Huw Edwards scandal: BBC ‘in touch’ with family of person at centre of explicit photos allegations – corporation boss Tim Davie
BBC boss Tim Davie says the corporation has been in touch with the family of a person at the centre of allegations surrounding Huw Edwards.
Speaking at a pre-arranged Lords Communications Committee session on Tuesday, the director-general said: “We have been in touch with the complainant, we want to be engaged and appropriately listening and understanding their concern”.
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‘We have been in touch with the complainant,’ says BBC director-general
The BBC has faced accusations it did not respond quickly enough to complaints from the family of the young person, after it took seven weeks for allegations to be put to Huw Edwards.
Mr Davie was also asked about holding the BBC’s high-paid talent to account, responding: “I think the history of this industry is such that we should all be concerned and appropriately diligent around the abuse of people in powerful positions”.
He added: “You need to ensure that you’re very, very clear on what your expectations are culturally, as well as the policy.”
He went on to say he was “proud” of the corporation’s code of conduct and values, calling the whistleblowing process by which staff can confidentially report concerns to an external support at work line “a safe place”.
He also confirmed to peers that high-profile presenters at the corporation have a clause in their contract about not bringing the BBC into disrepute.
Edwards, who is the BBC’s highest-earning newsreader, was accused of paying a teenager thousands of pounds for sexually explicit photos.
‘Very wrong directions’
Acting chairwoman of the BBC Dame Elan Closs Stephens told peers despite “huge pressure” to name the presenter at the heart of the scandal, the corporation “had a duty to act with some calm and rationality in the face of lack of rationality and lack of calm”.
She said that duty of care was both to Edwards, the young person and the young person’s family involved “in this maelstrom”.
She went on: “I was on the one hand seeking to establish the right of the board to oversee what was happening, but at the same time, I was trying my best to make for a calm and rational discussion of the issue before we all got carried away in what could have been very wrong directions.”
The family of the young person had originally complained to the BBC in May, but allegations were not put to the presenter, or flagged to senior executives – including Mr Davie – until seven weeks later.
Appeal for information
Mr Davie, along with Dame Elan and policy director Clare Sumner, faced questions about the “adequacy” of the corporation’s governance arrangements and were asked to give updates on the progress of two reports, following the controversy.
The BBC is carrying out “fact-finding investigations” into Edwards, as well as a review to “assess how some complaints are red flagged up the organisation”.
Elaborating on the BBC’s general complaints process, he said a serious allegation would be passed on to its corporate investigations team where it would be assessed by “very experienced people”, and that from there “it could lead to a fact-finding and disciplinary or it might go to the authorities, or it might be dropped”.
Read more:
Who is Huw Edwards?
Was The Sun right to publish allegations?
What friends and colleagues have said about Huw Edwards
BBC chiefs are finally talking – but still avoiding accountability
Essential oils perhaps? A cooling flannel to the forehead?
If Dame Elan Closs Stephens, acting chairwoman of the BBC, has any suggestions on how we journalists chill out, calm down, get a grip – which she clearly thinks we need to do – then please do pass them on.
In truth, I think I may need some tips on stress relief. The rare occasions when bosses at the corporation speak publicly about the Huw Edwards affair are starting to become an exercise in raising one’s blood pressure.
Director-general Tim Davie and Dame Elan fielding questions in parliament, a classic example of how
well-paid guardians of BBC yet again fail to see what the fuss is all about.
For clarity, accountability is an important pillar of the BBC. And yet top bosses seem to have an almost deluded approach to why we expect them to share what goes on behind the scenes.
Yes, finally, we have a few more answers about what’s now happening. Because of their duty of care to those involved, their fact-finding investigation could take weeks or months.
We now know that contractually high-profile presenters agree not to bring the corporation into disrepute.
That, finally, they’ve spoken with the original complainant and want to be “engaged and listening”. They’ve worked out how to make a phone call then?
Forgive the sarcasm, but when Dame Elan criticised the 40 journalists she spoke to on zoom for being so preoccupied by the scandal we failed to report on how well she and her team were handling events behind the scene, it somewhat took the biscuit.
Actually, I wasn’t rubbing my hands together with glee at reporting on the downfall of a well-respected news figure. More over I was contemplating bashing my head against a brick wall out of frustration over how impossible it is to get a straight answer out of the BBC.
For the record, Dame Elan, if you had “wished governance had been more to the fore but can’t dictate how it was reported…” all you had to do was come out and talk to us.
Don’t try to now sell the few brief words you gave to press at the start of a pre-arranged briefing on your annual report as you arranging a proper briefing on the matter, because it certainly wasn’t that.
You are tasked with protecting something precious. Journalists are tasked with making sure you’re doing your job. Accountability and openness is the least required of you.
When are reports due?
Addressing fact-finding probe into Edwards, Mr Davie highlighted the “difficult concerns” involved and appealed for anyone with information to get in touch, saying: “We’re keen to receive any information because we just want to understand anything that’s out there”.
Mr Davie said the report “could take weeks or it could take a couple of months, or even longer”.
With regard to the second review of the BBC’s protocols and procedures, Mr Davie said: “We are doing that work immediately,” adding that it would be delivered in “the autumn, maybe late autumn”.
It will be led by Simon Cuerden, a forensic partner at Deloitte and Sir Nick Serota, a senior independent director at the BBC.
Original allegations
Allegations that Edwards paid a teenager more than £35,000 for sexually explicit photos were first published in The Sun on Friday 7 July. The paper did not name him at the time.
Five days later, the Metropolitan Police said they did not believe any criminal activity had taken place and would be taking no further action.
