, the legislation would define when crypto is a commodity or a security, allow crypto exchanges to register with the Commodity Futures Trading Commission, and reduce the Securities and Exchange Commission’s regulation of digital assets — a big reversal from the plans of President Biden’s SEC Chair Gary Gensler to closely regulate the crypto industry.
The new framework was introduced by Senate Banking Committee Chairman Tim Scott of South Carolina and Senator Cynthia Lummis of Wyoming, who heads the panel’s Digital Assets Committee. Robinhood CEO Vlad Tenev said on CNBC’s “Squawk Box” that the regulatory development was important for the U.S. to regain the lead in the crypto industry, where he said it has fallen behind other markets, including Europe.
Last week, the senate passed a stablecoin bill, marking the first major legislative win for the crypto industry, which now heads to the House for consideration of its version of the bill. Both bills prohibit yield-bearing consumer stablecoins — but differ on agency regulatory oversight. Visa CEO Ryan McInerney weighed in on the advancement of the Senate version, the Genius Act, telling CNBC’s “Squawk on the Street” that the credit card giant has been embracing stablecoins.
Meanwhile, investors increased their bets on crypto company Digital Asset, which raised $135 million in funding from several big names in banking and finance, including Goldman Sachs, BNP Paribas and hedge fund billionaire Ken Griffin’s Citadel Securities. The firm, which touts itself as a regulated crypto player, said it will use the funding to advance adoption of its Canton network, which is a blockchain for financial institutions, another sign of how major financial institutions are embedding themselves into the once obscure crypto world.
Thomas Fuller | SOPA Images | Lightrocket | Getty Images
Ambarella shares popped 19% after a report that the chip designer is currently working with bankers on a potential sale.
Bloomberg reported the news, citing sources familiar with the matter.
While no deal is imminent, the sources told Bloomberg that the firm may draw interest from semiconductor companies looking to improve their automotive business. Private equity firms have already expressed interest, according to the report.
Read more CNBC tech news
The Santa Clara, California-based company is known for its system-on-chip semiconductors and software used for edge artificial intelligence. Ambarella chips are used in the automotive sector for electronic mirrors and self-driving assistance systems.
Shares have slumped about 18% year to date. The company’s market capitalization last stood at nearly $2.6 billion.
Nvidia CEO Jensen Huang attends a roundtable discussion at the Viva Technology conference dedicated to innovation and startups at Porte de Versailles exhibition center in Paris on June 11, 2025.
The sales are worth nearly $15 million at Tuesday’s opening price.
The transactions are the first sale in Huang’s plan to sell as many as 600,000 shares of Nvidia through the end of 2025. It’s a plan that was announced in March, and it’d be worth $873 million at Tuesday’s opening price.
The Nvidia founder still owns more than 800 million Nvidia shares, according to Monday’s SEC filing. Huang has a net worth of about $126 billion, ranking him 12th on the Bloomberg Billionaires Index.
Nvidia stock is up more than 800% since December 2022 after OpenAI’s ChatGPT was first released to the public. That launch drew attention to Nvidia’s graphics processing units, or GPUs, which were needed to develop and power the artificial intelligence service.
The company’s chips remain in high demand with the majority of the AI chip market, and Nvidia has introduced two subsequent generations of its AI GPU technology.
Nvidia continues to grow. Its stock is up 9% this year, even as the company faces export control issues that could limit foreign markets for its AI chips.
In May, the company reported first-quarter earnings that showed the chipmaker’s revenue growing 69% on an annual basis to $44 billion during the quarter.