Following intense speculation over the identity of the BBC presenter, Edwards’ wife, Vicky Flind, confirmed him as the man at the centre of the allegations.
In a statement, she said he was “suffering from serious mental health issues” and was “receiving in-patient hospital care”.
The Sun – who say they never alleged criminality – say they have no plans to publish further allegations against Edwards.
The young person at the centre of the controversy has said – via their lawyer – that their mother’s claims are “rubbish,” and that “nothing inappropriate or unlawful” has taken place.
Edwards, who has since been suspended, is also facing separate allegations from several other people in their early 20s.
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At the weekend, Sir Tony Blair told Sky’s Sophy Ridge on Sunday that the BBC should “stand up for itself more” when asked about its response to the situation.
As the face of BBC News At 10, the 61-year-old has previously led election night coverage, and broke the news of Queen Elizabeth II’s death. He was last on air on Wednesday 5 July, covering the King’s visit to Scotland.
Some have questioned The Sun’s decision to publish the original story, and the balance between publishing in the public interest versus the right to privacy has been thrust firmly into the spotlight.
Angelina Jolie says although she appreciates being an artist, she would prefer for her legacy to be “a good mother” and to be known for her “belief in equality and human rights”.
The Oscar-winning actress stars as Maria Callas in the new Pablo Larrain film about the opera singer’s life.
Pic: StudioCanal
She has called Maria “the hardest” and “most challenging” role she has had in her career and put months of preparation into immersing herself into the world of opera.
Jolie, who recently reached a divorce settlement with actor Brad Pitt, told Sky News: “To be very candid, it was the therapy I didn’t realise I needed. I had no idea how much I was holding in and not letting out.
“So, the challenge wasn’t the technical [side of opera], it was an emotional experience to find my voice, to be in my body, to express. You have to give every single part of yourself.”
The biopic combines the voice of the Maleficent actress with recordings of Maria Callas.
Jolie believes it “would be a crime to not have [Callas’] voice through this because, in many ways, she is very present in this film”.
Who was Maria Callas?
Born in New York in 1923, Maria Callas was the daughter of Greek immigrants who moved back to Athens at the age of 13 with her mother and sister.
After enrolling at the Athens Conservatory, she made her professional debut at 17 and went on to become one of the most famous faces of opera, travelling around the world and performing at Covent Garden in London, The Met in New York and La Scala in Milan.
Callas’s final operatic performance took place at Covent Garden in 1965 when she was 41 but she continued to work conducting master classes at Juilliard School, doing concert tours and starring in the 1969 film Medea.
Written by Peaky Blinders creator Steven Knight, Maria focuses on the artist’s final years in the 1970s when she moved to Paris and disappeared from public view.
She died on 16 September 1977 at the age of 53.
Pic: StudioCanal
Jolie on changing motivations as an actor
Maria follows the life of an artist fully consumed by the art she creates and even remarks that “happiness never developed a beautiful melody”.
Reflecting on her own life in the spotlight, Jolie said she noticed her own career motivations change over the years.
“There’s this kind of study of being human that we do when we create, and we communicate with an audience because our work is not in isolation – it’s a connection.
“I think when I was younger, I had different questions about being human and different feelings and now as I’ve gotten older, I understand some things and now I have different questions.
“It’s a matter of life, right? And so maybe that’s interesting that this now is a character really contemplating death and really contemplating the toll of certain things in life that I, of course, couldn’t have understood in my 20s”.
Jolie at the New York Film Festival in September with three of her children (L-R) Pax, Zahara and Maddox. Pic: AP
A family affair
Two of Jolie’s children, Maddox and Pax, took on production assistant roles during the filming of Maria and witnessed their mother perform opera for the first time in public.
She says the film allowed them to create new experiences together and for her children to see her approach to playing a difficult role.
“Everyone in my home, we all give each other space to be who we are and we’re all different.
“I’m the mom, but I’m also an artist and a person and so my family has been very kind and gives me their understanding. They make fun of me, and they support me and just as you’d hope it would be.”
She adds: “When you play somebody who is dealing with so much pain, it’s very important to come home to some kindness.”
Maria is in cinemas now.
Tom Holland’s dad has confirmed his son’s engagement to Zendaya – revealing how the 28-year-old meticulously planned the proposal.
Zendaya, also 28, sparked engagement rumours when she attended last Sunday’s Golden Globes wearing a sparkling diamond on her ring finger.
Neither star has publicly addressed the rumours but Tom’s comedian father, Dominic Holland, has now confirmed the pair are set to wed.
He wrote in a post on his Patreon account: “Tom, as you know by now was very incredibly well prepared. He had purchased a ring.
“He had spoken with her father and gained permission to propose to his daughter.”
“Tom had everything planned out… When, where, how, what to say, what to wear,” he added.
Zendaya arrived at the Golden Globes with a noticeable piece of new jewellery. Pic: Invision/AP
Dominic also noted that while most men worry about being able to afford an engagement ring, he suspects his actor son was “more concerned with the stone, its size and clarity, its housing, which jeweller”.
Tom and Zendaya met on the set of Spider-Man: Homecoming in 2016, when they played the titular hero and his love interest MJ, respectively. Their romance was confirmed in 2021.
In his post, Tom’s father admitted fears over whether being in the spotlight could put a strain on the couple’s relationship.
He wrote: “I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”
“And even though show business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention […] yet somehow right at the same time, I am completely confident they will make a successful union.”
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Zendaya rose to fame after landing a role in Disney sitcom Shake It Up, and became a household name after starring in Euphoria.
Holland – who has starred in three Spider-Man films opposite his now-fiancée – made his stage debut in Billy Elliot the Musical in 2008.
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